46 students in the fountain city receive scholarships
COLUMBUS, Ga. () — 46 high school students in Fountain City will head to college with some extra funding.
On Sunday, the students gathered in the auditorium of Hardaway High school to be awarded scholarships for college by the Columbus Alumnae Chapter of Delta Sigma Theta Sorority Incorporated.
The Columbus Alumnae Chapter of Delta Sigma Theta Sorority, Inc, its foundation, and individual families awarded $61,700 in scholarships.
The chapter holds a Scholarship Gala each December at the Columbus Convention and Trade Center to raise the bulk of the funds.
Copyright 2025 Nexstar Media, Inc. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.
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Yahoo
18 minutes ago
- Yahoo
‘The Americas' producers on NBC's ambitious docuseries, Earth's most varied landscapes, and ‘absolute joy' working with Tom Hanks
Five years. 180 expeditions. One supercontinent. NBC's The Americas takes viewers on an epic journey from pole to pole, unveiling Earth's most dazzling landscapes, jaw-dropping wildlife, and never-before-seen phenomena — with a little help from Tom Hanks and Hans Zimmer. Buckle up, this is not your ordinary nature doc! The unprecedented scale and ambition delivers remarkable world firsts: new species, new intimate courtship, dramatic deep sea hunting and some of nature's strangest stories. Each hourlong episode features a different iconic location across the Americas: 'The Atlantic Coast,' 'Mexico,' 'The Wild West,' 'The Amazon,' 'The Frozen North,' 'The Gulf Coast,' 'The Andes,' 'The Caribbean,' 'The West Coast' and 'Patagonia.' 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Mike Gunton: The word ambitious, I think, is the key word, because that was the goal, to do something that had the same level of ambition as something like a Planet Earth 2, which is a series I had just been working on. Is there anything on the planet that could match that in scale and ambition and that hadn't been done before? I scratched my head quite a lot, thought about Africa, maybe a few other places, and then thought, "No, there isn't anywhere." But then I thought, "Well, hold on a minute. North America's been looked at, maybe, South America. But what about thinking about them together?" As far as animals are concerned, and as far as nature is concerned, it is all joined together. It's a kind of a supercontinent. So I thought, "Well, maybe somebody must've done that," and then looked around and they hadn't. It doesn't have lions and it doesn't have elephants, but that's about it. In fact, it does have some kind of lion — it has mountain lions. It has all the biggest, the longest, the most impressive natural phenomena you can imagine. So it just had to be done. You've both worked on so many nature documentaries and series in your careers, what separates this from what you've done previously? Holly Spearing: Well, I think the scale is a big part of it. Ten episodes and covering an entire supercontinent that actually has its head up in one pole and its feet down in another pole — that is absolutely massive. It does really set it apart from anything I think either of us have done before. Gunton: Also, doing a project for this audience was a really interesting challenge because. ... We work for the BBC and so we make programs for British audiences. They do, of course, get shown around the world and they do get shown in America. But to make a series that directly speaks to an American audience on a national level is something I've never done. Nobody's ever done it to be absolutely honest with you. The opportunity of doing that was a very big part of why we wanted to do it. Did each location have an independent film crew? Were they taking place simultaneously, or how do you work that out logistically for these 10 episodes? Spearing: It was massively ambitious to cover the area, all the different seasons, all the different animal behaviors. And of course, yes, some of them were happening all at once. So the series is broken down into its 10 different episodes, and those teams work on their shoots, so it was a huge logistical exercise. It was 180 separate shoots, and these are expeditions. They're not just driving up to a location and getting out of a vehicle. Some of them are scaling up a mountain. They're going to one of the most remote islands off the end of South America where you actually have to take a medic with you because it would take so long to get to facilities that you'd need if anything happened. These were really ambitious shoots. And of course, we were covering different habitats from underwater to scaling up trees, deserts, all of those things that we had to face and encounter. But our crews, I have to say, are absolute masters at this. They're experienced and they did an absolutely outstanding job. Gunton: Holly's like a military commander. This is like a military operation. You have got so many resources to deploy because it's not just personnel, it's the most extraordinary variety of equipment, as you hinted at: ships, and we're not talking about little boats, we're talking about massive, really huge boats, helicopters, airplanes, submersibles, and cave divers. There's a sequence there — which I think is probably the bravest thing I've ever seen — where two guys go through those underground caves in Florida. There's no escape. If anything goes wrong, you've got nowhere to go. That's an insanely dangerous thing to do. And all of this has to not just be coordinated in terms of logistics but also has to be made safe. How has technology changed how you approach these topics throughout the years? Gunton: Over the years, we've started to use drone technology a bit more. But what was very fortunate with this series is that the stars aligned and and drone technology has improved – they're smaller. The camera quality was better. The pilots were not necessarily better, but more exposed to shooting in nature. The cameras have to move slowly, they have to get close to the animals, but very, very carefully. And also, the recruitment of real natural history experts at the controls of those drones was just a perfect marriage. We were able to get cameras to places that four or five years ago, we wouldn't have even attempted. Spearing: I think ultimately, what we're trying to do with this new technology is immerse ourselves in the world of the animals so we can see these locations through their eyes, and as Mike says, get really close to them. We think we had about 35 different camera rigs throughout the whole series just to cover all the different environments from underwater to filming things the size of a grain of rice. We talked about drones, but there are crew members within feet of wolves, bears, pumas. Is there anything that feels like it's too dangerous? Spearing: Well, really interesting you mentioned the puma story because our camera operator, John Shire, had actually built a relationship with this particular individual puma over many years. In fact, he filmed her as a cub and many people believe that she still recognizes him by scent. Many of our camera operators are absolute experts on animal behavior as well, and they have to be. They're constantly reading cues from the animals and working with that because they're looking for the behavior that we want to capture. You mentioned Tom Hanks, who narrates the series. How did he become involved? Gunton: When I first pitched this to NBC I didn't mention a narrator. But I did actually write in my notebook at the time, "Ooh, Tom Hanks would be the right person to do this." I didn't think about that for another two or three years. When we finally mentioned him they responded "Oh, yeah, of course. There's only a list of one. It has to be Tom Hanks." Luckily, he had been aware of the series. So I went out to LA, sat down in this little viewing theater with a rough cut of one of the episodes and showed it to him. It was quite nerve-wracking. You're sitting next to a two-time Oscar winner. About a minute into it, he went, "Oh, God," and then turned around to the guy who was running things and said, "Guys, have you seen this? This is insane!" And from then I just thought, "We're sold. He's got this. He absolutely knows what we're doing." He was an absolute joy. He is what you hope your heroes will be — the loveliest man you could imagine; smart, funny, and added so much value to it. Spearing: He was so collaborative to work with as well and just wanted to do the very best he could. He is a filmmaker after all, and he was also incredibly interested in how we got the shots. He loved all the stories from behind the scenes and the cameras. And then finally, one of the more maybe unsung heroes of a docuseries like this is the music. You have the great Hans Zimmer composing music, how did that come about? Spearing: He wrote an extraordinary theme for The Americas, which I think then set the style for all the other music that followed behind it for the individual sequences. Mike is a long-time collaborator with Hans. Gunton: When we've done panels or or live screenings, people put up their hands and say, "We love the music." I think he and his team just got it dead right; not too much. It was incredibly evocative and deeply enriched the drama while also capturing the essence of the locations. One of the key aspects of this series was not just telling stories about life and animals but placing them within their environments — highlighting the personality and unique signature of where they lived. That was the foundation. It was like a "super safari." If we could take you on the most extraordinary journey across the Americas, where would we stop, what would we show you, and what makes those places special? A crucial role of the music was to evoke that sense of wonder, and I think he accomplished that superbly. This interview has been edited for clarity and length. The Americas is streaming on Peacock. 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Powys County Times
18 minutes ago
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King to mark official birthday with Trooping the Colour parade
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Los Angeles Times
19 minutes ago
- Los Angeles Times
Video shows immigration agents interrogating a Latino U.S. citizen: 'I'm American, bro!'
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Gavidia said in the video. 'What hospital were you born?' the agent asked again, this time recorded in the video. 'I don't know dawg!' he said. 'East L.A. bro! I can show you: I have my f—ing Real ID.' His friend, who Gavidia did not name, narrated the video. As the incident continued, he said: 'These guys, literally based off of skin color! My homie was born here!' The friend said Gavidia was being questioned 'just because of the way he looks. ' Gavidia said he gave the Border Patrol agent his Real ID, but the agent never returned it to him. The agent also took his phone and kept it for 20 minutes, he said, before finally returning it. Even after the agent saw his ID, Gavidia said, he never apologized. In a response to questions from the Times, U.S. Customs and Border Protection did not answer questions about the encounter with Gavidia. The agency said in a statement that it is 'conducting targeted immigration enforcement in support of ICE operations across the Los Angeles area. Enforcing immigration law is not optional — it's essential to protecting America's national security, public safety, and economic strength.' The statement continued: 'Every removal of an illegal alien helps restore order and reinforce the rule of law.' Pressed by The Times for answers about that specific encounter, a CBP spokesperson said: 'The statement provided is the only info available about the operation at this time.' The Department of Homeland Security did not immediately respond to a request for comment. Gavidia said another friend was arrested that afternoon at the same location. His name is Javier Ramirez, and he, too, is an American citizen. Tomas De Jesus, Ramirez's cousin and his attorney, said immigration agents had entered a private business, 'without a warrant without a probable cause, to warrant entering into a place like that.' De Jesus said his cousin began alerting people to the presence of the agents. He said he only learned of his cousin's whereabouts on Friday afternoon and said authorities are accusing him of 'resisting arrest, assaulting people.' 'We're still conducting an investigation to really understand and ascertain the facts of the case,' De Jesus said. De Jesus said he called the Metropolitan Detention Center and identified himself as an attorney wishing to speak with his client, but he was told attorneys were not allowed to see their clients at the moment. 'I was not given permission, I was not given access to even speak to him on the phone,' he said. Montebello Mayor Salvador Melendez, who watched video of the encounter with Gavidia, called the situation 'just extremely frustrating. 'It just seems like there's no due process,' he said. 'They're just getting folks that look like our community and taking them and questioning them.' Melendez said he got a call from a resident when immigration agents were on Olympic Boulevard. Melendez said he heard they were going out to other locations in the city, too. 'They're going for a specific look, which is a look of our Latino community, our immigrant community,' he said. Gavidia said his mother is Colombian and his father is Salvadoran. They are American citizens. 'He violated my rights as an American citizen,' Gavidia said, his voice shaking with anger as he spoke over the phone from his business Friday. 'It was the worst experience I ever felt. I felt honestly like I was going to die. He literally racked a chamber in his AR-15.' Gavidia's clothes were dirty from work, and he said he figured that's partly why agents questioned him. 'I'm legal,' he said. 'I speak perfect English. I also speak perfect Spanish. I'm bilingual, but that doesn't mean that I have to be picked out, like 'This guys seems Latino; this guy seems a little bit dirty.' I'm working, guys. I'm an American. We work. I'm Latino. We work.' He added: 'It's just scary, walking while brown, walking while dirty, coming home from work, there's a high chance you might get picked up.' Gavidia said he still doesn't have his Real ID back. He went to the Department of Motor Vehicles Friday morning and said immigration agents had stolen his ID. He said he was told he would need to reapply for another one. 'He took my ticket to freedom,' Gavidia said.
