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Carlos Santana hospitalized for dehydration, again, prior to San Antonio concert

Carlos Santana hospitalized for dehydration, again, prior to San Antonio concert

Carlos Santana, instead of rocking out onstage at San Antonio's Majestic Theatre, spent his Tuesday evening receiving treatment in a hospital.
The 77-year-old guitarist suffered a non-life-threatening medical emergency before he was set to perform at the Texas venue as part of his most recent tour. The San Antonio Fire Department responded to the concert hall to a 'report of an elderly patient who had reportedly fainted,' a spokesperson confirmed to The Times on Wednesday. That patient was transported to a hospital.
A representative for Carlos Santana did not immediately respond to The Times' request for comment on Wednesday but told People in a statement that Tuesday's concert had been postponed.
'Mr. Santana was at the venue (Majestic Theatre) preparing for tonight's show when he experienced an event that was determined to be dehydration,' said Michael Vrionis, a rep for the 'Oye Como Va' musician and president of Universal Tone Management. 'Out of an abundance of caution and the health of Mr. Santana, the decision to postpone the show was the most prudent course of action.'
Vrionis in his statement said Santana was on the mend, looks forward to returning to San Antonio and intends to carry on with his tour. The guitarist's website says he is scheduled to perform Wednesday at the Smart Financial Center in Sugar Land, Texas. Vrionis thanked Santana's fans for their understanding and confirmed the Majestic Theatre concert will get a new date soon.
Santana suffered his latest bout with dehydration months after he took an 'accidental fall' in January, which led to the postponement of several shows. His team announced at the time that Santana 'took a hard fall and broke his little finger on his left hand,' negatively affecting his ability to play guitar for six weeks.
Nearly three years ago Santana landed in the hospital after he collapsed onstage during a concert in Michigan. Vrionis said at the time the rocker was 'over-taken by heat exhaustion and dehydration.' Shortly after that medical emergency, Santana thanked his fans for their support and explained what possibly led to the fainting spell.
'forgot to eat and drink water / so i dehydrated and passed out/,' the 'Smooth' artist wrote in verse. 'blessings and miracles to you all.'
The Grammy winner seems to have a busy year of live performances ahead of him. After Texas he'll take his music — as part of various tours — across the United States and Europe through November.
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Broadway Star Audra McDonald Said A Fan Followed Her Home Because They Thought They "Deserved" An Autograph, And People Are Scared For Her
Broadway Star Audra McDonald Said A Fan Followed Her Home Because They Thought They "Deserved" An Autograph, And People Are Scared For Her

Yahoo

timean hour ago

  • Yahoo

Broadway Star Audra McDonald Said A Fan Followed Her Home Because They Thought They "Deserved" An Autograph, And People Are Scared For Her

Audra McDonald is reflecting on a "stalking" incident with a fan that left her uneasy. Audra is currently starring in the Broadway revival of the musical Gypsy, playing the notable role of Momma Rose at the Majestic Theatre. The show opened in December 2024 and will run until August 17, for 269 regular performances and 28 preview shows. She is the most decorated actor in Broadway history, while also making a name for herself on both the small and big screen in projects like Private Practice, The Good Fight, The Gilded Age, and Rustin, so it's safe to say she has a ton of supporters around the world. But what happens when a line is crossed in the name of support? Related: On Saturday, in a video shared to Instagram, Audra opened up about why she doesn't always use the stage door (an alternative exit/entrance that performers often use to leave/enter the building — fans often wait outside this door in hopes of meeting the performers). "There are a lot of reasons that performers don't do the stage door," Audra said. "There have been shows that I've done it and shows that I've not done it. But some of the reasons are: they're exhausted; some people have anxiety about doing stage door; some people are in a rush to catch trains so they can get home; and some people avoid the stage door because of health reasons." "And that's perfectly fair. Actors, as much as we would love to greet every single one of you after a show, sometimes we're just exhausted, and it's hard. There are a million reasons. And some people love to do it, and that's great. There have been shows when I've done it, but I have not been doing it in Gypsy for a myriad of reasons. The main ones have been because of health, exhaustion, and vocal health, and trying to conserve what little vocal energy I have so that I can get through the next show, and the next show, and the next show. So, I have not been doing the stage door." Audra added that when she can, she'll smile and wave, but most of the time she's just trying to get out of there. More importantly, Audra said she has a kid at home that she's trying to get back to — referring to her 8-year-old daughter Sally who she shares with her husband Will Swenson. Audra also has a 23-year-old daughter named Zoe from a previous marriage. But after leaving a show on Friday, she was forced into an extremely uncomfortable situation with a fan who had no regard for her boundaries and welfare, after they decided to follow Audra back to her temporary place of residence. Related: "Last night, someone, not only, I don't even know if they did the stage door or not, but they snuck around and found me the way I had exited from the theater last night and followed me all the way to where I was staying, came into the building, and was uncomfortably close." "Then, when I finally got some security to help me, their response was, 'Well, hey, I've come all the way — and they named some town, some city that they've come all the way from — and they wanted an autograph, and sort of deserve an autograph.' That is crossing a big old boundary, and I just want to call that out. That's a big no-no. That's now messing with my safety, and it's not right." She then sent a general message to fans about how to properly address and/or approach celebrities in the future: "When you see an actor leave the stage door, if they don't stop, leave them alone. There is a reason that they're not stopping, and it has nothing to do with you. It's them protecting their space and peace, whatever that may be, and if they do stop or wave or take a picture with you or sign an autograph, great, but please respect the proper boundaries." Her comments were filled with people acknowledging how scary that situation must've been, while also advocating for the right to privacy and respected boundaries: Related: The video eventually made its way to Reddit, where Redditors revealed that, unfortunately, in the Broadway community, this is nothing new: Iwoulddiefcftbatk commented, "How many people who 'stage door' would like a total stranger meeting them at their workplace at what is essentially the back door to say 'hi' to them or ask for a picture after clocking out of a shift? I don't care if they are actors, no one and I mean no one deserves to be harassed when they leave their job." They went on to say, "There are so many stories on the Broadway sub of unhinged 'stage-dooring' fan behavior where people will harass actors for blocks, even chasing them once they get into taxis, once they leave a theater after performing in a show. It's become so normalized that it's fine to swarm people leaving work just because you might have (not all 'stage doorers' do so) watched the show. It's so scary for all the staff and actors since it's getting worse. I'm glad Audra wasn't hurt, but there needs to be a hammer dropped on this since this is going to end badly for someone eventually." Related: joodee3 added, "Geez, I didn't know it was getting this bad. That truly sucks. I stage-doored when visiting Broadway a few years ago, and it was good vibes, but I know that's just an individual experience. That really sucks that the behavior is growing more prevalent. Yeah, if performers are feeling like things are getting too dangerous, then they should definitely do what makes them feel safe." LemonKurt said, "Broadway and theatre fans can be especially rabid. Something about the theatre space feeling smaller, the actors being less famous and having less media training and the direct access through stage doors etc. makes some people's parasocial relationships much more intense. So glad she's safe, but I feel like this entitled and scary behaviour happens way too often on Broadway and the West End." butterflyvision wrote: "This has happened to other performers this Broadway season as well. It's always been a problem, but it feels like post-COVID, the problems have really amped up. The obsessed, entitled fan culture is ruining things for everyone. I really hope shows stop doing stagedoor. I know she says she doesn't know if they were there or not, but it's getting SO dangerous." I'm glad everyone could see the danger in this situation and that no harm was brought to Audra. Everyone should remember that although we might feel like we know these celebrities or are big fans of their work, we're still not entitled to anything from even a greeting. Please be respectful. What are your thoughts on this? Watch her full video here, and share your comments with me. Also in Celebrity: Also in Celebrity: Also in Celebrity:

Audra McDonald's Terrifying Fan Stalking Incident
Audra McDonald's Terrifying Fan Stalking Incident

Buzz Feed

timean hour ago

  • Buzz Feed

Audra McDonald's Terrifying Fan Stalking Incident

Audra McDonald is reflecting on a "stalking" incident with a fan that left her uneasy. Audra is currently starring in the Broadway revival of the musical Gypsy, playing the notable role of Momma Rose at the Majestic Theatre. The show opened in December 2024 and will run until August 17, for 269 regular performances and 28 preview shows. She is the most decorated actor in Broadway history, while also making a name for herself on both the small and big screen in projects like Private Practice, The Good Fight, The Gilded Age, and Rustin, so it's safe to say she has a ton of supporters around the world. But what happens when a line is crossed in the name of support? On Saturday, in a video shared to Instagram, Audra opened up about why she doesn't always use the stage door (an alternative exit/entrance that performers often use to leave/enter the building — fans often wait outside this door in hopes of meeting the performers). "There are a lot of reasons that performers don't do the stage door," Audra said. "There have been shows that I've done it and shows that I've not done it. But some of the reasons are: they're exhausted; some people have anxiety about doing stage door; some people are in a rush to catch trains so they can get home; and some people avoid the stage door because of health reasons." "And that's perfectly fair. Actors, as much as we would love to greet every single one of you after a show, sometimes we're just exhausted, and it's hard. There are a million reasons. And some people love to do it, and that's great. There have been shows when I've done it, but I have not been doing it in Gypsy for a myriad of reasons. The main ones have been because of health, exhaustion, and vocal health, and trying to conserve what little vocal energy I have so that I can get through the next show, and the next show, and the next show. So, I have not been doing the stage door." Audra added that when she can, she'll smile and wave, but most of the time she's just trying to get out of there. More importantly, Audra said she has a kid at home that she's trying to get back to — referring to her 8-year-old daughter Sally who she shares with her husband Will Swenson. Audra also has a 23-year-old daughter named Zoe from a previous marriage. But after leaving a show on Friday, she was forced into an extremely uncomfortable situation with a fan who had no regard for her boundaries and welfare, after they decided to follow Audra back to her temporary place of residence. "Last night, someone, not only, I don't even know if they did the stage door or not, but they snuck around and found me the way I had exited from the theater last night and followed me all the way to where I was staying, came into the building, and was uncomfortably close." "Then, when I finally got some security to help me, their response was, 'Well, hey, I've come all the way — and they named some town, some city that they've come all the way from — and they wanted an autograph, and sort of deserve an autograph.' That is crossing a big old boundary, and I just want to call that out. That's a big no-no. That's now messing with my safety, and it's not right." She then sent a general message to fans about how to properly address and/or approach celebrities in the future: "When you see an actor leave the stage door, if they don't stop, leave them alone. There is a reason that they're not stopping, and it has nothing to do with you. It's them protecting their space and peace, whatever that may be, and if they do stop or wave or take a picture with you or sign an autograph, great, but please respect the proper boundaries." Her comments were filled with people acknowledging how scary that situation must've been, while also advocating for the right to privacy and respected boundaries: The video eventually made its way to Reddit, where Redditors revealed that, unfortunately, in the Broadway community, this is nothing new: Iwoulddiefcftbatk commented, "How many people who 'stage door' would like a total stranger meeting them at their workplace at what is essentially the back door to say 'hi' to them or ask for a picture after clocking out of a shift? I don't care if they are actors, no one and I mean no one deserves to be harassed when they leave their job." They went on to say, "There are so many stories on the Broadway sub of unhinged 'stage-dooring' fan behavior where people will harass actors for blocks, even chasing them once they get into taxis, once they leave a theater after performing in a show. It's become so normalized that it's fine to swarm people leaving work just because you might have (not all 'stage doorers' do so) watched the show. It's so scary for all the staff and actors since it's getting worse. I'm glad Audra wasn't hurt, but there needs to be a hammer dropped on this since this is going to end badly for someone eventually." joodee3 added, "Geez, I didn't know it was getting this bad. That truly sucks. I stage-doored when visiting Broadway a few years ago, and it was good vibes, but I know that's just an individual experience. That really sucks that the behavior is growing more prevalent. Yeah, if performers are feeling like things are getting too dangerous, then they should definitely do what makes them feel safe." LemonKurt said, "Broadway and theatre fans can be especially rabid. Something about the theatre space feeling smaller, the actors being less famous and having less media training and the direct access through stage doors etc. makes some people's parasocial relationships much more intense. So glad she's safe, but I feel like this entitled and scary behaviour happens way too often on Broadway and the West End." butterflyvision wrote: "This has happened to other performers this Broadway season as well. It's always been a problem, but it feels like post-COVID, the problems have really amped up. The obsessed, entitled fan culture is ruining things for everyone. I really hope shows stop doing stagedoor. I know she says she doesn't know if they were there or not, but it's getting SO dangerous." I'm glad everyone could see the danger in this situation and that no harm was brought to Audra. Everyone should remember that although we might feel like we know these celebrities or are big fans of their work, we're still not entitled to anything from even a greeting. Please be respectful. What are your thoughts on this? Watch her full video here, and share your comments with me.

Kal Banx Is Ready to Properly Introduce Himself
Kal Banx Is Ready to Properly Introduce Himself

Hypebeast

time2 hours ago

  • Hypebeast

Kal Banx Is Ready to Properly Introduce Himself

Summary A visionary force behind the scenes, Kal Banx has been a pioneering player in evolving the modern-day hip hop production ether. Elevating the tracks of a myriad of Top Dawg Entertainment rappers –Doechii,ScHoolboy Q,Ab-SoulandIsaiah Rashad, just to name a few – by way of his production hand, Banx's credits speak for themselves. With other notable credits forBaby Keem,Denzel Curry,SminoandLittle Simz, it's hard to believe the Grammy-winning TDE affiliate is just now making his solo debut, but it's clear Banx wanted to do it right. He wasn't going to rush it. And now we haveRHODA:a versatile and Of course,RHODA'sproduction is top-notch, with Banx relishing in his unlimited creative range across the lengthy offering. He handles most of the production along with contributions fromThelonious MartinandMez, the latter of whom also offers a verse to a particular peak of the album, 'CHICKEN.' The themes of the track bleed through the entire album, a project rooted in identity, family and the concept of 'home.' 'RHODAis an album about finding home and finding foundation. I went through a pretty life-changing experience with the loss of my mom, and through that grief, I started wondering what home is and what my foundation is because I didn't understand how much of my confidence and understanding came from my mom's reassurance, direction, or guidance,' reflected Banx in an Instagram video. 'When she passed on, it felt like I didn't know where to go or what to do or what was going on for real. That led me to think a lot. I started writing more. I started exploring those thoughts more. That led me to the understanding that home is a feeling. Home is wrapped up in all these experiences that create the foundation of who you are.' RHODAspans two discs, the first running for 12 tracks and the second lasting 13, for a total of 25 tracks in total. Features are plentiful, plucked from Banx's expansive, genre-wide network. Contributors include Rashad and Smino on Disc 2, along withSiR,Maxo Kream,Buddy, Mez,Baby Tate,Pink Siifu,Childish Major,Audrey Nuna, andMaxo, among others. The full tracklist is included below. Disc 1 1. SEQOUIA ft. Rose Gold2. 400 ft. Pink Siifu, Reggie & Outlaw Mel3. TECH TECH TECH ft. Hi-Tech. Yakiyin & Felix!4. IG ft. Baby Tate5. CRUCIAL ft. King Milo6. CHICKEN ft. Mez7. STEPPING STONE8. LOSE CONTROL9. SPILL ft. Maxo10. 101911. 57412. STAY WITH ME Disc 2 13. HOP OUT CHO FEELINS ft. Smino & Buddy14. ROB THE ROBBER ft. Maxo Kream15. ONNALO ft. AUDREY NUNA16. BACK IT UP ft. Childish Major, Akeem, SiR, & Kent Jamz17. MOB ft. SiR18. CARE NOW ft. AUDREY NUNA19. A WORD 4M MEL ft. Outlaw Mel20. BOSS UP ft. THE Ichibon Don & Daylyt21. 0022ZAY ft. Isaiah Rashad22. SUN STORY ft. Isaiah Rashad23. IT AINT RIGHT ft.C.S Armstrong24. MEMO225. MAMA PAIN ft. C.S Armstrong RHODAjust might be what brings Banx out of the shadows and into the spotlight, marking both an intentional and impressive debut. Stream the album on all major streaming platforms now.

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