logo
Five Dudley Borough pubs named among top 500 in England

Five Dudley Borough pubs named among top 500 in England

Yahoo9 hours ago
FIVE pubs from across the borough have featured in the top 500 pubs in England, according to a guide published in a national newspaper.
The Telegraph has published its list of the 500 best pubs in England, with five of them hailing from Dudley.
Expert Will Hawkes curated the list based on their charming character, welcoming staff, history and award-winning beer, The Telegraph says.
With drinking holes from Sedgley, Dudley, Brierley Hill and Stourbridge featured, Dudley boozers counted for one per cent of all the pubs in the list – quite a feat when considering the size of the borough compared to England as a country.
One of the five was The Robin Hood in Amblecote, described by Hawkes as 'probably the best of the town's pubs in terms of atmosphere and beer, which is invariably in peak condition.'
He said: 'The Black Country can be a bit confusing, geography-wise, but things are simple when it comes to pubs.
'They tend to be good, and they're particularly good in Amblecote.'
A stone's throw away lies The Unicorn in Wollaston, which also features on the list.
Highlighted for being a 'small and cosy' spot, Hawkes said visitors to The Unicorn should expect 'robust and often entertaining conversation, filled cobs (roast pork on Saturdays), and a deep sense of contentment'.
The Beacon Hotel in Sedgley is perhaps one of the most well-known in the whole Black Country, so it is unsurprising that it too featured in the top 500 guide.
Home of the award winning Sarah Huges Brewery, this historic drinking hole was described as 'a Black Country pub that doesn't feel like it's changed much since the Victorian era', creating an atmosphere like not many others.
From being crowned the Best Pub in the West Midlands by The Telegraph earlier this year to winning the CAMRA Dudley Pub of the Year for 2025, The Bull and Bladder (or as it is known to the rest of the country officially, The Vine), has been basking in well deserved success this year, so it was to be expected for it to feature in the list.
Hawkes said: 'The Black Country has more high-quality pubs than pretty much any other bit of Britain.
'The Vine Inn (known locally as the Bull and Bladder) is perhaps the best because it's handsome, good value, and, most importantly, is attached to one of England's great old breweries, Batham's.'
The fifth and final local boozer to make the cut was the historic Old Swan Inn in Netherton, known for its beer brewed on site and its beautiful, ornate enamel ceiling.
In his description, Hawkes called it an 'unmissable' pub which has a charm that 'feels more authentically Victorian than any other you'll find in England'.
To view the full list of pubs, visit www.telegraph.co.uk/travel/best-pubs-england/
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Rachel Zegler Returns to ‘Evita' in London Friday After Exiting Performance Mid-Show Thursday Night
Rachel Zegler Returns to ‘Evita' in London Friday After Exiting Performance Mid-Show Thursday Night

Yahoo

time4 hours ago

  • Yahoo

Rachel Zegler Returns to ‘Evita' in London Friday After Exiting Performance Mid-Show Thursday Night

Rachel Zegler is returning to her starring role in Evita on Friday after making an unexpected exit during her Thursday night performance. The actress, who is performing in her London stage debut as former first lady of Argentina Eva Perón in director Jamie Lloyd's revival of the Andrew Lloyd Webber musical, exited the stage during the show's Thursday evening performance, due to illness. More from The Hollywood Reporter A Chat With Imax's CEO On How Global Box Office Dynamics Are Shifting Freddie Highmore Is Back to His British Roots (and Loving It) in 'The Assassin' Tom Basden Wants the Heartwarming Success of 'The Ballad of Wallis Island' to Give British Indie Filmmakers Hope According to People magazine, Zegler's departure was announced during the show's intermission. Understudy Bella Brown reportedly stepped in for Zegler for Act 2 and received a standing ovation that lasted nearly five minutes. 'Today really showed just how important swings and covers are within this industry,' Brown wrote in an Instagram Story. 'They are pillars of a show!! A proud day to be at Evita.' Despite having stepped away from the Thursday show, Zegler was scheduled to return and perform Friday evening, her rep confirmed to The Hollywood Reporter. Evita is currently scheduled to run until Sept. 6 in London. The production opened on July 1. 'I can honestly say that the sheer amount of talent in the building each day is enough to blow the roof off. and we do. eight times a week,' Zegler wrote on Instagram when the show opened. 'I never thought i would get to live my dream this way, surrounded by the most amazing people. I feel so held.' For the show, Zegler leaves the Soho theater to perform 'Don't Cry for Me Argentina' on the exterior balcony, which has become a new spectacle for onlookers hoping to catch a glimpse of the performance and has been commonly featured in viral social media videos. THR's review of the show said of the performance, 'The number is brilliantly conceived and executed, a genuine goosebump moment.' The original Evita, which featured music by Andrew Lloyd Webber and lyrics by Tim Rice, centers on the life of Argentine political leader Perón, the second wife of Argentine president Juan Perón. Best of The Hollywood Reporter Seeing Double? 25 Pairs of Celebrities Who Look Nearly Identical From 'Lady in the Lake' to 'It Ends With Us': 29 New and Upcoming Book Adaptations in 2024 Meet the Superstars Who Glam Up Hollywood's A-List Solve the daily Crossword

Mama, Ozzy Osbourne is coming home
Mama, Ozzy Osbourne is coming home

Yahoo

time4 hours ago

  • Yahoo

Mama, Ozzy Osbourne is coming home

Imagining rock 'n' roll without Ozzy Osbourne is impossible. He wasn't one of the music's originators—born in Birmingham, England, in 1948, he was too young for that—but as the lead singer of Black Sabbath, he created the sound, sensibility, and iconography that became known as heavy metal, a feat that earned him the nickname The Prince Of Darkness. Ozzy's reign as the king of heavy metal lasted well over half a century, ending only earlier this month when he played Back To The Beginning, a farewell extravaganza in his hometown, surrounded by disciples that illustrated his deep, lasting influence. Osbourne presided over a bill that gave equal representation to almost every strain of metal that Black Sabbath begat, its diversity illustrating how the band didn't just make a scene: They forged a subculture. Tellingly, apart from a reunited Black Sabbath, only two performers at Back To The Beginning were of Osbourne's generation: Aerosmith's Steven Tyler and Sammy Hagar, who once fronted Van Halen, the band that blew a haggard Sabbath off the stage in the late 1970s. From Metallica and Guns N' Roses through Tool and Rage Against The Machine's Tom Morello to Gojira and Rival Sons, everybody on the bill came of age during an era where Ozzy was a star in his own right, a madman known for his excesses as much as his music. Time has softened the memories of Osbourne's '80s debauchery, a process assisted by the singer starring alongside his family in The Osbournes, the pioneering reality TV program that reconfigured Ozzy as a beleaguered sitcom dad. The show highlighted Ozzy's frailty and foibles, along with a sense of humor that split the difference between accidental and purposeful. The genius of The Osbournes is how it tapped into a central truth about Ozzy Osbourne: Beneath the tattoos and pentagrams lay something human, even lovable. The notion that Ozzy Osbourne could be lovable was utterly alien when The Osbournes premiered in 2002, which is a testament to the power of his music. Like all great rock stars, Osbourne's art was inextricable from his persona. When Black Sabbath arose from the primordial heavy rock underground in the early 1970s, Ozzy sang with a piercing wail that suggested he was haunted by something intangible and unknown. He harnessed that gothic horror as a solo artist, lending a steely edge to his metallic rock that seemed alternately menacing and comical. Once he separated from Sabbath, the dangerous side subsumed Osbourne to the point that it was difficult to discern truth from fiction. During the 1980s, urban legends of Ozzy biting the heads off bats and doves rivalled the popularity of 'Crazy Train' and 'Mr. Crowley,' songs whose very titles teased an immersion in insanity and the occult. The idea of Ozzy Osbourne became greater than the music itself: Throughout the 1980s, he was the flashpoint for rock decadence, as much a guiding light as a cautionary tale. It also helped that Osbourne had a knack for picking guitarists, discovering legions of shredders that gave shape to metal in the 1980s. Chief among these was Randy Rhoads, the classically trained guitarist who died in 1982, just after he helped Osbourne make Blizzard Of Ozz and Diary Of A Madman, the albums that established Ozzy as a force outside of Black Sabbath. Those two records were so strong, they sustained Osbourne through a decade plagued by indulgence that slowly crept into the confines of the studio. They, alongside the first four albums by Black Sabbath, are at the core of Ozzy Osbourne's musical legacy, the albums that shaped the sound of heavy metal. Subsequent generations of rockers discovered new worlds lying within Ozzy's music, taking metal in places Osbourne never cared to explore. The definition of a rock 'n' roll lifer—he died less than three weeks after playing his final concert—he chose perseverance over innovation, sticking to the blend of high-octane rockers and power ballads he sketched out at the beginning of his solo career. Some hits came his way: In 1991, he even broke into the Billboard Top 40 with 'Mama, I'm Coming Home,' a reflective number whose vocal harmonies tipped a hat to his beloved Beatles. Most of the time, he played to the devoted, an audience thrilled at the simple fact that he survived the madness. 'Mama, I'm Coming Home' was part of Osbourne's solo set list at Back To The Beginning, the only song he played that dated past 1981. Thematically, it fits: Even in 1991, when Osbourne was just barely into his forties, it played like a summation. In the context of Back To The Beginning, its inclusion couldn't help but seem like a deliberate goodbye, especially with Osbourne confined to a throne due to health issues; the end seemed imminent, if maybe not quite as close as it turned out to be. Back To The Beginning didn't end there, though. Osbourne stormed through 'Crazy Train' before joining the rest of the original lineup of Black Sabbath for four songs, opening with the pummeling 'War Pigs' before closing strong with 'Iron Man' and 'Paranoid,' a pair of songs that seem impervious to death. All of Black Sabbath, all on the far side of 70, summoned their dark spirit, not so much sounding young as defiant. This was especially true of Ozzy, who still commanded attention even as he sat on his throne. The visual of the throne was a suitable final spectacle, playing into the horror movie element of Black Sabbath, emphasizing how Ozzy could treat his role as a rock singer as a bit of a carnival barker. Perhaps it didn't carry an element of danger, but it was savvy showmanship that stayed true to the Osbourne that became a beloved cultural figure. There was no more metal way to say farewell. More from A.V. Club Adam Sandler's at least shooting par with Happy Gilmore 2 E! News gets the axe again Resident Alien canceled after four seasons Solve the daily Crossword

Prince William brings surprise guest to international soccer match in sweet father-daughter outing
Prince William brings surprise guest to international soccer match in sweet father-daughter outing

Fox News

time5 hours ago

  • Fox News

Prince William brings surprise guest to international soccer match in sweet father-daughter outing

Prince William brought a surprise guest with him when he went overseas to watch England's women's national team compete. The Prince of Wales was photographed alongside his daughter, Princess Charlotte, as the two of them sat side by side during the final of the UEFA Women's EURO 2025 in Switzerland. They supported England's women's soccer team, nicknamed the Lionesses. This occasion marks Charlotte's first overseas soccer match. A photo of the two of them at the match was posted on the royal family's official Instagram page, and fans were quick to point out how similar the young princess looks to her father. "Charlotte takes after her dad so much! The genes are strong ❤️ looks like a lovely day, go lionesses!" one fan wrote. "Totally copy paste from her daddy 😍," another commented. Others pointed out how great it was to see the father-daughter duo bonding, writing "Such a beautiful picture and it's wonderful to see Charlotte with her dad 😍👨‍👧," and "So sweet! Father daughter moment ❤️👑❤️." While this was Charlotte's first overseas soccer match, it was in no way her first time attending a sporting event. In August 2022, the Princess attended the Commonwealth Games alongside her parents, marking the first time she made a solo appearance with her parents, without her brothers there. At the age of seven, the princess stole the show when she was spotted making several funny faces among laughing spectators. More recently, Charlotte attended the Wimbledon men's singles finals with her father, her mother, Kate Middleton, and her brother, Prince George. She has attended the event in the past, sitting in the stands alongside her mother in July 2024. Prince William shared some insight into his relationship with Charlotte in April 2024 when he visited St Michael's Church of England High School. When speaking with students, the proud father shared his daughter's favorite joke. "I am here with the gang here talking about male mental health, and I've been asked to produce a dad joke. I was trying to channel Jack Whitehall because most of his jokes are pretty dad-like," he told the students, according to reports. "I think what I'll do is say a joke that is Charlotte's favorite joke at the moment, that she keeps telling me." He went on to tell a knock-knock joke. When the students asked "who's there," William responded with "interrupting cow," and before the students could finish asking "interrupting cow who?" William interrupted, saying, "Moo!"

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store