
Arrests over speech are the real danger, not Glastonbury lefties
It is with some measure of irritation, I must confess, that I am drawn away from this balmy weekend to discuss the idiotic antics of a so-called musical act by the name of 'Bob Vylan'. At Glastonbury yesterday, the frontman of the English 'punk duo' led the crowd in a chant. First it was just 'Free, free Palestine'; but then it became 'Death, death to the IDF'. They also aired the implicitly genocidal pro-Palestine slogan: 'From the river to the sea, Palestine will be free.' The whole ghoulish spectacle was broadcast live on the BBC (which has subsequently apologised).
It is precisely our hypersensitivity to distasteful speech that led to Lucy Connolly's arrest and that sees some 30 Brits arrested every day for online messages
In my view, there can be no doubt that this was a grotesque and deeply anti-Semitic display. In calling for the destruction of the Israeli army, as Brendan O'Neill noted here earlier, both singer and crowd were not just calling for the deaths of the IDF's predominantly Jewish soldiers, but in effect the entire Jewish state. 'The true nature of the bourgeois cult of Palestinianism', O'Neill thunders righteously, 'with its virulent hostility not only to Israel but to the West itself, was clear for all to see.' Why these millennial morons joined the chant is a question best left to their own consciences.
The BBC has been criticised heavily for airing the set – it won't appear on catchup. Glastonbury has said it is 'appalled'. The festival and other venues will want to seriously consider not booking Bob Vylan ever again.
Many have drawn the comparison with the case of Lucy Connolly, jailed for 31 months for a tweet deemed to be inciting violence, and called for Bob Vylan likewise to have the book thrown at them. The front page of the Mail on Sunday screams for their arrest. Conservative leader Kemi Badenoch has said that their words constituted 'incitement'.
I can well see why many people, especially British Jews, are furious about these vile chants. And having written here extensively about Connolly's cruel and political treatment, I know that there is ongoing outrage about speech policing and perceptions of two-tier justice.
Nevertheless, believing that the criminal law ought to get involved in this is, in my view, wrongheaded.
One must remember that it is precisely our hypersensitivity to distasteful speech that led to Lucy Connolly's arrest in the first place and that sees some 30 Brits arrested every day for online messages. Anyone who believes in free speech should reject the censorious, knee-jerk response to hearing something objectionable which says that the law should get involved. Ultimately, this approach only erodes all our freedoms, giving weight to the authoritarian-cum-therapeutic mindset that speech is equivalent to violence.
Properly understood, incitement means not just nasty comments, but speech likely to lead to imminent lawless violence. As John Stuart Mill had it, saying 'death to corn dealers' is incitement if it is shouted to an angry mob outside the corn dealer's house – said in another context, it is merely a distasteful opinion. Bob Vylan's chant was reprehensible, but who exactly is being incited here, and to what? Did Glasto's middle-class crusties proceed to put down the natural wine, pack up their tents and carry out a pogrom? It's certainly not as if Hamas, a death cult burning with a violent, genocidal hatred of Jews, is just waiting to hear from a band of mouth-breathing leftie gimps in a field in Somerset to tell them how to feel about the IDF. Sometimes, nasty words are just nasty words.
Not prosecuting Bob Vylan, one should note, would deny them the opportunity to pose as anti-establishment martyrs. And going after them would also be a massive waste of police time.
While many in Britain care deeply about Israel and the chant was indeed shocking, there was another reason to despise this crass and artless alleged musical act. 'Heard you want your country back', ran one of their unparalleled displays of lyrical genius, 'ha! – shut the f*** up'. To ram the point home, the back of the stage bore the unflushable Blairite lie that 'This country was built on the backs of immigrants.' Here was nasty underbelly of the cuddly 'diversity is our strength' crowd on full display: a naked contempt for the patriotic British conservatives unhappy with rampant demographic change, and a willingness to gleefully gloat about it.
Like the 'death to the IDF' chant, this was also an outpouring of far-left bile which right-thinking people should robustly reject. But however objectionable, such sentiments shouldn't be a matter for the police. It is far better to have them out in the open where they can be confronted.

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Rhyl Journal
4 minutes ago
- Rhyl Journal
Glastonbury Festival 2025 ends after weekend of controversy and surprises
Punk duo Bob Vylan and Irish rap trio Kneecap have seen both of their sets on Saturday being assessed by Avon and Somerset Police to decide whether any offences were committed. Bobby Vylan, of Bob Vylan, led crowds on the festival's West Holts Stage in chants of 'death, death to the IDF', before a member of Irish rap trio Kneecap suggested fans 'start a riot' outside his bandmate's upcoming court appearance, and led the crowd on chants of 'f*** Keir Starmer'. Sir Keir had said in the run-up to the festival that he thought Kneecap's set was not 'appropriate' at Glastonbury. On Friday, festival goers were treated to surprise performances from alternative pop star Lorde, who played her new album Virgin in full, and Scottish singer Lewis Capaldi, who played two years after a set at the festival during which he struggled to manage his Tourette syndrome symptoms. The 1975 took to the Pyramid Stage to headline that night, with a set which saw singer Matty Healy joke he was his generation's 'best songwriter', with the band playing songs such as Chocolate, Love Me and About You. Pulp were revealed to be Patchwork appearing on the Pyramid Stage on Saturday to a backdrop paying homage to their classic 1995 stand in headline set. The Jarvis Cocker-fronted band performed some of their best known songs such as Common People, Babies and Do You Remember The First Time?. Their appearance came 30 years after their breakthrough headline performance at the festival when they stood in for The Stone Roses after the Manchester band's guitarist John Squire was injured in a cycling accident. Candida Doyle, the band's keyboard player, had previously appeared to confirm the band would not perform at the festival, despite being keen to play, telling BBC Radio 6 Music last week 'they (Glastonbury) weren't interested'. Also on Saturday, Haim made a surprise appearance on the Park Stage opening with one of their best known songs in The Wire, before performing a mix of older songs such as Summer Girl, and new singles including Relationships. The day saw veteran rocker Neil Young headline, performing some of his best known songs including Cinnamon Girl, Like A Hurricane and Rockin' In The Free World, at one point in the set he performed with Hank Williams' guitar. Brat star Charli XCX headlined the Other Stage on Saturday, performing tracks from last year's summer sensation such as 360, Von Dutch and Club Classics. Performing the viral Apple dance, during the song of the same name, was US singer Gracie Abrams, who had played on the same stage a day earlier. Sir Rod Stewart performed in the Sunday legends slot, bringing out former Faces bandmate Ronnie Wood for Stay With Me, Lulu for Hot Legs and Simply Red's Mick Hucknall for a performance of his band's If You Don't Know Me By Now. He was also joined by the festival's founder, Sir Michael Eavis, who was wheeled on to the stage by his daughter, organiser Emily Eavis. Bagpipes had signalled the arrival of Sir Rod, who kicked off his afternoon performance with 1981 single, Tonight I'm Yours (Don't Hurt Me). Sir Rod's set also included hits such as Maggie May, You Wear It Well and Da Ya Think I'm Sexy?. The Pyramid Stage was headlined by pop rocker Olivia Rodrigo on Sunday evening, who brought out The Cure frontman Robert Smith to sing his band's songs Just Like Heaven and Friday I'm In Love. As the 66-year-old indie-goth star arrived on stage on Sunday night, Rodrigo said: 'Glastonbury would you please welcome Robert Smith, give him a big welcome, come on.' At the end of Just Like Heaven, the pair hugged, before Rodrigo said 'give it up for Robert Smith you guys' before adding she was 'so honoured to play with him tonight'. The weekend saw many acts express their support for Palestine, with singer Ellie Rowsell of indie rockers Wolf Alice telling the crowd: 'We want to express our solidarity with the people of Palestine, and we shouldn't be afraid to do that.' Their Other Stage set saw them climax with their best known song Don't Delete The Kisses, which came after they had played snippets of The White Stripes' Seven Nation Army and Black Sabbath's War Pigs. Irish country star CMAT, real name Ciara Mary-Alice Thompson, chanted 'free Palestine' during her set, which included Take A Sexy Picture Of Me, from her forthcoming third studio album Euro-Country. While frontman Dan Hoff of Irish noise rockers Gurriers said during their Woodsies set: 'Free Palestine, unlike other bands we know where we stand politically.' A number of other acts performed through the night on some of the festival's smaller stages, before a large scale clean-up operation begins in the early hours of the morning.


Glasgow Times
3 hours ago
- Glasgow Times
BBC under pressure amid criticism of ‘death to the IDF' chants at Glastonbury
Rapper Bobby Vylan, of rap punk duo Bob Vylan, on Saturday led crowds on the festival's West Holts Stage in chants of 'Free, free Palestine' and 'Death, death to the IDF (Israel Defence Forces)'. A member of Belfast rap trio Kneecap suggested fans 'start a riot' at his bandmate's forthcoming court appearance related to a terrorism charge. Responding to the chants from Bob Vylan, the Prime Minister said: 'There is no excuse for this kind of appalling hate speech. 'I said that Kneecap should not be given a platform and that goes for any other performers making threats or inciting violence. 'The BBC needs to explain how these scenes came to be broadcast.' A member of Kneecap said 'f*** Keir Starmer' during their performance after the Prime Minister called for the band not to play at the festival. Avon and Somerset Police said video evidence from the performances would be assessed by officers to determine whether any offences may have been committed that would require a criminal investigation. Glastonbury organiser Emily Eavis said Bob Vylan's chants 'very much crossed a line'. 'We are urgently reminding everyone involved in the production of the festival that there is no place at Glastonbury for antisemitism, hate speech or incitement to violence,' she said in a statement. Shadow home secretary Chris Philp said Bob Vylan was 'inciting violence and hatred' and should be arrested and prosecuted. 'By broadcasting his vile hatred, the BBC appear to have also broken the law,' he said. 'I call on the Police to urgently investigate and prosecute the BBC as well for broadcasting this. Our national broadcaster should not be transmitting hateful material designed to incite violence and conflict,' he posted on X. Health Secretary Wes Streeting called it a 'pretty shameless publicity stunt' and said the BBC and Glastonbury have 'questions to answer about how we saw such a spectacle on our screens', speaking to Sky News. Conservative leader Kemi Badenoch called the scenes 'grotesque'. 'Glorifying violence against Jews isn't edgy. The West is playing with fire if we allow this sort of behaviour to go unchecked,' she wrote on X. Shadow work and pensions secretary Helen Whately said she was 'horrified' and that the BBC should have cut the feed. 'Given the nature of the attacks on Israel, the BBC should not have kept broadcasting that. They should have cut the coverage immediately,' she told Times Radio. Liberal Democrat culture, media and sport spokesman Max Wilkinson said: 'Bob Vylan's chants at Glastonbury yesterday were appalling. Cultural events are always a place for debate, but hate speech, antisemitism and incitements to violence have no place at Glastonbury or anywhere in our society.' Culture Secretary Lisa Nandy has spoken to the BBC director general about Bob Vylan's performance, a Government spokesperson said. The BBC said it showed a warning during the performance and that viewers would not be able to access it on demand. Bob Vylan performing on the West Holts Stage (Ben Birchall/PA) A spokesperson for the broadcaster said: 'Some of the comments made during Bob Vylan's set were deeply offensive. 'During this live stream on iPlayer, which reflected what was happening on stage, a warning was issued on screen about the very strong and discriminatory language. 'We have no plans to make the performance available on demand.' The Israeli embassy said it was 'deeply disturbed by the inflammatory and hateful rhetoric expressed on stage at the Glastonbury Festival'. The Campaign Against Antisemitism (CAA) said it would be formally complaining to the BBC over its 'outrageous decision' to broadcast Bob Vylan. 'Our national broadcaster must apologise for its dissemination of this extremist vitriol, and those responsible must be removed from their positions,' a spokesperson said. Bob Vylan, who formed in Ipswich in 2017, have released four albums addressing issues to do with racism, masculinity and class. Bobby Vylan's real name is Pascal Robinson-Foster, 34, according to reports. He is listed on Companies House as the director of Ghost Theatre Records, which is operated by Bob Vylan. Kneecap performing on the West Holts Stage (Yui Mok/PA) Kneecap have been in the headlines after member Liam Og O hAnnaidh, who performs under the name Mo Chara, was charged with a terror offence. The group performed after Vylan's set on the West Holts Stage with O hAnnaidh exclaiming 'Glastonbury, I'm a free man' as they took to the stage. In reference to his bandmate's forthcoming court date, Naoise O Caireallain, who performs under the name Moglai Bap, said they would 'start a riot outside the courts', before clarifying: 'No riots, just love and support, and support for Palestine.' In the run-up to the festival at Worthy Farm in Somerset, several politicians called for the group to be removed from the line-up and Sir Keir said their performance would not be 'appropriate'. During Kneecap's set, O hAnnaidh said: 'The prime minister of your country, not mine, said he didn't want us to play, so f*** Keir Starmer.' Kneecap also gave a 'big thank you to the Eavis family' and said 'they stood strong' amid calls for the organisers to drop them from the line-up. A BBC spokesperson said an on-demand version of Kneecap's performance was available on iPlayer. 'We have edited it to ensure the content falls within the limits of artistic expression in line with our editorial guidelines and reflects the performance from Glastonbury's West Holts Stage. As with all content which includes strong language, this is signposted with appropriate warnings.'

Leader Live
3 hours ago
- Leader Live
Kate Nash says she would love to collaborate with Kneecap
It came after police said on Saturday that they are assessing videos of comments made by the Belfast rap trio, as well as punk duo Bob Vylan, during their performances at the Glastonbury Festival. The group are known for their provocative lyrics and merchandise, as well as their championing of the Irish language and support for Palestine. 'I love Kneecap. I'd love to collaborate. I love collaboration, actually,' Nash told the PA news agency. 'I really, really think collaboration is such an amazing and important part of being an artist, because you just learn every time you collaborate with someone different. 'So I just did a duet with Sprints, because they covered Foundations, and that was really fun.' Nash, 37, added: 'Kneecap would be amazing to collaborate with. My mum's from Dublin and I think that the way they use their political platform is really important.' She continued: 'I don't think English people really understand their (Ireland's) history at all, they just don't know it. 'So I think there's an opportunity to educate people about England and Ireland's history, and sort of being half-English, half-Irish myself I have quite a good understanding of that, but I didn't learn it at school. 'There's so many amazing musicians to collaborate with. I love Amyl And The Sniffers.' Before their performance on the West Holts Stage, several politicians called for Kneecap to be removed from the line-up and Prime Minister Sir Keir Starmer said their performance would not be 'appropriate'. During their set, member Naoise O Caireallain said: 'The Prime Minister of your country, not mine, said he didn't want us to play, so f*** Keir Starmer.' In reference to his bandmate's upcoming court date the rapper, who performs under the name Moglai Bap, said they would 'start a riot outside the courts', before clarifying: 'No riots, just love and support, and support for Palestine.' Bobby Vylan, of rap duo Bob Vylan, had earlier led crowds in chants of 'Free, free Palestine' and 'Death, death to the IDF (Israel Defence Forces)'. According to reports, Bobby Vylan is called Pascal Robinson-Foster, 34, from Ipswich. Robinson-Foster is listed on Companies House as being the director of Ghost Theatre Records, which is operated by Bob Vylan. Sir Keir said the latter chant was 'appalling hate speech' and urged the BBC to explain how the scenes were broadcast. Speaking on the politics of Glastonbury, Nash said: 'What's the history of Glastonbury? It's about anti-corporation, Greenpeace. 'It is ultimately a political festival, and people come here to find togetherness, community, a sense of hope and to watch people play amazing shows, and to have their lives changed, to be inspired. 'I think that we're seeing a lot of really scary things in the world right now, and people want to feel like they can see what they feel on stage being voiced, and I think that politicians need to get a grip.' Asked about artists who say they do not want to be political, she said: 'Certain people, you can't escape the politics of existing in the world. 'If you are a woman and you're like, 'I'm not political', I'm like, 'You are, you are. Everything about your life is political, whether you want it to be or not'. 'I think if you're a very privileged, white, rich man, sure you don't want to be political, or you don't have to be. 'But also, do you even have to comment that you don't want to be? I'm not really sure it helps. 'I think just don't be, then, in a way, if you just want to be a pop band, just be a pop band. 'That's not how I was raised. So it's really difficult for me to understand somebody saying, 'I don't want to be political'.' It came after The 1975 frontman Matty Healy said the band did not want their legacy to be 'one of politics' during their Friday night headline slot. 'I think we don't need more politics, we need more love and friendship,' he said. Nash headlined Glastonbury's Left Field stage on Saturday evening and performed a secret set on the BBC Introducing stage on Sunday. She has released several studio albums and is known for songs including Mouthwash and Foundations, the latter of which peaked at number two in the UK singles chart.