Zach Bryan Removes Collaboration With John Moreland From Streaming Services Amid Feud
Zach Bryan escalated his feud with one-time collaborator John Moreland, removing their Great American Bar Scene song 'Memphis; The Blues' off his album on streaming services while assuring he'd be releasing a new version soon.
Bryan appeared to have removed the song on Friday. As Variety noted, Moreland seemed to fire first, questioning Bryan's $350 million payday after the country star sold his publishing catalog and signed a new deal with his record label Warner Records last week. '$350 M is a lot of money to pay for the fuckin off-brand version of me, y'all have a great day,' Moreland wrote on his Instagram last week.
More from The Hollywood Reporter
Amazon, ACM Awards Extend Streaming Deal Through 2028
Tory Lanez Hospitalized After Getting Stabbed In Prison
Beyoncé's Cowboy Carter Tour Wraps L.A. Leg - How to Get the Best Ticket Deals for Remaining Cities
Bryan is one of the biggest country stars in the industry, inspiring a considerable shift in the country music business as he broke through with Los Angeles-based Warner Records rather than a traditional Nashville label. Moreland has enjoyed a steady career since releasing his first album Endless October Sky back in 2008. 'Memphis; The Blues' was his most-streamed song before it was taken down. Bryan shared a screenshot of that post on his own Instagram, saying Moreland was an artist he'd 'always respected and supported.'
Reps for Moreland and Bryan didn't respond to request for comment.
'Not trying to be dramatic but refuse to have anyone with a problem with me on my records. Replacing Memphis the blues,' Bryan wrote. 'If it goes down for a bit just know this is the reason. No hard feelings! Confused as shit, Tulsans look out for Tulsans!'
Removing a feature from an album isn't unheard of, though it's a rather uncommon move and reflects how temporary music can be in the streaming era when artists can hack and change as they please compared to the permanence from traditional album sales. As of this article's publication, the song remains unavailable on streaming services. Moreland responded in a video on his Instagram story, recalling Bryan having asked him to collaborate on The Great American Bar Scene. He said he'd met with Bryan several times and that 'I don't like this motherfucker.'
'If I was asked to be on the album today, I wouldn't do it. I don't want to be on an album with a dude who is a dickhead to my wife and friends right in front of me every time I see him,' Moreland said.
He also alleged he heard Bryan tell 'borderline racist jokes more than once' and further claimed Bryan brought 'a 19-year-old girl in a bar, adding that 'when they tell him she can't be in there looks at me like I'm supposed have his fucking back.'
'I don't like that person, that's who thinks I'm an asshole? Fine,' Moreland said. 'Far as I'm concerned, getting kicked off a Zach Bryan album is way fucking cooler than being on a Zach Bryan album.'
Best of The Hollywood Reporter
Most Anticipated Concert Tours of 2025: Beyoncé, Billie Eilish, Kendrick Lamar & SZA, Sabrina Carpenter and More
Hollywood's Most Notable Deaths of 2025
Hollywood's Highest-Profile Harris Endorsements: Taylor Swift, George Clooney, Bruce Springsteen and More
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
40 minutes ago
- Yahoo
Dakota Johnson slams lack of creativity on Madame Web
Dakota Johnson has blamed a lack of creativity for Madame Web's poor performance. The 35-year-old actress starred in the 2024 superhero film as Cassie Web, a paramedic who develops psychic abilities following an accident, but it was a failure critically and commercially, and Dakota has insisted it wasn't her fault as she suggested the movie had "turned into something else" after she signed up for the project. She told the Los Angeles Times newspaper: 'It wasn't my fault. There's this thing that happens now where a lot of creative decisions are made by committee. Or made by people who don't have a creative bone in their body. And it's really hard to make art that way. Or to make something entertaining that way. 'And I think unfortunately with Madame Web, it started out as something and turned into something else. And I was just sort of along for the ride at that point. But that happens. Bigger-budget movies fail all the time.' Dakota insisted she doesn't "have a Band-Aid over it" and isn't too worried about the experience. She said: 'There's no part of me that's like, 'Oh, I'll never do that again' to anything. I've done even tiny movies that didn't do well. Who cares?' Dakota previously suggested she wouldn't make another superhero film following her experience on Madame Web. She told Bustle: 'I had never done anything like it before. I probably will never do anything like it again because I don't make sense in that world. And I know that now. 'Sometimes in this industry, you sign on to something, and it's one thing and then as you're making it, it becomes a completely different thing, and you're like, 'Wait, what?' "But it was a real learning experience, and of course it's not nice to be a part of something that's ripped to shreds, but I can't say that I don't understand.' The Fifty Shades of Grey actress recently slammed film bosses for no longer wanting to make 'risky' projects. Speaking during a Kering Women in Motion Talk in Cannes, where she appeared alongside her producing partner Ro Donnelly ahead of the premiere of their dark new film Splitsville, she said: 'Some professionals who run studios don't feel the desire to make things that are different or risky or scary or dangerous or raw and real and human and messy.'
Yahoo
an hour ago
- Yahoo
Madonna unearths long-rumoured Veronica Electronica remix album
Madonna has introduced fans to her Veronica Electronica alter ego amid the release of a long-rumoured project. On Thursday, the music icon announced that she would be releasing a collection of "rare and unreleased" remixes from her 1998 Ray of Light album. Titled Veronica Electronica, the eight-track project will drop on 25 July. While Madonna originally had the idea in 1998, she wasn't ready to release the album at the time. "The project was ultimately sidelined by the original album's runaway success and the parade of hit singles that dominated the spotlight for more than a year," a press release reads. "Ray of Light went on to sell over 16 million copies worldwide and earned Madonna four Grammy Awards, including Best Pop Album." Veronica Electronica features newly edited versions of club remixes by Peter Rauhofer, William Orbit, Sasha, BT, and Victor Calderone, along with the original demo of Gone, Gone, Gone - an unreleased recording produced by Madonna and Rick Nowels. The Material Girl hitmaker has already released Skin (The Collaboration Remix Edit) on all major streaming platforms. Following the news, Madonna took to her Instagram Stories to give further insight into her "other half". "Making my Ray of Light album was a seminal moment in my life as an artist," the 66-year-old wrote. "I was going through a huge metamorphosis. I had given birth to my daughter Lola. I had found my spiritual path and I was ready to shed a new skin and take a road less traveled by. I ventured into electronic music with (record producer) William Orbit and I created an alter ego, taking one of my middle names - and Veronica Electronica was born. Meet my other half." Madonna unveiled her last album, Madame X, in 2019.
Yahoo
an hour ago
- Yahoo
Madame Web star Dakota Johnson says the Marvel movie "started out as something and turned into something else," but she's not bothered that it flopped: "Who cares?"
When you buy through links on our articles, Future and its syndication partners may earn a commission. Madame Web star Dakota Johnson thinks she knows why the Sony Marvel movie flopped, but she's not really that fussed about it. The Spider-Man spin-off was a critical and commercial failure, earning only $100.5 million at the worldwide box office and garnering a Rotten Tomatoes critics score of just 11%. "There's this thing that happens now where a lot of creative decisions are made by committee," Johnson told the LA Times. "Or made by people who don't have a creative bone in their body. And it's really hard to make art that way. Or to make something entertaining that way. And I think unfortunately with Madame Web, it started out as something and turned into something else. And I was just sort of along for the ride at that point. But that happens. Bigger-budget movies fail all the time. "I don't have a Band-Aid over it," she added. "There's no part of me that's like, 'Oh, I'll never do that again' to anything. I've done even tiny movies that didn't do well. Who cares?" Madame Web was also heavily memed, just like another Sony Marvel movie that infamously flopped, Morbius. "If it wasn't for internet culture and everything being made into a joke, I think that the reception would've been different," Madame Web star Emma Roberts said of the film's reception. "And that's what bums me out about a lot of stuff, even stuff that I've done, is people just make such a joke out of everything now." You can fill out your watchlist with our guide to all of 2025's most exciting upcoming movies.