Ariel Lin welcomes second child
17 Jun - Ariel Lin recently announced that she has given birth to her second child.
Sharing the good news on social media on 16 June, the Taiwanese actress posted a photo of her newborn's hand and shared a Chinese-translated poem by Kim McMillen called "When I Loved Myself Enough".
The poem, which talks about learning authenticity, respect, maturity, self-confidence, simplicity, love of oneself, modesty, fulfilment and wisdom from loving oneself, ended with the line, "Even stars collide, and out of their crashing, new worlds are born. Today I know: This is Life!"
When asked about the birth, the 42-year-old actress' manager revealed that the actress gave birth to her second child, a son, naturally, and that the boy is very healthy and resembles his father, Charles.
Since Ariel is recuperating in a confinement centre, her four-year-old daughter is being taken care of by her elders.
(Photo Source: Ariel IG)

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
2 hours ago
- Yahoo
Ming Dynasty Culture Forum 2025 Opens, Exploring New Paths for the Inheritance and Innovation of Ming Culture
BEIJING, June 17, 2025 (GLOBE NEWSWIRE) -- To further explore and carry forward the essence of Ming Dynasty culture, the "Impressions of the Ming Dynasty: A Chapter of World Heritage" -- Ming Dynasty Culture Forum 2025 -- officially opened on June 14 at the Global Ming Culture Exchange Center. A Media Snippet accompanying this announcement is available in this link. The forum consists of an opening ceremony, four sub-forums, and a cultural relics exhibition. The five Ming imperial tombs are collaborating for the first time in a groundbreaking initiative. With a focus on empowering cultural heritage through technology, the forum aims to deeply explore the cultural connotations of the Ming Dynasty, systematically review its civilizational achievements, and comprehensively explore new approaches for the protection, inheritance, and innovative development of cultural heritage in contemporary times. The forum aims to contribute significantly to the development of Beijing as a national cultural center and to promote cultural exchange and mutual learning both within China and globally. Distinguished Guests Share Insights at the Opening Ceremony: Jointly Shaping a Blueprint for Inheritance and Innovation Gao Shouxian, President of the Chinese Society on Ming Dynasty Culture, delivered a keynote speech titled "Ming Culture in the Context of Civilizational Exchange and Mutual Learning." He offered an in-depth exploration of the Ming Dynasty's remarkable achievements in intercultural communication and their relevance to today's world. Shan Jixiang, Chair of the Academic Committee of the Palace Museum, gave a speech titled "Bringing Ming Cultural Heritage to Life." Drawing on innovative examples such as the VR Experience Pavilion at Dingling Mausoleum in Changping, he vividly illustrated effective methods for revitalizing historical relics through digital technology and creative design. Mao Peiqi, professor at Renmin University of China and chief advisor to the Chinese Society on Ming Dynasty Culture, presented a speech titled "The Ming Dynasty's Outstanding Contributions to the Development of the Chinese National Community," elaborating on the dynasty's achievements in institutional design, civilizational exchange, and the philosophy of harmony and coexistence. Traditional Chinese medicine master Wang Qi delivered a speech titled "Inheritance and Development of Traditional Chinese Medicine through the Lens of the Compendium of Materia Medica," offering a profound analysis of the prosperity of Ming-era medical science and its enduring legacy. A key supporting event of the forum -- the "Impressions of the Ming Dynasty: A Chapter of World Heritage" themed exhibition of Ming-era cultural relics -- was held concurrently at the Global Ming Culture Exchange Center, showcasing over one hundred precious artifacts from the Ming Dynasty. Four Editions of the Forum Yield Fruitful Results as Influence Steadily Grows Since 2022, Changping District has hosted the Ming Dynasty Culture Forum for four consecutive years. Each edition has illuminated the path for the preservation and development of Ming culture, with growing public attention and increasingly tangible outcomes. Over the past four years, cultural heritage protection in Changping has taken on a new dimension. The Master Plan for the Protection of the Ming Tombs was officially approved by the National Cultural Heritage Administration. Major initiatives have been implemented, such as the reopening of the main spirit path and the preservation and presentation of boundary walls of the Zhaoyu (burial precincts). An Archaeological Work Plan for the Ming Tombs has been developed, and efforts are underway to establish a municipal-level model zone for cultural relic protection and utilization. By grasping the opportunity of land reallocation, Changping has reshaped the spatial layout of the Ming Tombs heritage site. In the realm of academic research, a series of new achievements has emerged. A think tank of 120 scholars has been assembled to provide long-term consultation on the protection and utilization of the Ming Tombs and the study of Ming culture. Several major publications have followed, including the Compilation of Achievements from the 2022 Ming Culture Forum; the Proceedings of the 2023 International Symposium on Ming Culture; China Heritage: The Essence of the Ming; and the Proceedings of the 2024 International Symposium on Ming Culture. Collaborative research frameworks have also been established with Peking University, Beijing University of Civil Engineering and Architecture, Beijing Union University, and the Chinese Academy of Cultural Heritage. These partnerships offer strong academic support for the living transmission of Ming culture and the protection of cultural heritage. In terms of cultural tourism integration, a comprehensive plan for opening the entire Ming Tombs area to the public has been formulated, with full access to the principal mausoleums scheduled by 2030. An 83-square-kilometer cultural tourism zone will be developed around the heritage site. The district continues to deepen its "Ming Culture+" integration model, encouraging the clustering of cultural and tourism resources and advancing the development of a Ming culture museum-tourism complex. In addition, Changping District has actively promoted the profound cultural significance of the Ming Dynasty through a variety of engaging exhibitions. Since 2022, a total of 11 themed exhibitions on Ming Dynasty artifacts have been held in major cities including Beijing, Shanghai, Guangzhou, Shenzhen, Nanjing, Hangzhou, and Chengdu, with participation in 13 exhibition events overall. These initiatives have significantly enhanced the visibility and influence of Ming culture nationwide. Among these efforts, the immersive VR experience exhibition "Re-encountering Wanli" has become a model example for the digital revitalization and adaptive reuse of cultural heritage. With the Ming Tombs and Juyongguan Great Wall -- both UNESCO World Heritage Sites -- located within its jurisdiction, Changping District has vividly demonstrated how cultural heritage can be both preserved and reimagined through the successful implementation of the Ming Dynasty Culture Forum. This practice serves as a compelling example of how heritage protection and innovative cultural development can go hand in hand. Building on the success of the Ming Dynasty Culture Forum 2025, Changping District will continue to deepen research, interpretation, and revitalization of Ming culture. Efforts will be made to promote the living transmission of intangible cultural heritage in everyday cultural life, accelerate the implementation of key projects integrating culture, museums, and tourism, and further explore the District's unique Ming cultural resources. Changping aspires to become a global center of excellence for research and exchange on Ming culture, making a strong contribution to Beijing's development as a national cultural center, and to the continuation of China's cultural legacy. Source: The Organizing Committee of the Ming Dynasty Culture Forum 2025 CONTACT: Contact person: Ms. Zhu, Tel: 86-10-63074558Sign in to access your portfolio


Forbes
2 hours ago
- Forbes
‘Housefull 5' Among Global Top Scoring Films For Second Week In A Row
The new Hindi film 'Housefull 5' released in theatres with two different climax sequences. Akshay Kumar's latest Hindi release - Housefull 5 - is raking huge numbers at the box office even as it entered the second week at the global box office. Directed by Tarun Mansukhani, the comedy-thriller has had gross global collections of $28 million in ten days. It also ranked among top-scoring films worldwide for the weekend ending June 15. Akshay Kumar stars in the film alongside Nana Patekar, Riteish Deshmukh, Abhishek Bachchan, Jackie Shroff, Sanjay Dutt, Sonam Bajwa, Nargis Fakhri and Jacqueline Fernandez. Fardeen Khan, Dino Morea, Johnny Lever, Chunky Panday, Shreyas Talpade and Niketan Dheer also play important roles in the film. Housefull 5 had a good second weekend at the box office and became the ninth highest-grossing film at the global box office this week, on Comscore's weekly list. The Indian film scored nearly $4.5 million worldwide over the past three days alone. It earned nearly $270,000 in the US markets in its second weekend. This is the second consecutive week for which Housefull 5 ranked among top-scoring films of the world for a weekend. The Akshay Kumar film made its debut on the Comscore list of top ten highest grossing films worldwide for a weekend. It was the fifth highest-scoring film last weekend, with a three-day total of $16.5 million. After an impressive $4.6 million global gross collection on the opening day, Housefull 5 collections rose over the first weekend, crossing $6 million on both days. In the Indian markets, Housefull 5 made an opening collection of $3.3 million and $12.5 million over the first weekend. On its first Monday, the film saw a significant but expected drop and earned mere $2 million worldwide. The collections dipped consistently through the week, only to bounce back over the second weekend. The film saw a major jump in Indian markets on its second Sunday, June 15. Made on an estimated budget of $25 million, Housefull 5 is among the costliest comedies made in Hindi. The collection figures - big and significant in comparison with other films - are not as impressive when we consider the budget of the film. By the end of the first week, the film has just covered the budget costs with the box office collections. That, however, does not mean the producers are not making profits already - the music, digital and satellite rights are sold for handsome amounts of money even before the film hit theatres. The fifth film in its hit comedy franchise, Housefull 5 is the story of three men claiming to be the real heirs to a big businessman who dies right before his big birthday party on a private cruise. Producer Sajid Nadiadwala and director Tarun Mansukhani have co-written the film. Ranjeet is back as Papa Ranjit - the rich old man in the new Housefull movie and Akshay Kumar, Riteish Deshmukh, and Abhishek Bachchan - each claim to be Jolly - the heir to Ranjit's business empire. Nana Patekar, Jackie Shroff, and Sanjay Dutt play cops in the film which features Chunky Panday as Akhri Pasta, Johnny Lever, Shreyas Talpade, Soundarya Sharma, Nikitin Dheer, and Dino Morea as Ranjit's employees while Fardeen Khan plays Ranjeet's second son in Housefull 5. True to the Housefull world, Housefull 5 is a no-brainer, full of slapstick comedy, vulgar and suggestive dialogues and mostly unfunny jokes. The film relies less on comic punches or mystery-filled moments and more on cleavages to trigger the laughs. Nonetheless, actors such as Nana Patekar add gravitas to Housefull 5 with their non-chalant and brilliant performance.
Yahoo
2 hours ago
- Yahoo
Squid Game star praises 'unpredictable' ending as creator reveals fears
Squid Game is coming to an end with its hotly-anticipated third season, which Lee Jung-jae has described as having the 'most unpredictable, most meaningful and the most intriguing ending possible' — but the show's creator Hwang Dong-hyuk is still in two minds about it. Speaking at a press conference in London for the Netflix juggernaut, the showrunner admitted he had a hard time coming up with a satisfying conclusion to the story. Season 3 returns to Gi-hun (Lee) as a broken man after his rebellion against the leaders of the deadly games failed and led to his friend's death. As the players that are left decide to keep playing, Gi-hun is forced to question his mission and also his faith in humanity. There are a lot of twists and turns in store for viewers in the final episodes, and when asked about the hardest decision he had to make director Hwang shared: "Even when I was writing the season 3 I have to make a big decision because this is the finale of the whole series, the whole show. "So that decision was so difficult to make. I'm still thinking about whether it's good or not, but the viewers will see." Lee and his co-stars Lee Byung-hun and Park Gyu-young, who play the Front Man and Pink Guard No-eul respectively, were effusive in their praise of how Hwang's chose to close out the series. "I thought that director Huang's decision that he had made... he was very determined," Lee Jung-jae said. "I'm sure that he went through a lot of internal debate and struggles because, as we all know, this series has been just hugely successful. So when it's a story that big, how do you bring that to a close as director, writer and creator? And especially for a character like Gi-hun, where do you take him? "And so I know that he listened to a lot of other people's ideas as well, we would have discussions among ourselves, among the cast. He would also discuss it with me and the crew as well, but I believe that director Hwang came up with the most adequate, the most unpredictable, the most meaningful and the most intriguing and entertaining ending possible. "So personally, I am very happy with the finale and you all are going to be able to see where it all ends soon. But I can guarantee you it's not going to be what you think." Lee Byung-hun, on the other hand, implied that while the finale gives the series a satisfying conclusion he feels there's room for more if the audience craves it. "Director Hwang keeps saying it's a finale," the actor reflected. "When I first read it I felt it could be a finale but, at the same time, it could be a new start. I'm not sure [if it definitely is], that's my personal opinion, but if the audience's love and support increase you never know what might happen!" Park added that she looked at the series as a fan, having come into it later than her co-stars, and so that gives her a different and interesting angle: "If I answer it's as a fan, as one of the audience. So if season 2 was the explanation of the expanded universe of Squid Game, in Season 3 all those questions will be answered really clearly and all the characters will make their own decisions and break through all the hardships they're going through." Squid Game season 3 premieres on Netflix on Friday, 27 June.