
90s reality reboot cancelled after just one series as Channel 5 boss calls axe ‘a disaster'
Ben Frow, 5's Chief Content Officer, announced two major cancellations today as part of Edinburgh's TV Festival.
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Alongside Challenge Anneka – which was pulled from the schedule with one episode never airing – Frow confirmed that Faking It has also been culled.
Speaking on the decision, he said: "I think it was a disaster [the show] didn't work, because it was brilliantly made."
Faking It originally existed from Channel 4 from 2000 to 2006, and followed people trying to learn a brand new career path in the space of four weeks.
With the help of an expert in the field, the participant was then tested by competing with trained people in that skill at the end - with a panel having to figure out who was 'faking it' and who was legitimate.
The series was rebooted by Channel 5 last year with three episodes, but it's now confirmed to not be renewed.
Running from May to June, the three episodes saw a fish fryer learn to be a sushi chef, an estate agent become a market trader, and a painter-decorator learn to be a make-up artist.
The series came under fire by unimpressed viewers, who labelled the show a "fix" after its first episode on air in 19 years.
Showing Surrey luxury estate agent Rex swap properties for northern street markets, with the help of newly-announced Strictly star and wheeler dealer Tom Skinner.
As part of the ruse, Rex had to adopt a northern accent and tackle gruelling 10-hour shifts, but managed to convince the market traders he had to fool.
The show suffered flailing ratings and couldn't grab an audience enough to keep it on air.
The first episode failed to get into the Top 50 shows airing that week, according to ratings monitor BARB, with several episodes of The Chase and BBC News topping it.
The announcement came alongside the axe of Challenge Anneka, the reboot of the 80s series starring Anneka Rice working on charitable projects by recruiting local companies.
During his appearance at Edinburgh TV Fest, Frow admitted the channel had started the year on a difficult note, but stated it was a "tough time for linear television" in general.
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The Sun
11 minutes ago
- The Sun
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A troubled soul, Drake died aged 26 in 1974 from an overdose of antidepressants, never enjoying commercial success in his lifetime, never knowing how much he would be appreciated. But Boyd, now 83, had no doubts about the rare talent that he first encountered in 1968. He picks up the story again: 'Ashley Hutchings, the Fairport Convention bass player, saw Nick playing at The Roundhouse [in Camden Town, North London] and was very impressed. 'He handed me a slip of paper with a phone number on it and said, 'I think you'd better call this guy, he's special'. 'So I called and Nick picked up the phone. I said, 'Do you have a tape I could hear?'. He said, 'Yes'.' Boyd still didn't hold out too much hope, as he explains: 'I was very much a blues and jazz buff. I also liked Indian music. 'White middle-class guys with guitars were never that interesting to me — Bob Dylan being the exception that proves the rule. 5 'But Nick was something else. He wasn't really a folk singer at all.' Boyd describes Drake as a 'chansonnier', a French term for a poet singer who performs their own compositions, often drawing on the themes of love and nature. He says: 'I'm always a bit bemused when I go into a record store — one of the few left — and see Nick filed under folk. He's unclassifiable and that's one of the reasons he endures.' To Boyd, Drake's enduring appeal is also helped 'by the fact that he didn't succeed in the Sixties'. 'He never became part of that decade's soundtrack in the way Donovan or [Pentangle guitarist and solo artist] Bert Jansch did. 'So he was cut loose from the moorings of his era, to be grabbed by succeeding generations.' Drake was born on June 19, 1948, in Rangoon, Burma [now Myanmar], to engineer father Rodney and amateur singer mother Molly. His older sister Gabrielle became a successful screen actress. When Nick was three, the family moved to Far Leys, a house at Tanworth-in-Arden, Warks, and it was there that his parents encouraged him to learn piano and compose songs. I'm always a bit bemused when I go into a record store — one of the few left — and see Nick filed under folk. He's unclassifiable and that's one of the reasons he endures. Joe Boyd Having listened to the home recordings of Molly, Boyd gives her much credit for her son's singular approach. He says: 'When you hear the way she shaped her strange chords on the piano and her sense of harmony, it seems that it was reverberating in Nick's mind.' When Drake gave him those three demos, recorded in his room at Fitzwilliam College, Cambridge, Boyd 'called the next day and said, 'Come on in, let's talk'.' During the ensuing meeting, Drake said: 'I'd like to make a record.' He was offered a management, publishing and production contract. Just as importantly, he had found a mentor in Joe Boyd. 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You can picture the scene of him arriving for the first time at Sound Techniques. 'This is what he's been working for. He's got his record deal and here he is in the studio. I was stunned.' In pristine sound quality, the first disc begins with Boyd saying, 'OK, here we go, whatever it is, take one.' Drake then sings the outtake followed by some of his best-loved songs — Time Has Told Me, Saturday Sun, Day Is Done among them. It's just man and guitar, recorded before musicians such as Pentangle's double bass player Danny Thompson and Fairport Convention's guitarist Richard Thompson (no relation) were drafted in. Boyd continues: 'The trigger for those recordings, that first day in the studio, was wanting our wonderful engineer John Wood to get a feel for Nick's sound. 'Nick was wide awake and on it. He was excited about being in a studio and he wanted to impress.' All these years later, one song in particular caught Boyd's attention — Day Is Done. 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But you feel that he's very aware of British poetry history.' This is evident in the first lines of the opening song on Five Leaves Left — 'Time has told me/You're a rare, rare find/A troubled cure for a troubled mind.' 'When I think about Nick, I think about the painting, The Death Of Chatterton,' says Boyd. 'Chatterton was a young romantic British poet who died, I think, by suicide. You see him sprawled out across a bed.' I ask Boyd how aware he was of Drake's struggles with his mental health. 'It's a tricky question because I was aware that he was very shy,' he answers. 'Who knew what was going on with him and girls?' Boyd believes there was a time when Drake was better able to enjoy life's pleasures. 'When you read of his adventures in the south of France and in Morocco, it seems he was more relaxed and joyful. 5 'And when I went up to Cambridge to meet Nick and Robert Kirby before we did the first session, he was in a dorm. 'There were friends walking in and out of the room. 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I've self medicated, been unfaithful, damaged myself and those that I love. 'I've had many reasons - I was sexually abused when younger; I've had relationships that have been coercive; and my mental health issues - but I don't want to make excuses.' Katie continued: 'I've recognised my issues and worked to put them behind me. Sometimes I tried and failed, sometimes I succeeded. 'I've pulled myself out of suicidal spiral because I love my children and want to be there for them. 'I don't pretend to be perfect by any means - but I'm trying to be the best I can. Then there are the "Saints". Some are genuine and some have helped me. 'But some Saints are not who they would have you believe they are. They have a carefully managed image which must be exhausting to maintain. 'Some Saints are fake. They play the victim and to succeed in life they need a villain... or at least a Sinner. Without the Sinner they don't get to be the Saint... 'As a Sinner - I sometimes get bored of these Saints. But maybe I should feel sorry for them, It must be such hard work having to pretend all the time. 'Anyway, all you Sinners keep your heads up and keep trying to be better. All you Saints, it's ok not to be perfect xxx' Peter shared his side of the story on Thursday, explaining: 'For sixteen years, I have stayed silent in the face of repeated lies from my ex-wife and her family, out of respect for my children and loved ones, but staying silent has been incredibly frustrating. That ends today. 'The latest comments about my children's welfare and living arrangements compel me to set the record straight. For well-documented reasons, and for their safety, Junior and Princess came into my care in 2018 and remained with me until they reached adulthood. 'In 2019, the family courts issued a legally binding order to enforce this arrangement. I have never made this public before, out of respect for my children. 'In 2011 and 2015, publicly documented court cases found my ex-wife had made false claims. She was ordered to pay substantial damages and legal costs, and to apologise to me and my management. The same falsehoods are being repeated today.