
Palestinian Superstar Elyanna Fronts Coach's New Ramadan Campaign
Elyanna and Coach Tabby bags, need we say more?
Feb 24, 2025
Palestinian-Chilean superstar Elyanna has been unveiled as the face of Coach's Ramadan campaign, bringing her signature edge to the brand's latest collection.
This season, Coach reimagines its classics in desert-inspired hues and rich textures, with Elyanna effortlessly styling the iconic Chain Tabby bag in warm, earthy tones. The campaign pays homage to heritage and modern luxury, offering pieces that seamlessly move from iftar gatherings to late-night suhoors—timeless, yet undeniably fresh.
The collaboration comes at a defining moment in Elyanna's trajectory. Having made history as the first artist to perform an entire Coachella set in Arabic, she is currently touring with Coldplay, bringing her distinct sound to stadium audiences across the world. Her partnership with Coach feels like a natural evolution, celebrating the intersection of fashion, culture, and personal storytelling—a reflection of Elyanna's growing global influence.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


CairoScene
a day ago
- CairoScene
The World's Largest Modern Arab Art Collection Is in This Doha Museum
With over 9,000 works, Mathaf isn't just a museum—it's loud, political, playful, and deeply personal. If your Qatar itinerary is heavy on sunsets, souqs, and skyline views—pause for a moment and make space for a different kind of thrill: the electric jolt of contemporary Arab art. Tucked inside Doha's Education City, Mathaf: Arab Museum of Modern Art isn't just a museum—it's the region's brainiest, boldest, and most rebellious creative clubhouse. And somehow, it still feels like a secret. Home to the world's largest collection of modern and contemporary Arab art (over 9,000 works, if you're counting), Mathaf (Arabic for 'museum') is anything but quiet. It's where painters, poets, rebels, and rule-breakers from across the Arab world come to have a say—and a moment. Think surrealist paintings from Syria, feminist sculptures from Sudan, abstract experiments from Iraq, and political pop from Palestine. Opened in 2010 as part of Qatar Museums' sweeping cultural vision, this under-the-radar institution features sharply curated exhibitions with a refreshingly unpretentious energy. You don't need an art degree to get it. Just curiosity—and maybe a little time to let it all sink in. And this being Doha, of course there's more: salons, panels, screenings, and the kind of people-watching that could launch a whole new personality era. Whether you drop in for 30 minutes or settle in for the full afternoon, Mathaf will leave you thinking, questioning, and probably Googling at least three new artists on your ride home. Located just 20 minutes from the city center (and, pro tip: very near some very good coffee), this museum is a must for anyone who wants to get under the surface of the Arab world—not just past or present, but future too. So go ahead. Skip the expected. And step inside a space where art isn't hung up in a vacuum. It's loud, political, playful, and deeply personal.


Al-Ahram Weekly
2 days ago
- Al-Ahram Weekly
The moral high ground
A few months into the war on Gaza, following the 7 October attacks, I found myself like everyone else, glued to the news around the clock, watching non-stop the horror coming out of Gaza. One night, as the Israeli forces started to bomb Al-Shefa Hospital – a spot I was familiar with, having developed a bond with the reporter who broadcast from there – I realised that reporter was no longer there. He was not even mentioned. That night was particularly heartbreaking for me. I felt pressure in my head, as if it might literally explode. Waves of anxiety surged through me, along with terrible thoughts, and I had to turn off the television and wander around my house at 2:00am, desperately trying to shift my focus. I remembered that night as I watched the Palestinian documentary A State of Passion – directed by Carol Mansour, a Lebanese-Canadian filmmaker with Palestinian ancestry, and Muna Khalidi, who has a very close friendship with Abu-Sittah – which follows the renowned Palestinian-British plastic and reconstructive surgeon Ghassan Abu-Sittah when he volunteered to enter Gaza for the sixth time at a time of conflict only to realise that this time it was full-scale genocide. He had never performed this number of amputations on children ever in his life, as he said at one of the most moving moments. At this point, when the film was recently screened at Zawya in the lineup of the Between Women Filmmakers Caravan – an independent initiative organised by a group of female filmmakers and film curators – the Gaza war was already one year and eight months old. Still, I'd missed the first screening of the film, which made its world premiere at the Cairo International Film Festival, receiving three awards: the top award of the Horizons of Arab Cinema section, the Saadeddin Wahba Award for Best Arabic Film, and the second prize for Best Palestinian Film as well as a Special Mention for Abu-Sittah. After 43 days in Gaza, Abu-Sittah jumped on a plane to Amman to spend 24 hours with Mansour and Khalidi, who had called to request the meeting. As they stated in an online interview with the audience after the screening, the phone call that appears in the film is the real phone call. In Amman, the camera captures the emotions involved in the meeting, which also involves an old friend of Abu-Sittah's and his proud mother, whose favourite son he was, according to the two filmmakers. Mansour and Khalidi accompany Abu-Sittah on a quick visit to Kuwait, where he was raised and where he reminisces about his father, also a doctor, in front of said father's former clinic. Abu-Sittah was born in Kuwait to a Palestinian father and a Lebanese mother. His father's family originated in Maain Abu-Sittah in the southeast of Gaza, which they were forced to flee when the Zionists attacked during the Nakba. They moved to Kuwait and later to the United Kingdom in the 1980s and Abu-Sittah eventually realised his father's dream by studying medicine at Glasgow University. The documentary includes some harsh photos of children undergoing surgical procedures, especially when Abu-Sittah is trying to prove that Israel used white phosphorus in their military operations, but such graphic imagery was limited, reflecting the filmmakers' decision to give only a small taste of the horror after they were faced with the predicament of whether and how much to show. Abu-Sittah recalls performing amputations on six children in a single day, and when he elaborates on how complicated the situation is there, he explains that health procedures are based on people directing you to save the life of the only living member of the family or whether a doctor can just clean up a wound that will keep someone alive for a day so as to save a few other lives that require urgent attention. Abu-Sittah made his way to Gaza to treat patients all the way through Rafah many times; his first medical visit to Gaza was during the first Intifada in 1987. He was back during the second Intifada in 2000 and then in the wars of 2009, 2012, 2014, 2021 and finally 2023. Mansour alone accompanies Abu-Sittah to London where he lives with his family: his wife Dima and three sons. Khalidi couldn't go due to complications with her visa. And this is where the documentary becomes a more personal exploration of Abu-Sittah's extraordinary character. When he's not working, he is with his family, a dedicated husband and father whose presence is a delight to them. He is seen ironing his sons' school uniforms and putting together their lunch boxes in the morning. There is a sequence in the 90-minute documentary when we hear the exchange of voice messages between him and his three sons. It is touching how he says good morning to each of them in spite of the horrors he is enduring so many miles away. Dima and Abu-Sittah have a sweet relationship with the Palestinian cause at its core. Dima explains how she took the children to Gaza, showing them every corner of it with a strange presentiment that it might not survive. They went to the beach and visited all the landmarks. Her presentiment was right: they returned on 7 September, exactly a month before the horrific incidents began. When Dima and Abu Sittah were in Gaza, they took along Dima's mother, who needed medical attention in London while her father remained alone, an old man tired of being repeatedly displaced, refusing to leave his house. The mother could not return to Gaza but she has been living in Egypt: she was even present at the screening of the film. When Dima spoke of Palestinian resilience, it rang true in a way it usually doesn't. 'If he hadn't gone to Gaza, I wouldn't have known how to maintain my respect for him,' she also said of Abu-Sittah, who, for his part, said they were both so clear about his need to be there, the decision didn't even have to be discussed. * A version of this article appears in print in the 5 June, 2025 edition of Al-Ahram Weekly Follow us on: Facebook Instagram Whatsapp Short link:


CairoScene
2 days ago
- CairoScene
The Yacht on the Amalfi Coast Edit (Menswear)
A menswear guide for the Amalfi Coast yacht agenda It's not often that I find myself musing about a man's sense of style. It usually takes a transformative phase in his life, like a new girlfriend, for him to finally part with the tight black t-shirts that, while peak fashion in his eyes, are objectively a disservice to the rest of society. Though this is not entirely the man's, specifically the Egyptian man's, fault. It should be entirely blamed on a high degree of fashion naivety and a deep fixation on the players of Ahly FC's wardrobes. I therefore consider it my civic duty to intervene and save Egyptian society from this entirely preventable aesthetic offense. Because somewhere deep within the sweltering heat of Cairo is a man packing for his anniversary trip with his wife on the Amalfi Coast. Meanwhile, she is booking a romantic dinner on one of the yachts lining the Marina, blissfully unaware that the tight fabric of his t-shirt intended to accentuate his recent 'cut' will massively clash with her epic new Missoni set for which she has been saving up for over the past three months. And what a tragedy that would be, for both his wife and the reputation of the Egyptian man's style on the global stage. Egypt, and stylish wives, I have your back. I will save you. What follows is the reparation needed for the irreversible damage done by Mohamed Ramadan's metallic gold bra on the Coachella stage… LOOK 1: The perfect look for surviving the Amalfi Coast—and browsing four boutiques with zero complaints alongside your wife. Because nothing says 'I've healed' like trading in tight shirts for textured knits and shorts that don't scream beach club DJ. Zara | Textured polo shirt: Eleventy | Bandana- print swim shorts in blue Golden goose | Ballstar sneaker LOOK 2: He's not overdressed, he's 'European relaxed.' He'll nod seriously during the sommelier's speech, pretend to taste hints of oak, then order whatever his wife tells him to. Homme Plisse Issey Miyake | MC JANUARY pants in Midnight Blue (N.76) Zara | BASIC WASHED BOXY FIT T-SHIRT in oyster white Pull & Bear | Short sleeve striped STWD shirt Golden Goose | Ball Star sneakers Beaulares | ALCOTT LONGSLEEVE POLO option #2 LOOK 3: He's wearing hand-embroidered Bode shorts and a pistachio linen shirt. Not because he's trying to impress, but because he 'just threw something on.' The perfectly curated casually chic look for an epic Italian early lunch on the yacht. Bode | Rosefinch shorts KAI | Pistachio Semi Colar Linen Shirt Maison Margiela | Replica sneakers in coffee brown LOOK 4: A masterclass in modern nonchalance; relaxed, refined, and refusing to overdo it. Uniqlo | Linen Blend Relaxed Pants in Natural Nude Project | Rosel Football Polo Knit Navy Nude Project | Sleepy Shirt Green option 2 Tom Ford | DAX SUNGLASSES Golden Goose | Ballstar sneaker LOOK 5: Vintage soul, modern rhythm: the stripes flirt, the jewellery hums, and the whole thing walks like a curated mood board. Obey | Classic Baggy Stripe Pants in Pelican Multi Polo Ralph Lauren | Mesh Short Sleeve Polo in Canopy Olive Nialaya Jewelry | Fleur-de-Lis embossed cord bracelet Dries Van Noten | Suede sneakers in Tan LOOK 6: It's a look for coffee runs when parked at the marina, that then turn into gallery stops that turn into dinner plans. Theory | Raffi Twill Pant in Bark Polo Ralph Lauren | Short Sleeve Crewneck T-Shirt in Taylor Heather Uniqlo | Premium Linen Shirt Striped in Gray Nialaya Jewelry | pendant bracelet Converse | Star Player 76