Amazon's Zoox issues second software recall this month after San Francisco crash
May 29 (Reuters) - Amazon.com's (AMZN.O), opens new tab self-driving unit Zoox has issued a second software recall this month to improve how its vehicles track nearby pedestrians and prevent movement when someone is close, following a crash in San Francisco earlier this month.
The recall covers 270 vehicles equipped with its Automated Driving Systems software, which had versions released prior to May 21, Zoox said in a report with the National Highway Traffic Safety Administration on Thursday. Zoox has updated the software.
On May 8, an unoccupied Zoox robotaxi was struck by an electric scooter while turning at low speed at a San Francisco intersection, the company said last week.
The rider sustained minor injuries and fell next to the vehicle, which continued turning and then stopped without making further contact, it said.
Earlier this month, Zoox had issued a software recall for 270 driverless vehicles after an unoccupied robotaxi was involved in an April 8 crash with a passenger car in Las Vegas.
In April, NHTSA closed a probe into 258 Zoox vehicles over a braking issue after the company issued a recall to update their software.
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Geeky Gadgets
38 minutes ago
- Geeky Gadgets
iOS 26: A Radical Redesign & The Future of Apple's OS
Apple is poised to redefine its software ecosystem with the release of iOS 26, marking a pivotal evolution in naming conventions, design, and functionality. Announced during WWDC 2025, iOS 26 introduces a unified approach to software development, aiming to enhance usability and deliver a seamless experience across Apple's devices. This update reflects Apple's commitment to creating a more cohesive and interconnected ecosystem. Here's a detailed look at the key changes and features in a new video from Brandon Butch. Watch this video on YouTube. Unified Naming Convention Apple is transitioning to a year-based naming system for its operating systems, including iOS, macOS, watchOS, iPadOS, and VisionOS. Starting with '26' to represent 2026, this naming convention aligns software releases with their primary year of use. For example, iOS 26 will launch in late 2025 but carry the '26' label, mirroring the naming practices of industries like automotive manufacturing. This change simplifies versioning for both users and developers, offering a clearer understanding of software timelines. By standardizing names across platforms, Apple is fostering a unified identity for its ecosystem, making it easier for users to navigate updates and for developers to align their applications with the latest software. Cohesive Design Language A unified design language is at the heart of iOS 26, drawing inspiration from VisionOS. One of the standout design updates is the introduction of a floating tab bar, which will be implemented across Apple's operating systems. This feature enhances navigation and multitasking, providing a consistent user experience whether you're using an iPhone, iPad, or Mac. The floating tab bar is designed to make switching between apps more intuitive, reducing friction and improving productivity. This design evolution underscores Apple's commitment to creating a seamless ecosystem where devices feel interconnected and familiar, making sure that users can transition effortlessly between platforms. Stage Manager Expands to iPhones One of the most anticipated features of iOS 26 is the introduction of Stage Manager for iPhones. Previously exclusive to iPads, this multitasking tool allows users to organize apps and windows into groups, making it easier to switch between tasks and manage workflows. Stage Manager transforms the iPhone into a more versatile productivity device, particularly for professionals who rely on their phones for work. By allowing better multitasking, Apple is positioning the iPhone as a tool that bridges the gap between casual use and professional needs, enhancing its appeal to a broader audience. Dedicated Gaming App For gaming enthusiasts, iOS 26 introduces a dedicated gaming app designed to centralize the gaming experience. This hub will allow users to launch games, track achievements, view leaderboards, and access editorial content—all from a single location. The app is also expected to extend to macOS, potentially supporting games downloaded outside the App Store. This move highlights Apple's growing focus on gaming, catering to both casual players and dedicated gamers. By expanding its ecosystem to include a robust gaming platform, Apple is positioning itself as a serious contender in the gaming industry. eSIM Wireless Transfer Switching devices becomes more seamless with iOS 26's eSIM wireless transfer feature. This functionality allows users to transfer their eSIM from an iPhone to an Android device without the need for manual processes or carrier intervention. This update reflects Apple's recognition of the importance of interoperability in a multi-platform world. By simplifying the process of switching devices, Apple is making its ecosystem more accessible and user-friendly, catering to users who operate across different platforms. AI-Powered Battery Management Battery life remains a top priority for users, and iOS 26 addresses this with an AI-powered battery management system. This feature analyzes usage patterns to make personalized energy-saving adjustments, making sure devices last longer throughout the day. Additionally, real-time charging indicators on the lock screen provide better insights into power consumption. These updates give users greater control over their battery life, optimizing performance while maintaining energy efficiency. AirPods Live Translation Breaking down language barriers, iOS 26 introduces AirPods Live Translation, a feature that enables real-time language translation during conversations. The translated output is delivered directly through AirPods, making it an invaluable tool for travelers and professionals. Whether communicating abroad or engaging with someone who speaks a different language, this feature promises to make interactions smoother and more accessible. It represents a significant step forward in using technology to bridge cultural and linguistic divides. Release Timing and Speculation The adoption of a year-based naming convention has sparked speculation about whether Apple will extend this approach to its hardware lineup, such as iPhones. While no concrete rumors suggest such a shift, the idea remains intriguing and aligns with Apple's broader strategy of unifying its ecosystem. For now, the focus remains on software. iOS 26 and its counterparts are set to roll out in late 2025, with a public release scheduled for 2026. This timeline ensures that developers and users have ample time to adapt to the changes, paving the way for a smooth transition to the new features and updates. Looking Ahead iOS 26 represents a significant evolution in Apple's approach to software development. From the unified naming convention and cohesive design language to innovative features like Stage Manager, AirPods Live Translation, and AI-powered battery management, this update is designed to enhance usability and connectivity across devices. As Apple continues to refine its ecosystem, iOS 26 underscores its commitment to innovation and user experience. Whether you're a casual user, a professional, or a tech enthusiast, these updates promise to deliver a more intuitive and interconnected future, solidifying Apple's position as a leader in the tech industry. Dive deeper into iOS 26 with other articles and guides we have written below. Source & Image Credit: Brandon Butch Filed Under: Apple, Apple iPhone, Top News Latest Geeky Gadgets Deals Disclosure: Some of our articles include affiliate links. If you buy something through one of these links, Geeky Gadgets may earn an affiliate commission. Learn about our Disclosure Policy.
BBC News
an hour ago
- BBC News
Taylor Swift now owns ALL her music
After a long running legal battle, Taylor Swift is now the owner of ALL of her 2019, the master recordings for Taylor's first six albums were sold in a big music deal worth millions. That meant that although they were her songs, she did not own the rights to them and wasn't in charge of her own response to the deal she started to re-record her albums, renaming them 'Taylor's Version'.But she has now bought back the ownership of those albums. In a letter to her fans last night, she said she's been "bursting into tears of joy"."To say this is my greatest dream come true is actually being pretty reserved about it," she added, thanking fans for their support as the drama played out."I can't thank you enough for helping to reunite me with this art that I have dedicated my life to, but have never owned until now."I almost stopped thinking it could ever happen, after 20 years of having the carrot dangled and then yanked away," she wrote."But that's all in the past now."
The Guardian
an hour ago
- The Guardian
Why am I filled with nostalgia for a pre-internet age I never knew?
A video went viral on X a few months ago that I can't stop watching. It's 2003: the band that later becomes MGMT are performing their song Kids to their peers, years before they become a pop sensation, in a dusty quad at Wesleyan University, Connecticut. Social media doesn't exist yet. There is something about the way people look and behave and inhabit the space that tugs at my heartstrings and fills me with nostalgia. No one is dressed that well; the camera zooms unsteadily to capture the crowd's awkwardness, slumped shoulders and arrhythmic bopping. Beyond the footage we're watching, no one seems to be filming. I was only four when the video was filmed, so why does watching it make me feel as if I've lost a whole world? A recent survey suggests I'm not alone – that almost half of young people would prefer a world without the internet. If anything, I expected a higher percentage. This doesn't mean my generation really would like to reverse everything that's happened in the last few decades, but there's clearly something we feel we're missing out on that older people have had, and we attribute it to the internet – or at least to its current form, dominated as it is by social media. What exactly do we think we're missing? Personally, I assume that before the social internet people behaved in more authentic and idiosyncratic ways. Social media has sped up trend cycles, resulting in an eerie uniformity across styles and personalities: we buy the same products, wear the same clothes, act in the same way, reference the same memes – even quirkiness itself or more 'unique' behaviour can be ascribed to trends. I also imagine that if we weren't on display all the time, our friendships and interactions could be less commodified. Now, spending time with friends is material to be documented and then demonstrated to a faceless audience. I'm sure these are rose-tinted assumptions, and I'm conscious too of the things I take for granted about an age of connectivity. Having to trawl through a few measly books and encyclopedias to find anything useful, or growing up in a remote area with little connection to the wider world, surely must have felt both inhibiting and claustrophobic. But it may be that these 'negative' aspects are what young people yearning for disconnectivity actually want – we have a sense that there was a value, now largely lost, in the practical effort required for social interaction, for finding good music, or joining a subculture. Life now in comparison seems streamlined, efficient, more yassified, in a phenomenon that writer Michael Harris calls a 'loss of lack'. Recently, my office manager showed me the technology he and his friends used to 'watch' the football on: Ceefax. The football score would load on a television screen via the changing of a single digit. They would spend the afternoon just sitting on the sofa, waiting for the digit to change (or not). I felt envious of this. Why? If anything, this is clearly a case where an experience has improved exponentially. And yet I'm captivated by the sense of mystery: if they weren't watching the game or reading the updates, what were they doing? What were they occupying their thoughts with? The reality might be that they were bored, another scarce experience in a connected age. At least, if bored, they would have entertained themselves with internal rather than external resources. It doesn't even matter if that was really the case - it is precisely because this experience is unknowable that it is compelling to me. I am haunted by the feeling that spending so much time on our phones has stolen something human and vital from our lives. It is of course true that each era experiences a crisis about the new wave of tech destroying people's souls – when it wasn't the internet, it was TV, or the radio, or the printing press, even papyrus scrolls, and nostalgia is common across every generation. But I don't think any previous generations were ever so down on their own era, in such large numbers, to the point they'd erase its major salient feature. We feel nostalgic for a world that can't be brought back. As Donald Trump said, now 'everything is computer'. Ironically, my nostalgia for a pre-internet age is being fed by the internet itself: the machine constantly feeding me clips of the past, footage of young people operating decades ago where everything seems refreshingly unobserved and carefree. So the very engine of this nostalgia is the thing half of us wish to do away with, despite the fact that it's an incredible resource, that has allowed unparalleled access to older music, knowledge, ways of living – and is also by nature democratic, questioning traditional media outlets on global affairs and challenging convention. If this survey is a canary in the mine, what should we do? Enjoyable as it is, I don't think being misty-eyed about the past is the solution; neither is fetishising a perceived authenticity of the past. 'Authenticity', I think, looks like the power to opt in or out, perform or not, when you want to – in other words: freedom. So when it comes to the internet, if switching off entirely isn't possible any more, then surely the words of MGMT can be useful: control yourself, take only what you need from it. Isabel Brooks is a freelance writer
