logo
An evocative series of portraits on modern Indian women

An evocative series of portraits on modern Indian women

Time of India23-04-2025
Olympe Ramakrishna
An ongoing exhibition at
Alliance Française Chandigarh
is an evocative tribute to
modern Indian women
by French-Indian artist
Olympe Ramakrishna
. A French-Indian visual artist, her work focuses on identity, memory, and cultural intersections.
Women of Urban India
is a series of 12 portraits that reflect the essence of the contemporary woman as she meanders through present lifestyle while staying true to her tradition.
Of the portraits, Ramakrishna has portrayed 11 women from her own friends, neighbours, and cousins, while the 12
th
is a self-portrait. 'These women, in their 20s and 40s, embody the dynamic spirit of India's urban middle class. Through oil painting and large-scale digital prints on silk panels, I have merges classical and contemporary artistic techniques, evoking the ever-present fabric of the sari, a symbol of both sensuality and heritage,' she says.
Sponsored Links
Sponsored Links
Promoted Links
Promoted Links
You May Like
People In Chhattisgarh Say Goodbye To Mosquitoes With This Revolutionary Solution
Mosquito Eliminator
Read More
Undo
Her work reflects her milieu of urban Indian landscapes, and weaves in vivid textiles on rooftop terraces. adornment.
Following successful showcases at various
Alliance Française locations including Delhi,
Ahmedabad, Bengaluru and other galleries in
Pondicherry,
Église du Vieux Saint-Sauveur in Caen, France,
this exhibition continues to engage audiences worldwide. Each edition offers a unique dialogue between the viewers and the portrayed subjects, highlighting the resilience, aspirations, and cultural ties of women in modern India.
Blending painting, photography, and textile art, Olympe Ramakrishna explores themes of heritage and modernity. Her work has been exhibited internationally, fostering conversations on the evolving narratives of women in contemporary societies.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

‘Paris is scam': Indian traveller slams ‘impossible-to-chew bread' and ‘disaster dessert' at her ‘most expensive' Eiffel Tower lunch
‘Paris is scam': Indian traveller slams ‘impossible-to-chew bread' and ‘disaster dessert' at her ‘most expensive' Eiffel Tower lunch

Indian Express

time11 minutes ago

  • Indian Express

‘Paris is scam': Indian traveller slams ‘impossible-to-chew bread' and ‘disaster dessert' at her ‘most expensive' Eiffel Tower lunch

Ishwarya, an Indian traveller and one half of the United Kingdom-based Tamil travel vlogging duo 'Make Travel Easy,' left Paris with more than just photos of the Eiffel Tower –– she also carried home a story about a pricey lunch gone wrong. In a candid Instagram post, Ishwarya called it her the 'most expensive' meal in the City of Light, yet one that failed to impress. The bread, she said, was so hard it was nearly impossible to chew, and the starter arrived cold. Her experience wasn't unique, an elderly woman from New Zealand, seated beside her at the Eiffel Tower's second-floor restaurant, voiced the same complaints. A post shared by Make Travel Easy (@_maketraveleasy) When Ishwarya asked the server if they had softer bread, the answer was a flat no. She rated the starter just 2/10, gave the main dish a more forgiving 7/10, and declared the dessert, which she found overly creamy, a disaster at 1/10. 'I will never go here again,' she wrote. A post shared by Make Travel Easy (@_maketraveleasy) In her YouTube video, Ishwarya revealed that her day took an unexpected turn when she ended up helping the New Zealand woman, who struggled to eat, reach a supermarket for biscuits and then walk her back to her hotel. The review sparked debate online. Some commenters felt she simply didn't understand European dining culture. 'European breads are supposed to be hard… there are so many different types of breads,' one person pointed out. Another wrote, 'It must be your first time to eat in Europe. That's a normal bread for Europeans.' Others sided with her frustration. 'Paris is a scam,' wrote one. Another was even harsher: 'French food is actually pretty bad. We've been starving out in New Caledonia. No vege, limited fruit. Rubbish food.'

Coolie movie review: Lokesh Kanagaraj's Vikram-lite is scattered and messy; Rajinikanth still packs a punch
Coolie movie review: Lokesh Kanagaraj's Vikram-lite is scattered and messy; Rajinikanth still packs a punch

Hindustan Times

time13 minutes ago

  • Hindustan Times

Coolie movie review: Lokesh Kanagaraj's Vikram-lite is scattered and messy; Rajinikanth still packs a punch

Coolie movie review Cast: Rajinikanth, Nagarjuna, Upendra, Soubin Shahir, Shruti Haasan, Rachita Ram, Sathyaraj, and Aamir Khan Director: Lokesh Kanagaraj Rating: ★★.5 The coming together of Rajinikanth, arguably the biggest mass star in Indian cinema since Amitabh Bachchan, and Lokesh Kanagaraj, one of the few directors in Tamil cinema to have mastered this new-mass grammar, was widely anticipated. Having given Vijay and Kamal Haasan their biggest hits, Lokesh was considered the perfect candidate to bring back 'vintage' Rajinikanth to the screen. That the superstar still had it was evident with Jailer's success. Perhaps it was that heavy burden of expectations, or simply Lokesh's lofty ambitions, but Coolie does not simply fall short, but stumbles and staggers its way along that route. It is a confusing film, as much as it is confused, lifted largely by Rajinikanth's undimmed aura, Aniruddh's masterful score, and some brilliantly shot fight sequences. Coolie review: Lokesh Kanagaraj's film answers a question - can Rajinikanth's swag save an average film? Deva (Rajinikanth) runs a hostel in a mansion in Chennai. But, he has a dark past, one that threatens to return after his old friend Rajashekhar (Sathyaraj) is killed. Deva must now protect his friend's daughters (although we focus largely on Shruti Haasan, ignoring the other two), and infiltrate the gang of Simon (Nagarjuna), who may hold the key to his friend's death. But hounding him is Simon's lackey, the unpredictable Dayal (Soubin Shahir), leading Deva to wonder if he has bitten off more than he can chew. Let us first address the elephant in the room. An ageing man with a dark past is spurred into action due to the death of a loved one, and now he must dismantle a criminal enterprise led by a mercurial villain. And oh, there is a bigger baddie somewhere played by a superstar. This is the plot of both Vikram and Coolie. The difference is merely in the presentation. But while in Vikram, Lokesh was very much in command of the narrative, in Coolie, one can feel he has let the reins go a little too much. The film meanders in all directions, ending up as almost a diluted version of his 2021 hit. And sadly, it lacks many of the things that made Vikram so enjoyable - cohesion, crispness, and direction. Rajinkanth is the heart and soul of the film. At 74, the ageing superstar still lords over the screen, drawing loud cheers and whistles even at the twitch of an eyebrow. Very few actors can manage this connect with the audience across cultures. Even in a film as uneven as Coolie, Rajinikanth's presence and persona are among the saving graces. From meta references to signature cigarette twirls, Rajinikanth excels in everything he does on screen. His presence alone is enough to make the film exponentially watchable. Nagarjuna's villain is menacing and ruthless, but not very impactful. The flashback sequences featuring a de-aged Rajini are also done well, blending nostalgia with mass for an audience who has not seen Rajinikanth prime on the big screen in this manner. But, to me, the real star of the film is Anirudh. The young composer has been proving himself time and again, be it Vikram, Jailer, Jawan, or Leo. In Coolie, he may not have set the internet on fire with a definitive track (think Rolex Theme, Jawan whistle, or Hukum). But with his score, he elevates the film in its dull moments. At any moment when Coolie threatens to cling to the tropes and go to templates, Aniruddh saves the day. Anbariv's action, presented beautifully by Lokesh, adds to that audio-visual charm. The combine yet again gives you action that is slick and does invite a gasp or two. But after a while, you do feel, if Lokesh is settling into a pattern, which is less of a signature and more of a type. Nagarjuna, playing a rare negative role in a commercial film, does well. But again, he cannot match up to some of the memorable villains that this genre of cinema has given in the last half a decade alone. A mass actioner's hero shines only because he is fighting a memorable villain. Despite the superstar's best attempts (and a decent performance), the script does not allow him to be memorable. He is convincing, just not impactful. That job is done by Soubin Shahir. He has the more fleshed-out role, better-written scenes, and a character that most actors would kill for. To Soubin's credit, he makes it his own. If his dance was the talk of the town before the release, his scenes and dialogue will flood the internet now. Soubin Shahir gives the most memorable performance of Coolie. Shruti Haasan has done well with the role she has, even matching Rajini in certain confrontational scenes. Rachita Ram also leaves an impact. But the two superstarry cameos are very uneven. Upendra gets more to do on screen than just be. Everything from his entry to fight scenes has fan service written all over it. But Lokesh proves again that if done right, that is not a bad thing to do. He and Rajinikanth fighting in tandem, like a tag team of wrestlers in a battle royal, is a visual treat and something that fans of both actors will cherish. On the other hand, Aamir Khan's Dahaa is confusing to say the least. If Lokesh wanted a Rolex 2.0 with this, he failed here. Aamir does brilliantly as the unpredictable gangster, but the presence of the character adds very little to the narrative. With Rolex, there was a promise of a payoff. But with Dahaa, it is just an attempt at 'pan-Indiaing' this film, which feels very inorganic. Coolie is not a bad film. Far from it! But it certainly is a squandered opportunity. The combination of Rajinikanth and Lokesh should have given the viewers much more than what it is.

Romantics Anonymous Trailer OUT: Han Hyo Joo and Shun Oguri's head butting turns into love, here when it premieres
Romantics Anonymous Trailer OUT: Han Hyo Joo and Shun Oguri's head butting turns into love, here when it premieres

Pink Villa

time13 minutes ago

  • Pink Villa

Romantics Anonymous Trailer OUT: Han Hyo Joo and Shun Oguri's head butting turns into love, here when it premieres

A man who fears germs, a woman who fears attention— what happens when two troubled souls unite in their love for chocolate? Life's sweetest romance ensues! Upcoming Japanese drama Romantics Anonymous, a series based on the 2010 French-Belgian romantic comedy film of the same name, follows Sosuke Fujiwara and Hana Lee in a telltale story of love and chance happenings. It turns the spotlight on how people with inhibitions may be able to surpass them if only they dare to try and overcome them. The trailer for the video shows Han Hyo Joo and Shun Oguri engaging in strange encounters as the president and an employee of a chocolate shop. With each of their shortcomings, the two find their way back to each other multiple times. Romantics Anonymous is aiming for an October 16 premiere. Romantics Anonymous drops a new trailer, watch The first look at the characters displays them in the cutthroat confectionery industry, where she, a gifted chocolatier, and he, the heir to a chocolate conglomerate, cross paths. Over time, their sudden meetings, which often bring problems to the forefront of their lives, start to feel comfortable instead. With his germaphobe tendencies and her social anxiety, not letting her look into people's eyes turns into a confident touch and conversational relationship; sparks fly. Aiming for a 30th Busan International Film Festival premiere with its first two episodes being shown as a part of the On Screen section, the romantic comedy is said to be promising a cross-border love story that hasn't been seen for a long time. With a fan favorite arc of two people who cannot be together but find comfort in each other and fall in love. The occasional slapstick comedy, paired with chocolate-dripping romance, is aiming for Han Hyo Joo's continued success in Japan and is seemingly looking to introduce Shun Oguri to the widespread love for her. Romantics Anonymous will debut on Netflix on October 16 and is all set to run across 8 episodes.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store