
A musical from Tomson Highway, dancing skateboarders among NAC's upcoming lineup
Canada's multidisciplinary home for the performing arts released a 2025-26 lineup Thursday that includes the return of holiday favourites including Handel's 'Messiah' by the NAC Orchestra and the Royal Winnipeg Ballet's 'Nutcracker' in December.
In between are dance, orchestral, pop music and drama productions from new voices and established veterans. Here's a look at some of the highlights.
THEATRE
Highway brings the third instalment of his 'Rez Cycle' to NAC's Indigenous Theatre program, with the world première of his musical 'Rose.' The 2003 play is set on the Wasaychigan Hill Reserve in 1992, and revisits several characters from 'The Rez Sisters' and 'Dry Lips Oughta Move to Kapuskasing.' The story here centres on Emily Dictionary and her biker pals 'as they fight to reclaim their community.' NAC says the musical has never been staged 'due to its scale and ambition.'
In the English Theatre lineup, artistic director Nina Lee Aquino directs two world premières: 'Copperbelt' by Natasha Mumba, a co-production with Soulpepper Theatre about the daughter of a powerful African family caught between ambition and the cost of success; and the eco-thriller 'cicadas,' created by David Yee and Chris Thornborrow and co-produced by Tarragon Theatre, in which a very strange house sinks into the earth.
The English Theatre lineup also includes Marie Farsi's stage adaptation of 'Fifteen Dogs,' André Alexis's Giller Prize-winning novel about a group of dogs suddenly granted human consciousness.
The French Theatre season closes with Shakespeare's 'Macbeth,' directed by Quebec visionary Robert Lepage. The original Stratford Festival production, created in collaboration with Lepage's company Ex Machina, set the action amid the biker wars of the 1990s.
ORCHESTRA
Music director Alexander Shelley's final season with the NAC Orchestra opens with Giacomo Puccini's opera 'Tosca' and boasts an all-Canadian edition of the Great Performers series, including Toronto's Tafelmusik Baroque Orchestra, Quebec City-based chamber orchestra Les Violons du Roy and recitals by Calgary-born pianist Jan Lisiecki and Grammy Award-winning violinist James Ehnes.
Soloists include violinists Hilary Hahn and Joshua Bell, cellist Bryan Cheng, and pianists Lang Lang, Jean-Yves Thibaudet and Hélène Grimaud.
DANCE
Danish choreographer Mette Ingvartsen unleashes what NAC describes as a 'zany' production dubbed 'Skatepark,' in which skateboarding thrill-seekers encounter a group of dancers.
Also, Guillaume Côté and Lepage present a dance version of 'Hamlet,' the Royal Winnipeg Ballet offers up a surreal 'Hansel & Gretel' and the National Ballet of Canada presents a new work, 'Procession,' from choreographers Bobbi Jene Smith and Or Schraiber.
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POPULAR MUSIC AND VARIETY
The Pops lineup will see singer-songwriter Martha Wainwright hit the stage Oct. 15, followed by Ariane Moffatt on Oct. 16 and Choir! Choir! Choir! on Nov. 23.
There's also a tribute to Aretha Franklin featuring Broadway star Capathia Jenkins and soul singer Ryan Shaw, Troupe Vertigo fuses acrobatics and symphonic music, and live concerts of film scores from 'The Muppet Christmas Carol' and 'Pirates of the Caribbean: The Curse of the Black Pearl.'
International artists include the Manchester-based instrumental trio Gogo Penguin on Oct. 17, the Soweto Gospel Choir on Nov. 29 and an onstage conversation and food demonstration with British chef, restaurateur and food writer Yotam Ottolenghi on March 1, 2026.
This report by The Canadian Press was first published May 15, 2025.
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Edmonton Journal
2 days ago
- Edmonton Journal
Fringe Review: Operatic Macbeth not for everyone but vastly rewarding
Macbeth, at the 2025 Edmonton International Fringe Theatre Festival. Reviews and recommendations are unbiased and products are independently selected. Postmedia may earn an affiliate commission from purchases made through links on this page. THIS CONTENT IS RESERVED FOR SUBSCRIBERS ONLY Subscribe now to read the latest news in your city and across Canada. Exclusive articles by David Staples, Keith Gerein and others, Oilers news from Cult of Hockey, Ask EJ Anything features, the Noon News Roundup and Under the Dome newsletters. Unlimited online access to Edmonton Journal and 15 news sites with one account. Edmonton Journal ePaper, an electronic replica of the print edition to view on any device, share and comment on. Daily puzzles, including the New York Times Crossword. Support local journalism. SUBSCRIBE TO UNLOCK MORE ARTICLES Subscribe now to read the latest news in your city and across Canada. Exclusive articles by David Staples, Keith Gerein and others, Oilers news from Cult of Hockey, Ask EJ Anything features, the Noon News Roundup and Under the Dome newsletters. Unlimited online access to Edmonton Journal and 15 news sites with one account. Edmonton Journal ePaper, an electronic replica of the print edition to view on any device, share and comment on. Daily puzzles, including the New York Times Crossword. Support local journalism. REGISTER / SIGN IN TO UNLOCK MORE ARTICLES Create an account or sign in to continue with your reading experience. Access articles from across Canada with one account. Share your thoughts and join the conversation in the comments. Enjoy additional articles per month. Get email updates from your favourite authors. THIS ARTICLE IS FREE TO READ REGISTER TO UNLOCK. Create an account or sign in to continue with your reading experience. Access articles from across Canada with one account Share your thoughts and join the conversation in the comments Enjoy additional articles per month Get email updates from your favourite authors Stage 1, ATB Westbury Theatre Shakespeare has been given so many makeovers that you'd be forgiven for not knowing what you'd get walking into a performance. A version featuring the Simpsons characters? A Japanese adaptation? One set during the Quebec biker wars of the 1990s? They've all been done and they're all quite entertaining, but it's almost a shock to see Macbeth done as opera, with music by acclaimed composer J. Andrew Creaghan. So jolting that at least one couple sheepishly made their way out from the well attended Sunday night performance, likely because it wasn't quite what they were expecting. Fair enough. Creaghan's Macbeth is a muted and severe affair, with all performers dressed in street clothes black. The singers sit at the back of the stage with their binders of ipads full of scores and lyrics, slowly walking forward when their time comes. Afterwards, they return in a similarly staely manner to their chairs. It's almost like they're the ghosts of Macbeth, Banquo, Duncan and Lady Macbeth, forced to reenact their tragedy every day, their voices conveying passion but their bodies locked into dispassion. Get the latest headlines, breaking news and columns. By signing up you consent to receive the above newsletter from Postmedia Network Inc. Please try again For lack of a better word the music (played by the New Era Group, conducted by Don Ross) swirls around the singers like an endlessly dreich day in Inverness. Let's be clear, this isn't for everyone, but if you have the patience to sit and let it seep in this performance of Macbeth is vastly rewarding.

30-07-2025
Ottawa's National Arts Centre cuts ties with controversial Chinese dance group
The National Arts Centre in Ottawa will not be hosting a controversial Chinese performance group next year, following internal deliberations about potential blowback the Crown corporation could face over allegations regarding Shen Yun's treatment of audience members with disabilities and a breach of previous contract terms, CBC News has learned. Emails released in an access to information request show the NAC was considering the move for months — during which time the centre heard from at least two MPs wondering about whether there would be a Shen Yun show in 2026. Based in New York, Shen Yun is closely affiliated with the Falun Gong (also known as Falun Dafa), a spiritual movement banned in China and long at odds with the country's ruling communist regime. In an email dated Jan. 13, Heather Gibson, the executive producer for the NAC's popular music and variety programming, reached out to the centre's CEO Christopher Deacon, as well as to Annabelle Cloutier, an executive director in strategy and communications, to recommend that we do not continue our relationship with Shen Yun in 2026 in light of continued issues with their organization respecting our contractual agreement, primarily with the box office. The Falun Gong spiritual movement is banned in China. Photo: The Canadian Press / Sean Kilpatrick She also alluded to allegations that continue to surface about the organization, without specifying details. That note followed reporting last year by The New York Times which alleged Shen Yun forced its troupe (new window) of young dancers through emotional abuse and long work hours while discouraging them from seeking treatment for injuries. The New York Times investigation also alleges Shen Yun raked in hundreds of millions of dollars (new window) over the last decade, including through unethical and potentially unlawful methods. In a reply to Gibson, Deacon said he saw Shen Yun's future with the NAC as a programming decision to be made at her discretion. I appreciate and respect that, but it's not going to be (only) me who is dealing with the potential issues this may cause in media, phone-calling campaigns, meeting requests to your office, etc., Gibson wrote in response. In the past when we have moved forward with this, the CEO eventually overrode our decision. Which I also respect, but it has made it difficult to conceive of this as a programming decision alone. Deacon replied that he supports Gibson's decision. In February, Liberal MP Judy Sgro wrote to an NAC producer saying she had been contacted by the Falun Dafa Association of Canada and requested a thorough explanation as to why [Shen Yun] would not be able to secure dates. A month later, Conservative MP Garnett Genuis wrote to Deacon over his concern regarding the prolonged delay in the scheduling of Shen Yun's 2026 performance dates. Enlarge image (new window) The National Arts Centre, seen here in 2020, has rented its performance spaces for use by Shen Yun for years. Photo: The Canadian Press / Adrian Wyld Genuis noted the Falun Dafa community has had a nearly two-decade-long run with the NAC as a presenter of their show. Recent efforts by the CCP [Communist Party of China] to transnationally repress and discredit the Shen Yun performances and undermine the efficacy of Falun Gong practitioners in their attempts to share the story of a pre-communist China in these rich performances are extremely concerning, he wrote. The importance of preserving their artistic freedoms here in Canada is all the greater given the severe lack of protections that their group experiences in China. NAC staff complaints Shen Yun last performed at the NAC in late April. On April 28, Gibson asked colleagues in an email about whether Shen Yun should return in 2026. I have received some unsettling information informally, she said. Could someone please send through formal comments about the run of shows that we did with this client please? A supervisor at the centre, Myriam Lamontagne, replied that she had worked on the troupe's 2024 shows. She said Shen Yun installed their own box office booth at the centre, which she said was a breach of contract. When I told them that it was unacceptable and against the contract, and I asked them to close the box office booth, the situation escalated, they questioned my legitimacy and they treated me as if I had no say to what they were doing within the NAC, she wrote. Enlarge image (new window) Conservative MP Garnett Genuis is one of at least two MPs who have raised concerns with the NAC over its decision to not book Shen Yun next year. Photo: The Canadian Press / Adrian Wyld She also said Shen Yun were taking pictures of individual patrons during the shows, without their knowledge, and refused to stop when she asked them. Lamontagne also cited another colleague who worked on this year's shows. She said a Shen Yun manager asked to remove and refund a patron with disabilities from Southam Hall, during the performance, as they were making sounds due to their disability. She said NAC staff told her they were uncomfortable working with the group. On April 30, in another email on the same chain, a senior manager at the NAC, Robyn Gilchrist, wrote about how she and others had discussed specific instances of guests with disabilities being asked to leave the hall during Shen Yun's last visit. These actions expose us to potential human rights complaints, she wrote. If any of these guests decide to file an official complaint, we would be unable to defend our position. This could result in front-page news and create a lasting public record that portrays the NAC as unkind to individuals with disabilities. A local Shen Yun organizer told CBC News that these incidents amounted to a misunderstanding. Local organizer 'mystified' In a statement, the National Arts Centre confirmed to CBC News that Shen Yun has no dates booked for performances at the NAC in 2026. It added venue and rental contracts remain confidential. The NAC also confirmed the content of the emails reviewed by CBC News, but added the availability of our halls for rentals depends on our own artistic programming which we prioritize over rentals. Grace Wollensak, who has helped organize past Shen Yun shows, says she was mystified by the NAC's decision. Wollensak is a national co-ordinator for the Falun Dafa Association of Canada. She said the NAC sent the group their decision in writing on June 28, but did not mention any specific reason. She said the centre's CEO told them last week that it was due to rental availability. National Arts Centre CEO Christopher Deacon told staff in January that he viewed a potential decision not to have Shen Yun return next year as a 'programming' matter. Photo: Serge Gouin We had a pretty great, friendly meeting, Wollensak said. He even suggested we continue with a follow-up meeting. She said it was the NAC who had removed some patrons with disabilities. Wollensak said she had told the centre it was on heightened awareness for potential disruptions from agents of the Chinese government. She said there had been dozens of threats against recent Shen Yun performances. Wollensak said the NAC removed three attendees in wheelchairs for making disruptive noises, and she ensured they were refunded before they left. We want to emphasize that we have no intention of excluding individuals with disabilities, Wollensak said. In fact, for the past 18 years, wheelchair-accessible seating has been available for every Shen Yun performance. Wollensak also denied the allegation that Shen Yun were taking pictures of patrons at the NAC. Shen Yun has a strict policy prohibiting anyone — including local presenters, media and audience members — from taking photos of either the performance or audience during the show, she said, adding that the NAC did not inform them of any such incident. Wollensak also said that in 2024, the group stopped selling tickets at its information desk when it was asked to do so. Wollensak said Shen Yun had previously sold tickets at the NAC, and hadn't been told this was a breach of contract. We like to comply and follow the rules, Wollensak said. There's no reason not to do so. Human rights lawyer calls for reversal The association said the show not taking place next year would be a win for the Chinese government. Emails sent by the Chinese Embassy to the NAC over the last two years show diplomats seeking to invite NAC representatives to embassy events — including Deacon and Nelson McDougall, managing director of the orchestra, to a reception in September 2023. It is unclear if either of them attended. However, in July 2024, after receiving another invitation, Deacon told staff that he had received advice that he should meet the Chinese ambassador, and that McDougall should join the meeting. Enlarge image (new window) David Matas is a human rights lawyer who says the NAC is making a mistake by getting rid of the Shen Yun show. Photo: The Canadian Press / Tom Hanson A note on the Chinese Embassy's website (new window) in August 2024 said the ambassador paid a visit to Deacon. In its statement to CBC News, the NAC said its artistic programming and venue rentals decisions are made independently and without external influence. Its decision comes after Montreal's Place des Arts also said it will not book any dates for Shen Yun next year. According to Shen Yun's website, the only Canadian city where it has performances scheduled in 2026 is Vancouver. One vocal critic of the NAC's decision, human rights lawyer David Matas, provided CBC News a copy of a letter he sent to the centre, urging it to reverse its move. I ask that the NAC grant its stage to these performers, and not lend itself to become a paving stone in the campaign of transnational repression waged by the CCP regime, Matas, who represented groups that spoke out against Chinese state repression during the public inquiry into foreign interference, wrote. This would be contrary to the Canadian values of human rights and diversity, as well as the mandate of your arts centre to present and showcase the best of cultures. Matas said The New York Times was making itself a vehicle of the Communist Party of China's transnational repression against Falun Gong, a charge also levied by the movement itself and Shen Yun since the release of the paper's stories last year.


CTV News
26-07-2025
- CTV News
Heat forces Ballet in the Park cancellation Friday
Extreme heat is forcing Ballet in the Park to conclude early. (CTV News Winnipeg) Extreme heat is forcing a popular summer series to close its curtain early. The Royal Winnipeg Ballet (RWB) told CTV News Friday's performance is not happening due to the heat. Temperatures Friday evening were in the high 20s, with the humidity making it feel like 37 C. Friday would have been the final night of a free three-day performance series put on at Assiniboine Park's lyric theatre. The series served as the RWB's new artistic director Christopher Stowell's debut.