
Simon Boccanegra review – Opera North's staging of Verdi's knotty score is a brooding triumph
No stranger to those, Opera North has taken Boccanegra as the latest candidate for 'concert staging' treatment, after its success with Wagner in recent years. This performance at Royal Festival Hall was the finale of a tour that has already stopped off at concert halls across the north and midlands. Directed by PJ Harris, the opera's dark doings in Genoa played out across the three 'rooms' of a subtly lit metal frame stretching across the front of the stage, with marble columns, plinths and benches for a touch of civic pomp and banners for rival political factions hanging overhead. In a gesture Basevi would presumably have appreciated, characters wore election-style rosettes to show which side they were on. The 25 years that elapse between the opera's lengthy prologue and its first act saw one character's parka switched for a different vintage anorak and Simon Boccanegra's sailor peacoat swapped for a political leader's shirt and tie. But we were otherwise rooted in a historical no man's land of ill-fitting suits.
Some principals inevitably fared better in this bare-bones set-up than others and the opera's tell-don't-show approach demands real singing actors even in a full staging. Alongside energetic vocal performances from baritones Mandla Mndebele and Opera North stalwart Richard Mosley Evans as the tireless plotters Paolo Albiani and Pietro and Andrés Presno's hefty, heartfelt tenor contributions as political rebel turned romantic Gabriele Adorno, the scenes between Roland Wood's sensitive Boccanegra and his long-lost daughter Maria (Sara Cortolezzis, in a promising Opera North debut) stood out as compelling and poignant. They were amply supported by the other stars of this show: Opera North's excellent chorus – which poured down the aisles of the auditorium for an inspired, immersive take on the ever-powerful council chamber scene – and, above all, the orchestra. Onstage throughout with principal guest conductor Antony Hermus, the musicians served up a vivid and intensely committed performance, the strings a gripping, vital dramatic motor.
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The Guardian
28 minutes ago
- The Guardian
10 of the best secret gardens in Europe's major cities
El Capricho, on the outskirts of Madrid, is one of the city's lesser-known parks. It was built in 1784 by the Duke and Duchess of Osuna, and visited by 18th-century artists such as Francisco de Goya. Its 17-hectare gardens were designed by Jean Baptiste Mulot, who also worked on the Petit Trianon gardens at the Palace of Versailles. They are in three sections: Italian, French and English landscape. The park also has a small lake, a labyrinth, a bandstand and a mansion. One fascinating feature is an underground bunker, built in 1937 during the Spanish civil war – there are free guided tours at weekends and public holidays, 9am-9pm, April to September, then 9am-6.30pm, October to March, You're never far from a garden in London: 20% of the city is public green space, including about 3,000 parks, and it became the world's first National Park City in 2019. As well as eight royal parks and vast areas of greenery such as Hampstead Heath, the city has numerous hidden havens. One of them is the tiny Onion Garden near Victoria Station and St James's Park. According to the tour guide Jack Chesher, it was a 'derelict concrete corner' until late 2021, when it began to be transformed into the 'hanging gardens of Westminster'. The pocket park now has more than 200 species of plants – including a fair few onions – and displays artworks such as mosaic wall art and sculptures. There is a cafe and events including singing, craft workshops and poetry weekdays 7.30am-5.30pm (until 10pm on Thursdays), weekends 8.30am-4.30pm, This little-known walled garden, found down a dead-end road in the Marais, once belonged to the Hotel de Saint-Agnan. The hotel is now the Musée d'Art et d'Histoire du Judaisme (mahJ), and the garden, dedicated to Anne Frank, is open to the public. The central plot dates to the 17th century, and there is a small orchard, vegetable garden, pergola and children's play area. 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The 5,000sq m garden still has its original layout: two oval ponds; an arboretum containing two centuries-old Ginkgo biloba trees and other exotic specimens; and themed flowerbeds (medicinal, Mediterranean, plants used for dyeing, textiles, paper …) Open 10am-6pm, Monday to Saturday, until 31 October, then 9.30am-4.30pm, until 31 March, Right in the middle of Stockholm, off the main shopping street of Drottninggatan, is a hidden courtyard garden. In the 18th century, it was the garden of the farm where the architect Carl Hårleman lived – two of the pear trees are thought to date from this period. Another architect, Willhelm Klemming, bought the property in 1901, renovated the garden and built the Centralbadets in 1904 – still an affordable day spa today. The lush little garden has a pond with a water sculpture, flowerbeds, winding paths and shady places to sit. There are three adjacent restaurants, all with outdoor at night, Hidden between Christiansborg Palace and the Royal Library in a historic part of central Copenhagen is a tranquil public garden. The garden was built in 1920 on top of Tøjhushavnen, an old naval port. Reminders of this maritime past include a pond in the middle of the garden, with an eight-metre-high column that shoots a spout of water every hour on the hour, and an old mooring ring at one end. There is also a statue of the Danish philosopher Søren Kierkegaard, whose manuscripts are in the library's collection and occasionally go on display. There are benches under the trees to sit quietly with your own 6am-10pm year-round, Tucked away in the palace district, the Károlyi-kert is thought to be Budapest's oldest garden, and contains Hungary's oldest mulberry tree. It was once the private garden of the Károlyi Palace, and has been a public park since 1932 (don't be deterred by the forbidding-looking iron railings). 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Most of this vast, 186-hectare (460-acre) green space is left as a natural habitat, but 11% (about 20 hectares) is cultivated and contains more than 2,500 plant species. Visitors can walk through the arboretum, with trees from most continents; the ornamental plants section, with 15 flowerbeds and 25 ponds; the historic plants sections, with species recorded by ancient Greeks; and many more – medicinal and aromatic plants, plants of economic importance, hothouse plants, rare plants … There is also a small weekdays 8am-2pm, weekends and holidays 10am-3pm, closed in August,


The Guardian
an hour ago
- The Guardian
The shocking hit film about overworked nurses that's causing alarm across Europe
The world could face a shortage of 13 million nurses by the end of this decade. For her new film, Swiss director Petra Volpe imagined the consequences of just one missed shift on a busy night at a hospital, and found herself making a disaster movie. With Late Shift, Volpe aimed to shine a light on the frontlines of the looming healthcare catastrophe through the eyes of the dedicated, exhausted Floria. Played by German actor Leonie Benesch, the young nurse shows an initially acrobatic grace in her workday, whose first half resembles a particularly hectic episode of the restaurant kitchen series The Bear, but with life-and-death stakes. Arriving for her shift cheery and energetic and taking the time to ask about her colleague's recent holiday, Floria soon hears that another nurse has called in sick. The looming workload suddenly grows exponentially, compounding the stress and driving up the likelihood she will make a fateful mistake. The Swiss-born Volpe says she chose the film's German title Heldin (Heroine) because it took a mythic term often reserved for warriors and applied it to the bravery and self-sacrifice of care work. 'This work, which is extremely complex and emotionally charged, is completely devalued in our societies,' Volpe says. 'I find it very symptomatic because it's women's work – 80% of the people [in many countries] who do this work are female.' Volpe was inspired by a longtime roommate who worked as a nurse, and by the autobiographical novel Our Profession Is Not the Problem – It's the Circumstances by German former care worker Madeline Calvelage, who advised her on the script. 'My heart was pounding from the first chapter and I thought to myself – this reads like a thriller,' Volpe says. 'But within that stress you find the most tender, human moments.' 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Franziska Aurich, 28, who works on a cancer ward at Berlin's Charité hospital, also found the film 'very close to reality'. Asked what she'd advise Floria, Aurich says: 'I would say go back to work tomorrow because like her I can't imagine doing anything else with my life. But join a union, so you don't have as many shifts like this one.' Volpe, who divides her time between Berlin and New York, says she was gratified to see nurses going in groups to see the film, and hopes it will make the rest of the audience into better patients. 'Nurses should be at the very top of our social hierarchy but we live in a world where it's just the opposite,' she says. 'This film is a love letter to the profession.' While the film is set in Europe's creaking but still intact social infrastructure, Volpe said she saw in the US where Donald Trump's swingeing cuts to Medicaid, which mainly serves poor and disabled people, threatened to hurt the most vulnerable. 'You see a great cruelty in all these measures,' she says. 'Elon Musk said he saw empathy as the biggest problem of our time which is of course completely monstrous. The least an artist can do is to push back against that. Sooner or later we're all going to be dependent on that person standing by the bed.' Late Shift will be released in the UK and Ireland on 1 August


The Independent
an hour ago
- The Independent
I'm freaking out – I just found out my girlfriend is on OnlyFans
Dear Vix, I'm freaking out – because I just found out my girlfriend is on OnlyFans. One of my mates found her account and told me about it in the pub. I've never felt so embarrassed. He didn't say he'd seen anything particularly sordid – apparently it's all quite tame – but that's not the point. The point is that she's on there at all! We haven't been together very long – just a couple of months – but I can't believe she didn't confess to being on there. What happened to honesty? I've told her that her being on OnlyFans i s breaking my boundaries – that I have every right to demand she comes off it, or I'll leave her. I can't handle her being on there. Let's face it – nobody wants their partner selling themselves online. It only cheapens anything we do together in private. And what would my friends and family say if they found out? Shocked and Disgusted Dear Shocked and Disgusted, I'm going to be quite blunt, here. While I empathise with your pain and shock – and there's a betrayal element here, too, because she didn't tell you herself (though I would ask whether she has to tell you after just a few months) – I really don't think it's your choice as to whether or not she decides to quit OnlyFans. And I'm going to add a moniker to your sign-off that I don't think you'll like: Shocked, Disgusted – and Shaming. Your language about your girlfriend comes across as very shaming, to me (particularly the word 'confess'). Did you know that according to experts, the number one killer in a relationship is contempt? I sense a lot of contempt coming from you – and a lot of judgement. Your partner is an independent woman who has every right to decide what she does with her body – and how she makes her money. Plenty of high-profile women have spoken out, recently, to share their decisions to use the platform as a way to keep control over their finances. Many women, celebrities or not, have talked openly about the fact that they've spent most of their lives feeling like commodities for men – their bodies so often looked at, dissected and touched – without permission – that they resort to thinking, 'f*** it – I'll do it myself'. And I understand that. Don't you? Last year, Lily Allen joined OnlyFans to share pictures of her feet, captioning her profile with the phrase: 'Just dipping my toes in'. She's said it earns her more than having her music on Spotify. Kate Nash also joined the platform to sell pictures of her bum, saying her decision to join OnlyFans was about 'agency' and to raise awareness of the dire situation many artists face: rising costs of travel, accommodation, food, promotion and crew. And while you're entitled to feel your feelings about your girlfriend, you aren't entitled to demand she leave the platform just because you don't like it. If it's a dealbreaker for you, then you might have to walk away. While we're on the subject of 'dealbreakers', I just want to point out something I've noticed for a while: the number of people who tell their partners what they want them to do (or not do) – and wrongly call it 'boundaries'. It's not a 'boundary' for your girlfriend to quit OnlyFans. Boundaries are for you. They're not for other people. You can't place a dealbreaker on someone else and call it a 'boundary' – because it's not a boundary, it's a rule. And you can't control other people – you can only control your responses to other people. As for what your friends and family would say – well, aren't you an adult? Do you always listen to the opinions of others? Do their prejudices dictate how you live your life? If I was your girlfriend, I would want to hear how you feel about this – and I would seek to reassure you – but I wouldn't be very cool with your condemnation. Or your judgement, or your family's judgement. It would probably make me want to run a mile, to be honest. What I would advise is that you think hard about why it bothers you so much. It's okay that it bothers you, but only you can work out how much – and really unpick why. What does it tell you about your opinions of women? And do you think you can stay in the relationship, if she decides she wants to stay on the platform? But you can't work out any of this until you talk about it with her. So I'd start there.