
Black Sabbath posts Ozzy Osbourne tribute after rocker's death at 76
'Ozzy Forever,' the British band wrote on Instagram, along with a photo of Osborne at its farewell final concert on July 5 in the singer's hometown of Birmingham.
Legendary musician and Rock & Roll Hall of Fame Ozzy Ozbourne has died at 76.for The Rock and Roll Hall of Fame
Osborne's family announced Tuesday that the 76-year-old 'Prince of Darkness' had died following a long battle with Parkinson's disease and other health issues.
Black Sabbath burst onto the music scene in 1967 with Osborne on vocals, Tony Iommi on guitar, John 'Geezer' Butler on bass and Bill Ward on drums.
Photo of Ozzy Ozbourne with his Black Sabbath band members Geezer Butler, Tony Iommi, and Bill Ward.
WireImage
Osborne was fired by the band in 1979, but periodically reunited with his mates, most recently for the July 5 concert, during which he performed seated in a special throne due to his health.

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Miami Herald
5 minutes ago
- Miami Herald
Big pop star is moving to Miami, and he just bought a ‘Housewives' house
Talk about your big time celebrity real estate transactions. 'Real Housewives of Miami' alum Nicole Martin and her attorney fiancé Anthony Lopez just sold their Coral Gables megamansion to pop star Robbie Williams. Price tag: a cool $40 million. Dennis Carvajal with ONE Sotheby's International Realty represented the local power couple, while the British singer was repped by Chad Carroll at Compass, the Miami Herald was told. According to the description on the 19,380-square-foot, seven bedroom, eight bathroom waterfront estate sits on a one-acre peninsula in the exclusive gated enclave of Old Cutler Bay. Lopez and Martin, parents of two, purchased the property, built in 2016, in 2022 for $21.5 million, then gave it a major glow-up, as seen in a few episodes of the Bravo hit. The sprawling, so-called smart home is 'designed for both everyday living and grand entertaining,' with such amenities as a movie theater, wine cellar, gym, massage room/spa, resort style pool, 18-car garage, a dock, plus views for days. As huge as this Mediterranean-style compound is, Bravo reports that Williams has plans to add even more square footage and build a recording studio on site. It's unclear why Martin and Lopez wanted to unload the palatial abode, which came fully furnished, as part of Williams' off-market deal. The anesthesiologist left 'RHOM' last year amid struggles with her mental health, but recently made a guest appearance on the show. She and Lopez also have a stunning retreat in Aspen, Colorado. As for Williams, it's also unclear why the former Take That band member wanted to move to South Florida, besides the obvious reasons. The 'Angels' hitmaker recently sold his Beverly Hills mansion to Drake for $75 million. The music star is married to California native/ 'X Factor' judge Ayda Field and they have four school age kids. Let's give the whole family a warm Miami welcome.

an hour ago
Movie Review: Kristin Scott Thomas directs Scarlett Johansson in comedic drama 'My Mother's Wedding'
Before Kristin Scott Thomas turned 12, she lost her father and stepfather. Both were Royal Navy pilots who died in crashes. The first happened when she was 5. The second at age 11. Thomas uses these facts, a kind of origin story, as the basis for her directorial debut, 'My Mother's Wedding,' a comedic drama about family, trauma and getting on with it that opens in theaters Friday. Knowing that the story comes from a real place is important for the experience. It gives 'My Mother's Wedding,' a perfectly average film that doesn't quite land the way it should, an emotional depth that it's otherwise lacking. This is a strange shortcoming considering the caliber of the cast, including Thomas as the bride to be, and Sienna Miller, Emily Beecham and Scarlett Johansson as her daughters. But it's a cruel reminder that a good hook, talented actors, one killer monologue and a picturesque setting (in this case, the English countryside) aren't guarantees that a movie will work. In the film, the deaths may be in the distant past, but they continue to haunt Diana's (Thomas) adult daughters as she prepares to marry another. Diana's new man is not a dashing pilot, forever preserved in handsome youth. Geoffrey (James Fleet) is very gray. He likes to talk about birds, ospreys in particular, has never had children and comes with a very silly last name (Loveglove) that she plans to take. Her girls are not exactly impressed, though they've all got their own stuff to deal with. It should be said that Johansson is indeed playing a British woman in this film, and while I don't feel qualified to comment on the nuances of her accent, all I can say is that there is a consistently strange disconnect to hear it coming out of her mouth. Johansson is a great actor who I've believed in many wilder roles, from Marvel movies right on down to her Ellen Greene riff during 'Saturday Night Live's' 50th anniversary show. But, somehow, she's hard to buy as Katherine Frost: A British, lesbian Royal Navy officer in a longtime relationship with a woman named Jack (played by fellow beauty Freida Pinto). Miller's character is Victoria, a Hollywood actor known for franchise dreck (no one can remember whether the latest 'Dame Of Darkness' is the fourth or fifth in the series) and short-lived relationships. And Beecham is the youngest Georgina, a nurse who suspects that her husband is having an affair. To find out, the girls hire a private detective to surveil her house and show them the footage after the wedding. It's a very busy, fraught weekend for everyone. There's lots of fretting over why Katherine won't marry Jack, and why Victoria is dancing around a relationship with a wealthy, older French man when her childhood crush still pines for her. There's lingering anxiety about their mom marrying this man who seems so unlike the two heroes that came before and much discussion about the importance of last names, marriage and making sure kids feel like they belong to someone. Some things get resolved, but it's hard to shake the feeling that everyone might need a new therapist by the end. 'My Mother's Wedding' also has a silly lightness to it that's aiming for something along the lines of a Richard Curtis romantic comedy. But coherency of the vision is limited, as is the audience's investment, though there are some lovely and inspired touches like using Iranian artist Reza Riahi to hand paint several animated flashback vignettes based on her memories of her fathers. Thomas co-wrote the script with her husband, journalist John Micklethwait, which includes a particularly poignant monologue for her character telling her daughters, essentially, to grow up and move on — a mature and worthy statement that might come a bit too late. 'My Mother's Wedding' feels only partially realized. But Thomas did have the good sense to end with a song that might just conjure up some feelings for any 'Heartburn' fans out there: Carly Simon's 'Coming Around Again,' this time a duet with Alanis Morissette. 'My Mother's Wedding,' a Vertical release in theaters Friday, is rated R by the Motion Picture Association for 'brief nudity, some sexual material and language.' Running time: 95 minutes. Two stars out of four.


San Francisco Chronicle
an hour ago
- San Francisco Chronicle
Movie Review: Kristin Scott Thomas directs Scarlett Johansson in comedic drama 'My Mother's Wedding'
Before Kristin Scott Thomas turned 12, she lost her father and stepfather. Both were Royal Navy pilots who died in crashes. The first happened when she was 5. The second at age 11. Thomas uses these facts, a kind of origin story, as the basis for her directorial debut, 'My Mother's Wedding,' a comedic drama about family, trauma and getting on with it that opens in theaters Friday. Knowing that the story comes from a real place is important for the experience. It gives 'My Mother's Wedding,' a perfectly average film that doesn't quite land the way it should, an emotional depth that it's otherwise lacking. This is a strange shortcoming considering the caliber of the cast, including Thomas as the bride to be, and Sienna Miller, Emily Beecham and Scarlett Johansson as her daughters. But it's a cruel reminder that a good hook, talented actors, one killer monologue and a picturesque setting (in this case, the English countryside) aren't guarantees that a movie will work. In the film, the deaths may be in the distant past, but they continue to haunt Diana's (Thomas) adult daughters as she prepares to marry another. Diana's new man is not a dashing pilot, forever preserved in handsome youth. Geoffrey (James Fleet) is very gray. He likes to talk about birds, ospreys in particular, has never had children and comes with a very silly last name (Loveglove) that she plans to take. Her girls are not exactly impressed, though they've all got their own stuff to deal with. It should be said that Johansson is indeed playing a British woman in this film, and while I don't feel qualified to comment on the nuances of her accent, all I can say is that there is a consistently strange disconnect to hear it coming out of her mouth. Johansson is a great actor who I've believed in many wilder roles, from Marvel movies right on down to her Ellen Greene riff during 'Saturday Night Live's' 50th anniversary show. But, somehow, she's hard to buy as Katherine Frost: A British, lesbian Royal Navy officer in a longtime relationship with a woman named Jack (played by fellow beauty Freida Pinto). Miller's character is Victoria, a Hollywood actor known for franchise dreck (no one can remember whether the latest 'Dame Of Darkness' is the fourth or fifth in the series) and short-lived relationships. And Beecham is the youngest Georgina, a nurse who suspects that her husband is having an affair. To find out, the girls hire a private detective to surveil her house and show them the footage after the wedding. It's a very busy, fraught weekend for everyone. There's lots of fretting over why Katherine won't marry Jack, and why Victoria is dancing around a relationship with a wealthy, older French man when her childhood crush still pines for her. There's lingering anxiety about their mom marrying this man who seems so unlike the two heroes that came before and much discussion about the importance of last names, marriage and making sure kids feel like they belong to someone. Some things get resolved, but it's hard to shake the feeling that everyone might need a new therapist by the end. 'My Mother's Wedding' also has a silly lightness to it that's aiming for something along the lines of a Richard Curtis romantic comedy. But coherency of the vision is limited, as is the audience's investment, though there are some lovely and inspired touches like using Iranian artist Reza Riahi to hand paint several animated flashback vignettes based on her memories of her fathers. Thomas co-wrote the script with her husband, journalist John Micklethwait, which includes a particularly poignant monologue for her character telling her daughters, essentially, to grow up and move on — a mature and worthy statement that might come a bit too late. 'My Mother's Wedding' feels only partially realized. But Thomas did have the good sense to end with a song that might just conjure up some feelings for any 'Heartburn' fans out there: Carly Simon's 'Coming Around Again,' this time a duet with Alanis Morissette. 'My Mother's Wedding,' a Vertical release in theaters Friday, is rated R by the Motion Picture Association for 'brief nudity, some sexual material and language.' Running time: 95 minutes. Two stars out of four.