
Writes of Spring celebrates 10th anniversary with baker's dozen of poetry treats
Welcome to the 10th anniversary edition of Writes of Spring!
The traditional 10th anniversary present is tin or aluminum. For the last five years, we've published 12 poems. But this year, we splurged and selected 13, as an anniversary present to ourselves!
For 2025, we didn't set a theme — as a gift for the poets — and we got 104 submissions. That's the most we've ever received! At five poems per submission, myself and co-editor Charlene Diehl had as many as 500 poems to read.
But we had a great time, reading the poems to each other, trying to find the perfect mix of poems and people.
Nothing is perfect, but I am so proud of these poems and these poets, together and separately.
My thanks to Plume Winnipeg and to the Winnipeg Arts Council, who this year supported the poets's fees.
Happy National Poetry Month! Poetry forever!
there is a garden
where my breast used to be
flowers and petals
yellows and blues
all claim space where desire once lived
an explosion of beauty
my lover used to say
scar tissue now a garden
of forget me nots
Jaime Laye Bouw lives and writes on Lake Winnipeg.
Ava Stokke
Sometimes I think of you in the pauses. I can see you standing on a street corner, delicate hands shoved in the pockets of your big brown overcoat, the one your father gave you for Christmas that makes you look like a skyscraper. When you board the bus, you rehearse what you'll say when you get to the party, where you'll stand next to someone I'll never know; laugh at a joke I'll never hear. Some mornings, when I look outside my window, the other houses look like you.
Ava Stokke a university student from Winnipeg currently studying law.
walk straight
mama said
keep your head up
my girl
but there are days
when my head bows
my body folds
into a question mark
days when i want to crawl
into an ending
i remember that story
of when mama was a girl
sent alone on the trapline
she walked straight
out of the bush broken but brave
i straighten my back
find my horizon
rise
Rosanna Deerchild is Cree from O-Pipon-Na-Piwan Cree Nation. She is the author of three books of poetry — this is a small northern town, calling down the sky, and she falls again — and one play, The Secret to Good Tea.
transformed expressions of a father-grandfather spirit
last weekend
my young daughter wanted
to hear my dad speak
Ibanag
and so she
asked him.
____voice changes. tone is different. shoulders soften;
___his whole body unclenches and relaxes
__He sits different —
_like sinking into a Lazyboy;
as breath finds tongue, they instinctively begin a dance;
_we hear a new kind of love frequency
__coming from the Ibanag
___that slightly shifts
____the vibrato beating of the heart
_____that lighter push-off from the diaphragm.
______when tongue softens thickens
_______ornamenting air like spun sugar cane.
I do not understand any
of the words
but I know that it feels familiar:
closer;
like home.
T. J. Evangelista is a prairie writer who enjoys learning about different cultures, listening to music, and spending time with her daughter. She studies Peace & Conflict at the University of Manitoba.
Denise Cook
You shine today
You are not lost
You have strength
__You hold on
____You are not lost
You belong
___You always did
I knew you had a name
I knew I'd know you
______eventually
________Buffalo Woman
You are not lost
____Rest in LOVE
______Ashlee ASHLEE
Denise Cook is mother of five, a beautiful sandwich of 2 girls, a son, then 2 more girls, her true loves. Gramma (loves that!) to 3 lovey grandsons. (Best love.) North End (from and) to her heart. North End Women's Centre Consequence.
People pass, quiet as traffic,
by the kitchen window;
thank goodness you are in my bed.
There's a fellow I know who stirs at 4
to write at 5 until, at 7,
his lover awakes with reliable desire
and hours pass before their salaries tug them apart.
The thought of them taps against me,
a cheap blind against a dark window,
while you lay sleeping.
My bed is our bed.
I woke with thoughts loose-limbed and tired;
you are curled up, alive and dreaming.
Hannah Godfrey (hannah_g) is a British-Canadian writer, artist, and curator. Her practice is informed by curiosity and delight, and recurring themes include home, recollection, queer echo-locating, & myth-making.
Marjorie Poor
after Sina Queyras's 'There was the moment of the puddle in the path'
And the sidewalk is cracked, opening to the world. The sidewalk is treacherous, uneven, malevolent in its intentions to trip you up, send you flying. The sidewalk only pretends to lie flat, passive, placid, but shifts all shifty, loosening bits of concrete to be kicked along. The sidewalk collects dried leaves, twigs, wishes, chips of glass that slice soles open. The sidewalk is imprinted with initials of lovers from when it was wet and new, the heart outline now broken and split. The sidewalk hides all this and more beneath the dark sheen of wide puddles in night rain.
Marjorie Poor is an editor and writer in Winnipeg, Treaty 1 Territory. She and Di Harms published a chapbook of centos, Voices [That] Haunt Us, with JackPine Press in 2024.
You drive out of the city on a clear winter night
and turn off the main highway onto a road untroubled
by streetlights, and the land comes out of the dark
with its own light.
Winter stretches out to a horizon you'd forgotten was there,
winter broken here and there by the connect-the-dots
of fenceposts, or a blur of bush, or the geometric shape
of house or barn.
Sky expands and pulls away, lit by multiple stars.
(Who knew they are so many? Who knew they shine so bright?
Who knew they could be so impossibly close and so remote
at once?) And if the moon is big, night is almost day–
a ghostly landscape washed in pale blue.
The fields flow by, but the sky does not, its huge dome
unmoving above you, until the city begins to seem
the only place within human dimension.
And this is either fear
_____________or freedom.
Manitoba-born Anne Le Dressay has published three books and two chapbooks of poetry. After 41 years elsewhere, she moved back to Winnipeg in 2020.
Jean Chicoine
la guerre est au sol, la guerre est dans l'air
elle rampe dans les villes, elle se traîne délétère
insulte à l'intelligence, bafouement des êtres
elle est surtout et avant tout dans nos têtes
elle est effet de perspective, elle est injure
blasfème, jeu de miroirs, bavant de blessures
clamant la paix dans ses dédales de tortures
elle est surtout et avant tout dans nos cœurs
nous en sommes toustes complices
toustes coupables
Bachelier en linguistique de l'Université de Québec à Trois-Rivières, Jean Chicoine a quitté le Québec pour le Manitoba en 1989 et vit dans le Village Osborne depuis 1990. Il a écrit toute sa vie, mais n'a publié que sur le tard.
This is how it comes into being
by leaving winter's signature stillness
the sunlight tilting into the center of things.
Spring gets inside, stumbling through open windows
pulling down glittering icicles,
carried by time and warmth
toward the earth.
The mud tracked across the floor
in paw prints so vivid in outline and heft
it seems like all wildness is contained there—
like something written
on a temple wall
something about wolves and searching
and the bright edges of the living.
Dana Medoro is Professor of American Literature at the University of Manitoba.
Spenser Smith
The Assiniboine is still frozen but soon
it will break into a conveyor belt of ice
and litter. I will binge-watch this livestream
until the melt is complete and I can break
out my fishing gear. With a styrofoam box
full of worms, I will try to lure little catfish
from the riverbed. I imagine they take refuge
amongst the shopping carts and mattresses
this great city has discarded. No, concerned
Wolseley resident, I will not keep anything
I catch. I just like how they burp and gurgle,
their soft underbellies resting in my hands.
Spenser Smith's debut book of poetry, A Brief Relief from Hunger, was published by Gordon Hill Press in 2023.
Whispered softly as I pass them
Chickweed and honeysuckle
Iris, ground ivy, cosmos, poppy, pansy, daisy
All the plants have names we have forgotten or never known
Speaking them gently on the breeze
Anemone, fern, lilac
They come forth in colour, lacing the air with fragrance
The beginnings of all fruit and all seed
Some sweet, some bitter
All to be tasted by the earth and the body
All to become the bearer of our futures
Our stories here to live on
Aster, goldenrod, hollyhock
Grasses combed by the wind, trees grown tall and deep rooted
Marigold, violet, sweet clover, dandelion
We will go on to know another life
Breathe the same air in different lungs
Use all that we have found
Demeter-Anemone Willow has been writing since they could write and telling stories for longer. Their work explores themes of nature, isolation, emotion, and longing.
Demeter-Anemone Willow (left) with their father, Andrew Vaisius, whose poem follows.
It is dark
A woman waits for the light to change
I see her half a block away
no cars coming
the street deserted except for her
and I pass her
It is one of those long side street lights
She waits and waits and I wonder
if the light is malfunctioning
will she still be there in the morning
I'll bring her coffee and croissants
discuss morning news
and last night's concert
Meanwhile we'll marry have kids
a house with a large bookcase
look sharp but finally fall
out of grace and divorce
The light blinks green and off we go
separately
in search of another light
Andrew Vasius was an Early Childhood Educator for over 30 years as well as being an editor, reviewer and poet. His work appears in five anthologies, over 20 periodicals, four chapbooks (the latest being Inveigh, 2024), and one book, Retirement, published by Flat Singles Press, 2020.
Mike DealPhotojournalist
Mike Deal started freelancing for the Winnipeg Free Press in 1997. Three years later, he landed a part-time job as a night photo desk editor.
Read full biography
Our newsroom depends on a growing audience of readers to power our journalism. If you are not a paid reader, please consider becoming a subscriber.
Our newsroom depends on its audience of readers to power our journalism. Thank you for your support.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Winnipeg Free Press
a day ago
- Winnipeg Free Press
Celebrating local arts, artists and city mayor's dance moves
A who's who of Winnipeg's arts and cultural institutions gathered at RBC Convention Centre Thursday for the Mayor's Luncheon for the Arts. The colourful group was joined by more soberly attired business leaders and politicos, most notably the event's namesake, Mayor Scott Gillingham, for the annual celebration of 'promise, excellence, creativity and support of the arts' hosted by the Winnipeg Arts Council (WAC). After 30 minutes of networking and niceties, the attendees swayed and clapped along as NAfro Dance Productions, led by Casimiro Nhussi, filled the room with African song. MIKE DEAL / FREE PRESS Mayor Scott Gillingham dances to NAfro Dance at the Mayor's Luncheon for the Arts. Moved by the music, Gillingham made his way to the front of the room, where he cut a rug with more verve than most politicians. Speakers included Winnipeg's poet laureate Jennifer Still, Gillingham and Andrew McLaren, current WAC chairman. MC Natalie Bell punctuated the speeches with jokes, asides and, at one point, a sweetly parodic rendition of Over the Rainbow about the event. Guests ate a catered lunch, many sipping a cheeky midday beer or wine, while taking in the love-in between the City of Winnipeg and the local arts and cultural industry. 'It's a kickoff to just a fantastic summer season of art festivals,' Gillingham said in his speech. 'Each of these events and more is supported through the Winnipeg Arts Council and, by extension, supported by the people of our community. These events build community. They certainly enrich our economy and they make our summers unforgettable.' The event's highlight was the presentation of the 2025 WAC Awards. Dancer Natalie Sluis won in the RBC On the Rise Award category. The emerging hard-of-hearing artist and 2023 graduate of the School for Contemporary Dancers' Professional Program is also a choreographer and singer. Sluis, who's in the early stages of producing a show with dance partner Thomas Oberlin, showed special gratitude to her mentors and allies. 'I've been supported for years by the deaf and accessibility communities. I've also been inspired by a lot of people, including Brenda Gorlick, who's in the musical theatre sector. She's an amazing person, and really took me under her wing,' she said after her speech. Bassist, composer and administrator Ashley Au won the Making a Mark Award. Au's impact is felt all over the Prairie art scene, from her sound artistry for theatres including Royal Manitoba Theatre Centre, Prairie Theatre Exchange and the Citadel Theatre; her work with Polaris Prize-nominated hip-hop outfit Super Duty Tough Work; her role as artistic director of Cluster New Music + Integrated Arts Festival, and more. After quipping about her natural reserve as a bassist, Au entreated artists to confront the 'global rise in fascism.' MIKE DEAL / FREE PRESS Mayor Scott Gillingham drums with NAfro Dance during the luncheon. 'We're at the front lines of a cultural resistance through the art that we make,' she said. 'It's more important than ever to support the free expression of artists.' The final prize, the Making a Difference Award, went to Jaimie Isaac. Every Second Friday The latest on food and drink in Winnipeg and beyond from arts writers Ben Sigurdson and Eva Wasney. The former curator of contemporary and Indigenous Art at the Winnipeg Art Gallery is equally celebrated for a growing body of grassroots interventions. Many of these have flowed from her all-female Indigenous arts group the Ephemerals and her 'roving' Rosemary Gallery, which she co-directs with Suzanne Morrissette. 'I rant on about how frustrating it is to try and decolonize and make space and inclusion in institutions,' said the Anishinaabe curator and interdisciplinary artist from Sagkeeng First Nation in her acceptance speech. 'But I'm so honoured to work alongside such a beautiful arts and cultural community here in Winnipeg. I've lived in other cities, but there's no place like home here in Winnipeg. 'Winipihk' meaning muddy waters, which we need fiercely to protect and preserve.' Other nominees for the 2025 WAC Awards included visual artist Claire Johnston, musician Duncan Cox, and singer-performer Julia Davis in the RBC on the Rise category; visual artist Dominique Rey and theatre practitioner Hazel Venzon in the Making a Mark category; arts administrator Darlene Ronald, educator-consultant Sue Hempill and flutist Jan Kocman, who just retired from the WSO after 51 years, in the Making a Difference category. Conrad SweatmanReporter Conrad Sweatman is an arts reporter and feature writer. Before joining the Free Press full-time in 2024, he worked in the U.K. and Canadian cultural sectors, freelanced for outlets including The Walrus, VICE and Prairie Fire. Read more about Conrad. Our newsroom depends on a growing audience of readers to power our journalism. If you are not a paid reader, please consider becoming a subscriber. Our newsroom depends on its audience of readers to power our journalism. Thank you for your support.
Montreal Gazette
6 days ago
- Montreal Gazette
Dunlevy: Montreal documentary hunts for stolen indigenous masks that inspired surrealists
The repatriation and restitution of art and cultural materials is a hot topic these days. A prime example is estates trying to reclaim objects taken by the Nazis or sold by Jews under duress as they fled Germany. But there's another example closer to home. Montrealer Joanna Robertson and Cree filmmaker Neil Diamond's absorbing new documentary So Surreal: Behind the Masks explores what happened to Yup'ik and Kwakwaka'wakw ceremonial masks taken from these indigenous tribes in Alaska and British Columbia's northwest coast more than a century ago by traders, government officials and collectors. The masks were brought as far as New York, where they inspired some of the great European surrealist artists, who were living in exile mid-century, and eventually made their way to auction houses, world-famous museums and private collections. Leading us on an investigative journey to learn the significance of these masks, the circumstances of their removal and where they ended up is Diamond. He appears on camera throughout the film as an unassuming, intrepid protagonist, pushing the narrative forward with playful determination. He has done the same in his other films, including 2009's Reel Injun, which examined the problematic portrayals of Native Americans in Hollywood westerns, earning him and co-directors Catherine Bainbridge and Jeremiah Hayes three Gemini Awards and a Peabody Award. 'I've gotten quite comfortable (on screen),' Diamond said recently, over coffee with Robertson at Outremont's Croissanterie Le Figaro. 'Sometimes I forget the camera's rolling and I just act real goofy.' 'I think people appreciate it,' Robertson said. 'You bring a lot of humour to these (potentially) doom and gloom situations.' One amazing shot in the documentary shows Diamond puffing on a cigarette as he rides a bicycle down the middle of the road in the bustling Champs Élysées, with the Eiffel Tower behind him, and ponders his next move. Inspired by their subjects, the filmmakers take a surrealist approach to the storytelling as they weave together disparate clues and different ways of seeing the situation. On the one hand are Yup'ik tribe members who are happy to see their masks being preserved and showcased under the same roof as the Mona Lisa: One magical moment finds Yup'ik artist and storyteller Chuna McIntyre singing and dancing joyously as he approaches one of his tribe's masks on display at the Louvre, during an after-hours visit. On the other are members the Kwakwaka'wakw and their allies, who are in a continuing fight to see their masks — including many stolen during Canada's Potlach ban in 1921 — come home. At the heart of the intrigue is a quest to locate a mystical Raven Transformation Mask and possibly converse with its current owner about its eventual return. Somewhere in the middle are the wild surrealists — Max Ernst, André Breton, Roberto Matta, Enrico Donati and Joan Miró — and their friends, including famed French anthropologist Claude Lévi-Strauss, who were endlessly stimulated by the otherworldly dreamscapes evoked by these masks. The extent to which they were aware of how these artifacts were obtained is unclear. 'I'm grateful we're able to shine a light on these stories, which are so fundamental to our understanding of who we are — of colonization and also the importance of Indigenous storytelling and culture,' Robertson said. 'The surrealists saw something — they lived through war after war after war — and they saw something in these masks, however problematic, as a reminder there's another way of being, and of seeing the world.' She expressed hope their film can foster empathy toward indigenous communities and all that they have lost. 'Yeah,' Diamond agreed, 'because if you lose your culture, you have nothing else.'


Vancouver Sun
29-05-2025
- Vancouver Sun
5 top shows to watch as APTN celebrates 25 years of Indigenous stories
The Aboriginal Peoples Television Network (APTN) is celebrating its 25th anniversary. The Canadian broadcaster is the first national public television station for Indigenous peoples, and holds the same status as CBC TV, Radio-Canada and TVA. The station is found on regular cable services, in high definition on APTN HD and streaming on APTN Lumi. In celebration of its quarter-century milestone, a new channel called APTN Languages is launching with programming in at least 15 Indigenous languages from across Canada. Programs range from the cross-cultural cooking show Moosemeat and Marmalade to the hit comedy DJ Burnt Bannock about a struggling Cree DJ. Monika Ille is the APTN CEO and a member of the Abenaki First Nation of Odanak. A recipient of the King Charles III Coronation medal in recognition of her contributions to Indigenous storytelling in Canadian media, Ille oversees a broadcast operation that produces shows ranging from mystery-thrillers and cooking shows, to documentaries and sports, all delivered from an Indigenous viewpoint. Get top headlines and gossip from the world of celebrity and entertainment. By signing up you consent to receive the above newsletter from Postmedia Network Inc. A welcome email is on its way. If you don't see it, please check your junk folder. The next issue of Sun Spots will soon be in your inbox. Please try again Interested in more newsletters? Browse here. Even such venerable shows as Hockey Night in Canada get an Indigenous spin, broadcast in both Cree and Inuktitut. Ille says that when APTN applied to the CRTC 25 years ago, it was a dream to have a national Indigenous network. The broadcaster's impact on Indigenous identity, inside and out of communities, has been profound. 'It was something completely new at the time with only a handful of Indigenous producers and creators to work with,' said Ille. 'Now, we work with hundreds, making sure that our Indigenous stories and languages are more present than ever before with us in control of not only our image, but how we want to say it. I think that makes a very big difference in our relationship with non-Indigenous people.' She sees the launch of APTN Languages as one more development in ongoing reconciliation, noting that restoring native languages is key to reclaiming culture. 'In the 21 years that I have been at APTN, I always felt that we needed to do more to make Indigenous language be accessible to all people across the country who want to hear the beauty of these languages,' she said. 'Most of the shows are also subtitled in English and French, so they are accessible. More and more Indigenous peoples are reclaiming their languages, which is essential to their identity.' APTN is based in Winnipeg, but its programs are created all across the country. B.C.'s busy Hollywood North industry is no stranger to APTN productions, with many of the broadcaster's biggest hits coming out of the province. Staff at the network provided a list of the five most popular made-in-B.C. APTN programs. 1491 — Untold Stories of the America's Before Columbus : 'An older program, but still one of our most popular series,' said Ille. 'It tells the story of many people's histories pre-European contact.' (English and French) Moosemeat and Marmalade : 'This cooking show is an all-time fan favourite,' said Ille. 'You can learn so much about people through their food and the relationship between Art Napoleon and Dan Hayes has really built a bridge between Indigenous and non-Indigenous peoples.' The show has drawn over 16 million international viewers. (English) Nations at War : This history program dives into the many wars Indigenous peoples have fought between one another and with settlers over the centuries. (English/French/ and Hul'Q'umi'num') Ocean Warriors : A docuseries about the Ahousaht's Coastal Nations Coast Guard Auxiliary team and its ongoing mission to carry out marine rescues, find missing divers, address environmental disasters and more. (English/French/ Nuučaan̓uɫ) Yukon Harvest/Dän K'eht'e : Filmed mostly in the Yukon, but also in Kamloops, Fort St. John and Stewart in B.C., this show focuses on Indigenous hunters across Canada and their culture. Nominated for a trio of Canadian Screen Awards in 2022. (English/Dän K'i) sderdeyn@