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The Unity Books bestseller chart for the week ending April 25

The Unity Books bestseller chart for the week ending April 25

The Spinoff25-04-2025

The only published and available best-selling indie book chart in New Zealand is the top 10 sales list recorded every week at Unity Books' stores in High St, Auckland, and Willis St, Wellington.
AUCKLAND
1 Butter by Asako Yuzuki (Fourth Estate, $35)
Fictionalised true crime for foodies.
2 Sunrise on the Reaping by Suzanne Collins (Scholastic, $30)
Unity Wellington bookseller Eden Denyer says 'Believe the hype on this one, it really is that good. Even though you ultimately know how it will end (not well), you can't help rooting for these brilliant characters to topple the odds.' Read more of Eden's review on The Spinoff, here.
3 When The Going Was Good by Graydon Carter (Moa Press, $38)
A former editor of Vanity Fair reminisces about the time when print was most certainly not dead.
4 See How They Fall by Rachel Paris (Moa Press, $38)
Compulsive homegrown crime about a stupidly wealthy Sydney family and their violent tendencies. Read an interview with the author on The Spinoff, here.
In which Sarah Wynn-Williams goes from shark attack survivor to Meta whistleblower.
BookTok has propelled Dostoevsky's 1848 novella to bestsellers heights the world over!
The book that cemented Becky Manawatu as one of the great novelists of our time. Poet Ben Brown reviewed Auē for The Spinoff way back in 2020.
8 Kia Mau: Resisting Colonial Fictions by Tina Ngata (Kia Mau Campaign, $15)
Welcome back to this brilliant book about of essays in which Ngata is highly critical of the decision by the NZ government to commit funding and resource to the TUIA250 Commemorations of James Cook's voyages to New Zealand and the Pacific.
9 The Let Them Theory by Mel Robbins (Hay House, $32)
Just like, let them?
10 Dream Count by Chimamanda Ngozi Adichie (Fourth Estate, $38)
Four interweaving stories about the lives of women. (PSA: Adichie's virtual event at Auckland Writers Festival has sold out!)
WELLINGTON
1 Sunrise on the Reaping by Suzanne Collins (Scholastic, $30)
2 Careless People: A Story of Where I Used to Work by Sarah Wynn-Williams (Pan UK, $40)
3 There are Rivers in the Sky by Elif Shafak (Penguin, $37)
Novelist and activist Elif Shafak's latest, moving novel about how the waters unite us across place and time.
4 Dream Count by Chimamanda Ngozi Adichie (Fourth Estate, $38)
5 The Vegetarian by Han Kang (Portobello Books, $28)
Since Kang won the Nobel Prize for Literature in 2024 her novels have been selling in huge numbers. The Vegetarian is her most well known and for good reason: it is painful and painfully beautiful.
6 Long Island by Colm Tóibín (Picador, $38)
The sequel to Brooklyn.
7 Star Gazers by Duncan Sarkies (Te Herenga Waka University Press, $38)
The propulsive novel about the collapse of democracy among a society of alpaca breeders: you'll find greed, you'll find media hi-jinks, you'll find goodies and baddies and you'll find furry, innocent animals and what they can teach us about living a good life.
8 The Let Them Theory by Mel Robbins (Hay House, $32)
9 Abundance by Ezra Klein and Derek Thompson (Profile Books, $49)
Pricey but sounds like a dose of what we all might need around about now. Here's a snip from the publisher's blurb:
'In this once-in-a-generation intervention, they unpick the barriers to progress and show how we can, and must, shift the political agenda to one that not only protects and preserves, but also builds. From healthcare to housing, infrastructure to innovation, they lay out a path to a future defined not by fear, but by abundance.'
A magnificent collection of short stories from an exceptional writer: each one is smart, funny and surprising. Read about how Michelle discovered the surplus women at the heart of her book in a wonderful essay published right here on The Spinoff.

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The only published and available best-selling indie book chart in New Zealand is the top 10 sales list recorded every week at Unity Books' stores in High St, Auckland, and Willis St, Wellington. AUCKLAND 1 Air by John Boyne (Doubleday, $35) The conclusion to Boyne's four-part Elements Series and so far, so good over on Good Reads where 2402 ratings give it an average of 4.47 stars. 2 Orbital by Samantha Harvey (Jonathan Cape, $26) Last year's Booker Prize winner. This year's Booker longlist is due on 29 July. 3 Delirious by Damien Wilkins (Te Herenga Waka University Press, $38) The 2025 Jann Medlicott Acorn Prize for Fiction winner! My heart is still pumping after that hair-raising ceremony in which Wilkins was delayed until the very last moment when he literally ran onto the stage to make his acceptance speech. Read a day-after-the-night-before interview with Wilkins right here on The Spinoff. 4 Is A River Alive? by Robert Macfarlane (Penguin Random House, $65) The people love Macfarlane and his nature writing. 5 M urriyang: Song of Time by Stan Grant (Simon and Schuster, $47) Remember when Stan Grant took the stage at Auckland Writers Festival's gala night and was simply outstanding? Grant is an indigenous Australian writer and journalist and an astonishing, moving storyteller. 6 1985 by Dominic Hoey (Penguin, $38) 'Reading it was just like being back in Auckland, growing up on the streets of Grey Lynn and hoping you might be able to scab some money off your mates and hit up the 562 Takeaway (made famous by appearing on the cover of Hoey's poetry collection 'I Thought We'd Be Famous'). OK, yeah, Hoey and I grew up in Auckland a few decades apart, but reading this felt like looking back on a childhood diary that myself or any one of my friends could have written.' Read more of The Spinoff's Lyric Waiwiri-Smith and Claire Mabey's thoughts on this propulsive new novel, here. 7 James by Percival Everett (Picador, $38) One of the bestselling books of 2024 looks to do the same this 2025. 8 Girl On Girl: How Pop Culture Turned a Generation of Woman Against Themselves by Sophie Gilbert (John Murray, $40) Here's the publisher's explanation: 'What happened to feminism in the twenty-first century? This question feels increasingly urgent in a moment of cultural and legislative backlash, when widespread uncertainty about the movement's power, focus, and currency threatens decades of progress. Sophie Gilbert identifies an inflection point in the late 1990s and early 2000s, when the energy of third-wave and 'riot grrrl' feminism collapsed into a regressive period of hyper-objectification, sexualization, and infantilization. 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