Ahn Jae Hong calls on-screen kiss with Yoo Ah In in Hi5 ‘symbolic' moment of reconciliation, says he ‘approached it with sincerity'
In a film brimming with action, offbeat superpowers, and high-concept drama, it's a quiet, unexpected moment that has audiences buzzing. HI.5, the upcoming fantasy-action comedy directed by Kang Hyoung Chul, has drawn fresh attention, not just for its superhero flair, but for a kissing scene between Yoo Ah In and Ahn Jae Hong that no one saw coming.
At a press event held on May 26 in Seoul, the cast and crew gathered to discuss the film. But it was Ahn Jae Hong's reflection on one emotionally charged moment that drew the spotlight: a kiss shared between his character and male co-star Yoo Ah In.
'It was a symbolic moment showing the emotional reconciliation between two previously antagonistic characters," Ahn Jae Hong shared with quiet conviction.'I approached it with sincerity, understanding its importance in the character arc," she added.
It's a small but significant moment in a story otherwise packed with genre tropes, and it's sparked curiosity for reasons that go beyond marketing hype.
For director Kang Hyoung Chul, the scene was always part of the vision. He chose not to comment directly on the media's fixation with the kiss, instead emphasizing the collaborative nature of the project. 'This film is the product of many people's dedication. Every scene, every moment, was built with care,' he noted.
About Hi.5
Set in a world where 5 strangers develop inexplicable powers after receiving organ transplants from the same donor, Hi.5 isn't your typical superhero movie. The film leans more into its characters' psychological shifts than flashy battles. Yoo Ah In plays Gi Dong, a laid-back loner who gains the ability to control electronics.
Ahn Jae Hong's Ji Seong is a struggling writer grappling with sudden inner transformation.
Yoo Ah In's Legal Issue
Yoo Ah In's ongoing legal situation involving drug abuse allegations has cast uncertainty over the film's release. Despite this, the studio is moving ahead, and the film is slated to hit theaters on May 30.
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'Voh kisi pari se kam nahi thi (She was no less than an angel).' When Raj Kapoor first saw Nargis, time stood still. Music played in the background and even the most mundane things done by her in that moment, like moving her hair out of her face, became cinematic and romantic for him. Raj was just 22 then, and Nargis was 16 but he had fallen in love. 'I must have this girl in my film,' he thought and insisted that Nargis become a part of the first picture of RK Films, Aag (1948). The association between the two lasted for almost a decade but what started as a professional relationship turned into love even before they could put a label on it. The ill-fated romance did not have a future as Raj was already married to Krishna Raj Kapoor, and Nargis' family was vehemently against her relationship with him. 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Centered around Raj's character, which was inspired by Charlie Chaplin, the film followed a naive man who gets seduced by the idea of dishonesty and starts defrauding people. Nargis played the traditional, idealistic woman here, and Nadira played the vamp. The film was a huge hit in India, and internationally as well, but for Nargis, the film did not open any doors because by then, she had shut them all. Without even realising, she had gone from playing a short-haired modern woman, who lived life on her own terms and represented whatever feminism meant in those days, to playing an 'adarsh bhartiya naari' who appeared as a one-note character. Her filmography was shrinking and her finances were a mess. It was as if this realisation hit her like a rock and she snapped out of her dreams during the filming of Chori Chori, which released in 1956. Chori Chori became the last feature length film where Raj and Nargis shared screen space and as per Zahida, it was during this film that she told her brother Akhtar to look for work outside of the RK sphere. Chori Chori failed and it was if the gods were telling her, 'good riddance'. Nargis' last appearance in RK Films' was in the last frame of Jagte Raho and from then on, her association with Raj ended. The new lot of films that she did after Jagte Raho did not have the kind of roles that Nargis was used to. Films like Adalat, Lajwanti and Miss India all presented her as a traditional Indian woman who sacrifices at the feet of her husband. And it was ultimately Mehboob Khan's Mother India, that changed her life – personally as well as professionally. Her mentor Mehbbob, who had given her her first break, and helped her carve out her career in the initial years, gave her the role that she would always be remembered for. It was also on the set of Mother India that Nargis met her future-husband, Sunil Dutt, and they never looked back. The love saga of Raj and Nargis did not have a dramatic ending, and while Nargis never looked back, Raj held on to her memories for a long time. He immortalised their first meeting in the film Bobby, he spoke about her in interviews and wrote about her in books, but for Nargis, he was a part of her past that she never revisited as she rebuilt her life with her husband and three children. Sampada Sharma has been the Copy Editor in the entertainment section at Indian Express Online since 2017. ... Read More
