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The 16 Best Movies by Female Filmmakers
The 16 Best Movies by Female Filmmakers

Cosmopolitan

timea day ago

  • Entertainment
  • Cosmopolitan

The 16 Best Movies by Female Filmmakers

There's a well-worn (read: tiresome) myth that there just aren't that many great films directed by women. We've gathered here today to shatter that illusion into a million glittering, high-frame-rate pieces. From dreamy indie gems to Oscar-anointed powerhouses, these are the female-directed films that critics adore, film students dissect, and your friend with the Letterboxd addiction is using to impress boys in Brooklyn. This list is far from exhaustive—but it's a solid start. Céline Sciamma's slow-burn queer romance between a painter and her subject unfolds on the windy edges of 18th-century France, simmering with erotic tension and serving some of the most beautiful visuals committed to film. Also, zero men. It's perfect. Stream Now Come for Paul Mescal's short shorts, stay for the devastating emotional autopsy of memory and fatherhood. Charlotte Wells gives us grief as memory, and love as a camcorder flicker. You won't cry until three days later in the shower. Stream Now A dreamy, melancholic portrait of suburban ennui and adolescent mythmaking. Still her most haunting—and debatably best—film. Stream Now Agnès Varda made existential dread look chic before it was cool. This French New Wave classic follows a pop singer in real time as she awaits medical results—and questions everything. Black-and-white, but make it deeply interior and defiantly feminist. Stream Now Now tell me why Twilight feels like an indie. Say what you want, but Catherine Hardwicke kicked off the YA vampire craze with blue-tinted angst and Kristen Stewart's best lip-bite acting. The remainder of the franchise was helmed by a rotating selection of men, but hey, at least we had Forks. Stream Now Chloé Zhao turns economic collapse into a spiritual odyssey, while Frances McDormand poops in a bucket and finds transcendence on the open road. Bleak? Sure. But also strangely liberating. Stream Now Ava DuVernay's blistering documentary connects the dots between slavery and the modern prison-industrial complex with clarity and conviction. Required viewing that doubles as a cinematic mic drop. Stream Now A Western for the modern era, Campion uses the genre to explore repression, queerness, and toxic masculinity—plus, Benedict Cumberbatch plays a cowboy with layers (of emotion and textiles). Stream Now Lorene Scafaria's stripper crime saga is Goodfellas meets Magic Mike, with pole-dancing as economic resistance. in this film is a moment, a movement, a manifesto. It's also a recession story, which feels…timely. Stream Now Possibly the quietest horror film ever made, Kitty Green captures the banality of evil via printer paper and passive-aggression. A single day in the life of a junior assistant at a Weinstein-esque firm becomes a subtle warning about complicity and silence. Stream Now A bisexual panic attack of a film, Emma Seligman traps us in the most claustrophobic Jewish funeral this side of Curb Your Enthusiasm and lets anxiety do the talking. If you've ever been trapped at a family function with your ex and your sugar daddy, you'll relate. Stream Now Kathryn Bigelow's high-octane war thriller drops you into Iraq with a fuse already lit. It's testosterone cinema, sure—but filtered through a woman's gaze that interrogates addiction, masculinity, and the futility of control. Stream Now This is coming-of-age storytelling at its sharpest and most specific. Greta Gerwig's semi-autobiographical teen dramedy is a perfectly imperfect ode to mothers, Catholic school, and Sacramento ennui. Every line is a quote, every feeling a gut punch. It's not boring—it's Sacramento. Stream Now A talky film that shouldn't work—but absolutely does. Sarah Polley's Mennonite #MeToo chamber drama is essentially a 90-minute moral philosophy debate—and it's riveting. Quiet fury, radical forgiveness, and the power of choosing your own exit. Stream Now An iconic meet-cute on a basketball court, this coming-of-age film is singular. It's a sports movie that is also a rom-com that is also a generational Black love story. We still quote 'double or nothing.' Stream Now Eliza Hittman crafts an odyssey out of necessity in this quietly radical, observational tale. Two teens, one unplanned pregnancy, and a bus ride to New York that becomes a study in sisterhood, strength, and the systemic failures of reproductive care. Again, timely. Stream Now

Developing a new national plan for offshore wind energy
Developing a new national plan for offshore wind energy

Irish Examiner

time2 days ago

  • Business
  • Irish Examiner

Developing a new national plan for offshore wind energy

At the start of May, Minister for Climate, Environment and Energy Darragh O'Brien TD announced that work has started on a new national map to identify locations where future offshore wind farms can be developed. The national Designated Maritime Area Plan (DMAP) for offshore wind will be developed by the Department of Climate, Environment and Energy, and will involve extensive data-gathering and public consultation. It is due to be completed by the end of 2027. Ireland's first DMAP was approved by the Oireachtas late last year and identified four sites off the coast of Waterford for new offshore wind farms. The map was produced following an extensive public consultation with coastal communities in Waterford, Cork, and Wexford and was informed by detailed environmental, scientific and engineering expertise. The fishing community on the south coast was heavily involved in the process, working with the Government to ensure that, as much as possible, the impact on fishing activity from the development of offshore wind energy within the DMAP was minimised. Four areas off the south coast of Ireland have been identified for offshore wind in the Government's draft "DMAP". An auction for the first of those four sites, known as Tonn Nua — the Irish for 'New Wave' — will be held before the end of the year to build a 900 MW wind farm at that location though there continues to be uncertainty over the Government's plans for the three other sites. Managed and sustainable 'The use of strategically planned DMAPs will ensure that developments in Ireland's maritime area take place in a managed and sustainable way,' said Minister O'Brien. 'An integrated, national approach will ensure that strategic forward planning for skills, enterprise and the industry-wide supply chain development can take place. 'Ports will have the ability to forward plan for the necessary large-scale offshore infrastructure build-outs required to support ORE development, while forward planning for grid and interconnection can occur within the framework of a long-term holistic view. By focusing on a single DMAP, we will be able to maximise our resources.' The Irish wind energy industry welcomed the announcement as providing greater certainty and ambition for Ireland's offshore wind energy future while highlighting concerns about the timeline for completion. Industry response 'This will take time,' said Wind Energy Ireland CEO Noel Cunniffe, 'and our members will do everything they can to help speed things up, but once complete this will provide enough sites to accelerate the development of offshore renewable energy and to put Ireland firmly at the heart of Europe's response to the energy and climate crises. 'But it won't be done in 2027 if the resources, the personnel and the expertise isn't in place to ensure we hit that target. The offshore wind industry has struggled with missed deadlines from Government in the past and we can't afford more slippages.' The industry sees the budget later this year as, effectively, the Government's only opportunity to allocate enough funding if the 2027 deadline is to be hit. Resources will be needed to collect and buy data on Ireland's maritime area, to commission marine surveys and to ensure a thorough and transparent public consultation. It will also be critical to ensure that the development of the new national DMAP aligns with plans for new Marine Protected Areas. Legislation has long been promised to help Ireland meet its international obligation to designate 30 per cent of Irish waters as Marine Protected Areas by 2030. Marine protection While the Bill is listed as a priority in the Government's legislative calendar it is unlikely it will be enacted before work on the national DMAP is, at a minimum, significantly advanced. It is a challenge of which Minister for State at the Department of Climate, Environment and Energy with special responsibility for the Marine, Timmy Dooley TD, is very conscious. 'As an island nation with an extensive maritime territory, Ireland has one of the best offshore wind resources in the world,' he said. 'The development of offshore wind projects, including floating offshore wind and other innovative technologies throughout our coastal areas, offers enormous economic opportunities for coastal communities, in terms of jobs growth and local community development. 'It also provides the opportunity to align with future Marine Protected Areas. The DMAP development process will be inclusive and will provide comprehensive consultation opportunities.' The development of the new national map has the potential to boost confidence in Ireland as a place to invest within the wider offshore wind energy industry and to produce a strong pipeline of new projects. But doubts persist over whether the Government will be able to meet the timeline it has set itself. And while work on the national DMAP must start immediately the greater priority is the remaining five offshore projects already in the planning system. With the likely loss of the Sceirde Rocks project off the coast of Galway the risks to the other projects must be minimised and this has to be at the top of Minister O'Brien's to-do list.

Netflix Buys Richard Linklater's ‘Nouvelle Vague' After Cannes Debut
Netflix Buys Richard Linklater's ‘Nouvelle Vague' After Cannes Debut

Yahoo

time2 days ago

  • Business
  • Yahoo

Netflix Buys Richard Linklater's ‘Nouvelle Vague' After Cannes Debut

Netflix has acquired Richard Linklater's Nouvelle Vague, a black-and-white love letter to the French New Wave, specifically to the 1960 classic Breathless. The sale comes after the film's strong debut at the Cannes Film Festival, where it received a 10-minute-plus standing ovation from the audience. 'If you do it long enough, I always thought you can make one film about making films. This is mine,' the filmmaker said at the Cannes press conference for Nouvelle Vague. More from The Hollywood Reporter 'Deported' Comic Russell Peters Doesn't Fear Being Sent Home Under Trump: "They'd Be Damn Foolish to Get Rid of Me" Unpacking That Unexpected 'Sirens' Ending With Meghann Fahy and Milly Alcock How 'The Tylenol Murders' Landed the Suspected Tylenol Murderer for Netflix Docuseries Nouvelle Vague tells the story of the making of Jean-Luc Godard's Breathless, which follows Michel Poiccard (Jean-Paul Belmondo), a small-time criminal on the run after killing a policeman, and his romantic entanglement with Patricia Franchini (Jean Seberg), an American journalism student in Paris. Linklater's French-language movie is shot on film in the 4:3 aspect ratio and stars Guillaume Marbeck as Godard, Zoey Deutch as Godard's star Jean Seberg and Aubry Dullin as Jean-Paul Belmondo. THR film critic Jordan Mintzer wrote in his review, 'It's an impressive package that certainly required more money and manpower than Godard's first feature did, while ironically enough, the moral of this movie is that a big budget and crew aren't needed to make something great. Linklater celebrates JLG's audacity even if he's directed something more conventional (although much to his credit, he directed it almost entirely in French). If Nouvelle Vague is not exactly Breathless, it's a loving homage to the crazy way Breathless was made — back when you could shoot movies fast, cheap and out of control, and somehow change cinema in the process.' Scott Feinberg, THR's executive editor of awards, also predicts that Nouvelle Vague is one of the strongest titles coming out of Cannes in the Oscar conversation. Linklater has previously been nominated for five Academy Awards. Nouvelle Vague will likely not receive a longer theatrical run in the U.S., just the standard awards-qualifying two-week window domestically, a source tells THR. Deadline was first to report the news of the sale. Best of The Hollywood Reporter 13 of Tom Cruise's Most Jaw-Dropping Stunts Hollywood Stars Who Are One Award Away From an EGOT 'The Goonies' Cast, Then and Now

Richard Linklater's ‘Nouvelle Vague' Draws Raft Of International Buyers For Goodfellas
Richard Linklater's ‘Nouvelle Vague' Draws Raft Of International Buyers For Goodfellas

Yahoo

time3 days ago

  • Business
  • Yahoo

Richard Linklater's ‘Nouvelle Vague' Draws Raft Of International Buyers For Goodfellas

EXCLUSIVE: Richard Linklater's love letter to the New Wave Nouvelle Vague has sold to more than 20 theatrical distributors worldwide for Goodfellas following its buzzy Cannes premiere, as one of four French majority productions in Competition this year. They join Paris-based distributor ARP Sélection which will release the film in cinemas in France on October 8 on 500 screens, having produced the film under the banner of ARP Production with Linklater's Austin-based Detour Film. More from Deadline Zoey Deutch Felt Jean Seberg's Spirit Helped On The Set Of Richard Linklater's 'Nouvelle Vague': It Was 'A Wild Story' – Cannes Studio Doc Talk In Cannes: Deadline Podcast Hosts American Pavilion Panel On Challenged State Of Documentary Industry Sony Pictures Classics Takes North America & Multiple Territories For Cannes Caméra D'Or Winner 'The President's Cake' The French-language production about the making of Jean-Luc Godard's 1960s New Wave classic Breathless has sold out in Europe for Paris-based sales company Goodfellas. It has unveiled deals to Benelux (Cherry Pickers), the UK & Ireland (Altitude), Switzerland (Filmcoopi), Germany, (Plaion), Spain (Elastica Films), Greece (Cinobo), Italy (Lucky Red /Bim), Portugal (Alambique), Scandinavia (TriArt Film), Ex-Yugoslavia (MCF Megacom), Romania (Independenta), Baltics (Scanorama) and CIS (MJM Group). In the rest of the world, it has been acquired for Latin America (Cine Canibal), Japan (Nikkatsu Corporation/AMG), Australia (Transmission Films), South Korea (AUD), and Indonesia (Falcon Pictures). Canada, China and Asia are among territories currently under negotiation. Goodfellas says all the distributors are planning theatrical releases for the film. Nouvelle Vague, which is Linklater's first French-language film, received the support of France's National Cinema Centre (CNC), Ciné+OCS and Canal+. ARP's Michèle Halberstadt, who is a producer and co-writer on the film, and Goodfellas will submit Nouvelle Vague as a candidate to be France's Best International Feature Film entry for the 2026 Oscars. The selection process takes place in the fall. The international deals announcement follows news that Netflix has acquired U.S. rights for the film, where it will receive an awards-qualifying theatrical run and have support through the fall season. Nouvelle Vague reconstructs Godard's chaotic, improvised, hand-held shoot of Breathless on the streets of Paris over the summer of 1959. Shot in black and white and with a 4:3 aspect ratio, it stars Guillaume Marbeck as Godard, Zoey Deutch as Jean Seberg, Aubry Dullin as Jean-Paul Belmondo with other New Wave figures making appearances including François Truffaut (Adrien Rouyard), Claude Chabrol (Antoine Besson) and Raoul Coutard (Matthieu Penchinat). The film enjoyed an 11-minute ovation in Cannes and strong reviews, with Deadline critic Pete Hammond writing of the film: 'Linklater's splendid love letter to the French New Wave and Godard will make you fall in love with movies all over again.' Best of Deadline 'Hacks' Season 4 Release Schedule: When Do New Episodes Come Out? Everything We Know About 'Hacks' Season 4 So Far 'The Last Of Us': Differences Between HBO Series & Video Game Across Seasons 1 And 2

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