
Plans to double Great Yarmouth arcade pier size set for approval
Plans to almost double the size of a pier's amusement arcade are being recommended for approval, despite concerns over the scale of the development.The owners of the Wellington Pier in Great Yarmouth submitted proposals last year to expand the site on to derelict land which was once used for an outdoor roller skating rink.Historic England objected, warning the new-look building would be "large and utilitarian", while failing to preserve the local conservation area.But it has welcomed the revised proposals and a report by Great Yarmouth Borough Council advises councillors to give planning permission.
The heritage organisation said it still had concerns about the size of the building and that any harm it might cause should be weighed against the public benefits.The council's conservation officer also voiced opposition to the original plans, but has since worked with the pier's owners - Family Amusements Ltd - on a compromise.
The pier owners have agreed to limit the height of the extension to 7.5m (24ft), rather than 9.2m (30ft) - and the footprint of the building would not be as large.The report for councillors said the changes to the amusement arcade would bring a number of positives including employment and "bringing back an underused site in the conservation area into use".It said that its verdict was "finely balanced" but said harms to local heritage were outweighed by longer-term social and economic benefits to jobs and tourism.A decision is due to be made on the plans on Thursday.
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Telegraph
35 minutes ago
- Telegraph
The incredible ceramics collection with a very surprising owner
Among the students of Oxford University, Sylvanus Sydney Denton was a name to be conjured with. For many years, he made his money selling bicycles to students, while simultaneously developing a passion for modern and contemporary ceramic art. He amassed a collection of over 220 examples which he kept in a specially built kitchen extension. Denton died last year at the age of 90 and his collection has gone on view at Sotheby's this week prior to being sold at the end of the month. It is estimated to fetch as much as £1.7 million. It is not known exactly when Denton caught the ceramic bug, but it was probably not until his late forties. Having done his National Service in Kenya he found work back home in Oxford fixing bikes and refurbishing caravans before investing in a bike and toy shop. By 1982 he had four shops and was displaying his ingenuity buying vintage 19th century bikes on which he posed for the local press. Sotheby's believes his journey to ceramics began with Modern British art (Henry Moore, LS Lowry and Barbara Hepworth) before he discovered more affordable ceramics by the likes of 1930s refugees from Nazi Germany, Hans Coper and Lucy Rie whose pots were beginning to be seen as fine art and superior to craft. According to the sale catalogue, one of Denton's earliest acquisitions was a work by Coper which he bought in 1988 at the trailblazing Oxford Gallery, which presented contemporary ceramics with avant-garde modern art by the likes of Terry Frost and Patrick Heron. Two works he bought there in the 1990s were by Edmund de Waal, the ceramicist and author of The Hare with Amber Eyes, long before he was swept up by the upmarket Gagosian contemporary art gallery. Denton also shopped at auction and in 1997 bought a Black Cycladic Form Arrow pot by Coper at Bonhams for about £9,000. To give an idea how Coper's prices have moved, another Cycladic Form Arrow pot bought by a different collector in the 1970s for £250 sold in 2018 for £381,000. Denton's example at Sotheby's is a comparatively tame £100,000 (check). Sotheby's describes Denton's collection as 'one of the finest collections of studio and contemporary ceramics in private hands'. Apart from Coper there are several delicate works by Rie in the £25,000-50,000 range, and a standout work by Elizabeth Fritsch, who is currently enjoying a high-profile exhibition at The Hepworth Wakefield museum near Leeds. Denton bought Fritsch's 20-inch, vividly coloured 'Spout' Pot (1998) for a double estimate record £10,160 at Bonhams in 2004, since when her record has risen to £51,400 last year. The estimate for Spout Pot has now doubled to £12,000-18,000. Another auction buy was a playfully twisted 'Monumental Body Pot', by Joanna Constantinidis which Denton bought for a record £1,600 at Bonhams in 2002, two years after she died. Posthumously, her prices have crept up to £15,000 for another Body Pot in 2021 so Denton's example, now estimated at £4,000-£6,000 should make more. His favoured method of acquisition, however, was to buy directly from the artists themselves; he was very popular with potters. One was Dame Magdalene Odundo, the British Nigerian who was the subject of an impressive exhibition at The Hepworth Wakefield in 2019. Three burnished terracotta pots by her in the sale all date from 1990/91, before she was famous. There is no record of their cost, but by this point art dealers were charging £5,000, compared to £250 in the 1970s. Since then, her prices have been multiplying. At auction in around 2010 they were selling for £10,000-£15,000, but after The Hepworth Wakefield show was announced and she was signed up by leading contemporary art dealer Thomas Dane, wealthy collectors like fashion designer Jonathan Anderson (who has been announced as the new head designer at Dior) began buying her work and at auction they soared to a record £533,400 for one of her pots in 2023. The estimate on that work was £100,000, a record for Odundo at the time. Now Sotheby's has gone a step further with two from Denton's collection estimated at £150,000 each. This is, though, a collection of value extremes. While most of the value is concentrated in just a handful of artists, the majority of lots are estimated at under £3,000 each, some with no reserve minimum price. Other artists include Janet and David Leach, the wife and son of the influential potter Bernard Leach, and Richard Batterham, a student of Leach who died in 2021 the same year that a pair of his pots hit a record £20,000 at auction. So, for fledgling ceramic collectors it's time to get on your bikes and bid. How the art market is coping with sanctions on Russia The sanctions that were imposed on Russian businesses after Putin's invasion of Ukraine in 2022 put an end to the regular art sales, worth millions of pounds, which London used to stage mainly for the benefit of Russian buyers. Russian art auctions in London went from being worth over £100 million a year to nothing. But last year, Sotheby's held a sale – unnoticed by the press – entitled Fabergé, Imperial & Revolutionary Works of Art, which included Russian paintings, and it exceeded its £2.9 million estimate to make £3.9 million. And this November they are planning a repeat. So what is going on? According to analysis conducted by advisory group Overstone Art Services, Russian art continues to appear, but in different sale categories – from Old Master and 19th century to Modern. Russian art can be bought and sold, so long as the client is not a Russian passport holder or on a sanctions list. This April, for instance, Sotheby's included two paintings by the 19th century artist Richard Zommer, who worked in Central Asia and would previously have been sold in a Russian art sale, in its sale of Orientalist art together with a variety of European artists. One of his paintings, a depiction of a chaikhana (or meeting place for travellers) on the Silk Road, was estimated at £20,000 and sold for a record £114,300. Trade sources believe the Russian art market is buoyant within Russia, better than property, and that Russian buyers are still active in the West but operate under a dual nationality, as Ukrainian, say, or Belarusian. In a statement released to the Telegraph last week, Sotheby's said: 'Today there is a significant diaspora of Russians who collect. As ever, we have worked to ensure that we are complying with sanctions and other restrictions placed on Russian clients and property of Russian origin. Where appropriate, we have also been offering Russian paintings in international sales across various selling locations. While the international auction market for Russian art remains significantly smaller than it was, we have seen areas of positive momentum.' The statement echoes Overstone's observation that while sale totals are down, average hammer prices for Russian artists have increased, indicating that 'growth is already beginning to occur. If this trend continues, it seems likely that the accessibility of the Russian paintings market will increase, thus allowing for the market to grow again when the situation is more settled.'


Telegraph
36 minutes ago
- Telegraph
Lisa Nandy to be quizzed on football regulator after accusations of cronyism
Kogan, a media executive nominated as the first chair of the new football regulator in April, told MPs last month that he had made 'very small' contributions both to Nandy and Sir Keir Starmer's 2020 Labour leadership campaigns. The admission reignited the row over 'crony' appointments by the party, which was accused by the Conservatives of breaching transparency rules. A DCMS spokesperson said: 'We have received the letter from the commissioner for public appointments and we look forward to cooperating fully with his office. The appointment is in the process of being ratified in the usual way.' Kogan appeared before the Culture, Media and Sport select committee on May 7 after being named by Nandy as the Government's preferred choice to lead the new body. 'I am prepared to declare now, on the public record, that five years ago I contributed very small sums of money to both the leadership campaigns of both Sir Keir Starmer and of Lisa Nandy,' he said, after reports he also donated £75,000 to Labour MPs. 'That hasn't been discovered by the press and I am happy to declare it now,' he said, insisting he had 'total personal independence from all of them', and had 'never actually been particularly close to any of the individuals to whom I have donated money'. He told MPs: 'I'm not really susceptible to any pressure, including political pressure, and the so-called ties to the Labour Party are, in fact, far less than have appeared in the public press. 'I don't believe that I have undermined that [independence] by writing books about the Labour Party, being on the LabourList board or being a donor, but clearly that's a judgment call that others may need to make, rather than myself.' Kogan added that he had 'never had a one-on-one meeting' with Starmer and had not met him since he became Prime Minister, but recognised there was 'a perception of bias'. The donations to Starmer and Nandy's leadership campaigns are understood to have been below the threshold for public declaration. A source told Telegraph Sport they were each less than £3,000. 'Fans promised impartiality but are being handed political appointee' But Louie French, the shadow sports minister, said the failure to disclose those donations publicly when Kogan was put forward for the role was 'a clear breach of the governance code on public appointments' and called for an investigation. He said: 'The decision to install David Kogan – a major Labour Party donor and former director of LabourList – as chair of the Independent Football Regulator, without disclosing his extensive personal political donations to Keir Starmer, is a serious breach of public trust. 'Fans were promised an impartial and independent regulator, but instead they are being handed a political appointee whose impartiality is already in question.' The Prime Minister's official spokesman said Kogan's appointment had been 'made as a result of fair and open competition' and run 'in accordance with the Government's code on public appointments'. The spokesman repeated that all rules had been followed when asked whether Nandy or Starmer had declared the donations from Kogan during the appointment process. He said: 'The declaration process as set out by the rules has obviously been followed. The process for appointing him to the role has been followed and will continue to be followed.' Stuart Andrew, shadow culture secretary, said: 'This appointment bears all the hallmarks of yet more Labour cronyism. After significant public pressure, Lisa Nandy has belatedly stepped aside from the process, a necessary move that highlights just how compromised this selection has become. 'No 10 must now come clean about the involvement of the Downing Street appointments unit and special advisers in promoting David Kogan as the preferred candidate. The public has a right to know whether this was a fair and impartial process, or yet another case of political patronage disguised as due diligence. The decision to launch an inquiry is welcome.'


The Sun
37 minutes ago
- The Sun
Molly-Mae Hague reveals the £18 secret to her summer glow – and you can get it even cheaper if you hurry
MOLLY-MAE Hague has revealed the £18 secret to her summer glow – and if you're quick, you can get it even cheaper. The 26-year-old businesswoman recently returned from a holiday abroad and shared a makeup tutorial with her 4.1 million followers. 4 She revealed that she never wears makeup while on holiday, as the two don't 'really go hand in hand' for her. However, she decided to switch things up this time. Molly-Mae, who recently revealed that she is back with Tommy Fury, explained that she usually sticks to just one makeup look, but wanted to try something a little different. She began her routine by applying Refy's Face Sculpt Moisturiser, £38, and Primer, £24, followed by MAC Face and Body Foundation, £38, as her base. Next came Refy's Cream Bronzer in the shade 'Sand', £18, and a cream blush in the shade 'Malaya', £16, which she said gave her the look of a 'happy, rosy-cheeked girly.' She also dabbed some blush on the tip of her nose for a 'little bit more sun-kissed' effect. To set her under-eye area, Molly-Mae used a touch of Laura Mercier powder, making sure not to use too much in order to maintain her glowy finish. She followed up with Refy's Clear Brow Gel to set her brows, which she prefers to wear in a 'fluffy' style. For eyeshadow, she used Benefit's Hoola, £17, then applied Refy's Lash Sculpt Mascara, £20. Her lip liner of choice was MAC in the shade 'Whirl', £15, followed by Refy Gloss, £18, and she finished the look with Fenty Beauty's You Mist setting spray, £18. I feel sorry for myself but trolls were right - I was Quagmire but Zoe saved me from destroying my face, says Molly-Mae Molly-Mae closed the video by saying: 'I feel like holidays for me are just where I make my most magical and special memories that I just cherish forever.' Currently the Refy website has 15% for a limited time only. If you sign up to be a World member there is even a chance to get more discounts. Molly-Mae's video gained 2.3million views after one day of it being shared on her TikTok account. Her video also gained 569 comments, as many rushed to share their thoughts. 4 4 One wrote: 'I also use the Refy primer and brush; they are both really good.' A second added: 'Obsessed!!!! You look stunning and I'll be recreating this look ASAP.' Whilst a third said: 'The Refy mascara is such a good product especially for sensitive eyes.' And a fourth added: 'She just gets more gorgeous honestly.' Molly-Mae's glow-down from 'glamour model' to 'yummy mummy' Celebrity PR Expert, Ed Hopkins told Fabulous: 'I believe Molly-Mae Hague 's new look is more than just a style change but a powerful statement of who she is becoming. 'It underscores her journey towards authenticity, maturity, and sophistication and is likely to enhance her success and influence in the years to come.' Brand and Culture Expert Nick Ede agreed, and told Fabulous: 'Molly-Mae has transformed herself into a yummy mummy who has ditched the glamour model style for a more relaxed and natural look. 'She's becoming more down to earth and relatable to people and cleverly showing a softer side which will win her legions more fans in the process.' According to Ed Hopkins, Molly-Mae's chic new look could be 'highly lucrative' for the star. Ed told Fabulous: 'Molly-Mae Hague's transformation towards a more natural, chic look seems to be a testament to her personal growth and evolving style. 'This change, which has become more pronounced since she became a mother, appears to reflect her journey towards embracing authenticity and sophistication. 'It's possible that this new image could be highly lucrative for Molly-Mae. 'Her chic, understated style might appeal to a wider audience, including more mature demographics and high-end brands, potentially opening up lucrative endorsement deals and partnerships. 'By adopting a more elegant look, she seems to align herself with premium and luxury brands that favour natural beauty and sophistication, which could lead to higher-paying collaborations. 'Additionally, with consumers increasingly valuing authenticity and natural beauty, her new image could be both timely and marketable.' Nick Ede agreed and told Fabulous: 'She has started to promote some really great luxury brands including the cosmetics brand Tatcha and with her laid back look she will make a lot of money from brands looking to align with her.' Ed also noted that Molly-Mae's transformation may be a sign that she is looking to step away from her reality show past. He continued: 'Molly-Mae's transformation also seems to symbolise her desire even more so to well and truly step out of the shadow of her Love Island persona. 'The shift to a more mature and unique style appears to demonstrate her growth and her wish to be seen as an individual beyond her reality TV beginnings. 'By shedding the bold, flashy look associated with her time on Love Island, she might be rebranding herself as a serious businesswoman and influencer who is carving out her own identity. 'This new look helps her stand out in the crowded influencer market, showcasing her as a trendsetter with a distinctive, refined aesthetic.' Nick agreed and claimed: 'Shedding the flash looks she previously went for, she's also detaching herself from the Love Island stereotype and stepping out as her own person with a cool look that's not flashy but totally on trend. 'Gone are the 'look at me' posts and in are family style posts and trend led fashion statements.'