logo
May Calamawy promotes Palestinian film's North American run

May Calamawy promotes Palestinian film's North American run

Arab Newsa day ago
DUBAI: Egyptian Palestinian actress May Calamawy took to social media on Saturday to promote Palestinian film 'To A Land Unknown.'
For the latest updates, follow us on Instagram @arabnews.lifestyle
Distributed by Watermelon Pictures, the film is directed by Mahdi Fleifel and stars Angeliki Papoulia, Mahmoud Bakri, Manal Awad and Aram Sabbah.
May Calamawy took to Instagram Stories to share news that 'To A Land Unknown' is on a 40-screen cinema run in North America this month, including showings in New York, Houston and Vancouver.
'Reda and Chatila are two Palestinian cousins hustling their way through the underbelly of Athens pursuing their dream of making it to Germany. But as their hardship grows, so too does their desperation. When Chatila hatches a reckless all-or-nothing plan, it strains their bond and pushes the limits of what they will do for freedom,' the film's logline reads.
The film was awarded the Silver Yusr Award December's Red Sea Film Festival in Saudi Arabia.
Watermelon Pictures was co-founded by Alana Hadid, the sister of supermodels Gigi and Bella Hadid. Hadid — along with brothers Badie Ali and Hamza Ali — co-founded Watermelon Pictures, a production company with a mission to create compelling, impactful stories that resonate with global audiences.
'I was honored to be asked to be the creative director of Watermelon Pictures. I think it's not only a passion project for Hamza and Badie, but it is an opportunity for Palestinians to have a place to go to tell their stories … I get emotional about it. I think it's just one of the most beautiful things that people have a place where they can put their stories. And we know that we have a safe place for that,' Hadid previously told Arab News.
For her part, Calamawy is known for her roles in US Netflix series 'Ramy' and 'Moon Knight' (2022), where she plays dual characters Layla El-Faouly and the Scarlet Scarab.
She made headlines in late 2024 when almost all her scenes were cut from Ridley Scott's 'Gladiator II,' with fans taking to social media to complain.
Her casting in the film was first announced in May 2023.
At the time, Deadline reported that Scott had cast Calamawy after a lengthy search, writing: 'While many of the leading roles were straight offers, Scott wanted to do a similar search he did for the (Paul) Mescal part for the role that Calamawy ultimately landed.'
However, fans noticed that in the final cut, which hit cinemas in November, Calamawy is only seen in passing and she has no dialogue.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

From ‘What If?' to ‘Wow!' at children's festival
From ‘What If?' to ‘Wow!' at children's festival

Arab News

time3 hours ago

  • Arab News

From ‘What If?' to ‘Wow!' at children's festival

DHAHRAN: The inaugural Children's Festival being held under the theme 'What if?' at the King Abdulaziz Center for World Culture is designed to 'inspire imagination, encourage connection, and make space for discovery,' an official told Arab News recently. Nouf Al-Jama, the head of learning at Ithra, added: 'The program invites children to express themselves, engage with their surroundings, and experience culture in new and exciting ways.' The event, which began on July 7 and runs until July 26 between 4 p.m. and 11 p.m., blends creativity, learning, play and discovery. The festival features 50 diverse activities including live performances, interactive stations, creative zones, workshops and a book fair, to encourage critical and creative thinking. • The Children's Festival's artistic zones invite kids and their families to explore color, motion, and self-expression. • The five-day Children's Book Fair runs until July 19 and includes 20 local and international publishing houses. • South Korea is this year's guest of honor, offering a window into its culture through stories and illustrations. The artistic zones invite children and their families to explore color, motion, and self-expression. One such experience combines rhythm and culinary arts, transforming everyday kitchen utensils into instruments of sound and joy. '(The festival) gives children the freedom to express themselves and feel heard — whether through painting in the interactive art space, uncovering clues in the museum adventure, or stepping onto the open mic stage,' said Al-Jama. The sessions have experts from local and regional institutions including the King Salman Global Academy for Arabic Language, Abu Dhabi Children's Library, House of Wisdom in Sharjah, and King Abdulaziz Public Library. Parents and guardians are invited to join workshops, engage in conversations with other parents and build memories. 'It is this sense of togetherness, where children and families learn and grow side by side, that makes the festival so special,' Al-Jama added. With schools closed and summertime in full swing, local children are immersing themselves in the festival. 'The response so far has been incredibly encouraging. From the very first day, we have seen families arriving early and staying for hours, moving from one experience to the next. 'Children have embraced the festival with curiosity and confidence,' she said of the opening week. Additionally, the five-day Children's Book Fair at Ithra runs until July 19, and includes 20 local and international publishing houses specializing in literature for children and young adults. South Korea is this year's guest of honor, offering a window into its culture through stories and illustrations. 'It is part of Ithra's ongoing efforts to support the next generation by using culture as a tool for exploration, growth, and shared experience,' Al-Jama said.

Where We Are Going Today: Kermal – Lebanese lounge in Jeddah
Where We Are Going Today: Kermal – Lebanese lounge in Jeddah

Arab News

time3 hours ago

  • Arab News

Where We Are Going Today: Kermal – Lebanese lounge in Jeddah

Located on Al-Kayyal Street in Jeddah, Kermal welcomes you with soft yellow lighting, a cozy interior and vibrant artwork. This Lebanese lounge blends classic flavors with comfort, creating a modern take on a traditional Beirut home. The menu features lots of familiar favorites and a few standouts. We started with the creamy chicken mushroom soup, which was rich and satisfying, served with toast and a squeeze of lemon. The rocaa salad with beetroot was fresh and tangy and made for a simple and pleasant starter. Other appetizers include the shrimp fatteh, which had a crispy, creamy tang thanks to the house salsa and the grape leaves and fried potato cubes with yogurt, which were also very tasty. For mains, the Kermal mixed grill, including juicy lamb chops, tender kebabs and well-seasoned shish tawook served with grilled vegetables, tahini and garlic sauce, was a highlight. Priced at SR135 ($36) it is a generous platter for sharing. The cherry kebab offers a sweet-savory twist and is worth trying, while the sea bass sayadieh was served with fragrant fish rice topped with fried onions and nuts. For dessert, the kashta booza made a refreshing finish — creamy and fragrant with a pistachio crunch. Drinks like the pink mojito and raspberry cooler were sweet and enjoyable. Kermal also has a breakfast menu and lunch deals for options throughout the day. Visit Instagram @ for more details.

Movie review: ‘Eddington' is a satire about our broken brains that might re-break your brain
Movie review: ‘Eddington' is a satire about our broken brains that might re-break your brain

Al Arabiya

time5 hours ago

  • Al Arabiya

Movie review: ‘Eddington' is a satire about our broken brains that might re-break your brain

You might need to lie down for a bit after Eddington. Preferably in a dark room with no screens and no talking. Eddington, Ari Aster's latest nightmare vision, is sure to divide (along which lines I'm can't fathom), but there is one thing I think everyone will be able to agree on: It is an experience that will leave you asking WHAT? The movie opens on the aggravated ramblings of an unhoused man and doesn't get much more coherent from there. Approach with caution. We talk a lot about movies as an escape from the stresses of the world. Eddington, in which a small fictional town in New Mexico becomes a microcosm for life in the misinformation age and more specifically during the pandemic and the Black Lives Matter protests, is very much the opposite of that. It is an anti-escapist symphony of masking debates, conspiracy theories, YouTube prophets, TikTok trends, and third-rail topics in which no side is spared. Most everyone looks insane and ridiculous by the end, from the white teenage girl (Amélie Hoeferle) telling a Black cop (Michael Ward) to join the movement to the grammatical errors of the truthers as the town spirals into chaos and gruesome violence. Joaquin Phoenix plays the town sheriff, a soft-spoken wife-guy named Joe Cross, who we meet out in the desert one night watching YouTube videos about how to convince your wife to have a baby. He's interrupted by cops from the neighboring town who demand he put on a mask since he's technically crossed the border. It is May 2020, and everyone is a little on edge. Joe, frustrated by the hysterical commitment to mandates from nowhere, finds himself the unofficial spokesperson for the right to go unmasked. He pits himself against the slick local mayor, Ted Garcia (Pedro Pascal), who is up for re-election, in the pocket of big tech, and ready to exploit his single fatherhood for political gain. At home, Joe's mother-in-law, Dawn (Deirdre O'Connell), spends all day consuming internet conspiracy theories while his wife, Louise (a criminally underused Emma Stone), works on crafts and nurses unspoken traumas. Joe's eagerness to take on Ted isn't just about masking. Years ago, Ted dated his now wife, a story that will be twisted into rape and grooming accusations. Caricatures and stereotypes are everywhere in Eddington, but in this world it feels like the women are especially underwritten – they are kooks, victims, zealots, and the ones who push fragile men to the brink. But in Eddington, all the conspiracies are real, and ordinary people are all susceptible to the madness. In fact, insanity is just an inevitability no matter how well-intentioned one starts out, whether that's the woke-curious teen rattled by rejection or the loyal deputy Guy (Luke Grimes) who is suddenly more than happy to accuse a colleague of murder. Louise will also be swayed by a floppy haired internet guru, a cult-like leader played with perfect swagger by Austin Butler. The problem with an anarchic satire like Eddington, in theaters Friday, is that any criticism could easily be dismissed with a 'that's the point' counterargument. And yet, there is very little to be learned in this silo of provocations that, like all Aster movies, escalates until the movie is over. There are moments of humor and wit too, as well as expertly built tension and release. Eddington is not incompetently done or unwatchable (the cast and the director kind of guarantee that); it just doesn't feel a whole of anything other than a cinematic expression of broken brains. Five years after we just went through (at least a lot of) this, Eddington somehow seems both too late and too soon, especially when it offers so little wisdom or insight beyond a vision of hopelessness. I wonder what world Aster thought he'd be releasing this film into. Maybe one that was better, not cosmically worse. It's possible Eddington will age well. Perhaps it's the kind of movie that future Gen-Alpha cinephiles will point to as being ahead of its time, a work that was woefully misunderstood by head-in-the-sand critics who didn't see that it was 2025's answer to the prescient paranoia cinema of the 1970s. Not to sound like the studio boss in Sullivan's Travels trying to get the filmmaker with big issues on the mind to make a dumb comedy, but right now Eddington feels like the last thing any of us need. Eddington, an A24 release in theaters Friday, is rated R by the Motion Picture Association for strong violence, some grisly images, language, and graphic nudity. Running time: 148 minutes. Two stars out of four.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store