
Books by past CBC Poetry Prize winners and finalists being published in 2025
The 2025 CBC Poetry Prize is open for submissions until June 1, 2025 at 4:59 p.m. ET.
You can submit an original, unpublished poem or collection of poems. The submission will be judged as a whole and must be a maximum of 600 words (including titles).
The winner will receive $6,000 from the Canada Council for the Arts, a two-week writing residency at Banff Centre for Arts and Creativity and will have their work published on CBC Books.
Four finalists will each receive $1,000 from the Canada Council for the Arts and have their work published on CBC Books.
Compulsory Figures by John Barton
The collection Compulsory Figures reflects on John Baron's childhood in Alberta, his coming of age as a gay man during the AIDS crisis and all the people and things that shape us. Through lyrical poetry, it also explores the depths of grief after the poet's loss of one of his sisters in 2015.
Barton was the editor of The Malahat Review from 2004 to 2018. He is a three-time winner of the Archibald Lampman Award and his collection Lost Family: A Memoir was nominated for the 2021 Derek Walcott Prize for Poetry. He was the city of Victoria poet laureate from 2019 to 2022.
Barton won second place of the CBC Poetry Prize in 2002 for In the House of the Present and Assymetries.
The poems in No One Knows Us There shows two portraits of early womanhood. The first, a devoted granddaughter responding to needs in hospital hallways, the second, the same woman ten years older, looking at her younger self with compassion and hopes for healing.
Jessica Bebenek is a queer interdisciplinary poet, bookmaker and educator living between Tiohtià:ke (Montreal) and an off-grid shack on unceded Anishinaabeg territory. Bebenek's writing has been nominated for the Journey Prize, twice nominated for the Pushcart Prize, and in 2021 she was a finalist for the Bronwen Wallace Award for Emerging Writers in Poetry.
Bebenek was longlisted for the 2024 CBC Poetry Prize. She was recently announced as a reader for the 2025 CBC Poetry Prize.
In Born, a pregnant high school teacher is trapped in a classroom during a lockdown caused by a troubled student with a knife, while relying on her students for support as she unexpectedly goes into labour. The novel explores the complexities of the school system, motherhood and the student-teacher relationship.
When you can read it: June 17, 2025.
Heather Birrell is the author of the Gerald Lampert award-winning poetry collection Float and Scurry, and two story collections, Mad Hope and I know you are but what am I? She has also won the Journey Prize and been shortlisted for both the Western and National Magazine Awards. Her work has appeared in numerous Canadian literary journals. She lives in Toronto.
In 2022, Birrell was longlisted for the CBC Poetry Prize.
The Longest Night by Lauren Carter
In The Longest Night Ash Hayes is locked out of her family home in Minnesota on a cold December night. Looking for shelter, she heads to her neighbours whom she's never met. The next morning she discovers that their house is completely void of modern technology and all its windows are blocked. Ash will have to figure a way to alter her past in order to reconnect with her future.
When you can read it: Sept. 1, 2025.
Lauren Carter writes, teaches writing and mentors other writers. She is the author of four books of fiction, including This Has Nothing to Do with You, which won the 2020 Margaret Laurence Award for Fiction. She has also received the John Hirsch Award for Most Promising Manitoba Writer. Her short story Rhubarb won the Prairie Fire Fiction Award. Her debut novel, Swarm, was longlisted for Canada Reads 2014. She is based in Winnipeg.
In 2017, Carter made the CBC Poetry Prize longlist for Lie Down Within the Night. It was her second time on a CBC Poetry Prize longlist. Before that, she'd made the 2013 CBC Poetry Prize longlist for Migration (1851-1882). She was also longlisted for the CBC Short Story Prize in 2015 for River's Edge.
Kingdom of the Clock by Daniel Cowper
Kingdom of the Clock is a novel in verse that explores the lives of the inhabitants of a coastal city during a single day. The cast of characters include an aging stock promoter, an artist, an elderly chess player and a homeless man, among others. Each citizen facing different experiences throughout that same day.
Daniel Cowper is based on Bowen Island, B.C. He studied medieval literature, philosophy and law in Vancouver, Manhattan and Toronto. His poems have appeared in various literary journals, including Arc, Vallum, Freefall, Prairie Fire and Contemporary Verse 2. His first chapbook The God of Doors was the co-winner of Frog Hollow Press' 2016 chapbook contest.
Cowper longlisted for the 2017 CBC Poetry Prize for Earth on the Ocean's Back.
SCAR/CITY by Daniela Elza
The poems in SCAR/CITY are inspired by the tireless work in communities to protect and grow homes that are affordable and provide security of tenure. They interrogate a system that has allowed homes to be mined for profit.
When you can read it: July 22, 2025.
Daniela Elza is a Vancouver-based poet. Her previous collections are the broken boat and slow erosions. In 2024, she received the Colleen Thibaudeau Award for Outstanding Contribution to Poetry. Her debut prose collection Is This an Illness or an Accident? is also be published in 2025.
Elza was on the 2024 CBC Poetry Prize longlist for scar/city I.
Is This an Illness or an Accident? by Daniela Elza
Is This an Illness or an Accident? is a memoir inspired by having to answer the question "But where are you really from?" Elza explores the ideas of belonging, identity and the question of home. It also incorporates the concept of the world citizen, pushing back against the rise of nationalism.
Daniela Elza is a Vancouver-based poet. Her previous collections are the broken boat and slow erosions. In 2024, she received the Colleen Thibaudeau Award for Outstanding Contribution to Poetry. Her poetry collection SCAR/CITY is also be published in 2025.
Elza was on the 2024 CBC Poetry Prize longlist for scar/city I.
Shadow Price by Farah Ghafoor
Shadow Price borrows its title from the finance term — "the estimated price of a good or service for which no market price exists." It's a poetry collection that explores what holds value in a capitalistic world.
Farah Ghafoor is a poet whose work has appeared in The Walrus, Prism International, Room, Ninth Letter and Hobart. Her poems have been taught at Iowa State University and have been nominated for the Pushcart Prize, Best New Poets and Best of the Net. She won the E.J. Pratt Medal and Prize in Poetry. Born in New York and raised in New Brunswick and Ontario, she currently works as a financial analyst in Toronto.
Ghafoor was longlisted for the CBC Poetry Prize in 2022.
Keener Sounds: A Suite by Roger Greenwald
The poet, when young, listened to a violinist practicing and wondered: "Could words as well be made to say the wordless?" Keener Sounds: A Suite is a sequence of contemporary sonnets in which music, as both subject and inspiration, accompanies explorations of love, grief, time and memory.
Greenwald attended The City College of New York and the Poetry Project workshop at St. Mark's Church In-the-Bowery, then completed graduate degrees at the University of Toronto. He has published three earlier books of poems: Connecting Flight, Slow Mountain Train and The Half-Life. He won the 2018 Gwendolyn MacEwen Poetry Award from Exile Magazine.
Greenwald won the CBC Poetry Prize in 1994 and First Prize in the CBC Literary Award for Travel Literature in 2003.
Beaver Hills Forever by Conor Kerr
Beaver Hills Forever is a genre-bending novella with poetic verses that looks at the intertwined lives of four characters — each one of them representing one of the paths available to Metis people on the Prairies. They all share their inner dreams, hardships and even their delusions of grandeur.
When you can read it: Sept. 9, 2025.
Kerr is a Métis/Ukrainian writer who has lived in a number of prairie towns and cities, including Saskatoon. He now lives in Edmonton and teaches creative writing at the University of Alberta. A 2022 CBC Books writer to watch, his previous works include the poetry collection Old Gods and the novel Avenue of Champions, which was longlisted for the 2022 Scotiabank Giller Prize, and won the ReLit award the same year. His most recent book Prairie Edge was shortlisted both for the 2024 Giller Prize and for the 2024 Atwood Gibson fiction prize.
Best Canadian series 2025 edited by Anita Lahey
The Best Canadian anthologies are a yearly endeavour shepherded by series editor Anita Lahey. Every year, a featured guest editor is selected for each of the three categories: stories, essays and poetry. In 2025, the guest editor for fiction was Steven W. Beattie, Emily Urquhart edited the nonfiction category and Aislinn Hunter served as the editor of the poetry collection.
Anita Lahey is an Ottawa writer. Her books include Spinning Side Kick, Out to Dry in Cape Breton, The Mystery Shopping Cart and The Last Goldfish, which was a finalist for the Ottawa Book Award. She has been the series editor of the Best Canadian yearly anthologies since 2018.
Lahey was on the CBC Poetry Prize longlists in 2009 for Men and in 2010 for The Foe.
i cut my tongue on a broken country by Kyo Lee
Through the poet's reflections on growing up queer and Korean Canadian, i cut my tongue on a broken country poignantly details her coming-of-age that's marked with beauty, pain and a quest for love.
Kyo Lee is a queer high school student from Waterloo, Ont. Her work is featured in PRISM International, Nimrod, The Forge Literary Magazine and This Magazine, among others.
Lee is the youngest winner of the CBC Poetry Prize, for her poem lotus flower blooming into breasts, and the youngest finalist for the RBC Bronwen Wallace Award.
Alice loves to play and get up to no good with her friend Mrs. Nobody. However, after Alice pushes back on her idea because she didn't want to play a game they'd already played, Mrs. Nobody disappears. Alice has to spend a lonely night without her friend and figure out what to say when Mrs. Nobody reappears the next day.
Mrs. Nobody is for ages 3-6.
Y. S. Lee's fiction includes the YA mystery series The Agency, which was translated into six languages. Her poems have appeared in publications such as Event, Room, Rattle and the Literary Review of Canada. Her poem Saturday morning, East Pender Street was longlisted for the 2021 CBC Poetry Prize. She lives in Kingston, Ont.
Lee was a finalist for the 2022 CBC Nonfiction Prize for her piece Tek Tek.
Elegy for Opportunity by Natalie Lim
Natalie Lim is a Chinese-Canadian poet based in Vancouver. Her work has been featured in Arc Poetry Magazine and Best Canadian Poetry 2020, among others. She is the author of the chapbook arrhythmia and has won the Room magazine's 2020 Emerging Writer Award.
Cut Side Down by Jessi MacEachern
Cut Side Down is a collection of poems that explores the themes of autobiography, desire, invention, landscape and memory. The poems also feature the important places of the Jessi MacEachern's life — P.E.I. and Montreal. The poems touch on the fantasy genre for even better storytelling.
MacEachern is a poet from P.E.I., who now lives in Montreal where she teaches English literature. Her writing has appeared in journals and anthologies across Canada. Her previous poetry collection was A Number of Stunning Attacks.
MacEachern was on the longlist for the 2018 CBC Poetry Prize.
The Northern by Jacob McArthur Mooney
In the summer of 1952, three men are hired by an upstart Mormon baseball card company in Western Ontario. Their two weeks in the Northern League will have them living in an ever-growing chaos. The Northern depicts a world shaped by the trauma of World War II and those left behind by it. The book is a character study on grief, adolescence, and family.
Jacob McArthur Mooney's previous collections have been shortlisted for the Trillium Book Award in Poetry and the Dylan Thomas Prize. Originally from Nova Scotia, he now lives in Toronto. His fourth book was titled Frank's Wing.
Mooney was on the longlist for the CBC Poetry Prize in 2014 for a poetry collection titled Bindled Back: Three Travel Poems.
From a lovelorn journalist entering a diabolical pact to a tourist attempting to stay sober, Dead Writers is a collection of short stories exploring what the ever-changing concept of "bargain" means, and the heavy price that comes with corrupting your soul.
Regina-raised Cassidy McFadzean is a past finalist for the CBC Poetry Prize and The Walrus Poetry Prize. Her previous works include the poetry books Drolleries, Crying Dress and Hacker Packer, which won two Saskatchewan Book Awards. She also wrote a crown of sonnets called Third State of Being. She currently lives in Toronto.
McFadzean was a finalist for the CBC Poetry Prize in 2013.
We, the Kindling by Otoniya J. Okot Bitek
In We, the Kindling, three women who, as children, survived the horrors of war in Uganda continue to experience the trauma of their past, even when they've started families of their own.
Otoniya J. Okot Bitek, a poet, fiction writer and scholar born in Kenya to Ugandan parents, currently lives in Kingston, Ont. Her first collection of poetry, 100 Days, won the 2017 IndieFab Book of the Year Award for poetry and the 2017 Glenna Lushei Prize for African Poetry. Her second poetry collection, A is for Acholi, won the 2023 Dorothy Livesay Poetry Prize. She was also longlisted for the 2018 CBC Poetry Prize. We, the Kindling is her debut novel.
Planet Earth: Stories by Nicholas Ruddock
Planet Earth is a collection of short stories and novellas that explores themes of love and passion with a specific awareness of humans' carelessness in burning up the world in fresh and unexpected ways. The provocative and contemplative stories are humorous, quick-witted, paradoxically positive with a fondness for humans and their failings.
When you can read it: Nov. 4, 2025.
Nicholas Ruddock is a physician and writer who has worked in Newfoundland and Labrador, Quebec, Yukon and Ontario. He has had novels, short stories, poetry published since 2002 in Canada, U.K., Ireland and Germany. He is the author of the 2021 novel Last Hummingbird of West Chile.
Ruddock has been a finalist for each of the CBC Literary Prizes. He made the 2016 CBC Poetry Prize longlist for Storm as well as the 2016 CBC Nonfiction Prize longlist for The Hummingbirds. Most recently, Ruddock was shortlisted for the 2023 CBC Short Story Prize for his story Marriage.
Goalie by Ben von Jagow
From rookie to retirement, the collection of poems in Goalie vividly captures the highs, lows and everything in-between of a hockey career — exploring the glorious moments of ambitious pursuit and the vulnerable times of facing set-backs.
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'So if anyone was going to steal it, they'd have to be a plumber, or rip the toilet out of the wall.' But after the band's final night in the studio, this security protocol failed him. Bachman handed his prized late-1950s Gretsch archtop — the one he bought with paper-route money when he was 20 years old — to his road manager before the long drive back to Winnipeg. 'I said, 'Don't let it out of your sight,'' Bachman recalled. 'He goes to the Holiday Inn, puts it in the room, goes to check out at the desk and four minutes later, or five minutes later, after checking out, it's gone.' For nearly half a century, it stayed gone. 'I GO INSANE' The disappearance triggered a decades-long search. Bachman enlisted the help of the RCMP, the Ontario Provincial Police and vintage instrument dealers across Canada and the United States. It also triggered what Bachman now recognizes as a mid-life crisis. The 1957 Gretsch 6120 Chet Atkins model, in western orange, is considered the Holy Grail by some connoisseurs of the brand. To count Bachman among them would be an understatement. The Canadian music icon would go on to buy a dozen orange 6120s of the era, all of them perfectly alike to the unobsessed ear. But to Bachman, they were each a reminder of what he'd had, and lost. Bachman Lookin' Out for Number 1 Randy Bachman with his 1957 Gretsch guitar in the video for "Lookin' Out for Number 1" in 1975. The guitar was stolen from Toronto the following year. 'So I enter my midlife crisis with this on my mind and I buy every Gretsch that gets offered to me,' he says. 'I end up with 385 Gretsch guitars. I go insane.' Bachman amassed such a collection that when the Gretsch family wrested back control of the company in the late 1980s, with a view to restarting production on its classic models again, they came to Bachman for help. His Gretsch collection, by then the largest and most complete in the world, would provide the templates for the old models — as what remained of the early Gretsch prototypes had long since been destroyed in a pair of disastrous factory fires. And so the company borrowed his guitars, five or six at a time, and meticulously copied every detail. 'Every Gretsch that you see today, at any store or anybody playing, is a copy of one that was in my collection,' Bachman says. Three years later, the company was firmly back on its feet and owner Fred Gretsch, the fourth in the family lineage to bear that name, approached Bachman to buy his guitars and establish an official Gretsch museum collection. 'LIKE AN ELECTRIC SHOCK' Then came the COVID-19 pandemic. Stuck at home, Bachman was making YouTube videos with his son, Tal, and his son's partner, KoKo, when he got an email from an old neighbour. 'I found your Gretsch guitar in Tokyo,' the message read. According to Bachman, his neighbour had used some old photographs of the guitar and rejigged some facial-recognition software to identify and detect the unique wood-grain patterns and lines of cracked lacquer along the instrument's body. The neighbour ran scans of this unique profile against every image he could find of an orange 1957 Chet Atkins guitar posted online over the last decade and a half. The high-tech detective work paid off with a hit on an obscure YouTube video that, as of this writing, has been watched fewer than 250 times. The 11-minute clip, posted on Christmas Eve 2019, features a man and a woman playing guitars and singing Japanese songs at a restaurant in Tokyo. The man is a musician named Takeshi, and for the bulk of the video, save for an impromptu kazoo solo on 'Rockin' Around the Christmas Tree,' he's playing a 1957 Gretsch 6120, the Chet Atkins model, in western orange. A videoconference call was hastily arranged through Takeshi's PR representative. The Japanese pop musician speaks no English and Bachman speaks no Japanese. Luckily, Bachman's soon-to-be daughter-in-law, KoKo, is fluent in both. 'So it was kind of like the United Nations because we're here in my living room and Takeshi is there in Japan with his manager and I say hello and then we stop and [KoKo] translates it into Japanese and then he asks a question and she translates it back,' he says. Takeshi guitar Japanese musician Takeshi bought this Gretsch guitar in Tokyo without knowing it had been stolen from Randy Bachman in 1976. (Takeshi) A few minutes into the call, Takeshi reaches his hand out of the camera's view and pulls into frame the very bone of contention. 'I am absolutely struck right in my chest, like an electric shock,' says Bachman. 'This is my guitar, and it looks one day older than when it was stolen. Whoever had it, loved it and took care of it.' Trouble is, Takeshi loves the guitar too. He isn't about to surrender it on goodwill alone. 'He says to me, 'I really feel special about this guitar. How did you get it?'' Bachman recalls. So Bachman began to tell how, at 20 years old, he entered a Manitoba music shop, his pocket bulging with the $400 he'd accumulated over a lifetime in the domestic service, mowing lawns and shovelling snow. 'I walked into Winnipeg Piano,' Bachman recalls. 'And it spoke to me.' But Takeshi also speaks guitar, and this particular Gretsch has hardly maintained its silence since leaving Canada. 'He says, 'Well, I went into a store in Japan, a vintage guitar store… and it spoke to me.'' In a statement to CTV News, Takeshi says he 'felt it was destiny' when he first saw the guitar in a Tokyo music shop. 'I immediately and impulsively purchased it.' 'YOU HAVE TO FIND ITS SISTER' It's still unclear exactly how, over four and a half decades, the Gretsch made its way from Toronto to Tokyo. Its chain of custody contains only those two definite links. It may, at one point, have run through Texas by way of Nashville, Bachman believes. 'I said, 'Takeshi, when were you born?'' Bachman continues. 'And he said, 'In 1976.' And I said, 'That's when it was stolen.'' It was this appeal from the elder rocker that Bachman believes finally swayed the negotiation in his favour. But no surrender would be signed until a replacement was found. And not just any replacement. According to Bachman, Takeshi told him, 'You have to find its sister.' The Japanese musician had agreed to a trade on the condition that Bachman find him a guitar of the same make, model, colour, condition, year and factory specs. (It had to have the original Bigsby tremolo intact, and the black DeArmond pickups, not the Filtertrons. That was important.) Gretsch made fewer than 40 of the guitars in 1957. Nearly all that have survived in the decades since have been undesirably modified in some way. But after a flurry of phone calls, emails and rumours chased off into the vapour, Bachman hit the jackpot at a rare guitar shop in Ohio. 'The serial number is two digits off from mine,' he says, still marvelling at the find. 'Which means it was made in the same week.' Takeshi says he is 'honoured and proud to be the one who can finally return this stolen guitar to its owner.' So what does it cost to replace a factory-spec 1957 Chet Atkins in near-mint condition? One answer might be that it costs approximately 50 times what you could have got one for at a Winnipeg music shop in 1963. But that estimate doesn't account for the millions you might spend buying up a museum's worth of substitutes instead. In Bachman's case, he also has to factor in the cost of flights to Tokyo. 'We have it all set to go,' he says of the upcoming trip. 'We're just waiting for travel restrictions to ease up so we can go.' And in case you thought he'd be chaining his old guitar to the aircraft toilet for the flight back, there's also the cost of the custom aluminum container that Bachman had built to shepherd his old guitar through airport security and over the ocean home. A kind of case within a case, it's 'about the size of a child's bed,' Bachman says, with wheels on the bottom and handles on the sides reminiscent of a coffin. 'I'm telling you, it weighs a ton.'