
Big Lit 2025 in Gatehouse announces exciting programme of literary performers
An exciting programme of literary performers from across Scotland and beyond has been announced for this year's Big Lit.
The Gatehouse literary festival will take place in the Mill on the Fleet between July 18 and 20.
The volunteer-run festival, organised by The Bakehouse Community Arts, will be welcoming back old and new faces and promises something for everyone.
Highlights include Big Lit cabaret open mic evening with poet Charlie Gracie on the opening night.
There will also be the chance to enjoy Bards for Breakfast on July 19 with storyteller and former Scots Scriever Sui Briggs and writer and musician Alan McClure.
The pair are long time collaborators with song, storytelling, plays and poetry. They co-created globally loved storytelling show Oor Wee Podcast together as well as the play Drookit for Braw Clan theatre.
The same day, Gatehouse author Karen Campbell will be speaking about her latest novel, This Bright Life, and journalist Gerry Hassan will be in conversation with Alec Ross discussing his new book Britain Needs Change: The Challenge for labour and the Politics of Hope.
Sunday will see the launch of Southlight 37 – with writers talking about the 37th edition of Dumfries and Galloway's leading creative magazine.
Award-winning voice actor from Gatehouse, Ruth Urquhart, will be sharing her decade long experience of narrating more than 200 books for listeners all over the world.
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Scottish Sun
40 minutes ago
- Scottish Sun
New adult-only indoor playground with pub games and prosecco-flavoured candyfloss to open in the UK
Plus, the best indoor attractions in the UK GAME ON New adult-only indoor playground with pub games and prosecco-flavoured candyfloss to open in the UK Click to share on X/Twitter (Opens in new window) Click to share on Facebook (Opens in new window) A NEW adult-only attraction is opening next month in the UK - with boozy snacks and pub games. Back in 2023, Fairgame opened its doors in Canary Wharf, London. Sign up for Scottish Sun newsletter Sign up 3 A popular UK attraction is opening a second site Credit: wearefairgame 3 The new Fairgame location will be opposite St Paul's Cathedral Credit: wearefairgame The venue is home to a popular indoor fairground with nostalgic games and even boozy candy floss. And on August 21, a second site will be opening. The new site will be located just across the road from St Paul's Cathedral and span across 24,500-square-feet. The different sections include 'The Fun House', 'Dining Area', 'Games Area', 'Prize Stand', food vendors and two bars. Bigger than the Canary Wharf site, guests will be greeted by a tower 15-foot rotating duck - and a vibrant neon playground. As for the games themselves, there will be 12 reimagined fairground games exclusive to the site. One game is 'Joy Ride', a car racing game, as well as 'Duck and Dive' -where players have to to knock all the bottles off the shelves. There will also be 'Beaky Blinders' - the largest indoor hook-a-duck ever created. Visitors can also choose from a range of street food vendors such as Burger & Beyond, Alby's Pizza and Le Bab. And for drinks, guests can grab a funfair-themed cocktail before heading to a booth and listening to tunes from the resident DJ. Inside multi-million pound upgrade for popular Scots tourist attraction Want a sweet and boozy treat? Then opt for a prosecco-infused candy floss. The attraction has also recently launched a 'Fairmiles' loyalty scheme, where visitors will get rewards for each time they head to a Fairgame site - including merch and prizes. In total, the new venue will be able to host up to 1,000 people. Currently, prices to visit Canary Wharf's site are from £15 for unlimited games. This price then rises to £19 for peak days, such as Fridays, Saturdays and Sundays. Included in the price, visitors get to play each of the nine games once and have a total playing time of 75 minutes. The UK's best indoor attractions The UK's unpredictable weather means finding indoor activities is essential for parents treating their kids to a day out. Here's a list of some of the best attractions found firmly underneath a roof in the country. Empire of the Sea Dragon Indoor Zone This play area claims to be the biggest indoor play park in the UK. The entertainment hub is home to five floors, with slides, rope bridges, swings, net towers and rides. There's also the Trauma Tower, which Empire of the Sea claim is the "best indoor ride in Devon" because of its huge 50ft drop. Other indoor rides at the Devonshire-based indoor play area include a Ferris Wheel and a Submarine Ride. Play Factore This indoor play zone claims to have been designed especially "to provide families with a state of the art active indoor play arena to play in together". Included in its attractions are the tallest standing indoor slide in the UK, as well as a full indoor laser tag arena, interactive trampolines and zip wires. In addition to the UK's tallest indoor slide, it also has the country's largest indoor play frame, made up of a network of tunnels, slides and obstacles, including giant bubble balls, spider nets and rollers. What's more, for kids more into playing ball sports, it has a football pitch and a basketball court built into the play frame. Gravity Max Gravity Max has sites in both the north and south of the UK, including in Liverpool, Castleford and Wandsworth. It also recently opened a brand new one in East London at the Westfield Shopping Centre. The main draw of the site is its E-karting super track, which runs on two separate tracks across multiple levels, offering various different racing experiences. It also has Tokyo-style arcades covering almost an entire floor of their own upstairs. There's also a nine-hole Coca-Cola minigolf course, which requires players to tap their club in before starting, so each shot can be counted digitally, meaning no cheating is able to take place. Meanwhile, upstairs, the Heineken sports bar is found, which has private booths to allow those who have booked them to have their own choice of music, as well as their own TV screens to watch their choice of sport. These are the top 15 UK attractions for 2025 revealed including six which are totally free for the summer holidays. Plus, the incredibly popular £7 tourist attraction returns to UK with a giant maze, a sunset bar and stunning photo opportunities.
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Scotsman
2 hours ago
- Scotsman
Edinburgh Festival Fringe becoming 'more Scottish festival' due to rising costs
Sign up to our Arts and Culture newsletter, get the latest news and reviews from our specialist arts writers Sign up Thank you for signing up! Did you know with a Digital Subscription to The Scotsman, you can get unlimited access to the website including our premium content, as well as benefiting from fewer ads, loyalty rewards and much more. Learn More Sorry, there seem to be some issues. Please try again later. Submitting... The Edinburgh Festival Fringe is becoming a 'more Scottish festival' due to rising costs of attending the event, the founders of Underbelly have said, as the venue marks 25 years since its launch in a 'dirty and grimy' space in the Cowgate. Ed Bartlam and Charlie Wood, who launched Underbelly in 2000 with a single venue and now run 20 venues across four main sites, say more tickets are being sold to Edinburgh locals and other Scots, as people from further afield are increasingly priced out of the Fringe. Advertisement Hide Ad Advertisement Hide Ad Mr Bartlam and Mr Wood recall the early days of their time at the Fringe as 'totally organic'. 'Charlie and I wanted to do a few shows in an interesting space, and we didn't set out to operate a venue,' recalls Mr Bartlam. They paid 'a couple of hundred quid' to put on three shows in what was required to be a 'dirty and grimy' space to create atmosphere. 'We didn't get a license on time,' Mr Bartlam adds. 'We were late opening. We built the bar out of bookshelves that we found in the library [above]. We definitely gave away more drinks than we sold. But it was this rather ramshackle, but proper Fringe experience and and then we thought 'well, we'll carry on doing it'. Advertisement Hide Ad Advertisement Hide Ad 'Although we've grown a lot since then, I feel like Underbelly is still about putting on interesting shows, diversity and creating atmosphere and a sense of fun. That's what continues to run through what we programme and what we produce and what we built here.' They described an opening event for their 600 staff this week as 'emotional'. 'Charlie said to them, looking out onto this sea of people, that most of them weren't born when Underbelly started,' says Mr Bartlam. 'It was quite a moment.' The pair say ticket sales data shows that, increasingly in recent years, more people are visiting from Scotland, rather than from England or overseas. Underbelly itself sells 70 per cent of its tickets to people with a Scottish postcode. Advertisement Hide Ad Advertisement Hide Ad Ed Bartlam and Charlie Wood, Underbelly directors. | Underbelly 'The one big reason is the cost of accommodation,' says Mr Wood, describing the issue as a 'regulatory, legislative challenge'. 'This is made worse this year by the timing of the of the the Oasis and the AC/DC concerts. There are only so many hotel rooms and there's 80,000 people going to each of those concerts. That's going to put up the price, not just at those weekends, but across the month. That makes the cost of both for an artist to come stay here and for audiences outside of Edinburgh to stay here more expensive. 'The question is, if it's going to cost you several hundreds, if not thousands of pounds to stay here for the weekend, do you want to do that? So it means there's more of a choice about whether to be at the Edinburgh Fringe than perhaps there was 25 years ago. There's an economic reason that is driving this to be increasingly a Scottish audience-based festival.' Ed Bartlam and Charlie Wood in the early days of Underbelly. | Underbelly He adds: 'That's great. It's brilliant that Scotland, Edinburgh, opened its arms to this festival so brilliantly, and is so welcoming of it. But it does mean to be on the flip side that we are seeing less audiences from England.' Advertisement Hide Ad Advertisement Hide Ad In response, the pair say they programme an increasing number of shows suitable for children, targeted at local families. 'We're not driving that demand, we're responding to it,' Mr Wood says, adding the Fringe has become 'more accessible' to locals. However, he points to the roots of the Edinburgh festivals, created in the wake of the Second World War to use culture and the arts as a means of healing and bringing people together after the devastation of the conflict. Mr Wood says: 'It is critical that the Edinburgh festivals are rooted in Edinburgh and in Scotland. That's where they're born, both from an artist point of view, from a production point of view. They are a crown jewel of Scotland, but they were created partly just after the war to bring together a range different communities - and that must not be lost. Advertisement Hide Ad Advertisement Hide Ad 'You can come to Edinburgh and see work from across the world. If that is one of the brilliant things, the unique things about this month in August, then surely the shows should also be enjoyed by audiences from across the world. To maintain that uniqueness, audiences must be diverse. It's not to say that people aren't coming. Of course they are, but it's not the same as it used to be.' He adds: 'In order to maintain the brilliance and the diversity of the festival, both in terms of programme and the audience, these things need to be taken really, really seriously.' Underbelly's purple cow, pictured here shortly after its creation. | Underbelly Mr Bartlam says he believes current ticket prices, which the Edinburgh Festival Fringe Society said this week are around £13 this year, are 'incredibly good value'. He says: 'Obviously the challenge is that people like to go see a number of shows in the day, or a number of shows in a weekend, and that's when it begins to stack up.' Advertisement Hide Ad Advertisement Hide Ad The pair view the Fringe as at a peak in terms of size and claim venues will increasingly specialise in genres of shows. 'I think the festival is at a size which is big enough, so if anything, I think there might be some contraction,' says Mr Bartlam. 'I don't necessarily think that's a bad thing.' This year's event will feature 54,474 performances from 3,853 shows. The figure is the second highest since 2019, when a record 4,105 shows were performed, according to new data from the Edinburgh Festival Fringe Society. Advertisement Hide Ad Advertisement Hide Ad 'When we launched our Circus Hub, no one had really done circus,' Mr Bartlam says. 'There was never an essential place for circus. And obviously Circus Hub has become that. 'I think there will be more of those potentially genre specific kind of venues where people are focusing in on a particular thing. Summerhall has done extremely well, in terms of new theatre, physical theatre, while Zoo does it very well in terms of dance. I think audiences like going to places where they have an idea of what a venue is programming.' Underbelly is looking to continue to diversify, not only at the Fringe, but in other areas including London, where it opened Underbelly Boulevard in Soho in October 2023. Last year, a production of Macbeth starring Ralph Fiennes was performed at Edinburgh's Royal Highland Centre, as well as in Liverpool and Washington DC. However, Mr Bartlam and Mr Wood still regard Edinburgh as the brand's base. Advertisement Hide Ad Advertisement Hide Ad 'The Fringe is extraordinary,' Mr Bartlam says. 'It is basically built on creative entrepreneurism, because we know there's no funding. It has grown and is what it is, because of artists that take risks, promoters that take risks, venues that take risks, and it's properly entrepreneurial.


Daily Record
3 hours ago
- Daily Record
Scots wrestler who lived in his car with his dog now a rising ring star in USA
Meet the former Motherwell carer, Luke Scouler, turned wrestling star taking America by storm. A former Scots carer who once lived in his car with his dog is now making waves across the Atlantic as one of the rising stars in American wrestling. Luke Scouler, 33, from Motherwell, better known by fans as Crixus, and he's quickly become one of the breakout stars of Ohio Valley Wrestling (OVW) — the same promotion that launched WWE legends like John Cena and Batista. Nicknamed the Scottish War Machine, Luke's journey has taken him from sleeping in a gym car park to headline matches in the US, including casket matches and cage fights. He made history as OVW's first-ever Scottish champion, and now appears regularly in the cult promotion recently featured in the hit Netflix documentary Wrestlers. Before the body slams and bright lights, Luke had worked as a fitness instructor and in residential care for young people at Inspire Scotland. 'I really loved that job. But it was tough emotionally,' Luke said. 'I've always had a bit of a Batman complex - I thought I was going to save everybody. 'I was in a bad place with it. I knew it wasn't for me and I was burned out. I was in a bad place and I remember sitting in my house in Newmains watching TV with my dog, Odin, when wrestling came on and I just thought: 'Screw it. Let's go.' Scots have made it big in this business – why couldn't I?' That same night, he packed up his car, grabbed his dog, and drove through the night to enroll at a wrestling academy in London run by former WWE star Al Snow , who is now OVW's head trainer. 'I drove through the night with no plan and no place to stay. Me and the dog slept in the car for a bit,' Luke recalled. 'Eventually the guy who ran it asked if I was serious. I told him I'd already quit my job and left my house. That was it. We moved into the gym and didn't go back.' After topping a 300-person wrestling combine in 2019, Luke earned a coveted spot at OVW. But his momentum was stalled when the pandemic hit, forcing him back to the UK for two years. Now, fully based in Kentucky, he's cementing himself as one of the promotion's leading names. Join the Daily Record WhatsApp community! Get the latest news sent straight to your messages by joining our WhatsApp community today. You'll receive daily updates on breaking news as well as the top headlines across Scotland. No one will be able to see who is signed up and no one can send messages except the Daily Record team. All you have to do is click here if you're on mobile, select 'Join Community' and you're in! If you're on a desktop, simply scan the QR code above with your phone and click 'Join Community'. We also treat our community members to special offers, promotions, and adverts from us and our partners. If you don't like our community, you can check out any time you like. To leave our community click on the name at the top of your screen and choose 'exit group'. If you're curious, you can read our Privacy Notice. 'We've got thicker skin, especially in Glasgow. You're battle-ready by the time you leave primary school, so wrestling comes naturally to us,' Luke said. 'I'm a smartass cheeky b******, and the accent helps too. Over here in the States, people already think we're mental which helps. I just turned my personality up to 11. I wasn't pretending to be someone else — just the version of me you probably wouldn't want to sit next to in a pub. I get to act like an a**** and they still love me. They boo you, but they're cheering underneath.' His rise comes during what insiders are calling a golden period for Scots in pro wrestling. Joe Hendry , from Edinburgh, appeared at WrestleMania this year, while Drew McIntyre , from Ayrshire and also an OVW alumnus, became Scotland's first WWE Champion in 2020. OVW head coach Al Snow, himself a former WWE European and Hardcore Champion, believes Luke could be next. 'With the success of Joe Hendry and Drew McIntyre, Scotland is increasingly a potential source of talent. ICW did amazing things. I know Grado — though don't tell him I said this — but he's incredibly charismatic and doing so well across TV, radio and stage,' Snow said. 'With Crixus, we may have another superstar on our hands. His dedication has been incredible. To make it in this business, you have to sacrifice and do things out of the ordinary. And that's why I think he's got what it takes.'