logo
New mural in Old Strathcona champions Canadiana, local artists

New mural in Old Strathcona champions Canadiana, local artists

CTV Newsa day ago
Whyte Avenue is getting an 'eh' in patriotic murals.
The newest piece of wall art at Spur Line Alley, commissioned by the Old Strathcona Business Association (OSBA), reflects 'a lot of Canadiana' and 'really cool Easter eggs,' says Andrea Donini, OSBA's interim executive director.
The mural's creator, Edmonton artist, comedian and radio host Lauren Hunter, was sought out last year by OSBA for her previous work on Canadian themes that brought the community together.
'Everybody was really expressing their Canada pride and their willingness to shop local and shop Canadian,' Donini said during an interview on Wednesday. 'We wanted to really capture that initiative and that feeling of togetherness and community.'
The mural was carefully done because of its location on the side of Richards Block, a 115-year-old heritage building. Both OSBA and Hunter had to figure out a way to install the art without permanently changing the brick wall.
Lauren Hunter mural ctv edmonton
The mural features nods to both Canadian life and Edmontonian staples. Aug. 13, 2025. (Sean McClune/CTV News Edmonton)
That's why the mural was created on vinyl panels that can be removed and replaced as needed.
'They will be removable and changeable. So over a period of time, one to two years, the art can be changed out,' Donini said.
The genesis of the mural, Donini said, was spurred by requests from business owners for graffiti to be taken down. Anti-graffiti coating used on the pieces, she says, makes vandalism a little easier to clean up.
'But one of the things that we notice is that when we beautify … it creates a whole lot more pedestrian traffic and flow and understanding,' Donini said. 'And it reduces the incidence rate of things like graffiti.'
Ultimately, Donini said the goal of the OSBA is to commission art that covers many of the area's alleyways.
'I'm all for this happening in all parts of our city. … I think that's beautiful and really expands our urban exploration space,' she said.
With files from CTV News Edmonton's Sean McClune
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

'Knees of a 15-year-old': Smiling soccer star Müller begins new chapter with Vancouver Whitecaps
'Knees of a 15-year-old': Smiling soccer star Müller begins new chapter with Vancouver Whitecaps

CBC

time16 minutes ago

  • CBC

'Knees of a 15-year-old': Smiling soccer star Müller begins new chapter with Vancouver Whitecaps

Social Sharing If Thomas Müller's offensive output on the soccer pitch can rival the charm offensive on display at his first Vancouver Whitecaps' news conference, the German legend will be worth every penny of the millions the team is shelling out to sign him. Appearing happy and relaxed in downtown Vancouver the morning after his arrival at YVR, the 35-year-old played for laughs from the podium, fully at ease speaking both English and German. He joked about learning to say "soccer" instead of "football," took a question from the German caterer working the event, did goat impersonations into the microphone and boasted that the hard artificial turf at B.C. Place Stadium — considered by some players to be career-shortening — is no match for his ageless athlete's body. "My body feels, even at this stage of my career, too good to retire," he said, flashing a wide smile. "My knees are like the knees of a 15-year-old... Normally, with this kind of turf, it's good for the passing... to have nice combinations, quick combinations, it's sometimes better than [real grass] turf." Nice passing, goals and assists are exactly what is expected of Müller, who could see game action as early as Sunday when the Whitecaps host Houston. Vancouver Whitecaps' star addition Thomas Müller touches down at YVR 16 hours ago German football star Thomas Müller has touched down at YVR. The Whitecaps' newest and most high profile addition to date is signed for the rest of the 2025 season, and has a designated player option for 2026. He may play his first MLS game on Sunday when the Whitecaps take on Houston. His unparalleled resume includes 13 Bundesliga titles with Bayern Munich, the only club he has ever played for up until now. In 2014, he helped Germany win the World Cup, four years after earning the golden boot as top scorer at the 2010 World Cup. He said coming to Vancouver — "one of the best cities in the world" — is nice, but he's more interested in adding to his trophy case. "I played so many years at Bayern... it was time for an adventure. But an adventure for me is only interesting when it's having a chance to go for titles. If you watch the Vancouver Whitecaps this season, and the development in the last season, there is a chance," he said. Müller's move is also headline news in Germany, witnessed by the contingent of more than half a dozen reporters who have travelled to cover his arrival. According to Philipp Hinze, Sky Germany soccer reporter, fans back home were surprised that Müller chose Vancouver as his landing spot after leaving Bayern Munich. "It's not the U.S., it's Canada. It's not Los Angeles or New York, it's Vancouver," said Hinze. "If I'm honest, in Germany, it's a very small club. We don't know a lot about the Whitecaps." Hinze believes Muller, even in the sunset of his career, will bring excitement to the Whitecaps and Major League Soccer. "Age is just a number, especially in football. He's not the fastest, his technical abilities are not the best. He's not like a Messi or Ronaldo, but he's such an intelligent player," said Hinze. "He'll play as an attacking midfielder behind the striker. So he can play left, play right, play deep, score goals, kick some assists. He will be the X-factor for the Whitecaps." Team officials say Müllermania has seized the city since the signing was announced last week. "We have never sold so many jerseys in such a short time," said Axel Schuster, Whitecaps sporting director. "Our ticket sales for all the remaining home games of the season have spiked, and the game on the weekend is sold out."

Versatile actor Joseph Ziegler was endlessly watchable in roles at Stratford and elsewhere
Versatile actor Joseph Ziegler was endlessly watchable in roles at Stratford and elsewhere

Globe and Mail

timean hour ago

  • Globe and Mail

Versatile actor Joseph Ziegler was endlessly watchable in roles at Stratford and elsewhere

Two of the late actor Joseph Ziegler's biggest fans were the eminent theatre critic Robert Cushman and his wife, Arlene Gould. Mr. Cushman deemed Mr. Ziegler the kind of actor with so much depth and skill that he could elevate even a less-than-fabulous production. In a tribute, published on his website, Cushman Collected, Mr. Cushman writes of the time when he and Ms. Gould were watching just such a show – a 'dismal' revival of Oscar Wilde's An Ideal Husband. When Mr. Ziegler exited the stage after his first brief scene, Mr. Cushman overheard his wife murmuring, 'please come back.' That was a sentiment shared by many theatregoers. Mr. Ziegler, who died on July 28 at the age of 71, was an endlessly watchable actor, whose deep reserves of humanity made him captivating in whatever role he played. They ran the gamut from the monumental part of Willy Loman, the tragically deluded anti-hero of Arthur Miller's Death of a Salesman, to that of the blind, wheelchair-confined Hamm in Samuel Beckett's bleak masterpiece Endgame. Mr. Ziegler could have you roaring with laughter at his gum-chewing prowess in the William Saroyan comedy The Time of Your Life, or quietly squeeze your heart as an all-too-real and pitiable miser in his inimitable take on Charles Dickens's Ebenezer Scrooge. Those cherished Ziegler performances and many more illuminated the stages of Toronto's Soulpepper Theatre, of which he was a founding member. When he and 11 like-minded professional actors launched that risky – and, as it turned out, highly successful – venture in 1998, Mr. Ziegler had already made his mark both acting and directing at the Stratford and Shaw festivals, as well as at the majority of Canada's regional theatres. Soulpepper, however, was to give him a home base in middle age where his sizable talents could expand and flourish. In turn, Mr. Ziegler gave the fledgling company its first big, popular hit, directing a winning version of Thornton Wilder's Our Town that he would later remount in 2006 to inaugurate Soulpepper's current home, the Young Centre for the Performing Arts in the Distillery District. What to watch this weekend: A riveting ventriloquism documentary and remembering Joseph Ziegler on screen Soulpepper also allowed Mr. Ziegler more opportunities to perform opposite his wife, fellow company co-founder Nancy Palk. Over time, the two became one of Canada's great acting couples, playing the Lomans in Salesman and the Tyrones in Eugene O'Neill's Long Day's Journey into Night. One of their more unusual vehicles was A Tender Thing, British playwright Ben Power's 'Shakespeare remix,' in which they embodied Romeo and Juliet as an aging married couple, with Mr. Ziegler's Romeo caring lovingly for Ms. Palk's Juliet as she struggled with a terminal illness. As it turned out, it was Ms. Palk who took on the real-life role of devoted caregiver after Mr. Ziegler was diagnosed with Alzheimer's disease in 2022. It forced his retirement from acting, but he had gone out with a blaze of glory: a four-season return to Stratford whose highlights included his superbly tragicomic portrayal of Shakespeare's Timon of Athens and, inevitably, another complex exploration of another iconic Miller role, as the culpable father Joe Keller in All My Sons. His instinct for doing such American classics was native. Joseph Patrick Ziegler was born on Nov. 7, 1953, in Minneapolis and grew up in rural Minnesota, the son of farmer and property owner Donald Ziegler and his wife Ramona (née Lefebvre). An aspiring actor from an early age, he studied theatre at the University of Minnesota, where he obtained a bachelor of arts degree. His fascination with both Shakespeare and Canada were stoked by a Michael Langham-directed production of Love's Labour's Lost, starring Canadian Kenneth Welsh, at the Guthrie Theater in Minneapolis. After learning of Mr. Langham's association with Ontario's Stratford Festival, and the fact that Mr. Welsh was an alumnus of Montreal's National Theatre School (NTS), Mr. Ziegler set his sights on both school and festival. He attended NTS, graduating in 1979. And by 1983, he was a member of Stratford's Young Company, starring in a Love's Labour's Lost once again directed by Mr. Langham. It was with that same determination that he courted and wed a fellow NTS student, Winnipeg-born Nancy Palk. Ziegler family legend has it that Ms. Palk at first refused Mr. Ziegler's proposal – until he said that meant he'd have to move back to the U.S. The couple settled in Toronto as Mr. Ziegler waited for his break at Stratford. In the meantime, he scored roles at Theatre Passe Muraille and Tarragon Theatre and, in a nice bit of foreshadowing, participated in a CBC Radio broadcast of Our Town starring the legendary Lorne Greene. He also began his association with the Shaw Festival in 1980 as part of the acting company under new artistic director Christopher Newton. He was more than ready for his Stratford debut and quickly graduated from the Young Company to the main one, playing a host of major roles over five seasons. He also made first contact with some of his future Soulpepper partners, including a then-24-year-old Diego Matamoros, who was part of the Love's Labour's cast. The two became lifelong friends who would later do some of their finest work together at Soulpepper. 'He was a tremendous force as an actor,' Mr. Matamoros said of Mr. Ziegler. 'He had this great combination of extraordinary confidence and humility. And he was also great fun – we laughed a lot. When a friendship is there, then there's mutual respect and trust, which are key elements in making good theatre. We had that from the get-go.' After his first stint at Stratford – he would return intermittently in the early 2000s and then, finally, for the 2015-18 seasons – Mr. Ziegler headed to New York. He and Ms. Palk performed Shakespeare for the Off-Broadway company Theatre for a New Audience and, in 1990, played opposite Denzel Washington in Richard III for the Public Theater in Central Park. The director was the great Robin Phillips, who would become godfather to the Soulpepper project, and who clearly admired Mr. Ziegler's work. When Mr. Phillips famously took the reins of Edmonton's Citadel Theatre in the 1990s, he coaxed Mr. Ziegler west to play Hamlet, among many other roles, and also gave him his first directing gigs, including a staging of The Diary of Anne Frank that also featured Ms. Palk. Thereafter, Mr. Ziegler built his directing credentials, with shows at Theatre New Brunswick, Halifax's Neptune Theatre, London's Grand Theatre and Toronto's Canadian Stage, as well as seven productions for the Shaw Festival between 1997 and 2008. Martha Burns, another Soulpepper co-founder, remembered the ease with which Mr. Ziegler directed and the way he demolished the hierarchal structure in the rehearsal hall. 'It was like one actor talking to another,' she said. 'He created this equanimity in the room.' In 2000, Mr. Ziegler returned to Stratford to guide Ms. Burns's husband, Paul Gross, in a celebrated production of Hamlet. Mr. Gross had previously acted with Mr. Ziegler, both onstage and on television – Mr. Ziegler appeared in the pilot for Mr. Gross's hit series Due South – and asked him to direct the Stratford production. 'It was the most extraordinary experience I'd ever had,' Mr. Gross recalled. 'His memory was like a superpower. Not only did he know every single line in the authoritative text of Hamlet, but also in the early versions that nobody reads.' Mr. Ziegler's knowledge of Shakespeare was matched by his empathy. After an invited dress rehearsal in which Mr. Gross struggled through the play, he made a panicked call to Mr. Ziegler, weeping and telling him he was going to back out. Mr. Ziegler calmly agreed to seek an 11th-hour replacement. 'He said to me, 'Just do me one favour, try playing it for one preview audience.'' Mr. Gross reluctantly agreed and, by the time he hit Hamlet's first soliloquy, realized he would be fine. 'Other directors would have freaked out,' Mr. Gross said, 'but Joe was exceptionally good at understanding the psychology of his actors and knowing what they needed.' Mr. Ziegler increased his TV presence in the 1990s. After years of guest appearances in Canadian series, he landed regular roles in the 1994-96 medical drama Side Effects (alongside another Soulpepper co-founder, Albert Schultz) and, most memorably, the shot-in-Nova Scotia Black Harbour (1996-99). While he was working on Black Harbour, the Soulpepper enterprise took flight. Mr. Ziegler returned to Toronto to direct Our Town for the company's second season. From then on, he was a steady presence at the theatre for most of its first two decades, as a director and, increasingly, as an actor. His performances netted him a pair of Dora Mavor Moore Awards, for The Time of Your Life (2008) and Death of a Salesman (2011). As the most senior of the founding members, Mr. Ziegler also became the upholder of its artistic ideals: actor-focused work that put the play's text foremost. 'With Joe, what you did was always in service of the text, the author,' Mr. Matamoros said. And he never let the actor's ego get in the way of the author's intentions. 'He was not afraid to be ugly,' said Gregory Prest, one of the younger generation of Soulpepper artists mentored by Mr. Ziegler. 'He knew how a play worked and no matter how despicable a character may be, he never tried to manipulate the audience into liking him.' That may have been best exemplified in his stunning 2005 performance as a drunken, tyrannical Irish patriarch in Tom Murphy's A Whistle in the Dark for Toronto's Company Theatre. There was no ugliness in rehearsals with Mr. Ziegler, however – only a passionate commitment to the work, leavened with a sense of mischief and play. He and Ms. Palk also led by example when it came to personal relationships. 'I was lucky enough to see Joe and Nancy work together many times,' Mr. Prest said. 'They were grace personified. It was a great lesson in working with your partner – full of respect, love and humour.' At home, Mr. Ziegler and Ms. Palk were raising three boys – Tim, Charlie and Henry – in the same manner. Not that Mr. Ziegler couldn't be a tough dad. 'He was incredibly unpleasant to argue with,' Tim Ziegler admitted with a rueful laugh. 'He'd issue an edict and it would be 'My way or the highway.'' But he was always there for his sons. 'He was frequently doing two shows, performing in one and rehearsing another, but at no time was he ever too busy for you.' Mr. Ziegler's gift to other families was his recurring role as Scrooge in Soulpepper's beloved annual version of A Christmas Carol. To younger theatre artists he gave his knowledge and wisdom, whether teaching at the Soulpepper Academy, George Brown College or NTS, or in the rehearsal hall. 'His was one of the most influential legacies,' Mr. Gross reflected. 'He left behind a generation of people who learned from him and benefitted from it.' Mr. Ziegler died of complications of Alzheimer's disease. He leaves his wife, Ms. Palk; his sons, Timothy, Charles and Henry; and four grandchildren. You can find more obituaries from The Globe and Mail here. To submit a memory about someone we have recently profiled on the Obituaries page, e-mail us at obit@

Ian Cooper: I'm an entertainment lawyer. TIFF's defence of Hamas copyright is bunk
Ian Cooper: I'm an entertainment lawyer. TIFF's defence of Hamas copyright is bunk

National Post

time2 hours ago

  • National Post

Ian Cooper: I'm an entertainment lawyer. TIFF's defence of Hamas copyright is bunk

Article content But surely a film festival that's hosting the likes of Sydney Sweeney, Angelina Jolie, Keanu Reeves and Daniel Craig can keep filmmakers and audiences safe. Article content As has been widely reported, Hamas terrorists filmed themselves committing their October 7 atrocities. The footage, some of which is included in the film, would no doubt create cognitive dissonance for those lightly informed TikTok users who weren't wearing a keffiyeh on October 6, 2023 and haven't taken one off since October 8. Article content But it has also been shared publicly by the Israeli government, and was used as part of the Nova Exhibition, an immersive experience that was held in a Toronto warehouse this past spring. If some enterprising terrorist was looking for his day in court, it would have happened by now. Article content Nevertheless, TIFF claimed to be concerned about the provenance of the footage and whether licenses had been obtained. Article content Their legal argument seems to be that the terrorists are the copyright owners of their snuff films, and their intellectual property rights are protected under Canadian law via multiple copyright treaties. Article content On its face, the argument is risible and the kind of thing that makes ordinary people loathe lawyers who can't help but find the nearest pin on which to dance. Article content But even a copyright stickler would have trouble buying it. Article content Putting aside obvious defences to a claim of copyright infringement, such as fair dealing, there is serious doubt as to whether Gazans have standing under Canada's Copyright Act. Article content In 2014, the United Nations announced the State of Palestine, which doesn't currently exist, had become signatory to multiple human rights treaties. Nothing prevented it from also becoming signatory to an international copyright agreement like, for example, the Berne Convention. Foreign authors acquire rights under Canadian copyright laws solely via copyright treaties, absent which, they have no rights to assert in a Canadian court. Article content Moreover, there is a strong likelihood that many of the terrorists who participated in the massacre have since been killed in the war with Israel. So whatever rights they might have had transfer via Gaza's laws of wills and estates. Good luck chasing down those heirs for a film clip license. Article content Article content After significant backlash, TIFF changed its tune on Wednesday evening and announced its legal team would 'work with the filmmaker on considering all options available.'

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store