logo
2025 Tony Awards: How to watch Broadway's biggest night tonight, full nominee list and more

2025 Tony Awards: How to watch Broadway's biggest night tonight, full nominee list and more

Yahoo5 hours ago

Broadway's biggest night, the 78th Tony Awards are upon us. This year, Death Becomes Her, Maybe Happy Ending and Buena Vista Social Club are all tied for most-nominated, with 10 nods apiece. This year's awards will see a reunion performance from the original cast of Hamilton, including Lin-Manuel Miranda, Leslie Odom Jr., Phillipa Soo, Renée Elise Goldsberry and Jonathan Groff. We'll also get performances from every show nominated for Best Musical! The 2025 Tony Awards will air on CBS and stream live on Paramount+ (but only the SHOWTIME plan). Here's everything you need to know about tuning into Broadway's biggest night.
The 78th annual Tony Awards will take place this Sunday, June 8, 2025.
The 2025 Tonys will air at 8 p.m. ET/5 p.m. PT this Sunday. The Tony Awards pre-show, The Tony Awards: Act One, will start at 6:40 PM ET / 3:40 PM PT.
CBS will once again be the network home of the Tony Awards. The awards will also be available to stream live on Paramount+ with SHOWTIME. You can stream them on-demand the following day on the standard, ad-supported Paramount+ plan, too.
The Tonys preshow, The Tony Awards: Act One, will be available to stream for free on Pluto TV.
Cynthia Erivo, Tony-winner and star of the film adaptation of Wicked, will host this year's Tony Awards. Darren Criss and Renée Elise Goldsberry will host the 2025 Tonys pre-show.
This year's Tony Awards will feature the highly anticipated 10-year reunion of the original Hamilton cast. Lin-Manuel Miranda, Leslie Odom Jr., Phillipa Soo, Daveed Diggs, Renée Elise Goldsberry, Jonathan Groff, Christopher Jackson, Jasmine Cephas Jones and Okieriete Onaodowan are all set to return in some capacity, alongside the original ensemble members including Ariana DeBose, Javier Muñoz, Jon Rua, and Ephraim Sykes.
In addition to that buzzy performance, we'll also get to see performances from this year's nominated musicals, including Buena Vista Social Club, Death Becomes Her, Maybe Happy Ending, Operation Mincemeat and Dead Outlaw.
The Tony Awards start at 8 p.m. ET and are expected to run until 11 p.m. ET.
This year's Tony Awards will return to Radio City Music Hall.
Best Musical
Buena Vista Social Club
Dead Outlaw
Death Becomes Her
Maybe Happy Ending
Operation Mincemeat: A New Musical
Best Play
English
The Hills of California
John Proctor is the Villain
Oh, Mary!
Purpose
Best Revival of a Musical
Floyd Collins
Gypsy
Pirates! The Penzance Musical
Sunset Blvd.
Best Revival of a Play
Eureka Day
Romeo + Juliet
Thornton Wilder's Our Town
Yellow Face
Best Performance by an Actress in a Leading Role in a Musical
Megan Hilty, Death Becomes Her
Audra McDonald, Gypsy
Jasmine Amy Rogers, Boop! The Musical
Nicole Scherzinger, Sunset Blvd.
Jennifer Simard, Death Becomes Her
Best Performance by an Actor in a Leading Role in a Musical
Darren Criss, Maybe Happy Ending
Andrew Durand, Dead Outlaw
Tom Francis, Sunset Blvd.
Jonathan Groff, Just in Time
James Monroe Iglehart, A Wonderful World: The Louis Armstrong Musical
Jeremy Jordan, Floyd Collins
Best Performance by an Actress in a Leading Role in a Play
Laura Donnelly, The Hills of California
Mia Farrow, The Roommate
LaTanya Richardson Jackson, Purpose
Sadie Sink, John Proctor is the Villain
Sarah Snook, The Picture of Dorian Gray
Best Performance by an Actor in a Leading Role in a Play
George Clooney, Good Night, and Good Luck
Cole Escola, Oh, Mary!
Jon Michael Hill, Purpose
Daniel Dae Kim, Yellow Face
Harry Lennix, Purpose
Louis McCartney, Stranger Things: The First Shadow
Best Performance by an Actor in a Featured Role in a Musical
Brooks Ashmanskas, Smash
Jeb Brown, Dead Outlaw
Danny Burstein, Gypsy
Jak Malone, Operation Mincemeat: A New Musical
Taylor Trensch, Floyd Collins
Best Performance by an Actress in a Featured Role in a Musical
Natalie Venetia Belcon, Buena Vista Social Club
Julia Knitel, Dead Outlaw
Gracie Lawrence, Just in Time
Justina Machado, Real Women Have Curves: The Musical
Joy Woods, Gypsy
Best Performance by an Actor in a Featured Role in a Play
Glenn Davis, Purpose
Gabriel Ebert, John Proctor is the Villain
Francis Jue, Yellow Face
Bob Odenkirk, Glengarry Glen Ross
Conrad Ricamora, Oh, Mary!
Best Performance by an Actress in a Featured Role in a Play
Tala Ashe, English
Jessica Hecht, Eureka Day
Marjan Neshat, English
Fina Strazza, John Proctor is the Villain
Kara Young, Purpose
Best Book of a Musical
Buena Vista Social Club, Marco Ramirez
Dead Outlaw, Itamar Moses
Death Becomes Her, Marco Pennette
Maybe Happy Ending, Will Aronson and Hue Park
Operation Mincemeat: A New Musical, David Cumming, Felix Hagan, Natasha Hodgson and Zoë Roberts
Best Original Score (Music and/or Lyrics) Written for the Theatre
Dead Outlaw, Music & Lyrics: David Yazbek and Erik Della Penna
Death Becomes Her, Music & Lyrics: Julia Mattison and Noel Carey
Maybe Happy Ending, Music: Will Aronson; Lyrics: Will Aronson and Hue Park
Operation Mincemeat: A New Musical, Music & Lyrics: David Cumming, Felix Hagan, Natasha Hodgson and Zoë Roberts
Real Women Have Curves: The Musical, Music & Lyrics: Joy Huerta and Benjamin Velez
Best Scenic Design of a Play
Marsha Ginsberg, English
Rob Howell, The Hills of California
Marg Horwell and David Bergman, The Picture of Dorian Gray
Miriam Buether and 59, Stranger Things: The First Shadow
Scott Pask, Good Night, and Good Luck
Best Scenic Design of a Musical
Rachel Hauck, Swept Away
Dane Laffrey and George Reeve, Maybe Happy Ending
Arnulfo Maldonado, Buena Vista Social Club
Derek McLane, Death Becomes Her
Derek McLane, Just in Time
Best Costume Design of a Play
Brenda Abbandandolo, Good Night, and Good Luck
Marg Horwell, The Picture of Dorian Gray
Rob Howell, The Hills of California
Holly Pierson, Oh, Mary!
Brigitte Reiffenstuel, Stranger Things: The First Shadow
Best Costume Design of a Musical
Dede Ayite, Buena Vista Social Club
Gregg Barnes, Boop! The Musical
Clint Ramos, Maybe Happy Ending
Paul Tazewell, Death Becomes Her
Catherine Zuber, Just in Time
Best Lighting Design of a Play
Natasha Chivers, The Hills of California
Jon Clark, Stranger Things: The First Shadow
Heather Gilbert and David Bengali, Good Night, and Good Luck
Natasha Katz and Hannah Wasileski, John Proctor is the Villain
Nick Schlieper, The Picture of Dorian Gray
Best Lighting Design of a Musical
Jack Knowles, Sunset Blvd.
Tyler Micoleau, Buena Vista Social Club
Scott Zielinski and Ruey Horng Sun, Floyd Collins
Ben Stanton, Maybe Happy Ending
Justin Townsend, Death Becomes Her
Best Sound Design of a Play
Paul Arditti, Stranger Things: The First Shadow
Palmer Hefferan, John Proctor is the Villain
Daniel Kluger, Good Night, and Good Luck
Nick Powell, The Hills of California
Clemence Williams, The Picture of Dorian Gray
Best Sound Design of a Musical
Jonathan Deans, Buena Vista Social Club
Adam Fisher, Sunset Blvd.
Peter Hylenski, Just in Time
Peter Hylenski, Maybe Happy Ending
Dan Moses Schreier, Floyd Collins
Best Direction of a Play
Knud Adams, English
Sam Mendes, The Hills of California
Sam Pinkleton, Oh, Mary!
Danya Taymor, John Proctor is the Villain
Kip Williams, The Picture of Dorian Gray
Best Direction of a Musical
Saheem Ali, Buena Vista Social Club
Michael Arden, Maybe Happy Ending
David Cromer, Dead Outlaw
Christopher Gattelli, Death Becomes Her
Jamie Lloyd, Sunset Blvd.
Best Choreography
Joshua Bergasse, Smash
Camille A. Brown, Gypsy
Christopher Gattelli, Death Becomes Her
Jerry Mitchell, Boop! The Musical
Patricia Delgado and Justin Peck, Buena Vista Social Club
Best Orchestrations
Andrew Resnick and Michael Thurber, Just in Time
Will Aronson, Maybe Happy Ending
Bruce Coughlin, Floyd Collins
Marco Paguia, Buena Vista Social Club
David Cullen and Andrew Lloyd Webber, Sunset Blvd.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

‘The Holy Blues' Review: Finding the Spiritual in the Secular at BAM
‘The Holy Blues' Review: Finding the Spiritual in the Secular at BAM

New York Times

time14 minutes ago

  • New York Times

‘The Holy Blues' Review: Finding the Spiritual in the Secular at BAM

Whispers, rattles, drums — that's what we hear at the start of 'The Holy Blues,' Jawole Willa Jo Zollar's new work for Alvin Ailey American Dance Theater. Then the curtain rises on what looks like a tree trunk with a door that opens to disgorge dancers, one by one. They run and stumble as if they've been ejected, spat out. As this happens, we hear another sound, among the most sweetly soulful ever: the voice of Sam Cooke. This is Cooke back when he was the lead singer of the Soul Stirrers, a gospel group, and before he helped created secular soul music. This is Cooke when he lent his heavenly voice to spiritual songs like the one we hear, 'One More River.' But the later Cooke of 'Having a Party' and 'A Change Is Gonna Come' was no less spiritual. And that continuity — between church on Sunday and twistin' the night away — is the subject of 'The Holy Blues.' The work — conceived and directed by Zollar in collaboration with Samantha Figgins and Chalvar Monteiro, both company members — reaches back even further. The door (scenic design by Joseph Anthony Gaito) represents the Door of No Return, the symbolic aperture through which enslaved Africans were forced from their home. 'The Holy Blues,' which premiered during the company's run at the Brooklyn Academy of Music this week, is a story of Africans in America. The running, stumbling dancers are strangers in a strange land. They cling to one another and drift. Collapsing and rising, they find solace and strength in Christianity, but it is a Christianity they make their own, remembering African circle dances in the 'ring shout,' circumambulating a tree with bottles on its branches. This is danced religion. The dancers shake and swoon, slain in the spirit. They catch those who fall or dip them backward, as in baptism. They also dance the blues. To the Delta blues turned Chicago electric of Howlin' Wolf, they behave as if in a juke joint, doing the slow drag in couples and clumps. The return of the ring shout in this context makes the point about continuity, the joy-from-anguish in Cooke's voice. Then the dancers strip down to their underwear as if exposing their souls, dip one another some more to a gospel choir singing 'Peace Be Still,' a gospel hymn recorded in response to the Birmingham church bombing of 1963, and lift one of their members to walk on the air and into the light. Want all of The Times? Subscribe.

Hot Toys Has Revealed Its Wild Age of Apocalypse Wolverine Figure From DEADPOOL & WOLVERINE — GeekTyrant
Hot Toys Has Revealed Its Wild Age of Apocalypse Wolverine Figure From DEADPOOL & WOLVERINE — GeekTyrant

Geek Tyrant

time15 minutes ago

  • Geek Tyrant

Hot Toys Has Revealed Its Wild Age of Apocalypse Wolverine Figure From DEADPOOL & WOLVERINE — GeekTyrant

Hot Toys has revealed its new figure based on one of the Wolverine variants featured in the Deadpool & Wolverine movie. In the film, Deadpool travels to a number of alternate realities in the Marvel Multiverse looking for the perfect Wolverine to replace the one from his universe to help him. One of the variants he comes across is based on the 'Age of Apocalypse' comic book storyline and this is the figure for that character! The Wolverine 'Age of Apocalypse' Version 1/6 Scale Figure is a Hot Toys Exclusive Artisan Edition release. It features rooted wool hair as opposed to sculpted hair. Wolverine stands approximately 12″ tall, with 30 points of articulation. It includes moveable eyes, multiple swap out left hands, swap out right hand stumps with and without claws, and a display stand. The figure is limited to 2,500 pieces. It's scheduled for release between the Second and third Quarters of 2026. Deadpool & Wolverine – Age of Apocalypse Wolverine (Artisan Edition) [Hot Toys Exclusive] 1/6th Scale Collectible Figure 'In Marvel Studios' Deadpool & Wolverine, audiences are introduced to a variant of Logan inspired by the iconic 'Age of Apocalypse' storyline. Portrayed by Hugh Jackman, this version of Logan (known as Weapon X) hails from a dystopian reality where he has endured immense loss and hardship. 'The absence of one hand serves as a grim reminder of the brutal battles he's faced in a world ruled by Apocalypse. Yet, even in the face of devastation, Weapon X remains a fierce and unyielding warrior. 'Hot Toys is proud to introduce the 1/6th scale Age of Apocalypse Wolverine Collectible Figure (Artisan Edition). It's an exclusive figure available with a limited quantity of 2,500 units only in selected markets. 'The figure features a newly developed head sculpt with detailed beard and skin textures. His signature mid-length dark brown wavy hair is implanted using wool material, adding an extra layer of realism. The upper body and arms are made of silicone with an inner metal armature, while the seamless joints elevate the figure's naturalistic, lifelike appearance. 'Weapon X is attired in a sleek black suit complemented with bold red stripes. The figure comes with various interchangeable hands and arm armors, including options with and without claws, allowing fans to recreate his dynamic poses. To enhance the display options, a specially designed broken wall diorama figure stand is also included. 'Don't miss the opportunity to own one of the most compelling and gritty versions of Logan ever brought to the screen.'

Recent graduate Kaitlyn Lubega brings New Mexico national acclaim in poetry
Recent graduate Kaitlyn Lubega brings New Mexico national acclaim in poetry

Yahoo

time22 minutes ago

  • Yahoo

Recent graduate Kaitlyn Lubega brings New Mexico national acclaim in poetry

Seeing life inside a Ugandan refugee camp. Facing discrimination as a Black woman. Building the strength to hold one's head high. Kaitlyn Lubega says she channels hardships like these into her poetry performances, transforming the pain of humanity into rhyme and cadence. The effort paid off in early May when Lubega, a recent graduate of United World College-USA in Montezuma, earned third place in the Poetry Out Loud National Finals in Washington. She competed against 54 others from across the United States. It was her second time representing New Mexico in the national competition, after winning both the 2024 and 2025 state championships. But for her second and higher-placing national performance, she enjoyed herself more and felt a deeper connection to the experiences that inform her performance, she said. Channeling pain into poetry Lubega, 18, was born in the United Kingdom and raised in New Jersey. A daughter of Ugandan immigrants, she faced both racism and sexism in a small community of people who didn't look like her. 'I viewed myself as lesser growing up, and I never liked the fact that I was Ugandan for the longest time in my life,' she said by phone from her New Jersey home. The lessons of her parents, Mohammed and Florence, and the guidance of her Auntie Tina, kept her afloat through tough times as a kid, she said. ' I think especially those strong women,' she said. 'Being the strong women that they were unapologetically, not destructively, but very peacefully and gracefully themselves.' They dressed, spoke and wore their hair the way they wanted, Lubega said, which 'at a young age made me feel less ashamed,' and gave her confidence to exist in a space where she 'didn't really feel appreciated.' There was a positive side to her difficult upbringing. She won best-in-grade year after year in her school's poetry competition, sparking a love of both writing and performing poetry. Her move to New Mexico to attend United World College gave her the space to look back and contextualize her life experiences instead of seeing them 'as a passerby,' she said. New Mexico's serenity helped her become reflective, and the school's method of instruction encouraged her to find herself through 'the complexity of our everyday lived experiences,' she said. Back in Uganda Lubega visits Uganda every other summer, and before her return last year, she got a class assignment as part of her International Baccalaureate in global politics: She would visit a refugee camp, engage with the community and write a report on the experience. At Palabek Refugee Settlement in northern Uganda and its companion school, Lugeba interviewed people. It affected her more deeply than most assignments, in part because she was treated better than locals just because she was from the United States. That treatment reminded her of the 'privilege' she said those from the United States are afforded. 'I love the country,' she said. 'But it was so difficult to see some of the problems and the recurring cycles that seem to never leave Uganda in some way.' Uganda has more refugees than any other African country, according to the U.S. Committee for Refugees and Immigrants nonprofit. And those refugees are dealing with overpopulation and food insecurity driven by surging conflicts in neighboring countries like South Sudan. Those conditions became worse after President Donald Trump signed an executive order in January that froze nearly $2 billion for international humanitarian programs run by the U.S. Agency for International Development. The agency has since been further dismantled through efforts led by the Department of Government Efficiency, or DOGE. The refugee camp Lubega visited and surrounding host communities abruptly lost $15 million in funds to provide food aid and services for more than 50,000 people. A federal district court has since ordered the Trump administration to resume disbursing those funds, but the money has been slow to return. Poetry Out Loud Contestants Contestants in the 2025 Poetry Out Loud National Championship, held May 5-7 in Washington. Standing tall The refugee camp experience informed Lubega's choice of poems to perform for the Poetry Out Loud competition. It also impacted her performance, especially when she recited 'I'm the People, the Mob,' by Carl Sandburg, a piece from the perspective of the battered and unseen movers of history. 'In that poem,' she said, 'I sort of channeled that pain and that hurt that I see certain people face.' Transforming profound suffering into a performance that wows isn't easy. But it wasn't overbearing for Lubega, who said she felt confident and had fun this time around. 'I had a lot more poise in just everything,' she said. 'I'm very happy that I was able to find that and channel that energy into a positive way and do better in the competition this year.' She left Washington with national recognition, a $5,000 third-place purse and an outpouring of support from her elders and siblings. Now, after New Mexico, she's returning to the Northeast to attend Connecticut College, a small liberal arts college in New London, Conn. There, she's set to study political science with a minor in African studies and a pathway in communications, rhetoric and media. But she won't soon forget New Mexico, she said. Nor will she forget the lessons and rituals that have guided her since childhood, including her mother's advice to stand tall. 'So I get up before I go on stage. I stand as tall and as great-postured as I can — and obviously everything in me is jittering — but I usually, right before they call my name, I take a breath, I pray, and I say, 'OK, let's lock in and let's go kill this.' '

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store