NEWS OF THE WEEK: Court rejects Ed Sheeran Thinking Out Loud copyright case
A minority owner of a Marvin Gaye song has tried tirelessly to sue Sheeran over the alleged similarities between Sheeran's hit and Let's Get It On, but the High Court has refused to accept the lawsuit. "No reasonable jury could find that the two songs, taken as a whole, are substantially similar in light of their dissimilar melodies and lyrics," the judge declared, as reported by USA Today. Back in November, the High Court found that Sheeran did not infringe on Gaye's copyright, citing that the songs share only the "fundamental musical building blocks".
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Ringo Starr trashes ‘little man' Roger Daltrey for firing son Zak Starkey from The Who
Not letting it be. In a new interview with Rolling Stone, Starr's son, Zak Starkey, revealed how his famous father, Ringo Starr, stuck up for him after he was fired from The Who by frontman Roger Daltrey. 'I'm very proud of him standing up for me,' said Starkey, 59. When asked how the 84-year-old Beatles legend reacted, Starkey replied: 'He said, 'I've never liked the way that little man runs that band.'' Starr appeared to be referring to Daltrey, who had an alleged altercation with Starkey that led to his exit from the band. The Post has reached out to Daltrey's rep for comment. In April, it was announced that Starkey was leaving The Who after performing with the group for almost 30 years. But Starkey was quickly rehired by The Who, only to be let go from the band, again, in May. 'After many years of great work on drums from Zak the time has come for a change,' guitarist Pete Townshend wrote via Instagram on May 18. 'A poignant time. Zak has lots of new projects in hand and I wish him the best.' In the Rolling Stone interview, Starkey gave more context into his firing, which happened after his bandmates were unhappy with his performance at London's Royal Albert Hall in late March. 'It was all a bit vague. It was just like, 'You're getting fired,'' Starkey claimed. 'And Pete had to hang in there with Rog because I think it was … I don't know. I'm not going to name names or who did what. But Pete called me and said, 'Are you strong enough to fight for your job back?' I said, 'I'm not strong enough to have you do it for me. I don't want you doing it.'' Starkey said that Townshend, 80, called him a week later and asked him to rejoin the group. 'I got my job back. And then 10 days later, I got a call saying 'It's never going to work. We want you to put out a statement saying you're moving on to do your own thing,'' Starkey explained. 'And I said, 'But I'm f — kin' not.' So I just left it and didn't do it. It would be a lie. I'd never leave the Who. I love the Who.' Despite his double firings and The Who announcing that drummer Scott Devours will replace Starkey on the band's upcoming farewell tour, Starkey said that he's still unsure where he stands with the group. 'I spoke to Roger last week,' Starkey told Rolling Stone. 'He said, 'Don't take your drums out of the warehouse, we might be calling you.' What the f – – k? These guys are f – – kin' insane!' When asked if he blames Daltrey for the drama, Starkey responded, 'I don't blame anyone. I don't hold any grudges. It's the Who. Weirder sh-t than this has gone down. I've heard them say weirder sh-t than this. It's The Who — the maddest band there's ever been.' Starkey also confirmed that he'd 'of course' return to the band again.
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Maren Morris Says She Realized Divorce Is 'Weird' When Her Mutual Friends with Ex Ryan Hurd Chose 'Sides'
Maren Morris opened up about pals picking "sides" after her divorce from ex Ryan Hurd Morris said their mutual friends had to choose out of "respect for each other" and she figured it would be "weird for the first few years" The "Girl" singer filed for divorce in October 2023; it was finalized in January 2024Maren Morris is opening up about the intricacies of divorce. During an appearance on Therapuss with Jake Shane on Wednesday, June 18, the "My Church" singer got candid about going through a divorce in a "small town" like Nashville — where she and ex Ryan Hurd have mutual friends. 'In Nashville, you know I've been divorced for a little over a year now. It's a small town, and we're all friends, and we all work together, and the music industry is very tiny there," Morris, 35, said of Hurd, 38. Though the exes are "really friendly," she said it's "weird" because their friends had to "pick sides." "Just in terms of respect for each other," she said. "I saw a really close friend of my ex's at a bar a couple months ago, and I was with my best friend. We all used to hang out together for a decade or more and then it's like, 'Damn, it's just going to be kind of weird.' Maybe it's just going to be weird for the first few years." Morris and Hurd — who share 5-year-old son Hayes — met in 2013 when they wrote "Last Turn Home" for Tim McGraw, but their romance didn't blossom until a few years later. They married in March 2018. Morris filed for divorce in October 2023, and the exes reached a settlement agreement three months later. They finalized their divorce in January 2024. On Therapuss, Morris said that as she got older, she realized people who aren't "energetically aligned" started to "fade away" from her life. "I have these people who have been my ride or dies but I feel like COVID changed a lot of people, when I had my son I could feel people fall away," she continued. "I think when you have kids sometimes... I think as a new mother it's already such a lonely time and you're very isolated plus it was COVID. But I certainly made friends who are moms through the process." Morris' comments come after she made an appearance on the Dear Chelsea podcast and revealed she and Hurd were able to move past a lot of their problems to put their son first. "We're over a year out now ... we get along now and have moved past a lot of it," Morris said. "We're neighbors, and I'm just so fortunate that we have put our son above each other's s---, and it's better for the two of us if we're getting along." "I'm lucky that we love each other so much still," she said. "We have the highest respect, but also there is that devastation that two people [who] love each other that much can't make it work in the real world. It's always going to be multifaceted." Read the original article on People
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Pulp are in a different class at euphoric Manchester Co-op Live gig
Red velvet curtains are swept across the Co-op Live Arena stage, as a sold out crowd feverishly await the arrival of alt rockers Pulp in the uncharacteristically tropical heat of Manchester on Saturday night. A sultry voice booms out: "This show is an encore… An encore happens because the audience wants more." It couldn't be a more fitting introduction to a band that are back, not on some mere nostalgia trip, but with a number one album to celebrate. READ MORE: 'I put my USB stick in and then they just told me they were shutting it down' READ MORE: Oasis reunion tour merchandise price list revealed including bucket hats and T-shirts - full list That album - More - has also conveniently produced some of the finest music of the band's extensive career so far. It makes for some standout moments, like the upbeat singalong of Got To Have Love, alongside the belting Pulp anthems fans are lusting for in this euphoric dazzler of a show. Emerging with cardboard cutouts of the band from their 90s prime, it serves to spotlight frontman Jarvis Cocker as the unchanging, gangly-limbed talisman at the band's heart - the elbows and hips jutting at will beneath his velvet flared suit. His chat between songs (and often in songs) is the illuminating narration to a night that feels like an epic celebration of everything the Sheffield band have achieved since their earliest incarnation in the early 1980s. Naturally Jarvis can "remember the first time" he performed here - at The Pavillion at Salford University in 1982, before adding: "in actual Manchester it was later that year at The Boardwalk does that still exist?" He asks the crowd to a resounding chorus of "no." "But do you know what tonight is the very first time we've played here," he says, looking around at the vast cavern of Co-op Live - packed to the rafters with delirious fans. The last time they played here in Manchester, two years ago at Castlefield Bowl, was to around 7,000 fans, and now here we are with 23,000. It feels like the momentum continues to build around the reunited band that hit its first high in the Britpop era of the 1990s. They remain in a different class though (if you'll pardon the album pun) - indeed this performance is a sheer masterclass in how to elate a crowd, romping as it does through hits and fan favourites to an inevitable, soaring, dancing, pulsating high of Mis-shapes and then Common People. It's all played out across a visually-arresting stage set with lit staircase and a large video backdrop. For The Fear we get perhaps the most impressive deployment you're ever likely to see of those air dancer men, usually seen on garage forecourts, who manage to give Jarvis a run for his money in the body twisting stakes. We have a full-on rave for Sorted for Es and Whizz, indie disco vibes for Disco 2000, and Jarvis becomes like a James Bond villain for the epic, throbbing pounds of This is Hardcore. He is spotlit on a leather chair, before creeping out to stalk the stage and rasp out the dark, delicious lyrics of the 1998 slow-burner in one of the highlights of this show for me. He is ever the playful and often hilarious showman, chucking out grapes and chocolates to the audience at one point, before a crowd walk-through later in the show where more goodies are fed to the yearning arms on the arena floor. "That was tea bags I was handing out," he explains back on stage. "Not condoms". The show plays in two parts, which is unusual for live gigs these days, but it allows for the satisfying endnotes of Sunrise in the first half, celebrating the summer solstice, and Sunset as the encore. And in returning to the stage after the interval, we get the lovely vignette of Jarvis alongside Nick Banks, Mark Webber and Candida Doyle to perform an acoustic Something Changed, after Jarvis explains how this latest band incarnation reunited after a get together in 2022. The band's songs retain an intoxicating power, speaking as they so often do of missed chances, mundane moments, heartbreak and of growing up that make us who we are today. They also have an abilitiy to speak to the masses in an extraordinary way - probably because we all feel a bit like those misshapes, mistakes and misfits. Looking out at the sea of bodies across the Co-op Live Arena, jumping as one to Babies and Common People, ensured this was a night no-one here will forget. Just as the voiceover at the start of this show promised it would be. Part one Spike Island Grown Ups Slow Jam Sorted for Es and Whizz Disco 2000 F.E.E.L.I.N.G. C.A.L.L.E.D. L.O.V.E. Help the Aged Tina Farmers Market This is Hardcore Sunrise Part two Something Changed The Fear OU Pink Glove (fans' choice) Acrylic Afternoons Do You Remember the First Time? Mis-Shapes Got to Have Love Babies Common People Encore Sunset
