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Greggs and KFC team up for sausage roll with gravy combo

Greggs and KFC team up for sausage roll with gravy combo

Daily Mail​2 days ago
Greggs and KFC have teamed up for the first time to create a sausage roll drenched in gravy in a move sure to delight fast food lovers across Britain. The high street food giants have dubbed the new treat the 'culinary crossover of the century' and claimed it is the 'mash up the nation's been craving'. It will consist of a Greggs sausage roll with KFC gravy and is promised to be 'seriously flavoursome'.
The brands said the alliance followed the revelation that Britons consumed 15,000 litres of KFC gravy and more than one million Greggs sausage rolls every day over the past year. Greggs and KFC are taking their new combination on a three-day tour from Thursday and will be handing it out for free in London on August 7. This is will be followed by Manchester on August 8 and Newcastle on August 9.
A sharing bucket including six Greggs sausage rolls and a large tub of KFC gravy will also be available for £10 on August 15 and August 16 through Uber Eats in London, Manchester, Newcastle and Birmingham. KFC brand manager Phoebe Syms said: 'At KFC, we bleed gravy. We go to obsessive lengths for our liquid gold, and so do our fans. 'In fact, it was them who inspired this once-in-a-lifetime event, calling for us to partner with Greggs and unite our iconic gravy with their iconic sausage rolls.
'We can't wait to see what Greggs and KFC fans make of our latest partnership. 'We're sure fans of both brands will enjoy devouring their Greggs x KFC sharing bucket.' The tour will stop at London's Southbank Centre on Thursday, followed by Manchester's St Anne's Square on Friday and then Newcastle's Times Square. Supplies will be available on a first come first served basis between 12pm and 5pm.
The collaboration announcement comes after Greggs and KFC teased they would be working together in a series of social media posts this morning. The popular bakery chain posted a video on social media of one of its iconic sausage rolls being held up in front of a KFC restaurant sign. Greggs captioned the post 'Oddly satisfying. Is this a sign', while KFC commented 'Bro might be onto to something'.
The clip on Instagram was accompanied by rock band The Sundays' track Summertime. Meanwhile on TikTok , KFC commented 'I agree' on the sausage roll video uploaded by Greggs that also had the caption 'Is this a sign?'. While neither company had confirmed a collaboration at this point, fans started guessing what the posts might mean. One user commented on Instagram: 'KFC inspired Chicken bake? Instead of creamy sauce in the current chicken bake it'll be KFC gravy?
'A KFC and gravy style bake? I'm invested.' A second said: 'I'm intrigued. But also scared.' 'KFC Chicken & Cheese melt?,' a third added. A fourth user said: 'Or... 'Chicken Bake Royale' - a buttery Greggs pastry filled with KFC's crispy chicken pieces, creamy gravy, and sweetcorn – finished with a flaky top crust. 'Like a chicken bake on steroids.'
On TikTok, one person guessed: 'It'll be a chicken and KFC gravy bake with a KFC spices coating around the pastry.' While a second commented: 'Greggs gravy mega box?' Last week, Greggs revealed a slump in profits as it was knocked by hot weather and caution among shoppers over their finances. The Newcastle-based business revealed that pre-tax profits fell by 14.3 per cent to £63.5 million for the half-year to June 28, compared with a year earlier.
It said the first half of 2025 was impacted by 'challenging market footfall, more weather disruption than in 2024' and increased costs. Greggs's last collaboration was in 2022 when it teamed up with Primark for a 11-piece fashion range. The limited-edition collection featured everything from bucket hats to sliders and hoodies. The brands also announced there would be a new 130-seat 'Tasty by Greggs' café in Primark Birmingham.
Greggs business development director Raymond Reynolds said at the time: 'Greggs clothing is something our customers have continually asked for, so it's great that together with Primark we can now make our first official range available across the UK - so that fans can quite literally show their love for Greggs on their sleeves.' Meanwhile, Tim Kelly, director of new business development at Primark added: 'We want to give our customers incredible experiences in our stores and offer collections they can't find anywhere else, with brands we know they love. 'We're thrilled to have teamed up with Greggs to bring the Tasty Café to our Birmingham store and give fans of the brand the chance to get their hands on the limited-edition clothing range.'
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‘Sometimes I overshare': Adam Buxton on fear, fun, finance – and falling out with friends
‘Sometimes I overshare': Adam Buxton on fear, fun, finance – and falling out with friends

The Guardian

time37 minutes ago

  • The Guardian

‘Sometimes I overshare': Adam Buxton on fear, fun, finance – and falling out with friends

On a muggy summer day, Adam Buxton is talking me through the songs on his debut album, Buckle Up. 'There's one on there called Standing Still,' he says, 'which was written when I was feeling absolutely bleak and lost and is about opening a packet of pasta when all the pasta spills. I thought: 'You can get a joke in there about being a fusilli billy and maybe that will distract a bit from the more earnest and pain-laden lyrics about how, every morning, I drink a cup of tea and it helps me with all the thoughts I have to smother.'' What are these thoughts? 'I get overwhelmed by the world and, the worse the news gets, the harder it bites,' he says. 'I get existential fear and I think I should go and join Médecins Sans Frontières (MSF) and work with them. But then, is that really the best use of my talents? My wife is like: 'Please don't join MSF. It's really helpful to have you around here. And, also, I think you're good at doing your podcast and that helps people.'' Buxton, 56, cuts a pensive figure as he strokes his grey-streaked beard. He has travelled to the Guardian's London offices from his home in Norfolk, where he lives with Sarah, their three children and their dog Rosie, who regularly features on his podcast. The Adam Buxton Show began in 2015, the year that his longstanding comedy partner, Joe Cornish, went off to make movies. During Covid, at a time when people were more isolated and atomised than ever, Buxton's gentle, affable chat won a vast and loyal fanbase. Conversation is important to Buxton. He was raised in west London by his journalist father, Nigel, who was travel editor of the Sunday Telegraph, and Chilean mother, Valerie. He has described his dad as 'gruff, pompous, conservative and harshly critical of nearly everything I enjoyed as a youngster and beyond', while his mum was his 'ally', someone who squared up to his father and encouraged Buxton's love of music and eventual TV and comedy career. 'Watching my parents, the problem was they didn't talk enough,' he says. 'Stubbornness, pride and hurt feelings prevented them. It's probably why I feel it's ultimately a good thing to talk more rather than less … Sometimes I feel I overshare and sometimes I can hear my dad or even my mum going, 'It's too much – say less.'' Buxton's readiness to talk about his own life encourages his podcast guests to let their guard down. His friend Louis Theroux opened up about his drinking problems, admitting that during the pandemic he would regularly be parenting his three sons hungover. 'I did sometimes wonder if you could do the job drunk,' he told Buxton. 'Maybe that's controversial, but I'm going to say yes.' Singer Pauline Black talked about performing in front of skinheads who were on speed in the 1970s and constantly fearing racist violence. Zadie Smith reflected on the 'death terror' that inspires her. How does Buxton approach such a wide range of guests? 'I'm always just looking for a moment of genuine connection,' he says. The guests aren't all celebrities. The Syrian refugee Hassan Akkad described being detained and tortured by the police for attending a protest, then paying smugglers to take him on a dinghy from Turkey to Greece. Once the overfilled boat began to sink, he swam for seven hours to make it to Lesbos. 'It's valuable for people to be able to talk to each other about complicated things,' Buxton says. 'I grew up in a house with parents who I didn't agree with politically, but that didn't stop me loving them. The problem now is that people are very prepared to think the worst of anyone. That seems to be the default position, to read the most bad-faith version of whatever's going on in the situation.' Over the past few years, for the first time, he's had some permanent fallings out with friends over politics. 'It was really shocking when it happened, because I sat down with them and tried to get past it,' he says. ''Surely we can talk about it?' I said. 'We've got too much in common.' And it was so upsetting and frightening when it was apparent that we couldn't. It completely threw me for a loop for a while.' He has written two memoirs: Ramble Book, published in 2020, about his life in the 1980s and the death of his father in 2015; and 2025's I Love You, Byeee, which covers his TV career in the 1990s and the death of his mother in 2020. He spent nine months caring for his father after he was diagnosed with cancer. 'Before he moved in, I'd imagined conversations filled with tender reminiscences, confessions and closure,' he writes. 'In the end, we were just two uptight men who found it easier to be on our own.' His mother's death felt more sudden, despite her health deteriorating over a number of years. 'The ones who really love you, you end up taking for granted,' he told Cornish in a podcast episode recorded a few months later. 'I just had it in my head that we were going to have another chapter and she would be with us. I was totally sideswiped by her death.' Hearing him grapple with his bereavement has helped me with my own grief over the death of my mother. At the end of I Love You, Byeee, he thanks his mother for loving him and apologises for not taking the time to talk to her more about her life. It's a regret I've often had myself, holding on to questions that will now never be answered, and there is a comfort in hearing that expressed by someone else. How is he coping now? 'I feel as if I've really been in the hole with grief for ages, looking through photos, thinking about it, talking to relatives, maybe spending too much time there and not moving on sufficiently,' he says. 'I really miss them and that doesn't go away. I'm surprised how much that doesn't go away.' He is still haunted by one song that reminds him of his mother, Randy Crawford's One Day I'll Fly Away. 'I listened to that song the night after she died, since it's one of her favourites, but this time I suddenly heard such darkness in it,' he says. 'She sings, 'I follow the night / Can't stand the light / When will I begin / My life again?' and it made me think of where my mum might be and I began to feel so fearful. There's grief and then there's fear and the fear is worse.' Buxton went to the fee-paying Westminster school in London, which is where he became friends with Theroux and Cornish. It was while studying at Cheltenham College of Art that he began tinkering with the self-filmed sketches he sent to the Channel 4 show Takedown TV, and which formed the basis for the Adam and Joe Show. This began in 1996, and included everything from a toy-themed recreation of The English Patient, to Buxton's father being filmed as he explored the nightclubs of Ibiza. At a time when shows such as Spitting Image and Brass Eye were skewering politicians and celebrities, Buxton and Cornish preferred to make fun of themselves. The show was axed after four series, and the pair went on to work together on the radio. With the 30th anniversary of the Adam and Joe Show coming up, does he think they will ever make another TV series? 'Never say never, but it would be quite weird,' he says. 'Over the years, we've discovered the podcast is a good medium for us because we know how we fit together in that world. We do the Christmas podcast together every year and I don't think that's going to stop anytime soon.' With a new celebrity-fronted interview podcast seemingly popping up every week, does he worry about the future of his show? 'I don't think about it really,' he says. 'I'm not on social media, I don't check numbers and I gauge it by whether I'm still getting sponsors. I do sometimes think, if the sponsors went away and it wasn't financially worthwhile, would I still do it? And I think I would. It is fun. I'll probably only stop when Rosie dies.' From 2007 to 2009, he co-hosted a BBC Radio 6 Music show with Cornish, which included jokey radio jingles. He sees his album as a natural progression for this musical tinkering – a selection of 'proper music' with a funny edge, written by him over five years and produced by Joe Mount of indie group Metronomy. The 15 tracks span everything, from fast-paced electropop about sitting on the moral fence (Dancing in the Middle) to 1970s Brazilian bossa about drying the dishes (Tea Towel), Dylanesque folk singing about differing musical tastes (Skip This Track) and thundering jungle breakbeats for a love letter to wearing shorts (Shorts). This solo project puts him centre stage, but he is still keen to work with others. 'I like anything where it's collegiate and you have an experience with people,' he says. 'That's why I always wanted to go into the [I'm A Celebrity] jungle. Now I do get offers to go in there but I think I'm too old. I don't know if I could hack it physically.' What if they offered you a million pounds? 'It's not about the money, man – it's about the experience,' he laughs. 'I'd do it for free if the right people were in there.' He's also keen to act more: in 2007, he was cast in Edgar Wright's romp Hot Fuzz, where he played a local journalist who meets a grisly end. 'I'm hoping I might be entering my more castable years as an older man. It might be easier to slot me into a few creepy old guy roles. That's the dream: get a part on a show that ends up doing really well. You just show up, you don't have to write it and you don't have to worry about it, just hang out with talented people. That would be really good.' Adam Buxton's new single Doing It Wrong is out on Decca. His album Buckle Up is released on 12 September

Kelsey Parker reveals she is taking 'each day as it comes' as she speaks out on losing her third child
Kelsey Parker reveals she is taking 'each day as it comes' as she speaks out on losing her third child

Daily Mail​

time4 hours ago

  • Daily Mail​

Kelsey Parker reveals she is taking 'each day as it comes' as she speaks out on losing her third child

Kelsey Parker has revealed she is taking 'each day as it comes' as she opens up for the first time about the loss of her baby Phoenix. The podcaster, 34, suffered heartbreak in June after her son Phoenix - her first child with boyfriend Will Lindsay - was 'born sleeping.' Kelsey was previously married to The Wanted singer Tom Parker who died in March 2022 aged 33 from glioblastoma. In her first interview since the tragedy, Kelsey told The Mirror: 'I didn't think I'd be living a relived experience, first losing Tom and now losing Phoenix. But I think with any grief and loss, you have to take each day as it come and work through it.' Kelsey is mother to Aurelia, six, and Bodhi, four, with her late husband Tom and revealed she has discussed Phoenix's death with them. 'I spoke about it like I did with Tom, I just told them the truth,' she said. 'I think that's all you can do with your children, in anything you're going through, be honest.' Kelsey believes because the children had gone through losing their father, it made accepting Phoenix's death easier. 'We're sort of almost like the Addams Family because we've gone though so much death and darkness. The children are very aware,' she said. Kelsey credited Tom's parents Noreen and Nige for being their for her as she copes with the loss of Phoenix. The influencer said she is still very close with Noreen and she gave Kelsey her blessing when she told her she was pregnant with Phoenix. Kelsey threw herself into routine to cope with her grief and made sure to always be at the school gate to pick up Aurelia and Bodhi to show them 'you have to be brave and show up'. Kelsey confirmed the loss of her unborn third child, a son she had planned to name Phoenix, one week before his planned due date. Breaking the news in a poem, she announced the news on Instagram in June. She penned: 'The world grew quiet as you arrived, So loved, so longed for, yet not alive. Our precious boy, our angel light, Born with wings, took silent flight'. 'We named you Phoenix, brave and bright. A soul of love, of warmth and light Though we never heard you cry, You'll live in hearts that won't ask why. 'No breath you drew, no eyes to see, Still, you mean everything to me. You'll journey with us, softly near, in every sigh, in every tear. Taking to her Instagram stories: she added: 'Before I receive an influx of lovely messages and heartfelt wishes, I wanted to just say that I truly appreciate everything you are all going to say and share. 'But with the news being so raw, I would really like to ensure that we as a family are given space and time to process this devastating and earth-shattering news. 'I love you all and thank you for your understanding and space. Love always, Kelsey, Will, and the Parker Family'. Kelsey met tree surgeon Will on a night out last year, with the couple announcing their relationship in September. On Sunday, Kelsey shared a video of herself on the beach during the trip alongside a heartbreaking letter to Phoenix. The podcast host penned: 'A Letter to My Angel. It's hard to find the words. 'There is no preparing for this kind of heartbreak. I had dreams for you, your first giggle, your first steps, the way you would cling to me when the world felt too big.' Kelsey penned: 'There is no preparing for this kind of heartbreak. I had dreams for you, your first giggle, your first steps, the way you would cling to me when the world felt too big' Kelsey continued: 'All those moments I imagined are now part of a different kind of story — one I never thought I'd have to write to you. 'But this isn't just about pain, it is about the quiet but powerful love you brought into this world. 'About how you changed me — made me softer, more grounded, and somehow even more grateful. 'Grief and gratitude can exist together. I grieve what was lost, but I am so thankful I had the chance to carry you for 9 months and love you unconditionally, I told you every day I loved you. 'You will always be mine. My son. My light. My why. 'I share this not because I have answers, but because silence can be lonely. 'And if you are walking through a similar kind of grief, please know you're not alone. There's a quiet sisterhood in this heartbreak, and I feel you deeply. 'For now, I'm learning to live with the ache, to breathe through the waves, and to find little pockets of peace in the middle of the storm. 'And I know that even though I can't hold you in my arms, I carry you in my heart, always.'

From White Lotus to a very white Christmas! Aimee Lou Wood lands lucrative festive advert for supermarket giant Marks & Spencer
From White Lotus to a very white Christmas! Aimee Lou Wood lands lucrative festive advert for supermarket giant Marks & Spencer

Daily Mail​

time5 hours ago

  • Daily Mail​

From White Lotus to a very white Christmas! Aimee Lou Wood lands lucrative festive advert for supermarket giant Marks & Spencer

It's the festive war that has become fiercer each year, with retail giants determined to make the best Christmas adverts no matter what the cost. And this year, the Daily Mail can reveal, Marks & Spencer is looking to win the quintessentially British battle by signing White Lotus star Aimee Lou Wood as the star of its campaign, in what is described as a 'very lucrative deal' for her. The Stockport-born actress – who first found fame in Netflix 's Sex Education before playing ditzy Chelsea in the third series of the Sky Atlantic drama this year – has signed a contract to lead the advert which will be broadcast from November. M&S bosses are said to be thrilled with securing Wood, 31, a coup which insiders say 'can't possibly be matched' by any of their rivals including John Lewis and Lidl. Filming will begin later this month in what is anticipated to be one of their most memorable campaigns to date. One source told the Mail: 'Aimee is a British success story, she started at the bottom and she has grafted to become a very famous young woman following White Lotus. 'She was one of the most talked about women in the world at the end of 2024 so became a target for Marks & Spencer. 'She's just so utterly charming and so very relatable, she's a superstar but she's down to earth with it. Marks have definitely set the bar for this year's Christmas ad battle, the others will be seething when they see that they have her. 'It hasn't come cheap but the view at Marks & Spencer is that it is well worth it. They wouldn't be able to buy that kind of publicity.' Wood became embroiled in a fascinating saga over whether she had fallen out with her White Lotus co-star Walton Goggins, which gripped the show's millions of viewers across the world. Rumours of a feud between her and Goggins – who portrayed her older love interest Rick – began after fans noticed that he had unfollowed her on Instagram. But following weeks of speculation, Goggins finally said of the claims: 'There is no feud. I adore, I love this woman madly, and she is so important to me. 'This is Goldie Hawn. This is Meg Ryan. She can do anything, and she will.' This year's advert is certainly set to be glitzier than 2024, when comic Dawn French reprised her role as the M&S Christmas fairy, but also appeared on screen as herself. The six-part ad series showed French and her fairy alter ego working together to prepare for a Christmas party. In 2023, M&S signed Ted Lasso star Hannah Waddingham, singer Sophie Ellis-Bextor and British actress Zawe Ashton while in the past the likes of Holly Willoughby and model David Gandy have also appeared. Wood's signing, thought to be as high as seven figures, comes after M&S reported sparkling full-year results for the year to March. Its profits before tax and 'adjusting items' stood at a whopping £875.5 million compared to £716.4 million in 2023/24, which the retailer said was its highest figure in more than 15 years.

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