logo
'We Want Peace And Food': A Gazan Mother's War Against Starvation To Feed Her Children

'We Want Peace And Food': A Gazan Mother's War Against Starvation To Feed Her Children

News1824-05-2025
Published By :
AFP
Last Updated:
Starvation is spreading in Gaza. For Mervat Hijazi, keeping her children alive has become a daily act of resilience and despair.
Mervat Hijazi and her nine children didn't eat at all on Thursday – save her underweight baby who had a sachet of peanut paste.
'I'm so ashamed of myself for not being able to feed my children," Hijazi told Reuters from their tent pitched amid the rubble of Gaza City. 'I cry at night when my baby cries and her stomach aches from hunger."
Six-year-old Zaha can't sleep because of Israel's bombardment.
'She wakes up terrified, shaking, and then remembers she didn't eat and is hungry. I put her back to sleep, promising her food in the morning. Of course I lie."
Hijazi, 38, recounted a terrible week.
Sunday, May 18: Her family was given about half a kilo of cooked lentils from a community kitchen run by a charity, half the amount she would normally use for a single meal.
Monday: A local aid group was distributing some vegetables in the camp but there wasn't enough to go round and Hijazi's family didn't get any. Her 14-year-old daughter Menna went to the community kitchen and came back with a meagre amount of cooked potato.
Everyone was hungry so they filled up by drinking water.
Tuesday: The family received about half a kilo of cooked pasta from the kitchen. One daughter was also given some falafel by an uncle who lived nearby.
Wednesday: A good day, relatively. They received a bowl of rice with lentils at the community kitchen. It wasn't nearly enough, but Menna went back and pleaded with them and they eventually gave her two other small dishes.
'She is tough and keeps crying at them until they give her."
'I don't have enough milk in my breasts to feed her because I hardly eat myself," said Hijazi, whose husband was killed early in the war as he cycled to get food from a charity kitchen.
The Hijazis' plight is a snapshot of the misery plaguing the Palestinian enclave of Gaza. A global hunger monitor warned this month half a million people face starvation while famine looms.
Israel has been bombarding and besieging Gaza since the territory's ruling group Hamas launched a surprise attack against Israeli border communities on October 7, 2023. The Hamas attack killed 1,200 people, according to Israel, while Gazan authorities say the ensuing Israeli offensive has killed more than 53,000 people.
Israeli authorities have repeatedly said there is enough food in Gaza to feed the population and accuse Hamas of stealing aid in order to feed its fighters and to maintain control over the territory, an accusation the group denies.
This week Israel started allowing some food to enter the territory for the first time since March 2, including flour and baby food but it says a new U.S.-sponsored system run by private contractors will begin operating soon. The plan will involve distribution centres in areas controlled by Israeli troops, a plan the U.N. and aid agencies have attacked, saying it will lead to further displacement of the population and that aid should flow through existing networks.
Hijazi said her family had seen no sign yet of the new aid and she is consumed by worry for her baby, Lama, who was 5 kg when weighed last week. That's about half the average for a healthy one-year-old girl according to World Health Organization charts.
This week the family have had, at most, a single meal a day to share, the mother added.
UN aid chief Tom Fletcher said this week that the amount of aid Israel was proposing to allow into Gaza was 'a drop in the ocean" of what was needed.
WE HAVE NO SAY IN THIS WAR
The tent shared by Hijazi and her children is large and rectangular with a portrait of their dead husband and father Mohammed hanging on one side above a thin mattress and some mostly empty jars and stacked plastic bowls.
The family is from the Sabra district of Gaza City, in the north of the enclave, where Israel's first assault was concentrated. They decided to flee the district on the day Mohammed was killed – November 17, 2023.
They went south to the central Gazan area of Deir al-Balah, first staying with family and then moving to an encampment for the displaced. They returned to Gaza City after a ceasefire was agreed in January, but their home had been damaged and they are now living in a camp for the displaced.
Hunger makes them all listless, Hijazi said, and they often lack enough energy even to clean their tent. When Reuters visited, some of the children lay sprawled silent on the floor.
But they still have jobs to do.
Menna is often sent to queue at the food kitchen. She arrives more than an hour before it opens, knowing that otherwise she would stand no chance of getting food and often waits another hour before she is served, Hijazi said.
On days when a tanker does not bring water to their part of the camp, Mustafa, 15, and Ali, 13, have to walk to a standpipe in another district and lug heavy plastic jerrycans back to the tent – a chore made harder by their hunger.
Everyone remembers life before the war and they talk about the meals they used to enjoy. Mohammed Hijazi was a plumber and earned a good wage.
'People used to envy us for the variety of food we had," his wife said, recalling breakfasts of eggs, beans, falafel, cheese, yoghurt and bread, and lunches and dinners of meat, rice, chicken and vegetables.
Her 16-year-old daughter Malik talked about burgers, chocolate and Coca-Cola.
'We are civilians. We have no say in this war. All we want is for the war to end," Hijazi said.
'We want to go back to live in homes – real homes. We want to sleep with full stomachs and in peace, not scared of dying while we sleep."
(This story has not been edited by News18 staff and is published from a syndicated news agency feed - AFP)
Watch India Pakistan Breaking News on CNN-News18. Get breaking news, in-depth analysis, and expert perspectives on everything from geopolitics to diplomacy and global trends. Stay informed with the latest world news only on News18. Download the News18 App to stay updated!
tags :
Gaza Strip Israel-Palestine
Location :
Gaza/Cairo City
First Published:
May 24, 2025, 16:02 IST
News world 'We Want Peace And Food': A Gazan Mother's War Against Starvation To Feed Her Children
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Postcards from Hyderabad—stories Europeans told about the city
Postcards from Hyderabad—stories Europeans told about the city

The Print

time8 hours ago

  • The Print

Postcards from Hyderabad—stories Europeans told about the city

This article, however, is less about the politics of representation—though those debates are in your face and inevitably seep into the conversation. The ghost of the Edwardian nazar (postcolonial gaze) lingers in the corners, impossible to ignore. My intention here is somewhat different: above all else, this is an essay about Hyderabad , a city that has joined the places I now carry with me. What forms the basis of imperial fascination with Hyderabad? Which 'lives' of the city are deemed worthy of remembrance ? (As a brief aside, it is worth noting that the word souvenir derives from the Latin subvenire , meaning 'to occur to the mind,' or more simply, 'to remember.') The postcards often featured the lifeworlds of the imperial subjects, reflecting the empire's unsurprising desire to 'see' its subjects and their worlds. Postcards became an apparatus of imperial representation. These images participated in the construction of what Palestinian-American academic and literary critic Edward Said might call an 'Orientalist mise-en-scène'—picturesque, passive, and eminently collectible. Although ostensibly epistolary, postcards were also ethnographic. At its core, the idea of a postcard is deceptively simple: a portable visual object, often functioning as a souvenir of place, memory, or moment. Between the 1890s and the 1920s was a period now called the 'postcard boom'. Enabled by improvements in lithographic printing, postal reforms, and the growing mobility of bodies and images across empires, the postcard emerged as the perfect distillation of modernity: portable, pictorial, and public. A postcard is often a declaration of 'I have been here'. The idea of coupling an image with proof of presence is hardly unfamiliar to a generation fluent in Instagram stories. Curiously, a postcard from the early 20th century (reproduced below) contains this very declaration as its caption. Issued by A. Abid & Company of Hyderabad, it features a panoramic view of the Nizam's Charminar Palace, surrounded by a reservoir, garden, palm tree, and a fountain. This palace was also the residence of Albert Abid, an Armenian-origin Chamberlain to the Nizam and owner of the postcard firm, along with his wife Annie. Hyderabadis will know 'Abids' as a commercial complex that continues to stand on over 150 years of local history. Albert and Annie enjoyed being in close quarters to the Nizam, but their curious life and story is one for another telling. Abid & Co. was a major local player in Hyderabad's postcard trade, curating an impressive collection that showcased the city's iconic landmarks: Charminar, Golconda Fort, Mecca Masjid, among others. Globally, however, the dominant player was Raphael Tuck & Sons, a London-based publisher renowned for its lavish, hand-tinted postcards and its close ties to the British royal family, distributing imperial imagery across continents. Hyderabad was not as much a darling of the Raphael Tuck &Sons catalogue as Calcutta, Bombay, or Madras. Even so, the postcard's memorialisation of Hyderabad forms the ground for thoughtful scholarship. One postcard that I find particularly fascinating is titled 'Hyderabad. Arms Sellers'. It was released in 1908 by Raphael Tuck & Sons, as part of their 'Native Life in India Series II'. The richly coloured postcard paints the princely state of Hyderabad through a lens of exoticism and martial nobility. Three dark-skinned men, wearing richly hued turbans and flowing garments, seated amid a gleaming display of curved swords and weaponry. The postcard perfectly confirmed Orientalist fantasies, a place where swords gleamed and men wore colourful turbans. Hyderabad was historically notable for its tradition of arms manufacturing and trading, particularly during the Nizam's rule in the late 19th and early 20th centuries. The city had a substantial presence of arms dealers, such as the Rafiq Armoury, which was established in 1872 and remains one of the oldest arms and ammunition dealerships in India for over 150 years. By 1908, when this postcard was produced, the world had already entered an era of mechanised warfare dominated by sophisticated European weapons. Yet here, in this carefully curated image of Hyderabad, the weapons of choice are still curved swords. In contrast, the British Empire's power by this time rested on far more 'sophisticated' terms: technological superiority, standardised artillery, and an industrialised army. Equally fascinating is the caption that accompanies the postcard. The caption reads 'Arms Sellers, Hyderabad. Hyderabad, the capital of the state of the same name, is celebrated for its swords and other arms. The population, which is about 500,000, consists of mixed elements, and is full of warlike spirit and nearly everyone carries a weapon. Hyderabad is one of the greatest centers of Mohammedanism in India.' The caption appears to be saying a lot about the city in general. It is presented as a repository of martial tradition and religious identity. The mention of 'warlike spirit' and a population where 'nearly everyone carries a weapon' lends the image of curious fascination about civilised primitivism. The reference to Hyderabad as 'one of the greatest centers of Mohammedanism in India' also flattens the city for an European viewership who would have read 'Mohammedan' as a marker of both exotic difference and imperial anxiety. It is also fairly evident that these arms sellers are framed not as individuals, but as representatives of a type: the exotic native warrior, purveyor of arms, vestige of a fading martial culture. This discussion on typification grants up a good point of entry into the next postcard, perhaps one of the most popular recipient of the Edwardian postcolonial nazar— The Nautch Girls of India. This one from Hyderabad stands apart for one primary reason—it attributes a name to the nautch girl. Miss Chanda of Hyderabad. On the surface, it might appear as if the nomenclature resists genrefication of Miss Chanda. The story is a little more complicated than that. Miss Chanda is dressed in a richly detailed outfit: a lavender skirt with gold ornamentation, a white dupatta, and a tightly-fitted bodice, all pointing toward a culture of princely luxury and Islamic court traditions. There is a hint of feminine grace and affluence in the image. But of course, she is not just Miss Chanda—she is Miss Chanda of Hyderabad. Her identity is inseparable from the exotic geography she is meant to evoke. The title alone transforms her from an individual into a representative type, a kind of visual ethnography meant to educate or titillate a foreign audience. Much like the portraits of arm sellers and street scenes, this image offers a version of Hyderabad through its people—yet what it frames is not Miss Chanda's life, but her legibility as an object of curiosity. If Miss Chanda was granted partial visibility through the privilege of a name—only to be reabsorbed into the grammar of exotic femininity—then the next figure's visibility was never in question. Possibly the earliest known postcard of a named Indian ruler (with several to follow) features Mahboob Ali Khan, Asif Jah VI, the sixth Nizam of Hyderabad, and one of the richest men in the world at the time. This postcard marks a shift from anonymous 'types' discussed so far, to named power. But it does so on very specific colonial terms. The Nizam is dressed in full court regalia, the embroidery on his coat ornate, his belt tight across his waist, a heavily jewelled cap crowning his head. The postcard is highly stylised, composed like a studio portrait. The paradox that we must not forget is that despite his opulence and sovereign authority, he is a part of a collection titled 'Souvenir of East Indies', built for exotic European consumption. Also read: What makes someone a Hyderabadi—Irani chai, biryani, Nizam nostalgia, or Dakhni? Bazaars, Boats & Buildings The human figure was not the only object of fascination. The city's monuments, too, featured prominently in this visual archive. A series of postcards from the early 20th century turns its gaze toward Hyderabad's architectural grandeur, most notably the Charminar, the Golconda Fort, and the Mecca Masjid. Each of these postcards, whether of streets, mosques, palaces, or tombs, offers a distinct image of the city. Hyderabad, The Char Minar by Johnston & Hoffmann (Kolkata, c. 1903), for instance, is less about the iconic monument itself and more about the bustling bazaars and the sea of curious onlookers that fill the frame. The bustling bazaars of Hyderabad form the subject of Street at Hyderabad by Unknown Publisher, c. 1905, and the famous Sarojini Naidu poem that reads: 'What do you sell, O ye merchants? Richly your wares are displayed. Turbans of crimson and silver, Tunics of purple brocade, Mirrors with panels of amber, Daggers with handles of jade.' – Sarojini Naidu, In the Bazaars of Hyderabad In The Mosque of Machii-Kaman by Austrian artist Josef Hoffmann, the stock elephant and the lively figures in the courtyard animate the centre of the frame. Possibly the earliest known postcard of Hyderabad, it was created by Hoffmann during his visit to India in 1893–94, when he was in his sixties. In contrast, the postcard titled Tombs at Golconda, Hyderabad adopts a more pastoral tone: a boat gently approaching the rocky shore, softening the memory of empire into picturesque leisure—into a scenic tourist fantasy. These postcards draw a picturesque theatre of the exotic. Hyderabad becomes a living museum, ready for the European gaze and imagination. What then remains of these images, more than a century later? For all their colonial underpinnings, they also inadvertently preserve a trace of local memory: a glimpse of a street, a face, a forgotten name. To read these postcards today is to inhabit a complicated temporality—one in which the empire looks, but we, too, look back. This essay, then, is not an attempt to salvage truth from image, nor to dismantle colonial visuality in totality. These postcards may have once said, 'I have been here,' but today they ask instead, 'What was here—and for whom?' (Note: All postcards have been sourced from online blogs and archives. The following set is drawn from Paper Jewels, a free-access postcard collection: Miss Chanda of Hyderabad; Arms Sellers, Nizam von Hyderabad; The Char Minar; In the Mosque of Machii-Kaman; Tombs at Golconda, Hyderabad; James Bazaar Street, Secunderabad; and Street at Hyderabad.) Souvik Nath recently completed a Master's degree in English Literature from the University of Hyderabad. His research interests centre on colonial modernity and its textual manifestations. Views are personal. (Edited by Ratan Priya)

The last-ditch race to save the Orinoco crocodile
The last-ditch race to save the Orinoco crocodile

Mint

time2 days ago

  • Mint

The last-ditch race to save the Orinoco crocodile

(Refiles May 19 story to add dateline details) Picture essay: By Gaby Oraa and Efrain Otero ON THE BANKS OF THE CAPANAPARO RIVER, Venezuela, May 19 (Reuters) - V enezuelan biologist Carlos Alvarado, 34, has one hand on the young crocodile's neck and another on its tail. With the help of some tape and calipers, he is measuring it, tracking its growth a few days before it will be released into the wild. Alvarado's story - and that of the Orinoco crocodile he is caring for - is a tale of hope and persistence in the face of overwhelming odds. Fewer than 100 Orinoco crocodiles - one of the largest living reptiles in the world - remain in the wild, according to Venezuelan conservation foundation FUDECI. The animal's natural habitat is in the Orinoco River basin, which covers most of Venezuela and spills into Colombia. For decades, the men and women of the Venezuelan Crocodile Specialist Group have been raising younglings of the critically endangered species in captivity in a race against time to avoid its extinction. But they say they are losing that race. Decades of poaching for leather pushed the Orinoco crocodile to the brink, and now struggling Venezuelans who hunt the animals for meat and take their eggs for food threaten to deal the final blow. The members of the Crocodile Specialist Group are not getting any younger - and the next generation of biologists has mostly fled turmoil in Venezuela for jobs elsewhere. Alvarado remains alone to take up the baton. It is, he says, "a great responsibility." He has a sense of mission. He is trying to persuade university students to take part in the conservation effort. Federico Pantin, 59, is not optimistic. He is director of the Leslie Pantin Zoo in Turmero, near Caracas, which specializes in endangered species and is one of the places where the crocodile hatchlings are raised. "We're only delaying the Orinoco's extinction," he says. Pantin and his colleagues keep on going, however - researching, measuring, transporting. The scientists log the sites where the long-snouted Orinoco are known to nest, collecting their eggs or hatchlings. They also breed captive adults kept at the zoo and at Masaguaral Ranch, a biodiversity center and cattle farm near Tamarindito in central Venezuela. The scientists raise the babies, feeding them a diet of chicken, beef and vitamins until they are about a year old and grow to a weight of around 6 kg (13 lb). Adult Orinocos can reach over 5 meters (16 ft) in length, and can live for decades - a 70-year-old named Picopando resides at Masaguaral Ranch. The adults have tough, bony armor, fierce jaws and sharp teeth. They are not to be trifled with. But when they are first hatched, a researcher can cradle one in their hands. Omar Hernandez, 63, biologist and head of FUDECI, tags the tiny foot of a hatchling at the Leslie Pantin Zoo. To save the species, a number of efforts would be necessary, he says: research, protection, education, and management. "We are doing the management, collecting the hatchlings, raising them for a year and freeing them," he says. But "that is practically the only thing being done. And it is not being done at scale." Every year the group releases around 200 young crocs into the wild. The biologists wait until they are a year old as that is the most critical period in their life, Hernandez says. It is when they are young that "almost all are hunted." In April, Reuters accompanied the scientists as they released this year's batch. The young animals were placed in crates, their jaws bound, for the journey from the zoo to the Capanaparo River, deep in western Venezuela not far from the Colombian border, where human habitations are few and far between. This part of the river passes through private land, reducing the likelihood that the animals will immediately be hunted. Alvaro Velasco, 66, who has a tattoo of an Orinoco crocodile on his right shoulder, covered the eyes of a juvenile with tape to avoid it becoming stressed during the journey. "People ask me, 'Why crocodiles? They're ugly,'" said Velasco, president of the Crocodile Specialist Group. "To me, they're fabulous animals. You release them and they stay there, looking at you, as if to say 'What am I supposed to do in this huge river?' And then they swim off." Pickup trucks drove the scientists, crocodiles and volunteers along muddy tracks to a camp near the river, where the humans spent the night sleeping in hammocks. The next day, they gently removed the crocodiles from their crates and carried them to the river. The juveniles slid into the muddy, greenish waters. "Maybe many of these animals are going to be killed tomorrow or the day after tomorrow because of a lack of awareness among people and of course because of hunger," said Hernandez. He echoed Pantin's comments that ultimately the Orinoco crocodile was likely doomed. But, he said, "we're stubborn. It's a way of delaying extinction and it's something that is in our capacity to do. If we waited for the perfect circumstances, they would never come." (Reporting by Gaby Oraa and Efrain Otero; Additional reporting by Kylie Madry and Vivian Sequera; Writing by Rosalba O'Brien; Editing by Daniel Wallis)

King Charles to head 80th Victory over Japan commemorations
King Charles to head 80th Victory over Japan commemorations

The Print

time2 days ago

  • The Print

King Charles to head 80th Victory over Japan commemorations

Charles will be joined by his wife Queen Camilla, Prime Minister Keir Starmer, the Japanese ambassador and veterans for a National Service of Remembrance to pay tribute to those who were killed in the final three months of the war. While fighting in Europe ended in May 1945, the conflict with Japan continued until it signalled its intention to surrender on August 15 that year after atom bombs were dropped on Hiroshima and Nagasaki by the United States. London: King Charles will lead British commemorations on Friday for the 80th anniversary of VJ Day, which marks victory over Japan and the end of World War Two, with famous buildings across the country lit up to mark the occasion. There will be a flypast featuring historic military planes and a two-minute silence at midday. 'Eighty years since our victory in the Second World War, we pay our respects to the many who fought, were captured, and made the ultimate sacrifice in the Far East,' Starmer said in a statement. 'Our country owes a great debt to those who fought for a better future, so we could have the freedoms and the life we enjoy today.' At dawn military bagpipers will perform at The Cenotaph war memorial in central London, at Edinburgh Castle and the National Memorial Arboretum in central England where the service of remembrance will be held later, the government said. A piper will also perform at a Japanese peace garden to recognise the reconciliation between Britain and Japan in the decades since the war ended. On Friday evening, dozens of buildings and locations across the country including Buckingham Palace, the Houses of Parliament, the Tower of London, and the White Cliffs of Dover will be illuminated to mark the anniversary. (Reporting by Michael Holden; Editing by Sachin Ravikumar) Disclaimer: This report is auto generated from the Reuters news service. ThePrint holds no responsibility for its content. Also Read: Indian districts that produced for World War II raced ahead in farm-to-factory transition

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store