The 16 Best Movies by Female Filmmakers
There's a well-worn (read: tiresome) myth that there just aren't that many great films directed by women. We've gathered here today to shatter that illusion into a million glittering, high-frame-rate pieces. From dreamy indie gems to Oscar-anointed powerhouses, these are the female-directed films that critics adore, film students dissect, and your friend with the Letterboxd addiction is using to impress boys in Brooklyn.
This list is far from exhaustive—but it's a solid start.
Céline Sciamma's slow-burn queer romance between a painter and her subject unfolds on the windy edges of 18th-century France, simmering with erotic tension and serving some of the most beautiful visuals committed to film. Also, zero men. It's perfect.
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Come for Paul Mescal's short shorts, stay for the devastating emotional autopsy of memory and fatherhood. Charlotte Wells gives us grief as memory, and love as a camcorder flicker. You won't cry until three days later in the shower.
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A dreamy, melancholic portrait of suburban ennui and adolescent mythmaking. Still her most haunting—and debatably best—film.
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Agnès Varda made existential dread look chic before it was cool. This French New Wave classic follows a pop singer in real time as she awaits medical results—and questions everything. Black-and-white, but make it deeply interior and defiantly feminist.
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Now tell me why Twilight feels like an indie. Say what you want, but Catherine Hardwicke kicked off the YA vampire craze with blue-tinted angst and Kristen Stewart's best lip-bite acting. The remainder of the franchise was helmed by a rotating selection of men, but hey, at least we had Forks.
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Chloé Zhao turns economic collapse into a spiritual odyssey, while Frances McDormand poops in a bucket and finds transcendence on the open road. Bleak? Sure. But also strangely liberating.
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Ava DuVernay's blistering documentary connects the dots between slavery and the modern prison-industrial complex with clarity and conviction. Required viewing that doubles as a cinematic mic drop.
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A Western for the modern era, Campion uses the genre to explore repression, queerness, and toxic masculinity—plus, Benedict Cumberbatch plays a cowboy with layers (of emotion and textiles).
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Lorene Scafaria's stripper crime saga is Goodfellas meets Magic Mike, with pole-dancing as economic resistance. J.Lo in this film is a moment, a movement, a manifesto. It's also a recession story, which feels…timely.
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Possibly the quietest horror film ever made, Kitty Green captures the banality of evil via printer paper and passive-aggression. A single day in the life of a junior assistant at a Weinstein-esque firm becomes a subtle warning about complicity and silence.
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A bisexual panic attack of a film, Emma Seligman traps us in the most claustrophobic Jewish funeral this side of Curb Your Enthusiasm and lets anxiety do the talking. If you've ever been trapped at a family function with your ex and your sugar daddy, you'll relate.
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Kathryn Bigelow's high-octane war thriller drops you into Iraq with a fuse already lit. It's testosterone cinema, sure—but filtered through a woman's gaze that interrogates addiction, masculinity, and the futility of control.
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This is coming-of-age storytelling at its sharpest and most specific. Greta Gerwig's semi-autobiographical teen dramedy is a perfectly imperfect ode to mothers, Catholic school, and Sacramento ennui. Every line is a quote, every feeling a gut punch. It's not boring—it's Sacramento.
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A talky film that shouldn't work—but absolutely does. Sarah Polley's Mennonite #MeToo chamber drama is essentially a 90-minute moral philosophy debate—and it's riveting. Quiet fury, radical forgiveness, and the power of choosing your own exit.
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An iconic meet-cute on a basketball court, this coming-of-age film is singular. It's a sports movie that is also a rom-com that is also a generational Black love story. We still quote 'double or nothing.'
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Eliza Hittman crafts an odyssey out of necessity in this quietly radical, observational tale. Two teens, one unplanned pregnancy, and a bus ride to New York that becomes a study in sisterhood, strength, and the systemic failures of reproductive care. Again, timely.
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