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2025 Aotearoa Music Awards: SIX60 named Aotearoa Charts Icon, Lorde scoops Single of the Year and makes surprise appearance

2025 Aotearoa Music Awards: SIX60 named Aotearoa Charts Icon, Lorde scoops Single of the Year and makes surprise appearance

NZ Herald29-05-2025
The 60th edition of the legendary Aotearoa Music Awards was held at Auckland's Viaduct on Thursday night and saw surprise guests, stunning performances, and heartfelt speeches.
Two of the biggest names in Kiwi music - Lorde and SIX60 - took out some of the top awards during a night full
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L.A.B., Stan Walker team up for outdoor summer gigs in NZ and Gold Coast
L.A.B., Stan Walker team up for outdoor summer gigs in NZ and Gold Coast

NZ Herald

time27-07-2025

  • NZ Herald

L.A.B., Stan Walker team up for outdoor summer gigs in NZ and Gold Coast

Stan Walker on the red carpet of the Aotearoa Music Awards, where he won Best Māori Artist. Photo / New Zealand Herald photography by Sylvie Whinray For Walker, 'heavy prep', like an Olympic athlete or an All Black might do, is a necessity for lead vocalists preparing to tour, as they have nothing to hide behind on stage. 'We are the only ones that can't just pick up the drumsticks and go hard or start playing the bass or whatever.' Psychologically, Walker has also learned to automatically put up 'walls' to protect himself, his family, and his creative process from 'outside noise'. Sometimes this can get in the way of connecting with an audience, Walker says, but performing in the USA and Hawaii last year, the locals' unguarded enthusiasm was so inspiring he felt the walls came down. Raised on gospel music, Walker especially loves connecting with Black fans and friends in the States. 'They're like, 'man, you need to lead us, brother!' So you get like a fire.' Auckland reggae band Corrella will support Stan Walker and L.A.B. at their Tauranga show. Photo / Supplied Hawaiian music fans, he says, aren't held back by 'tall poppyness' like many New Zealanders. 'They're like, 'I love you. You changed my life. I want to follow you for the rest of my days'.' A Kiwi who recognises him is more likely to say something like 'Yeah, my mum is a fan', Walker says. 'It's really backhanded, and I think it's our like, defence mechanism. We don't want to get rejected or whatever. I get it, but at the same time, it's ugly.' L.A.B. singer Joel Shadbolt 'resonates hard' with Walker's insight on this cultural difference – 'Oh, preach, brother. Holy moly… Don't be a second-hand fan, be first-hand.' His band has also played some amazing shows in the States, he says, and American audiences are a lot more encouraging of guitar solos. L.A.B. singer Joel Shadbolt says American audiences are a lot more into guitar solos than Kiwis. Photo / Alex Cairns 'My roots are blues, so it comes from the south, and I know that feeling, I know that music, it's in me. When I play in the States, I feel that, man. Far out, I feel it. It's magic.' Back home in Aotearoa, Shadbolt and Walker agree Christchurch is one place where people really know how to show appreciation. Although he's had 'some very opposite experiences' offstage in the South Island city, Walker says he's always felt recharged by performing there, which he first did at 16. '[Christchurch audiences] show me why I do what I do, if that makes sense. It's electric.' In the lead-up to an L.A.B. show, the members gather to make sure they're 'on the same kind of buzz', Shadbolt says, and sing a karakia and some harmony-driven songs before hitting the stage. 'We all get locked in, you know?' L.A.B will be performing in Tauranga this summer. Photo / Supplied Artists give so much and love doing it, but they also really need to refuel, Shadbolt says. When he starts feeling like he's living 'in a weird alternate reality', the remedy is going home to visit whānau. 'Hanging out with my Nan is all I need for half an hour.' As a touring vocalist, performing shows back to back, you become hyper-aware of how your body feels, Shadbolt says. Sleep, hydration, nutrition and movement are his 'four pillars'. 'You get those right, and then the voice is magic. Any of those fall down, it's like 'Oooh, should have had a feed' or 'Oooh, ate too much'.' For Walker, it's 'buzzy' that alongside R&B singer Aaradhna, the up-and-coming musician Liam Te Wehi (Te Wehi) is supporting his three shows with L.A.B. this summer. R&B singer Aaradhna will support Stan Walker and L.A.B. at all three of their outdoor summer shows. Photo / Stijl, James Ensing-Trussell Although he's been listening to his music and enjoying his TikTok for ages, the two haven't yet met. 'He looks like my dad, bro!' For Shadbolt, it's really special that pioneering hip-hop group Nesian Mystic are supporting the Stan Walker / L.A.B. show at Auckland's Outer Fields festival on January 31. It's his band's first headlining Auckland gig in over four years, and the first time Nesian Mystic have hit the stage there in about 15 years. 'I listened to some of these songs in the car before, and I was like, 'Man, it's gonna be so nostalgic hanging out and playing their stuff live'. 'We're kind of buzzing for the show up there.'

Frankie Venter Is ‘Talking To The Walls' In New Single Out Today
Frankie Venter Is ‘Talking To The Walls' In New Single Out Today

Scoop

time24-07-2025

  • Scoop

Frankie Venter Is ‘Talking To The Walls' In New Single Out Today

Fresh off her international festival slot debut at Starburst in Sydney and Best Pop Artist nomination at the Aotearoa Music Awards, 18-year-old pop sensation, Frankie Venter, releases her latest single 'talking to the walls' today. Disguised by a catchy beat and soothing guitar, Venter delves into her own heartbreak from an emotionally unavailable relationship. With 'talking to the walls', Venter unveils a deeply vulnerable side of her songwriting, displaying her creative versatility to be able to produce introspective tracks and anthems that still carry the infectious pop energy Venter is known for. 'This is a song I wrote about breaking up with someone who was emotionally unavailable. I often found myself literally talking to the walls during this relationship, when the person I was with should've been the first person I could speak to about what was happening in my life,' says Venter. Co-written by collaborator Dan Martin and close friend Indyah, 'talking to the walls' was one of their earliest creations, but had been sitting unreleased for almost a year. The track also features production credits from LA-based Australian producer M-Phazes who has worked with heavy weights such as Eminem, Ruel, Teezo, Touchdown and Lucky Daye. Venter says it was time to release the song now that she's healed from the breakup. 'When I listen back to the song it's like opening a little time capsule into heart-broken Frankie's life at the time. Now that I'm over it, I think it's time to share this super vulnerable part of my life.' Venter will perform at BIGSOUND 2025 in Brisbane this September, joining Aotearoa and Australia's premier festival for emerging talent. Her new release 'talking to the walls' marks the beginning of the lead-up to her upcoming EP and is further proof of Venter's ever evolving gift at crafting superb pop hits. 'talking to the walls' is available now.

Listener's Songs of the Week: New tracks by Blood Orange featuring Lorde, Nine Inch Nails, David Byrne, and more
Listener's Songs of the Week: New tracks by Blood Orange featuring Lorde, Nine Inch Nails, David Byrne, and more

NZ Herald

time19-07-2025

  • NZ Herald

Listener's Songs of the Week: New tracks by Blood Orange featuring Lorde, Nine Inch Nails, David Byrne, and more

Lorde's choirmaster Dev Hynes, aka Blood Orange. Photo / Michael Lavine Reviews Mind Loaded by Blood Orange, featuring Caroline Polachek, Lorde & Mustafa UK producer-songwriter-multi-instrumentalist Blood Orange (Devonté Hynes) arranges himself quite a choir on this dreamy, airy, melancholy bit of chamber pop, driven by a gently arpeggiating piano before talking a harsh left-turn with a minute to go. It's one of two advance tracks from his first solo album since 2018, Essex Honey. The Lorde vocal cameos follow Hynes' cello, bass, synth, and guitar playing on the Virgin track Favourite Daughter and him being a support act on her forthcoming Ultrasound world tour. – Russell Baillie She Explains Things to Me By David Byrne, Ghost Train Orchestra Byrne's amusing ode to male befuddlement might be partly inspired by Rebecca Solnit's 2014 book Men Explain Things to Me which popularised the phrase 'mansplaining.' But it could also be read as a sweet love song from this spry 73-year-old's coming solo album, one that sounds like it will be fun to put on the gramophone right after Talking Heads' Remain in Light at my next rest home happy hour. – Russell Baillie As Alive as You Need Me to Be by Nine Inch Nails Welcome to a brief sub-section of this week's column devoted to bands you might have once seen at a Big Day Out (younger readers, ask an uncle). Trent Reznor and Atticus Ross have had a dignified parallel career as creators of movie soundtracks since the BDO era, while Reznor has occasionally dusted off his old Nine Inch Nails band-brand. Here, under the NIN banner, they unleash the first song off the soundtrack to the new Tron film – Daft Punk did the last one – and the instantly anthemic As Alive as You Need Me to Be should have fans of Reznor's electro-goth-rock beginnings from his Pretty Hate Machine era wondering where the time has gone? – Russell Baillie My Mind is a Mountain by Deftones And now for your daily dose of angst-filled, shouty, head-crunching, decibel-abusing Californian metal from a band which played the BDO a couple of times. Claustrophobic consciousness metal? 'The storm remains and my heart's entrenched. Fate explores me now. Why do we bathe in this psyche?' It's a good, loudly delivered, question. – Graham Reid Desire by Georgia Knight Like a sensual trip-hopped Kate Bush, this steamy single from Melbourne-based expat Knight is a deep and smoky dive into interesting new territory. She tours with Folk Bitch Trio in September, and it'll be interesting to see how something like this slice of nightclub/noir art-pop plays out live. Meantime check it out. If it signals a new album let's hope she gets on with it. – Graham Reid Sundog by Babe Martin Babe Martin (Auckland's Zoe Larsen Cumming) possesses an extraordinary voice which here opens high and lonely then just keeps pushing upward as this confident piece becomes a swelling slice of something beyond folk and moves into evocative art music. If we judge people by the company they keep it's worth noting in her circle is Jazmine Mary, that's good company. Debut EP Not a Bee, but a Wasp coming soon. Definitely one to watch out for. – Graham Reid Give Into My Fears by Jamaica Moana As on previous singles Living Out West and Keep It Real, this Sydney-based, Samoan-Māori, queer artist – with links to the Hokianga and Waikato – keeps the backing stripped right back so her rap messages come through with clarity. It's about creating herself, assertion, the drive towards fame ('I've been doing this for years') and never compromising. She's convincing. Six-song debut EP Bud & Deni (named for her parents) out August 1. -- Graham Reid Death in the Family by The Sophs Who would have thought 'WEEZER-like' would become a thing? But here the LA-based alt-pop Sophs tap into a Weezerness with a song which is droll and disturbing ('I need a death in the family to turn my page') which cleaves a bit too close to Weezer to be totally satisfying. But the message of seeking redemption for past mistakes is interesting. Too soon to send flowers, and this only their second single (their previous Sweat was more convincing) so maybe that Next Big Thing description could go on hold for a while. – Graham Reid Time by Curtis Harding Vocally, American soul man Harding can deliver from the tradition of classic Motown and Stax artists (Temptations, Rufus Thomas, and other raw singers). But on this drum-driven single he initially dispenses with horns and backing vocals which means he immediately catches attention. When those other elements arrive there's tension and a sense of desperation which cleverly winds down into a moody second half. A crafted and quietly compelling notice of a new, as yet unscheduled, album. – Graham Reid Fine by Meg Washington, featuring Paul Kelly Seasoned Brisbane singer-songwriter Meg Washington ropes in wise elder Paul Kelly for a tight-harmony duet that runs a fine line between subdued country folk ballad and uplifting ode to surviving the storm. 'Everything's going to be fine,' they sing on a gentle song that snowballs into something Cohen-esque and hymn-like. Would suit a choir treatment which brings us to … – Russell Baillie Didn't It Rain by the New Zealand Youth Choir, Karen Grylls conductor We've always produced good choirs. It's not surprising – famously, more New Zealanders sing in choirs than play rugby. Our leading choirs, though, are much better than good. They proved it again recently during the NZ Youth Choir's Northern Hemisphere tour, where, under the stewardship of music director David Squire, they've won two major competitions. They took top honours at the Grand Prix of Nations at the European Choir Games in Denmark, and a few days later were named Choir of the World at the Llangollen International Musical Eisteddfod in Wales. It's not the first time they've claimed the latter title – they won in 1999, too. It's from that competition that this recording of NZ composer David Hamilton's Didn't It Rain comes. Go Kiwi. – Richard Betts Dig Deep by Fat Freddy's Drop You could spend a long time looking for a track that showed what the late Chris Faiumu brought to Fat Freddy's Drop. This, from 2021's album Wairunga and accompanying concert film (see below) shows him effortlessly busy in the electronic engine room that he built and powered the band with. – Russell Baillie

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