
Lost traditional wheat varieties feature in film shot around Oban
Alongside being a stunning, genre-defying visual experience, Harvest involves Scotland The Bread, a sustainable food charity which grows some of the varieties of wheat traditionally grown here.
Their expert input helped bring to life the striking wheat fields featured throughout the film, rooting the visuals in Scotland's agricultural past, adding depth to themes of harvest and renewal.
Based on Jim Crace's Booker Prize short-listed novel of the same name, Harvest has just opened in cinemas in the UK and Ireland before being released exclusively on streaming service MUBI on August 8.
The film was shot entirely within the Argyllshire countryside, including the picturesque glen of Inverlonan, and drew extensively on local talent, with members of the community joining the film's cast as villagers and supporting crew.
It's hoped the film will also help bring Scotland The Bread to the public's attention.
The Fife-based sustainable food charity is a collaborative project to establish a Scottish flour and bread supply that is healthy, locally controlled and sustainable – in other words, to promote and develop a 'People's Bread'.
'Our idea is simple – grow nutritious wheat and bake it properly close to home,' the charity's co-founder Andrew Whitley, below, told the Sunday National.
'Working together, we can change the entire system for the better – fair deals for local farmers growing nourishing food for people, fewer damaging food miles, more nutrition in every slice of bread and more jobs per loaf as we skill up community bakers to bring out the best in our local grains.'
The charity was founded in 2016 by Whitley and Veronica Burke who worked with scientists in leading institutions to research heritage Scottish and Nordic wheats to find nutrient-rich varieties that do well in local conditions.
In November 2017, the charity launched its first three fine wholemeal flours and began selling them online and from markets.
For Whitley, the charity was a natural progression from his long career as a baker. He was the first breadmaker to supply genuine sourdough bread to supermarkets – even though he thought it wouldn't sell.
However, it 'flew off the shelves' because many people had begun to suffer digestive complaints from mass-produced supermarket bread.
Curious about what was causing this reaction, Whitley began to investigate further and was appalled at what was being used to make supermarket bread.
'It's pretty horrifying when you actually see it laid out page after page, all the additives, emulsifiers, fats, crumb-softening enzymes and so on,' he said.
He concluded that it wasn't just the additives that were the problem but also the modern varieties of wheat that were being used, which were often less nutritious than the wheat grown in Scotland in the past.
Not only that but he found Scottish farmers had been hit by cheap imports so had stopped growing wheat for bread and switched to growing wheat for booze or animal feed instead.
'In the 1990s, when I started getting interested in this, it became obvious that there were significant differences between traditional and modern varieties of wheat in terms of their mineral density and their goodness for eating as food,' said Whitley.
'I wanted to make bread that nourished people, not bread that just filled a supermarket slot. We're all struggling with diet and ill health because our food system has been completely hijacked by money interests. So that's why we started a campaign.
'That's what gets me up in the morning, the feeling that we've gone too far towards a new version of the kind of oppression that began with the emerging capitalist system where people were cleared off the land to work in factories and when the only bread that starvation wages could buy was adulterated with chalk and alum to make it look whiter.'
Whitely said it wasn't just human health that was suffering by eating 'rubbish' as the system was also 'trashing' the environment.
'We have to sweat the land to grow vast weights of crops, much of which are wasted at the mill end and by the supermarket system,' he said. 'They travel massive distances and their production causes massive amounts of emissions.
'We have to fight against the system because it's killing us.'
Whitley said this was why the charity is working on the concept of 'the People's Bread'.
'It's a bread for everybody that meets the needs of our times,' he said.
'We can do this if we just do it together and get the corporations off our backs.
'I would also add that we should challenge those public servants, for example, in the Scottish Government and Food Standards Scotland, who have responsibilities for health and nutrition. They seem reluctant to stand up to food industry interests.
'Take the so-called 'reformulation project' – removing a little bit of sugar from Irn-Bru, replacing it with artificial sweeteners and calling this a public health gain – you don't have to be a policy guru to realise that's nonsense.
'We could do so much better. So let's start with a really good loaf of bread, ideally made with wholemeal flour and fermented with sourdough, because that keeps everything good in it, rather than substituting the good harvest with rubbish,' said Whitley.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Edinburgh Reporter
4 hours ago
- Edinburgh Reporter
Discussion on dementia stories to follow UK premiere of Lost Lear at Traverse on Sunday evening
A special discussion around telling stories of dementia will follow the first UK performance of Lost Lear at The Traverse on Sunday 27 July. The new show by award-winning Irish theatre maker Dan Colley is a moving look at living with dementia, told through the familiar lens of Shakespeare's characters Following the preview performance on the 27 July, Dan will be joined by Alex Howard and Gus Harrower from Capital Theatres dementia-friendly programme and Magdalena Schamberger, who specialises in creating theatre for those with dementia Lost Lear will run on the main stage at the Traverse from 2 to 24 August Following its first-ever UK performance at Traverse Festival on 27 July, the hit Irish theatre show Lost Lear will host a special public discussion around telling the complex stories of dementia in theatre. The discussion will feature Lost Lear's award-winning creator Dan Colley, who will be joined by Alex Howard and Gus Harrower from Capital Theatres Edinburgh's dementia-friendly programme and Scotland-based theatre-maker and consultant Magdalene Schamberger, who has over 20 years experience working with people living with dementia. The discussion will look at the initial creation of Lost Lear and its collaborations between Dementia Carers Campaign Network and the Alzheimer's Society of Ireland. The play itself, a loose adaptation of Shakespeare's King Lear, examines how we know ourselves and who we are to each other, amidst the complexities of dementia. The discussion will also be a chance for audiences to talk about how the show has resonated with their own experiences of living with and caring for those with dementia, with an invite being sent out to people from local dementia communities. 'Dan collaborated with the Dementia Carers Campaign Network (DCCN), an advocacy group supported by The Alzheimer Society of Ireland, in the early days of writing this play.' says Judy Williams, Advocacy, Engagement and Participation Officer for The Alzheimer Society of Ireland. 'Through focus groups, carers shared their experiences, shaping Dan's approach to the play. For the DCCN, the project was compelling, inclusive, and in some ways, healing. It also provided new opportunities for carers to share their stories, while raising awareness about the challenges they face. We were very grateful for the opportunity to have this engagement with Dan and Matt, and we wish them all the best at the Edinburgh Fringe 2025. We hope as many people as possible have the opportunity to see this sophisticated and thought-provoking play.' 'Lost Lear is a captivating journey, from an energetic and rambunctious beginning to the poignant and gentle end, it portrays the bewilderment of someone who wants to care, trying to have the shared experience with the person living with dementia, struggling and sometimes failing.' says Susan Crampton of the Dementia Carers Campaign Network. 'I am delighted to hear that Lost Lear is going to Edinburgh and many more people will have the opportunity to see it for the first time – or again.' Lost Lear is a moving and darkly comic remix of Shakespeare's play told from the point of view of Joy, a person with dementia, who is living in an old memory of rehearsing King Lear. Joy's delicately maintained reality is upended by the arrival of her estranged son who, being cast as Cordelia, must find a way to speak his piece from within the limited role he's given. Using puppetry, projection and live video effects, the audience are landed in Joy's world as layers of her past and present, fiction and reality, overlap and distort. Lost Lear is a thought provoking meditation on theatre, artifice and the possibility of communicating across the chasms between us. Following rave reviews for its Irish premiere, where it picked up nominations for Best New Play, Audience Choice, Best AV Design and Best Supporting Actor at the Irish Times Theatre Awards, Lost Lear will have its UK premiere at the Traverse Festival in Edinburgh this August. Following its Fringe run, Lost Lear will tour to North America in Autumn 2025. Co-produced by Mermaid Arts Centre and Riverbank Arts Centre. Funded by the Arts Council of Ireland and supported by Fishamble's New Play Clinic. Part of the 2025 Culture Ireland Edinburgh Showcase. Traverse 1 Preview 27 July 7.30pm and 2 August 9.30pm Then 3 – 24 August (not Mondays) Times vary. Run time: 1 hr 15 min Tickets: £5 – £25 Like this: Like Related


Scottish Sun
4 hours ago
- Scottish Sun
Andy Murray reveals ‘new addition to the family' in touching pictures eight months on from heartbreak
Click to share on X/Twitter (Opens in new window) Click to share on Facebook (Opens in new window) ANDY MURRAY was all smiles as he welcomed the latest addition to his family with a heartwarming post on social media. The Scottish tennis icon was delighted to reveal he and his wife Kim had adopted another puppy - eight months on from losing their beloved dog Rusty. Sign up for Scottish Sun newsletter Sign up 2 Andy Murray has welcomed a new dog to his family 2 He shared adorable pictures on social media The Murray family were heart-broken when he revealed the devastating news on social media in November last year. Murray previously described Rusty as his beloved and loyal companion along with his other Border Terrier, Maggie May, who sadly passed away two years earlier in 2022. Writing on social media at the time, grieving Murray posted: "You were the most loyal and protective companion our family could have wished for. "You were so patient and gentle with the kids and we all learned so much from you. "The house feels empty without you in it. "The noise you made when you wanted a plate to lick, or a biscuit to chew on, or when you wanted anything for that matter, was infuriating at times! "But today we would do anything to hear it again. Love you Ruzz, rest easy poppet x." Fans flooded his Instagram page with messages of support following the tragic news as they expressed their sympathy for him and his family. But this morning, Murray thankfully had some wonderful news to share with his followers as he uploaded pictures of him alongside his new pup. He shared two snaps of the young pup - one of him sitting next to the dog and another of the canine relaxing in their family home. Andy Murray starts new career as agony aunt as he reveals details of 'terrible' first date with wife Kim He hasn't yet revealed the name or breed of his new dog but it appears to be a Flat-Coated Retriever. He shared the pictures with the caption: "New addition to the family 🐾 🥰" And his fans were delighted, with one saying: "Finally you have a new four-legged friend, Sir Andy! ❤️" Another wrote: "So cute, Andy! 🐕❤️ Congratulations! 🥰" Someone else commented: OH. MY. LORDY! So incredibly cute! 😍🐶" A fourth joked: "Looks just like dad" Keep up to date with ALL the latest news and transfers at the Scottish Sun football page

The National
6 hours ago
- The National
Robert Burns play shows man beyond the biscuit tin
Despite the subject matter, theatre-maker James Clements is quick to point out that it's not a historical play but very much relates to questions facing Scots today, such as the country's political status and Scottish identity. And the man portrayed is not the 'biscuit tin Burns' that is often presented, according to Clements. The play contains facts about Burns and quotes from the poet that are less widely known and which Clements believes gives a fuller picture of the man. READ MORE: Sherlock Holmes adaptation gives neat feminist twist to classic stories He began his research a year ago after the National Trust for Scotland (NTS) digitised their Burns archive so it could be accessed online by people all over the world. Clements, who has had a lifelong fascination with Burns, realised it could be used to make a powerful new piece of theatre, as well as highlight some of the NTS's historic buildings. Directed by award-winning Cora Bissett and featuring a set 'full of surprises', The Burns Project opens in Edinburgh's stunning Georgian House this weekend before touring later in the year. The idea is not only to help people to get to know Robert Burns better but also to make NTS properties and the NTS Burns archive more accessible. Clements has used the archive and rarely seen writings to conjure a complex, irreverent and honest portrait of Scotland's National Bard. Seeking to refresh and expand on existing representations of the poet, The Burns Project portrays a man full of complexities and contradictions, capable of both deep love and callousness, of great progressiveness and political inconsistencies. It is a story of a man with high ideals, who sometimes fell short of them, with layers of intrigue and mystery. Even though he died more than 200 years ago, Clements believes Burns is still very relevant to issues facing Scottish society today. 'I think there's still a lot of questions that my generation of Scottish men are grappling with that Burns grappled with,' he said. 'Then I think there's also ongoing questions around Scotland's political status, what self-determination means, what a Scottish identity is. We talk about Scottish identity, but it's such a blanket term for something that's so wildly nuanced.' Clements said the archive shows that Burns expressed different views at different times about Scottish independence, the rights of women, the rights of men and how the class system functions. 'He was asking these questions 230 years ago and we're still trying to answer them now,' he said. 'And he is so embedded in our culture, how better to explore them than through someone who already forms so much of our sense of self?' He is delighted the National Trust for Scotland has supported the project and agreed for it to be staged in their properties. 'It's really exciting to be performing it in these historic buildings, opening them up in hopefully new and dynamic ways to people in Scotland – literally welcoming them in, but also allowing us to put on a really political and really provocative piece,' he said. 'Essentially, you're sitting at a Burns supper table with Burns over an hour, and we really take you on a journey through his through his life, his contradictions and his highs and lows. 'It's not your biscuit tin Burns. It's pretty provocative because, you know, like all of us, he contained contradictions and like all of us, he made mistakes.' Burns is often regarded as a working-class hero but Clements believes that does not further understanding of the man. 'That actually does him a disservice and does us a disservice,' he said. 'It's much more useful to look at him as a person who had exceptional talent in the context of his class, his gender, his time, and that's the kind of story that I've been drawn to. I think that's the show he deserves.' The Burns Project is at The Georgian House, Edinburgh, from August 2-16 (not 7 or 14)