
Taylor Swift now owns ALL her music
After a long running legal battle, Taylor Swift is now the owner of ALL of her music.In 2019, the master recordings for Taylor's first six albums were sold in a big music deal worth millions. That meant that although they were her songs, she did not own the rights to them and wasn't in charge of her own music.In response to the deal she started to re-record her albums, renaming them 'Taylor's Version'.But she has now bought back the ownership of those albums.
In a letter to her fans last night, she said she's been "bursting into tears of joy"."To say this is my greatest dream come true is actually being pretty reserved about it," she added, thanking fans for their support as the drama played out."I can't thank you enough for helping to reunite me with this art that I have dedicated my life to, but have never owned until now."I almost stopped thinking it could ever happen, after 20 years of having the carrot dangled and then yanked away," she wrote."But that's all in the past now."
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Daily Mail
39 minutes ago
- Daily Mail
EXCLUSIVE I make THOUSANDS of dollars a month renting out my clothes to strangers
A woman who makes thousands of dollars per month renting out her clothes to strangers has lifted a lid on the lucrative side gig. Jess Work, 26, a fashion influencer from New York, spent years building up a massive collection of designer clothing pieces. But in late 2023, it dawned on her that many of the expensive items had only been worn by her once or twice, and were sitting untouched in her closet. So she started renting out her outfits on the app called Pickle, and flash forward to less than two years later, she's raked in more than $50,000 from the endeavor. While chatting with about it, Jess explained that she came up with the idea after seeing an ad for Pickle on TikTok 'Pickle is a peer-to-peer fashion rental platform that allows users to rent out or borrow designer and trendy clothing,' she dished. 'Through the app, individuals can list items from their own closets or shop from others', making it a sustainable and affordable way to access high-end fashion. 'Pickle is especially popular among content creators and fashion lovers who want to monetize their wardrobes or find unique pieces for events, shoots, and everyday wear.' She said she makes anywhere from $3,000 to $5,000 a month from the app, and estimates she's brought in at least $50,000 in total since she started near the end of 2023. She added that it's 'pretty manageable,' and only takes about a 'couple hours' out of her week. 'I usually price items based on the retail value, the brand, the season, how new or rare it is, and if it's already listed on the app,' she added. Pickle was founded by Brian McMahon and Julia O'Mara in 2022, and it has reportedly raised $20 million, per Business Insider. 'Rent your next look from the hottest closets in New York City,' reads Pickle's website. 'No subscriptions. Rent on-demand.' 'At Pickle, we envision a world where fashion is sustainable, accessible, and fun,' it continued. 'Our platform connects individuals with shareable closets, offering a dynamic and effortless rental experience akin to borrowing from a friend.' There's over 60,000 items for rent on the website right now, and you have the option to rent the clothing pieces for as little as one day and up to four weeks. 'We offer same-day local delivery through our courier service (think DoorDash, but for clothes!), in-person exchanges with the lender, or nationwide shipping,' it adds. Pickle, which also has a storefront in New York City, takes 20 percent of all transactions done on its app and 35 percent of transactions done in the store. 'Driven by a desire to break free from the endless cycle of fast fashion and embrace sustainability, Pickle was born,' the brand said of its store opening in 2023. 'Our online community has flourished, with tens of thousands joining our movement to redefine fashion consumption. 'Now, we're bringing that same spirit to our physical location, creating a space where style and community converge.' 'I usually price items based on the retail value, the brand, the season, how new or rare it is, and if it's already listed on the app,' she added. This romper costs $70 per week to rent Jess has 229 items available on her Pickle page, including a Meshki Pearl Top for $80 per week (left) and a Sandro Leather Jacket for $70 per week (right) Jess has 229 items available on her Pickle page, including a Meshki Pearl Top for $80 per week and a Sandro Leather Jacket for $70 per week. 'It's a great side hustle, especially if you love fashion or have pieces in your closet you don't wear often,' she gushed. 'If you're on the fence about buying something because of the price, it could do really well on the app - helping you make some money back or feel like it cost less in the end. 'I also recommend the app as a renter - it's perfect for weddings, last-minute trips, or anytime you want something fun without fully committing.'


Daily Mail
an hour ago
- Daily Mail
Red state coming for Hollywood to offer billions to TV and filmmakers… if producers make religion look good
Texas has grand plans to take on Hollywood by offering generous tax rebates to film and TV makers - but only if they sprinkle their silver screen magic on the Lone Star State. Texas has laid out a proposal to provide at least $1.5 billion over the next 10 years to lure producers to make their movies, shows, and even video games, in the state. However, the money will only be made available if the projects show Texas in a positive light. The proposal will help to 'export Texas faith and family values,' according to Lieutenant Governor Dan Patrick, who has made it a legislative priority. The final decision on whether a project will get a grant will be made by a special film commissioner appointed directly by the governor. Conservative lawmakers in the red state are unwilling to divert taxpayer dollars towards projects that could clash with religious values and cultural views on sex and profanity which they consider to be integral parts of Texas culture. The plans have the backing of major stars such as Matthew McConaughey, Woody Harrelson, Dennis Quaid, Billy Bob Thornton, and Renée Zellweger. It comes as Trump is trying to boost homegrown film production and has threatened to slap a tariff on productions made abroad. California has also argued for further tax incentives to stop productions moving to cheaper filming areas in the US or overseas. New Mexico, for example, offers a 30 percent tax rebate to productions made in the state. This has meant hit film and TV series set in Texas - such as Taylor Sheridan's 2016 thriller Hell or High Water - end up actually being filmed in New Mexico. 'I haven't ever heard of this in another state, but wow,' The Maze Runner producer Ellen Goldsmith-Vein told Bloomberg. 'If it can bring consistency to the mix, where major broadcasters and studios and streamers can feel like "We can make an investment in Texas and it won't change every two years," then we can be more focused on setting up multiple productions in Texas,' producer Martin Jones, head of Austin Studios, told the publication. McConaughey and Harrelson were so set on making their recent show Brothers in Texas that they each gave back 15 percent of their pay to cover the extra costs incurred over shooting in Georgia. 'Texas stories deserve a Texas backdrop,' McConaughey said in a promotional video supporting the plans. The video sees the stars playing former characters discussing the economic and social benefits of incentivizing more productions to film in the state. Despite the interest, some studies have found it may not be economically beneficial to spend taxpayer money on movie production. An audit of film and TV subsidies in New York found that it 'is at best a breakeven proposition and more likely a net cost.' A study of film incentives across America found no employment effect and only a temporary wage impact, according to a study by the University of South Carolina. However, filmmakers still rely on such incentives to get projects over the line. 'The idea of shooting in a state or jurisdiction that does not have a rebate or incentive is close to a nonstarter,' Ben Everard, co-founder of Grey Matter Productions and Everard Entertainment, told Bloomberg.


Telegraph
an hour ago
- Telegraph
The real Jay Gatsby wasn't a millionaire but a Pulitzer Prize-winning Oxford graduate
Mystique surrounds the fabulously wealthy Jay Gatsby, the eponymous hero of the quintessential American novel. Who exactly is he, where did he come from and how did he make his fortune? In F Scott Fitzgerald's novel, The Great Gatsby, Gatsby is coy – the subject of speculation and envy. He teases those drawn towards him by never quite telling the same story twice. As in literature, so in life, for literary sleuths have long speculated over the true origins of the titular character, linking him to a range of real people from editor Herbert Bayard Swope to Max von Gerlach, a bootlegger and Long Island neighbour of Fitzgerald's who is known to have used Gatsby's signature phrase: 'old sport'. But these individuals made up only fragments of a composite character, and the initial inspiration for Gatsby has remained a mystery. Until now, that is. New research on the 100th anniversary of the publication of Fitzgerald's literary masterpiece suggests he modelled Gatsby on a friend, Robert Coffin, a Rhodes Scholar who enrolled at Oxford's Trinity College in 1916. The discovery was made by Clare Hopkins, an archivist at Trinity College, and Roger Michel, an American national and a fellow of the college. After poring through historical records, they identified Coffin as 'almost certainly the model for young Gatsby'. Coffin came from a well-known Maine seafaring family and had studied at Princeton at the same time as Fitzgerald. Moreover, he matched the author's description of Gatsby, as provided in the novel by the character Tom Buchanan, who describes a man with 'tan skin, short hair, powerful build and vacant eyes'. Coffin dropped his studies at Oxford in order to join the US army when the United States entered the First World War. But he returned to Trinity after the conflict, completing a D Litt in 1922, and went on to win a Pulitzer Prize in 1936, cementing his place as one of the US's most celebrated poets of the time. He died in 1955. Gatsby's own time at Oxford is mentioned briefly – three times – in the novel, and Trinity itself gets a single mention. In one passage, the character describes playing cricket and shows off a photograph of himself standing with other students beneath a gateway at Trinity with 'dreaming spires' in the background. The link between the two (Coffin himself was pictured playing cricket while studying at Trinity and posing with other students in front of university buildings) was established only when Michel asked Hopkins whether any American students who had passed through the college's doors matched the description of Gatsby. She subsequently dug out a letter from Coffin to the college president and found the photographs of him and other students. 'Students leave footprints in the college, and there's a letter from him to the college president after he's left Oxford when America entered the war, saying it had been the best year of his life,' Hopkins says. The Great Gatsby 's celebration of unashamed excess captured not only the spirit of jazz-age New York, the backdrop against which the book is set, but also a broader canvas which includes the aftermath of the First World War and the US government's wish to avoid flooding the labour market by providing educational opportunities for demobbed former officers. Among the beneficiaries was Coffin himself, one of a number of ex-US servicemen given generous funding to study at Trinity, among other places. As Hopkins and Michel dug into his personal history, they began to connect the dots between Coffin (who shared a dormitory at Princeton with Fitzgerald) and Gatsby. Fitzgerald and his wife, Zelda, visited Oxford in 1921. Michel says it's inconceivable that they would not have spent time with Coffin during the trip – indicating that the latter may have even helped Fitzgerald revise his novel, released in 1925. 'Until now, no one seems to have done the obvious thing: check to see if the person described in Fitzgerald's novel actually existed. That is to say, were there any Americans who had served in the American Expeditionary Force during World War I, as Gatsby did, who, like Gatsby, matriculated at Trinity after the Great War?' says Michel. 'This was an extraordinary omission. The simple fact is that Fitzgerald must have learnt about the American Expeditionary Force Oxford Study Programme from someone who was knowledgeable about it, because he revised the manuscript [of The Great Gatsby ] to correct the details. We now know the person who likely provided those details and who almost certainly provided the model for young Gatsby.' Michel says Fitzgerald and Coffin's links via their alma mater bolster the argument that the former drew on the latter when crafting his novel. 'Coffin presents an especially strong case [to be the inspiration for Gatsby], as he overlapped with Fitzgerald at Princeton for the three years from 1914 to 1916. Moreover, they had both lived in Blair Hall [a Princeton dormitory] and both been members of the exclusive Cottage dining club,' he says. Given the 'strength and depth of their prior connection', he adds, 'it is inconceivable that the two men would not have connected' when the Fitzgeralds visited Oxford in 1921. The findings come as Trinity celebrated its links to The Great Gatsby with a sell-out stage performance of a stage adaptation of the novel by undergraduates this week – nodding to the remarkable turnaround in fortunes a story that generated no great wealth for Fitzgerald during his lifetime has enjoyed in the decades since. Those ties now seem stronger than ever, thanks to Hopkins and Michel. 'It's totally Gatsbyesque,' he says.