There's no better way of spending a family evening than Gifford's Circus
Celebrating its 25th anniversary yet seeming to have been a fixture in the circus landscape for aeons, the old-world charm of the Cotswolds-based Giffords Circus offers an antidote to everything that's miserable about the UK at the moment.
The sight of Giffords' big-top, with attendant gypsy caravans – as if spirited from the pages of Dickens but serving lots of good grub and drink too – is itself enchanting. And the bucolic vision of its late founder Nell Gifford of like-minded artists pitching up on village greens is honoured by the picturesque stop-offs. But the visual delight is maximised by the 1950s America-themed show itself, which, with Cal McCrystal directing, has the aura of a fully-fledged theatre production.
Projected imagery of rippling water bathes the ring-floor to help conjure a dreamlike resort inspired by Atlantic City. There's neon signage for Sal's Motel, a soda bar booth, palm trees, and a bandstand. The retro music, performed live, emits a sunshine blast of nostalgia. An opening bout of beach-ball, for instance, is conducted to the happy-clappy sound of doo-wop hit Lollipop, a grinning acrobatic troupe from Ethiopia casually juggling clubs and stepping in time to the tunes.
This isn't one for those craving a lot of spectacular death-defying daring – no one is flying from a trapeze, being shot from a cannon or whizzing at speed on motorbikes. Much entertainment is provided by irrepressible resident buffoon Tweedy. Cast as the motel bellboy, he kicks things off with inspired ineptitude involving a deck-chair, and continually tries to sabotage the cheesy variety magician (Maxi), his yearning for ice-cream climaxing in a drenching melée. The animal contribution is also lo-fi and reassuringly genteel: a brazenly bribed Shetland pony and an eager Patterjack are the cutest mascots.
It's all very English, with a put-on American accent. Yet while homespun, it still reaches for the stars – and takes risks. The young Garcia brothers (Antonio and Connor) elicit awe with their lithe, gravity-defying handstands, spinning headstands and Charles Atlas physiques. Their parents, Pablo and Vikki provide tongue-in-cheek jeopardy, dangling from a renegade vintage air-plane. Spanish beefcake Randy Forgione Vega whirls high in the air, wielding hand-straps and old-school machismo.
But for elegance, grace and a sensuousness that defines the show's judicious mix of flamboyance, flesh and family-friendly fare, there's no beating Daniela Muñoz Landestoy from Cuba and Noémi Novakovics who hails from Hungary. The pair ascend to the sound of Gershwin's Summertime (blissfully sung by Nell O'Hara) and hang suspended and twirling using just their hair for support (ouch!).
It's all over in a flash, yet you intuit the long dedication and sense of personal destiny behind it. We must treasure these folk – and their art-form. An art-form perpetuated with toil, sweat and thrilling bravura by Giffords.
Tours to Sept 28; tickets: giffordscircus
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