Black-necked stilts sighting with chicks at Pea Island Refuge
According to a press release from National Wildlife Refuges in Eastern North Carolina, 'Two of the photos below show a parent with 1-2 chicks in the marsh grass. The 3rd photo shows a solo chick foraging.'
The wildlife refuge encourage guests to 'bring your binoculars or spotting scope when you come to the refuge ready to birdwatch.'
Copyright 2025 Nexstar Media, Inc. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.
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Chicago Tribune
2 hours ago
- Chicago Tribune
From gray to green: Across Chicago, dozens of concrete schoolyards transformed into community hubs and flooding solutions
Scissors in hand, Hispanic moms in the Hegewisch neighborhood sneak into their children's schoolyard and snip herbs from the garden to season food and put a twist in their mole. The , or purslane, is part of a variety of vegetables and plants entrusted to the care of students and teachers at Grissom Elementary School. 'The neighbors are like, 'Oh my God, do you mind?'' said Esperanza Baeza, a bilingual teacher assistant at the school. She tells the parents, 'This is garden. You take whatever you want.' A decade ago, Grissom's schoolyard at 12810 S. Escanaba Ave. was not the vibrant space it now is. The tree-lined streets flanking the property stood in stark contrast to 2 acres of dull concrete where the children would play during recess. Now, the school has a native plant garden brimming with tall grass, flowers and butterflies, a new swing set and additional playground equipment, a basketball court, a running track circling a soccer field and an outdoor class area. 'This was just asphalt. There was nothing,' Baeza said. 'It was a really old little piece of swing. Not even a swing, like a slide. That was it.' The new spaces are also redesigned to address heavy rains in neighborhoods historically vulnerable to serious flooding, particularly on the South and West sides of the city. In 2014, Chicago-based Healthy Schools Campaign, a national nonprofit that works to ensure schools can provide students with healthy environments, nutritious food, health services and opportunities for physical activity — transformed playgrounds at Grissom and three other schools. Since then, the Space to Grow program has turned 36 barren yards at public schools across Chicago into green community hubs; five more redesign projects are breaking ground this summer. Claire Marcy, senior vice president of Healthy Schools Campaign, recalls principals from different schools echoing the same concerns: 'Look at my outdoor space,' they'd say. 'It's concrete, it's broken equipment. When it rains, it's just giant puddles.' Human-made climate change is only intensifying heavy storms in the Midwest that more easily overwhelm Chicago's outdated sewer system. At Grissom, permeable surfaces and the water retention system can hold nearly 254,000 gallons at once, and drain quickly between storms. One of the most recently redesigned schoolyards, which opened at Spencer Technology Academy in Austin this May, can capture more than 625,000 gallons of water each year. Experts hope the redesign will help mitigate heavy rains like those that occurred in July 2023, when most 311 calls for basement flooding came from the West Side neighborhood, a predominantly Black community in an area with high flood risk. Many of the schoolyards have permeable play surfaces that absorb water into the ground. Some also have underground storage systems — large chambers that slow the release of water into the local sewer system. When the pipes, which carry both stormwater runoff and sewage, are quickly overwhelmed, they can overflow and cause localized flooding issues across the city. Pavers coil into a spiral design at Grissom's outdoor classroom stage area, also part of the redesign. But the bricks are not held together by any kind of concrete or plastic edging, which would leave rainwater with nowhere to go. 'If you look at the little stones in between the cracks, that's what allows the water to seep through,' said Emily Zhang, project manager at Space to Grow. So far, the program has added over 650,000 square feet — the equivalent of 11 football fields — of permeable surfaces to Chicago's land area, according to its staff. The actual total might be even higher, however, if grass and other green elements that can also capture rainfall are considered. It all acts like a sponge, Zhang said. For instance, natural landscaping and design strategies in the redesigns that soak up precipitation include rain and native pollinator gardens or bioswales, which are shallow landscape depressions that hold water, allowing it to seep into the ground. 'No schoolyard looks the same,' Zhang said. 'People define green stormwater infrastructure differently, but for us, (they) look like green spaces, or spaces that mimic natural processes of handling water in the water cycle.' Plants of all kinds grow in the garden, edible and otherwise: onions, radishes, carrots, lettuce, tomatoes, snap peas, milkweed and sunflowers. 'There's, of course, all the native plants that have deep roots,' Zhang said. 'If it were (just a) lawn, then we would see continued flooding issues.' Scattered along the western edge of the schoolyard are patches of ornamental and native plants and grasses, including purple cornflowers. The first five years, Baeza said, entailed a lot of watering and removing weeds. Every other year, she takes cuttings from some of the herbal plants to create new patches of vegetation. While Chicago Public Schools has contracts for schoolyard maintenance, students and teachers at the redesigned spaces often participate in daily and regular tasks to care for them, especially the gardens. 'There's a lot of conversation with the students and the school teams about this: How do we make this your schoolyard that you want to help maintain?' Marcy said. 'There's that everyday stuff about sort of loving and owning the schoolyard … students have really taken ownership over that.' Inspiring that ownership starts from the beginning of the design process, which involves all students, teachers, administrators and also the broader community. Since the yards remain open after school and on the weekends, they serve as a public park. 'It's really the only community space on this side of Hegewisch that's accessible,' said Christine Hurley, Grissom's principal Through the collaborative design process, the final elements in each schoolyard respond to needs that might vary across institutions and neighborhoods. Students take surveys, do mapping activities and even create 3D dioramas to bring their visions to life. 'We really value the power of student voices,' Zhang said, 'because students and children and young people, in general, are an overlooked population and demographic when it comes to development and making decisions about what happens in their neighborhood. And they're our future leaders.' On a recent weekday morning, some students were watering the community garden beds as part of summer school programming. They had just wrapped up a yoga and meditation session. Once transformed, these play and learning spaces also provide the school and community with a place of relaxation and well-being. Four years after Grissom opened its new schoolyard, researchers from Loyola University and the University of California at Berkeley found the redesigns there and at two of the other schools had increased the use of outdoor space, positive student interactions, greater physical activity, higher teacher satisfaction, and strengthened the relationships between the schools and their communities. Baeza's phone rang. It was a student's mother. 'She's the one (who) helps me with the garden,' the teacher said. 'We have parents that are very dedicated.' In 2022, the school received an Excellence in Gardening Award from a committee including the University of Illinois Extension, the Shedd Aquarium, Forest Preserves of Cook County and the Chicago Community Gardeners Association. Baeza had named it or Garden of Harmony. 'Because this is what I want, this is what I envision: Building community, being in a place, a harmonious place — we're here to be like a family, let the children learn,' she said.
4 days ago
Brooklyn's Black church choirs persist amid attendance decline, gentrification
NEW YORK (RNS) — On Sunday mornings in Brooklyn, nicknamed the borough of churches, the muffled sounds of choir singers, hand‑claps and Hammond organs can be heard from the sidewalks. The borough still has a church on nearly every block, but over the years, the number of people in the pews has thinned. Many church choirs in the heart of Brooklyn, however, have kept singing — despite boasting fewer singers than in years past as neighborhoods face gentrification and organized religious affiliation decreases. Standing in front of the gospel choir at Concord Baptist Church of Christ in the Bedford-Stuyvesant neighborhood, Jessica Howard, 25, led the gospel standard 'God Is' on a Sunday in July. Dressed in a powder-pink floral dress, she called out lines naming God as 'joy in sorrow' and 'strength for tomorrow.' Some choir members wiped away tears as the song stoked emotions from around the room.' As a Black Christian person, as a descendant of slaves, I think when I sing, I feel really connected to my ancestors,' said Howard, who grew up in Virginia and now sings as a soloist at Concord, where she's been a congregant for six years. 'I really feel sometimes like it's not just me singing, it's my lineage singing.' ___ This content is written and produced by Religion News Service and distributed by The Associated Press. RNS and AP partner on some religion news content. RNS is solely responsible for this story. ___ Founded in 1847, Concord Baptist Church is Brooklyn's oldest historically Black congregation. At the time, a nearby neighborhood known as Weeksville, now considered part of central Brooklyn, was the second-largest free Black community in the United States before the Civil War, said Amanda Henderson, collections historian at the Weeksville Heritage Center. Louise Nelson, a Brooklyn native and church historian of the Berean Baptist Church in Crown Heights, said music was the foundation of the early church, and that remains true for churches in the borough today. "The songs that uplifted us and kept us going through the midst of our misery — music is who we are,' Nelson said. 'I don't think you can have a church today without the music because it brings unity in that idea that we can all do it together.' According to Pew Research Center data, between 2019 and 2023, Black Protestant monthly church attendance fell from 61% to 46% — the largest decline among major U.S. religious groups. The COVID-19 pandemic accelerated this trend, and its impact is visible in the thinning choir stands. Glenn McMillan, Concord's director of music ministry and a musicology teacher at the City University of New York, who has worked in New York City church choirs since 1994, recalls a time when historically Black churches in Brooklyn regularly had multiple choirs at each parish. 'In the last 20 years, the members of church choirs started getting older because this generation does not see church as important as it was back in the day,' McMillan said. The choir at Concord has shrunk from about 50 voices before the pandemic to 30 today, McMillan said. Back in 2006, the choir featured 100 voices. According to research published by in June, Black Protestants attended church on Zoom more than other denominations during the pandemic, and they have been the slowest to return to in‑person worship. 'The internet has taken over and streaming has taken over,' McMillan said. 'People don't goin to the building as much as they are streaming it.' McMillan said that when in-person services first resumed, it took a long time for the choir to rebuild because many members were still staying home for health reasons. Recently, though, he's seen more people showing up. 'I'm begging people my age to come to Concord,' said Howard, the youngest member of the gospel choir, adding that only a handful of people around her age attend the church. Gwen Davis, a senior member of Berean Baptist Church and a choir soloist for more than 40 years, recalled Easter services in the mid‑1960s, when over 400 people filled the pews and four separate choirs led the congregation in song. 'It was a lot of energy,' Davis said. 'Your ear got trained really well.' Today, Davis said, a typical service attracts approximately 150 people, and roughly 100 virtually. Over time, Berean's choirs have consolidated into a single mass choir with approximately 20 singers. A professional soloist who has been singing at different churches across Brooklyn throughout her adult life, Davis said she believes one reason for choirs thinning out is the decline of music education in New York City Public Schools. 'When I was in high school, I had music every day,' said Davis, who attended high school in the 1970s in central Brooklyn. 'I don't think the children are learning notes and sharps and clefs. I mean, that was like general knowledge for us at the time.' During the 1970s fiscal crisis, the city of New York eliminated thousands of teaching positions, including art and music teachers, and converted music rooms into other classrooms, narrowing arts access in schools in low-income and majority-Black neighborhoods. 'For me, singing is not just singing, it's ministry,' Davis said. 'Some of these old hymns were composed years and years ago, and those old hymns have sustained a people — many people.' Gentrification is another force reshaping Brooklyn. Between 2010 and 2020, Crown Heights lost nearly 19,000 Black residents while gaining about 15,000 whites, according to 2020 Census data. More than 75% of Bedford-Stuyvesant residents in 2000 were Black, while in 2020, around 41% were Black. Those demographic shifts have hit historically Black Catholic parishes hard. St. Teresa of Avilain Crown Heights, which was the first church in the nation to hold Mass in Creole, will close by the end of the year. The anticipated closure demonstrates a wider pattern of Catholic churches that serve people of color closing, often attributed to declining attendance. For Mike Delouis, 38, St. Teresa's longtime cantor and a son of Haitian immigrants who was baptized at the church, the loss is personal. 'Singing for me is not about performance but about participation,' said Delouis, who juggles three services most Sundays between St. Teresa and the Co-Cathedral of St. Joseph in Prospect Heights. 'St. Augustine said singing is praying twice.' Delouis is part of a group fighting to keep the parish open, hoping to preserve a piece of their history in a rapidly changing Brooklyn. 'Even through the process of gentrification, there are people that hear the music and they come in,' he said. In June, from his place in the choir loft, Delouis heard the priest announce the church's closure. The words hit hard. 'It was actually kind of hard to finish,' he said. 'We only had the closing hymn to do, and I thought, 'Oh my gosh, no — we can't let this happen.'' Jesteena Walters, 55, has been part of Bedford Central Presbyterian Church in Crown Heights since she was an infant. She began singing at age 6 in the junior choir, and when she turned 18, she transitioned to its Gratitude choir, which her older siblings also joined. 'It was the young hip gospel choir of the church,' Walters said. Today, Gratitude no longer exists in the same way. Its members are older and often reunite only for special occasions, such as singing at funerals. Over the decades, Walters has also watched the congregation itself shift demographics. "When I first went to Bedford Central, it was primarily a white church, and so we were in the minority at the time,' Walters said, referring to the early 1970s. 'In the years that would come, itwas primarily a Black church.' It later became home to a large West Indian population, and today includes many members of Guyanese heritage. 'To be honest, I couldn't break down the history of Brooklyn in a way that says who came first,' Walters said. 'At the end of the day, I believe in people coming together, if we can truly connect, feel each other's pain and celebrate each other's joys.' McMillan emphasized that choirs continue to play a central role in Black church life, even as congregations decline in membership. 'Choir singers are some of the most faithful churchgoers,' McMillan said. 'A choir is a community within the church community, and whenever you have a really consistent and strong choir, they grow with one another.' Howard said she hopes to become a choir director one day, and she credits McMillan and the gospel choir for encouraging her toward the role. 'I'd like to follow in that tradition,' she said.
San Francisco Chronicle
4 days ago
- San Francisco Chronicle
Brooklyn's Black church choirs persist amid attendance decline, gentrification
NEW YORK (RNS) — On Sunday mornings in Brooklyn, nicknamed the borough of churches, the muffled sounds of choir singers, hand‑claps and Hammond organs can be heard from the sidewalks. The borough still has a church on nearly every block, but over the years, the number of people in the pews has thinned. Many church choirs in the heart of Brooklyn, however, have kept singing — despite boasting fewer singers than in years past as neighborhoods face gentrification and organized religious affiliation decreases. Standing in front of the gospel choir at Concord Baptist Church of Christ in the Bedford-Stuyvesant neighborhood, Jessica Howard, 25, led the gospel standard 'God Is' on a Sunday in July. Dressed in a powder-pink floral dress, she called out lines naming God as 'joy in sorrow' and 'strength for tomorrow.' Some choir members wiped away tears as the song stoked emotions from around the room.' As a Black Christian person, as a descendant of slaves, I think when I sing, I feel really connected to my ancestors,' said Howard, who grew up in Virginia and now sings as a soloist at Concord, where she's been a congregant for six years. 'I really feel sometimes like it's not just me singing, it's my lineage singing.' ___ This content is written and produced by Religion News Service and distributed by The Associated Press. RNS and AP partner on some religion news content. RNS is solely responsible for this story. ___ Founded in 1847, Concord Baptist Church is Brooklyn's oldest historically Black congregation. At the time, a nearby neighborhood known as Weeksville, now considered part of central Brooklyn, was the second-largest free Black community in the United States before the Civil War, said Amanda Henderson, collections historian at the Weeksville Heritage Center. Louise Nelson, a Brooklyn native and church historian of the Berean Baptist Church in Crown Heights, said music was the foundation of the early church, and that remains true for churches in the borough today. "The songs that uplifted us and kept us going through the midst of our misery — music is who we are,' Nelson said. 'I don't think you can have a church today without the music because it brings unity in that idea that we can all do it together.' According to Pew Research Center data, between 2019 and 2023, Black Protestant monthly church attendance fell from 61% to 46% — the largest decline among major U.S. religious groups. The COVID-19 pandemic accelerated this trend, and its impact is visible in the thinning choir stands. Glenn McMillan, Concord's director of music ministry and a musicology teacher at the City University of New York, who has worked in New York City church choirs since 1994, recalls a time when historically Black churches in Brooklyn regularly had multiple choirs at each parish. 'In the last 20 years, the members of church choirs started getting older because this generation does not see church as important as it was back in the day,' McMillan said. The choir at Concord has shrunk from about 50 voices before the pandemic to 30 today, McMillan said. Back in 2006, the choir featured 100 voices. According to research published by in June, Black Protestants attended church on Zoom more than other denominations during the pandemic, and they have been the slowest to return to in‑person worship. 'The internet has taken over and streaming has taken over,' McMillan said. 'People don't goin to the building as much as they are streaming it.' McMillan said that when in-person services first resumed, it took a long time for the choir to rebuild because many members were still staying home for health reasons. Recently, though, he's seen more people showing up. 'I'm begging people my age to come to Concord,' said Howard, the youngest member of the gospel choir, adding that only a handful of people around her age attend the church. Gwen Davis, a senior member of Berean Baptist Church and a choir soloist for more than 40 years, recalled Easter services in the mid‑1960s, when over 400 people filled the pews and four separate choirs led the congregation in song. 'It was a lot of energy,' Davis said. 'Your ear got trained really well.' Today, Davis said, a typical service attracts approximately 150 people, and roughly 100 virtually. Over time, Berean's choirs have consolidated into a single mass choir with approximately 20 singers. A professional soloist who has been singing at different churches across Brooklyn throughout her adult life, Davis said she believes one reason for choirs thinning out is the decline of music education in New York City Public Schools. 'When I was in high school, I had music every day,' said Davis, who attended high school in the 1970s in central Brooklyn. 'I don't think the children are learning notes and sharps and clefs. I mean, that was like general knowledge for us at the time.' During the 1970s fiscal crisis, the city of New York eliminated thousands of teaching positions, including art and music teachers, and converted music rooms into other classrooms, narrowing arts access in schools in low-income and majority-Black neighborhoods. 'For me, singing is not just singing, it's ministry,' Davis said. 'Some of these old hymns were composed years and years ago, and those old hymns have sustained a people — many people.' Gentrification is another force reshaping Brooklyn. Between 2010 and 2020, Crown Heights lost nearly 19,000 Black residents while gaining about 15,000 whites, according to 2020 Census data. More than 75% of Bedford-Stuyvesant residents in 2000 were Black, while in 2020, around 41% were Black. Those demographic shifts have hit historically Black Catholic parishes hard. St. Teresa of Avilain Crown Heights, which was the first church in the nation to hold Mass in Creole, will close by the end of the year. The anticipated closure demonstrates a wider pattern of Catholic churches that serve people of color closing, often attributed to declining attendance. For Mike Delouis, 38, St. Teresa's longtime cantor and a son of Haitian immigrants who was baptized at the church, the loss is personal. 'Singing for me is not about performance but about participation,' said Delouis, who juggles three services most Sundays between St. Teresa and the Co-Cathedral of St. Joseph in Prospect Heights. 'St. Augustine said singing is praying twice.' Delouis is part of a group fighting to keep the parish open, hoping to preserve a piece of their history in a rapidly changing Brooklyn. 'Even through the process of gentrification, there are people that hear the music and they come in,' he said. In June, from his place in the choir loft, Delouis heard the priest announce the church's closure. The words hit hard. 'It was actually kind of hard to finish,' he said. 'We only had the closing hymn to do, and I thought, 'Oh my gosh, no — we can't let this happen.'' Jesteena Walters, 55, has been part of Bedford Central Presbyterian Church in Crown Heights since she was an infant. She began singing at age 6 in the junior choir, and when she turned 18, she transitioned to its Gratitude choir, which her older siblings also joined. 'It was the young hip gospel choir of the church,' Walters said. Today, Gratitude no longer exists in the same way. Its members are older and often reunite only for special occasions, such as singing at funerals. Over the decades, Walters has also watched the congregation itself shift demographics. "When I first went to Bedford Central, it was primarily a white church, and so we were in the minority at the time,' Walters said, referring to the early 1970s. 'In the years that would come, itwas primarily a Black church.' It later became home to a large West Indian population, and today includes many members of Guyanese heritage. 'To be honest, I couldn't break down the history of Brooklyn in a way that says who came first,' Walters said. 'At the end of the day, I believe in people coming together, if we can truly connect, feel each other's pain and celebrate each other's joys.' McMillan emphasized that choirs continue to play a central role in Black church life, even as congregations decline in membership. 'Choir singers are some of the most faithful churchgoers,' McMillan said. 'A choir is a community within the church community, and whenever you have a really consistent and strong choir, they grow with one another.' 'I'd like to follow in that tradition,' she said.
