logo
Athol Fugard Dies: South African Playwright & ‘Tsotsi' Writer Was 92

Athol Fugard Dies: South African Playwright & ‘Tsotsi' Writer Was 92

Yahoo10-03-2025

Athol Fugard, the Blood Knot, Master Harold… and the Boys and Tsotsi writer who is widely regarded as South Africa's greatest ever playwright, has died. He was 92.
According to AP, the South African government has confirmed Fugard's death and said South Africa 'has lost one of its greatest literary and theatrical icons, whose work shaped the cultural and social landscape of our nation.' A cause of death was not given.
More from Deadline
2025 Deaths Photo Gallery: Hollywood & Media Obituaries
George Lowe Dies: Space Ghost Voice Actor Was 67
Michelle Trachtenberg Cause Of Death To Remain Undetermined After Family Declines Autopsy
'We were cursed with apartheid but blessed with great artists who shone a light on its impact and helped to guide us out of it. We owe a huge debt to this late, wonderful man,' South African Sports, Arts and Culture Minister Gayton McKenzie said of Fugard, as reported by AP.
South African movie producer Anant Singh called Fugard a 'national treasure.' 'Athol's passing leaves a huge void in the South African theatre landscape, but he leaves a rich legacy of thought-provoking works for generations to come,' he added.
Born in 1932, Fugard is widely regarded as South Africa's greatest playwright, and he was called 'the greatest active playwright in the English-speaking world' by Time in 1985.
He published more than 30 plays and many of them were political in nature, searingly opposed to the South African apartheid, which ended when Nelson Mandela became President in 1994.
Six of Fugard's plays ended up on Broadway, including The Blood Knot and two productions of Master Harold… and the Boys. The former tells of how the relationship between two Black half-brothers deteriorates because one has lighter skin and can pass for white, while the semi-autobiographical latter depicts how institutionalized racism, bigotry or hatred can become absorbed by those who live under it.
Fugard also wrote the novel Tsotsi about a young street thug who steals a car only to discover a baby in the back seat, which was made into a movie by Gavin Hood and won the 2006 Oscar for Best International Feature.
His other works included The Road to Mecca, My Children! My Africa! and, most recently, Concerning the Life of Babyboy Kleintjies.
He is survived by his wife, the playwright Paula Fourie, and three children.
Best of Deadline
2025 Deaths Photo Gallery: Hollywood & Media Obituaries
2025 TV Series Renewals: Photo Gallery
2025 TV Cancellations: Photo Gallery

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Bride Struggles to 'Survive' Wedding After Groom's 'Hurtful' Secret Is Revealed
Bride Struggles to 'Survive' Wedding After Groom's 'Hurtful' Secret Is Revealed

Yahoo

time38 minutes ago

  • Yahoo

Bride Struggles to 'Survive' Wedding After Groom's 'Hurtful' Secret Is Revealed

In a submission to Slate's advice column "Dear Prudence," a recent bride asked for help on how to get over her husband's wedding lie, which was revealed during the best man's toast at their reception The bride feels "extremely hurt" that the groom used ChatGPT to write his wedding vows instead of doing so by himself like he promised her In response, Slate's editor-in-chief told the bride she was "overthinking" the issue and advised her to accept her husband's apology because "his heart was in the right place"A recent bride is afraid she might never get over her husband's wedding lie. In an anonymous submission to Slate's advice column "Dear Prudence," a bride detailed how the groom's major secret was revealed at their wedding reception, and now she doesn't know if she can ever trust him again. "My husband is still apologizing, and while part of me wants to move on, another part of me can't stop thinking about his dishonesty," the bride wrote. "I've asked him whether he ever planned on telling me or if he would have taken that secret to the grave, and all he can tell me is that he 'doesn't know.' " "I worry about what other things he might keep from me in the future," she added. After getting engaged, the couple of five years spent two years of "extensive wedding planning and preparation." At the time, they both "agreed" they'd write their own vows because it would be "more meaningful than using traditional ones." "As a self-admitted perfectionist and English major, I spent an immense amount of time thinking about and writing mine, and while I wouldn't hold my husband to impossible standards, I was really looking forward to hearing what he wrote," the bride explained. When the wedding ceremony came, the groom's "beautiful" vows emotionally moved the bride — so much so that it made her "tear up." But at the reception her tears of joy would turn into tears of sorrow. The "slightly drunk" best man accidentally let it slip in his wedding toast that the groom used ChatGPT to write his vows "at the last minute." "My husband was laughing nervously, and I was taken aback," the bride said. "As soon as the toasts were over, I ran to the restroom and cried, feeling extremely hurt that not only did he use AI to write something so intimate, but mostly that he presumably would not have told me had this not been revealed during the toast." The groom followed his wife to the bathroom and apologized, explaining that he felt "too overwhelmed" to write the vows himself and didn't want to "disappoint" her. "I told him that I didn't want an apology from him but just wanted to survive the rest of the reception, which we did, although the entire time I was distracted and hurt by this situation," the bride said. Later that night, the couple continued to "fight" about the vows. The advice-seeker said she was more upset about her husband's "hurtful" dishonesty than the fact that he used AI-generated vows. "I told him that I wish he had just been honest with me and that his lying was far more hurtful to me than not writing his own vows," she said, noting that she was also upset with his friends for being "comfortable lying on his behalf." The woman's husband is "still apologizing" to her, and while she wants to "move on" she just doesn't "know how." "Am I overthinking this?" she asked. "I feel like I have every right to be upset, and I worry about what other things he might keep from me." is now available in the Apple App Store! Download it now for the most binge-worthy celeb content, exclusive video clips, astrology updates and more! In response to the submission, Slate's editor-in-chief, Hillary Frey, told the bride that she was "WAY overthinking this." She reminded the advice-seeker that "weddings are totally overwhelming," and that her husband is "not an English major or perfectionist" like her and probably just "needed some help writing something that articulated his feelings better than he felt he could." "Based on his best man's actions, I wouldn't have gone to him for help, either!" Frey wrote. "So, there is our fraught companion, ChatGPT, offering its services. His heart was in the right place. Even more, he apologized; a lesser man would have been defensive and somehow made this your fault, I promise." She advised the bride to let go of this "unsavory memory" because married life will eventually "throw much tougher moments" her way. "I am glad that it sounds like you have a thoughtful partner who holds you in such high regard that he enlisted help, even if it was from a robot. These are the times we live in!" Frey said. "So accept his apology, delete the photos of the best man giving his toast, and pick the one picture from your wedding you like the best and make it your home screen. The more you see you and your partner looking happy on your wedding day, the more the stupid best man speech will recede from memory." Read the original article on People

For Ana de Armas, Keanu Reeves' co-star 10 years ago and once again, 'Ballerina' is a pirouette

time2 hours ago

For Ana de Armas, Keanu Reeves' co-star 10 years ago and once again, 'Ballerina' is a pirouette

NEW YORK -- Years before Ana de Armas was using an ice skate to slice a neck in 'From the World of John Wick: Ballerina,' she co-starred with Keanu Reeves in a much different film. The erotic thriller 'Knock Knock,' released in 2015, was de Armas' first Hollywood film. De Armas, born and raised in Cuba, had just come to Los Angeles after acting in Spain. English was new to her, so she had to learn her lines phonetically. 'It was tough and I felt miserable at times and very lonely,' she says in an interview. 'But I wanted to prove myself. I remember being in meetings with producers and they would be like, 'OK, I'll see you in a year when you learn English.' Before I left the office, I would say, 'I'll see you in two months.'' Since 'Knock Knock,' her rise to stardom has been one of the last decade's most meteoric. She was radiant even as a hologram in 'Blade Runner 2049.' She stole the show in Rian Johnson's star-studded 'Knives Out.' She breezed through the Bond movie 'No Time to Die.' She was Oscar nominated for her Marilyn Monroe in 'Blonde. ' And now, 10 years after those scenes with Reeves, de Armas is for the first time headlining a big summer action movie. In 'Ballerina,' in theaters Friday, de Armas' progressive development as an unlikely action star reaches a butt-kicking crescendo, inheriting the mantle of one of the most esteemed, high-body-count franchises. 'It's a big moment in my career, and I know that. I can see that,' she says. 'It makes me look back in many ways, just being with Keanu in another film in such a different place in my career. It definitely gives me perspective of the journey and everything since we met. Things have come far since then.' While de Armas, 37, isn't new to movie stardom, or the tabloid coverage that comes with it, many of her career highlights have been streaming releases. 'The Gray Man' and 'Blonde' were Netflix. 'Ghosted' was Apple TV+. But 'Ballerina' will rely on de Armas (and abiding 'John Wick' fandom) to put moviegoers in seats. Heading in, analysts expected an opening weekend of around $35-40 million, which would be a solid result for a spinoff that required extensive reshoots. Reviews, particularly for de Armas playing a ballerina-assassin, have been good. 'There's a lot of pressure,' says director Len Wiseman. 'It's a lot to carry all on her shoulders. But she'll be the first person to tell you: 'Put it on. Let me carry the weight. I'm totally game.'' De Armas, whose talents include the ability to be present and personable on even the most frenzied red carpets, has done the globe-trotting work to make 'Ballerina' a big deal: appearing at CinemaCon, gamely eating hot wings and cheerfully deflecting questions about her next film, 'Deeper,' with Tom Cruise. Yet for someone so comfortable in the spotlight, one of the more interesting facts about de Armas is that she lives part time in that bastion of young A-listers: Vermont. 'Yeah, it surprised many people,' she says, chuckling. 'As soon as I went up there, I knew that was going to be a place that would bring me happiness and sanity and peace. But I know for a Cuban who doesn't like cold very much, it's very strange.' Winding up in northern New England is just as unexpected as landing an action movie like 'Ballerina.' She grew up with the conviction, from age 12, that she would be an actor. But she studied theater. 'I never thought I was going to do action,' de Armas says. 'What was relatable for me was watching Cuban actors on TV and in movies. That was my reality. That's all I knew, so the actors I looked up to were those.' De Armas also had bad asthma, which makes some of the things she does in 'Ballerina' — a movie with a flamethrower duel — all the more remarkable to her. 'I couldn't do anything,' she remembers. 'I couldn't run. I sometimes couldn't play with my friends. I had to just be home and be still so I wouldn't get an asthma attack. So I never thought of myself as someone athletic or able to run just a block. So this has been a surprise.' At 14, she auditioned and got into Havana's National Theatre of Cuba. Four years later, with Spanish citizenship through her grandparents, she moved to Madrid to pursue acting. When she arrive in LA in 2014, she had to start all over again. Now as one of the top Latina stars in Hollywood, she's watched as immigrant paths like hers have grow increasingly arduous if not impossible. The day after she spoke to The Associated Press, the Trump administration announced a travel ban on 12 countries and heavy restrictions on citizens of other countries, including Cuba. 'I got here at a time when things were definitely easier in that sense,' says de Armas, who announced her then-imminent U.S. citizenship while hosting 'Saturday Night Live' in 2023. 'So I just feel very lucky for that. But it's difficult. Everything that's going on is very difficult and very sad and really challenging for many people. I definitely wish things were different.' Chad Stahelski, director of the four 'John Wick' films and producer of 'Ballerina,' was about to start production on 'John Wick: Chapter 4' when producer Basil Iwanyk and Nathan Kahane, president of Lionsgate, called to set up a Zoom about casting de Armas. He quickly watched every scene she had been in. 'How many people would have played the Bond girl kind of goofy like that?' he says. 'I know that I can harden people up. I know I can make them the assassin, but getting the charm and the love and the humor out of someone is trickier. But she had it.' In 'Knives Out,' Stahelski saw someone who could go from scared and uncertain to a look of 'I'm going to stab you in the eye.' 'I like that in my action heroes,' he says. 'I don't want to see the stoic, superhero vibe where everything's going to be OK.' But it wasn't just her acting or her charisma that convinced Stahelski. It was her life story. ''John Wick' is all hard work — and I don't mean just in the training. You've got to love it and put yourself out there,' says Stahelski. 'When you get her story about how she came from the age of 12, got into acting, what she sacrificed, what she did, that's what got my attention. 'Oh, she's a perseverer. She doesn't just enjoy the view, she enjoys the climb.'' When that quote is read back to her, de Armas laughs, and agrees. 'Being Cuban, and my upbringing and my family and everything I've done, I've never had a plan B,' she says. 'I've never had that thing of, 'Well, if it doesn't work, my family can help.' Or, 'I can do this other career.' This was it. And I also knew, besides being the thing I loved the most, this was my survival. This is how I live. This is how I feed myself and my family. So it's also a sense of, I don't know, responsibility.' That makes her reflect back to when she was just trying to make it in Hollywood, sounding out words, trying not to disappoint directors whose instructions she could barely understand, trying not to be intimidated by the action star across from her who had just finished shooting the first 'John Wick.' 'I was so committed to do it,' she says. 'I was so invested in the trying of it, just giving it a shot. When I give something a shot, I try my best, whatever that is. Then I can actually say: I gave it a shot.'

Peckham or Sarajevo? Bosnian brothers spark joy with replica van from iconic British sitcom
Peckham or Sarajevo? Bosnian brothers spark joy with replica van from iconic British sitcom

San Francisco Chronicle​

time3 hours ago

  • San Francisco Chronicle​

Peckham or Sarajevo? Bosnian brothers spark joy with replica van from iconic British sitcom

SARAJEVO, Bosnia-Herzegovina (AP) — There is an unmistakable air of Peckham these days in Bosnia's capital, Sarajevo, as the legendary yellow three-wheeled van from the BBC's long-running sitcom 'Only Fools and Horses' cruises the city streets. The little Reliant Regal was the trademark of the stars of the series — the irresistible Trotter brothers from Peckham, a working-class neighborhood in London. In Bosnia, a replica belongs to the Fatic brothers, local businessmen who are crazy about the show. The Fatics are dealers in home appliances, running a successful company with dozens of employees and a huge shop on the outskirts of Sarajevo. Building the business, however, has resembled the ups and downs of the Peckham market traders Del Boy and Rodney Trotter, they say. 'We are definitely the local version of the series,' Tarik Fatic, the younger of the brothers, told The Associated Press. 'We were always dealing in something, we would buy whatever we can and then sell it." The enormously popular BBC sitcom, which began in 1981, follows the lives of the Trotter brothers and their far-from-straightforward path from rags to riches. Over the course of seven series and several Christmas specials, the Trotters tried various get-rich-quick schemes, buying low-quality or sometimes black-market goods and selling them at the market. Many in Bosnia and in the wider Balkans easily identify with the Trotters' endless wheeling and dealing. In the region that went through a series of wars in the 1990s, where the economy was shattered and remains deeply corrupt, the Trotter ways of survival are simple reality. Just like the Trotter brothers, 'we always tried to make profit and regardless of how many times we failed, we just moved on," Tarik Fatic said. Also from a working-class family, and growing up in a country that was devastated in the bloody 1992-95 ethnic conflict, the brothers tried trading in food, poultry and clothes before settling on home appliances. They are aware there are no guarantees their current success will last. 'The market (in Bosnia) is still disorganized and unstable,' Tarik Fatic, 33, said. 'Not a day passes without the two (Del Boy and Rodney) crossing my mind.' Known here as Mucke, which actually means something like wheeling and dealing, 'Only Fools and Horses' became hugely popular throughout what was still Yugoslavia from the 1980s onwards. Murals with images of main characters have been painted on the walls; many cafes were named after the series, while visiting actors were greeted with frenzy. The Reliant Regal was made by a British company, famous for its eccentric vehicles, that went out of business in 2002. In Sarajevo, people wave, take pictures with their phones, honk their horns when they see the yellow van in the streets. The Fatic brothers imported it from Manchester six months ago after a long search. It took a while to register the unusual vehicle, said Mirnes Fatic, 38. 'It is a very nice feeling. It's a joy every time I go for a ride in the city,' he said, admitting that it also was "a great advertising move." And it's not just the van. The Fatic brothers have also named their company after the series — Only Fools and Horses Brothers Mucke. There have been some doubts how clients and banks would react but it turned out really well, Mirnes added. 'We hope and believe that this time next year, we will be millionaires," he smiled, using the famous phrase from the show.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store