CNA938 Rewind - Can you be sued for airing out dirty laundry on a livestream?
CNA938 Rewind
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Can airing your dirty laundry lead to defamation and slander? In light of a celebrity hairstylist and live streamer going on the warpath and telling tales on his former celeb friends, Lance Alexander and Daniel Martin find out more from Sharon Chong, Head of Litigation, RHTLaw Asia.
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CNA
35 minutes ago
- CNA
New Squid Game trailer teases third and final season
Following up from a teaser trailer released in early May, Netflix has just dropped a new main trailer for the upcoming third and final season of the hit series Squid Game. The final season of the global phenomenon is set to premiere on Jun 27 on the streaming service and based on the new trailer released on Sunday (Jun 1), it promises to be a thrilling and emotional finale, with high stakes, plot twists and new games. The trailer opens with the haunting children's rhyme "Knock, knock, who is it?" as horrified players hide behind the towering legs of the iconic Young-hee doll – the deadly giant from season 1's Red Light, Green Light game. This time, however, the game takes on an even more sinister turn. Instead of an open field, it's set in a room filled with colourful illustrations. At the centre stands the eerie Young-hee doll holding a rope, teasing deadly new challenges such as jump rope. Gi-hun is also seen screaming in anguish, 'Why didn't you kill me? Why did you let me live?', as he grapples with guilt at the death of his best friend, Jung Bae, during the deadly rebellion that occurred in season 2. The trailer builds up to a powerful climax with Gi-hun clad in a sleek black suit, seemingly stepping into a final confrontation with the Front Man, who asks the question: "Number 456, do you still have faith in people?"
Straits Times
an hour ago
- Straits Times
‘Singapore-exclusive' concerts are the way forward, while we still have the upper hand
The strategy of Singapore-exclusive shows by international superstars could fuel the country's aspirations of being a global entertainment epicentre. PHOTO: HOONG QI HAO/ @QHVENTURES News analysis 'Singapore-exclusive' concerts are the way forward, while we still have the upper hand SINGAPORE - In the snaking lines for Lady Gaga merchandise in the Singapore Sports Hub's foyer two weeks ago, one could hear a smattering of Tagalog and Vietnamese, Thai and Hindi, and mainland Chinese Mandarin among the chatter. It was a smorgasbord sampling of fans from Asia and beyond, who had descended on Singapore for Lady Gaga's only shows in the region at the National Stadium from May 18 to 24. If they wanted to see Gaga in the flesh in this part of the world – on a brand-new tour that had been performed in only three other cities – they had to come to Singapore. As with Taylor Swift's runaway success of sold-out shows in March 2024, the Republic had once again managed to work out a deal making sure that the artiste played only here. Besides the economic boost, this strategy of Singapore-exclusive shows by international superstars could fuel the country's aspirations of being a global entertainment epicentre – and is one that should be pursued for as long as possible. Slower uptake, but optimistic signs from Gaga concerts In March 2024, pop star Swift held six sold-out concerts at the National Stadium – a series of shows that were later revealed to have been secured by Kallang Alive Sport Management (KASM), which runs the Sports Hub, and a team led by then Minister for Culture, Community and Youth Edwin Tong. Swift set a high bar, with six shows that sold over 300,000 tickets. Paired with British band Coldplay's six shows in January 2024, private-sector estimates said the two shows injected up to $450 million into the Singapore economy, bringing in high international visitor arrivals, high hotel occupancy rates and tourism revenue. Lady Gaga's shows were expected to draw over 200,000 local and international fans, according to KASM. But it appeared that tickets took longer to sell. Up until the week of the concert, checks by The Straits Times showed there were still unsold tickets. When asked, concert promoter Live Nation did not confirm if all four shows were sold out, nor how many tickets were sold. Any tangible impact on the economy at large will be seen only when the numbers are crunched in the coming months, but early signs are optimistic. Many hotels and food and beverage and nightlife establishments in town, and the Central Business District area especially, saw brisk business. Marriott International, which has almost 20 properties in Singapore ranging from hotels for budget-conscious travellers to luxury hotels, saw an increase in occupancy and revenue during Gaga concert week. 'The third day of the concert, May 21, saw the highest uplift in revenue per available room, of more than 70 per cent over the same time last year,' said a spokesperson. Other hotels like Swissotel The Stamford told ST that it saw a 'double-digit percentage increase in revenue driven by both higher occupancy and average rate across the complex'. There was high demand from countries such as China, Thailand and Hong Kong, said a spokesperson, adding that 'much of this business materialised at the last minute, with bookings made within the same month'. For some, like nightlife venue Restroom, these were the first signs of life for business in a slow 2025 so far. The bar, which hosted Lady Gaga-themed after-parties and hired local drag queens to perform, had snaking queues every night, and saw revenue double during the week of the concerts. Co-founder Keith Tan hired 50 per cent more staff to cope with the sheer volume of visitors who came from Taiwan, Vietnam, Europe and the US. 'It was not just concertgoers who came for drinks after the concerts ended at around 10.30pm... these are also tourists who typically stay (in Singapore for) a few days before or after the day of the concert they have tickets for,' said Mr Tan. However, others like cocktail bar Night Hawk said the rise in business during the week of the Gaga concerts was far less pronounced than when Coldplay and Taylor Swift were in town in 2024. Paradoxically, tourism experts say the climate of global economic uncertainty could encourage spending on such one-off events. Associate Professor Kuan-Huei Lee , director of programmes, business, communication and design at the Singapore Institute of Technology (SIT), said: 'During periods of crisis and economic uncertainty, individuals may increase their spending on emotional or aspirational goods and experiences that they perceive as 'once-in-a-lifetime' events, such as a Lady Gaga concert.' Proven formula, but can it be repeated? Lady Gaga's recent run of shows is the second time in two years that a major international act has chosen Singapore as its only regional stop. However, pulling off such 'once-in-a-lifetime' events on a regular basis could be a challenge. Not only is it contingent on mega artistes' touring schedules and attracting them to Singapore, but other countries in the region could also emulate the Republic's strategy. However, observers agree that Singapore is well placed to keep the momentum going. Several key factors make it a preferred choice in the region, noted tourism expert Benjamin Cassim, senior lecturer for hospitality and tourism management at Temasek Polytechnic. This includes the availability of hospitality and tourism infrastructure for travelling artists, their teams and visitors attending the concerts, as well as venues with a proven track record that are equipped to deliver in terms of size and technical support. Accessibility is another element, including the ease of getting to Singapore, and travelling within it safely, with an efficient public transport system that is close to venues. Mr Cassim noted that the Republic has already established itself as a premier entertainment and sports events destination, not just within the Asia-Pacific region, but also globally. 'A major catalyst for this transformation is probably the Formula One Singapore Grand Prix event, that Singapore started hosting in 2008,' he said. The F1 Singapore GP's consistently stacked and high-quality off-track entertainment line-ups – with concerts by A-listers from Queen and Shakira, to Ariana Grande and Green Day, built around the marquee race event – have been a template that has since been imitated by other F1 races around the world. 'The more concert and entertainment events Singapore hosts, the more experience the relevant stakeholders get at honing their craft,' said Mr Cassim. 'This increases our levels of expertise to successfully deliver top-notch events.' For concert promoters as well, Singapore is a reliable choice, though it is the most expensive in the region. It costs about 25 per cent to 30 per cent more to stage a concert here, compared with other countries in the region such as Seoul, Bangkok and Jakarta, noted Mr Zaran Vachha, co-founder of independent touring company Collective Minds. 'Bringing someone like Lady Gaga here costs millions of dollars, and at that level, they don't want things to go wrong,' said Mr Vachha. 'And in the region, despite it being the most expensive, Singapore is the least risky place to do that – in terms of everything from securing venues, licensing, approvals and visas (for artists and crew), to (ensuring) ticket demand. 'It's a safety net for both promoters and artists.' Securing the next big fish While Singapore has a first-mover advantage in this space, and the ability to make it happen again, it should pursue this 'Singapore-exclusive' strategy for as long as it can before others catch up. 'Replicating Singapore's advantages as a tourist destination is challenging,' said SIT's Prof Lee, noting that organising such events involves well-oiled coordination between the public and private sectors such as the Government, venue operators, lodging and logistics. He added: 'As neighbouring countries continue to lag behind in competing with Singapore up to now, it is crucial for Singapore to secure exclusive agreements. 'These should align with fan travel patterns, capitalise on logistical strengths, integrate additional activities for tourists to enjoy outside the concert, and closely observe emerging competitors in the region to adapt and adjust.' In 2024, Singapore hit a record $29.8 billion in tourism receipts, driven largely by visitors from markets such as China, Indonesia and Australia, said the Singapore Tourism Board (STB). Between January and September 2024, tourism receipts showed that spending grew across all categories, led by the sightseeing, entertainment and gaming category, which increased by 25 per cent to $4.6 billion. STB's outlook for 2025 is even more bullish, with expectations of receiving 17 million to 18.5 million international visitors, bringing in $29 billion to $30.5 billion in tourism receipts, surpassing 2024's numbers. After 2024's sold-out shows by Taylor Swift and 2025's run of shows by Lady Gaga, perhaps Singapore should angle for its next big fish in 2026. With such marquee concert events in the year attracting top tourism eyeballs and dollars, and with Singapore shifting priorities to quality tourism instead of quantity in terms of visitor numbers, the Republic must strike while the iron is hot – and continue on its rodeo run to lasso the highest stratosphere of superstars in the world. There is a very limited list of such stars, and one Beyonce Knowles Carter – currently on her reportedly 94 per cent sold-out run of Cowboy Carter shows around the US and Europe for 2025 – happens to be on it. Join ST's WhatsApp Channel and get the latest news and must-reads.
CNA
2 hours ago
- CNA
NewJeans responds to latest court ruling on independent activities
The legal representatives of K-pop girl group NewJeans have responded to a recent court ruling which stipulated that each of the group's five members would have to pay 1 billion won (US$726,800) every time they engage in activities without the approval of South Korean music label Ador. After unilaterally ending their contracts in November 2024, citing workplace harassment and other issues, NewJeans carried out numerous independent activities, including opening a separate Instagram page, providing free food to protestors in South Korea last December, rebranding to NJZ and performing at the pop culture festival ComplexCon Hong Kong in March this year. In January this year, Ador filed an injunction to halt NewJeans' independent activities, which the Seoul Central District Court granted on Mar 21 – days before the group's ComplexCon Hong Kong performance. After their ComplexCon performance, NewJeans declared that the group will go on a hiatus to respect the court's ruling. NewJeans is currently appealing against the injunction. View this post on Instagram A post shared by COMPLEX 中文 (@complexchinese) On May 30, the Seoul Central District Court announced that it had accepted Ador's application for an indirect compulsory enforcement – a type of penalty imposed for not complying with a court order – against NewJeans. As such, the court declared that each NewJeans member will have to pay 1 billion won for every unauthorised activity performed from May 30 onwards. In response, NewJeans' legal team said the recent court ruling is "not related to the ongoing appeal of the original injunction decision". 'Today's indirect compulsory enforcement decision is only temporary until a ruling is made on the injunction appeal,' wrote the team. 'If the NewJeans members win the appeal, both the injunction and the indirect compulsory enforcement decision will become null and void. In practice, when an injunction is granted, a corresponding indirect compulsory enforcement order is typically issued as well.'
