logo
Fire at historic Black church in Memphis was intentionally set, investigators say

Fire at historic Black church in Memphis was intentionally set, investigators say

Independent21-05-2025

A fire that severely damaged a historic Black church that served as the headquarters for a 1968 sanitation workers' strike, which brought the Rev. Martin Luther King Jr. to Memphis, was intentionally set, investigators said Wednesday.
The fire at the Clayborn Temple, which was undergoing a yearslong renovation, was set in the interior of the church, the Memphis Fire Department said in a statement. Investigators are searching for a person suspected of being involved with the blaze.
Flames engulfed the downtown church in the early hours of April 28. Later that day Memphis Fire Chief Gina Sweat said the inside of the building was a total loss but there was still hope that some of the facade could be salvaged.
The fire department said May 14 that the building had been stabilized and investigators would use specialized equipment to study the fire's cause.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

M*A*S*H vet Mike Farrell breaks his silence about the death of his 'dynamo' costar Loretta Swit at age 87
M*A*S*H vet Mike Farrell breaks his silence about the death of his 'dynamo' costar Loretta Swit at age 87

Daily Mail​

time24 minutes ago

  • Daily Mail​

M*A*S*H vet Mike Farrell breaks his silence about the death of his 'dynamo' costar Loretta Swit at age 87

M*A*S*H vet Mike Farrell reflects on working with late co-star Loretta Swit following her sudden passing last week. Farrell, now 86, recalled the time they spent together on set and forming a close bond when they were starring on the medical drama series over 40 years ago. The actor portrayed Captain B.J. Hunnicutt on the long-running TV series from 1975 to 1983 while Swit appeared on the show as Major Margaret 'Hot Lips' Houlihan for all but 11 episodes of the 11 seasons. 'Loretta was a dynamo,' he told TMZ on Tuesday while remembering his late castmate — who died of suspected natural causes at the age of 87 on May 30. He said she was 'sweet' and 'demure' off-camera, but as soon as she walked onto the set, she would instantly become her fiery character Hot Lips. From A-list scandals and red carpet mishaps to exclusive pictures and viral moments, subscribe to the DailyMail's new Showbiz newsletter to stay in the loop. 'She was always doing something — whether she was working on a film. You know there is a lot of waiting time on set. So she was crocheting and she was reading a book,' he continued. Farrell also recalled how Swit 'loved' to do needlepoint embroidery as a hobby and started making personalized gifts for each of their colleagues. 'The great thing I'll always remember about her is she would sit there and be her sweet, demure self and then they'd call for her to come in and do the scene and she'd go in and be roaring as Margaret,' he said. He remembered how she would be 'hollering at somebody to do something that was going wrong and, "How dare you?" and so and so. 'Then she'd calm down and walk off and sit down and continue to do her needlepoint,' he said while chuckling. He praised her 'extraordinary demonstration of the talent she had and the ability she had to focus.' He said that the time the cast members lent to the show ultimately led to their great bond and becoming a 'family.' 'We really became deeply associate with each other's lives,' he explained. 'And you know over time we watched many of our comrades pass.' The actor portrayed Captain B.J. Hunnicutt on the long-running TV series from 1975 to 1983 while Swit appeared on the show as Major Margaret 'Hot Lips' Houlihan for all but 11 episodes of the 11 seasons; pictured October 2018 in New York City He said she was 'sweet' and 'demure' off-camera, but as soon as she walked onto the set, she would instantly become her fiery character Hot Lips; pictured August 1976 in series still About seeing his longtime friends and former co-stars 'slipping away one by one,' he said: 'It's been very difficult.' He said that the four members of the crew carrying on the legacy of their show are himself as well as Alan Alda, Jamie Farr and Gary Burghoff. 'She was a trooper,' Farrell said while remembering Swit before adding that they liked to call her that nickname. According to the outlet, he also addressed their longtime supporters and told them to not feel sad as she 'is probably thrilled to be with Harry Morgan, whom she was very fond of' as well as their other cast members who have passed.

‘A reflection of who she was': major Diane Arbus exhibition hits New York
‘A reflection of who she was': major Diane Arbus exhibition hits New York

The Guardian

time29 minutes ago

  • The Guardian

‘A reflection of who she was': major Diane Arbus exhibition hits New York

Constellation, the enormous new show of photographer Diane Arbus's life work, aims to present the artist as no one has seen her before. Embracing randomness, this exhibition of a full set of 454 master prints from Arbus's only authorized printmaker, Neil Selkirk, tries its best to give audiences a completely unstructured presentation of the photos. 'I wanted to make sure that it was as mixed up as possible,' the show's curator, Matthieu Humery, told me. 'I didn't want to make any specific connections between images. I tried to keep out any kind of narratives so that visitors create their own narratives. There is this magic madness.' Constellation grew out of a 2011 acquisition made by the Luma Foundation of Arbus's prints, many of them unpublished and rarely viewed. With prices for individual Arbus prints ranging into the six figures, it was a blockbuster, and expensive, deal – such an acquisition demanded a bold show. While mulling the potential exhibition, Humery's thoughts went to the Met's major 2005 Arbus retrospective, Revelation, and he recognized that he didn't want to work the same ground. 'The question was how to present this group of images without doing a classic retrospective, since it had already happened,' he said. 'I thought it would be great to show everything at once. I was in the New York subway, looking at the map of the subway, and I saw that grid and thought, 'Maybe we could have this sort of grid and present all the images that way.'' The result of Humery's inspiration is a remarkable, scaffolding-like series of structures that allows him to hang the hundreds of photographs while removing any walls from the exhibition space. Audiences at once become both viewers of the art and voyeurs of each another – it is impossible to see the exhibition without also making observations of fellow show-goers. Seeing any sizable body of work in this way can be overwhelming, and even more so with Arbus. Her portraits seek out the ways in which humanity can be perplexing, illegible or even incongruous to our notions of human experience. Viewing an Arbus photo can evoke genuine feelings of dislocation and distress, at the same time also bringing forth empathy and connection. The opportunity to experience this without traditional handholds, such as chronology, context or interpretation, is to be doubly thrown into a body of work that has not lost its capacity to haunt our psyches, even after half a century. For his own part, Humery found it challenging to let go of all the typical accoutrements that would come along with a major show of a world-class photographer. His solution was to immerse himself within the photographs to incarnate his vision. 'It was kind of difficult in the beginning, just to have something in my mind, and to translate that into reality,' he said. 'I really wanted to do it myself and to experiment with the display myself, so it took me like two weeks. I was locked in there for two weeks.' If there is a concession to order that Humery made, it is in Arbus's portrait of artistic mentor and lifelong love interest Marvin Israel. The photo – a rather somber, full-body shot of Israel in a sweater and slacks, hands in pockets, looking lonely in the distance – is given pride of place, situated above all other shots. 'The way I placed him, he's the highest figure in the show, dominating everything,' Humery said. 'He was the one really who pushed Arbus a lot to give her the strength to do the pictures the way she wanted to do it. He was also the one who initiated the retrospective at the Moma when she died.' Humery's other concession to order was to create a 'secret room' within the show to exhibit Arbus's so-called box of 10. A project that Arbus worked on in the last years of her life, the box of 10 collects some of her most enduring photos – including her shot of identical twins made in Roselle, New Jersey, and a young man wearing curlers, shot in his home in New York City – into a plexiglass container, originally priced at $1,000. The box of 10 was a transformational piece, helping confer on Arbus the honor of being the first photographer to be featured in the influential art magazine Artforum, and it has come to be seen as part of a larger turning point when photography was at last taken seriously as art. Arbus only completed eight out of a projected run of 50 boxes, selling just four before her death – among the purchasers were photographer Richard Avedon and artist Jasper Johns. 'It's kind of like a secret room within Constellation,' Humery said. 'The box of 10 was really something very unique at the time, the idea of Arbus looking back at her own work and making a selection of 10 photographs to put into this plexiglass box. That's when things turn for her, because of this box of 10. All of these images together, they're so strong together, so that's the only moment in the show when I didn't want to spread it out.' During the show's run in in Arles, France, Constellation attracted the attention of German film-maker Wim Wenders, who was bemused at how the format let him take in people's reactions to Arbus's photos. 'Wim Wenders looked at the show, and he said, 'You know what's very beautiful is to see people looking at pictures,'' Humery said. 'Most of the time in a museum show you see people from behind, but in this case you see people from every angle, and it's kind of beautiful to see people looking at the pictures. Wenders said that he would love to come back and take pictures of people looking at the pictures.' Humery sees his show, the most comprehensive exhibition of Arbus's photographs that has ever been staged, as both a tribute to Arbus herself and a way to better understand one of the medium's greatest practitioners. 'I wanted to create a show that was at her level, that's a reflection of who she was,' he said. 'For me, all these portraits together comprise the portrait of Diane Arbus. It's like her looking at herself in a mirror. It's like a way to make a portrait of her that you discover for yourself.' Diane Arbus: Constellation is on show at the Park Avenue Armory in New York from 5 June to 17 August

Trump insiders are tired of Laura Loomer's sway - but admit her political influence keeps rising from the dead
Trump insiders are tired of Laura Loomer's sway - but admit her political influence keeps rising from the dead

The Independent

time37 minutes ago

  • The Independent

Trump insiders are tired of Laura Loomer's sway - but admit her political influence keeps rising from the dead

Those close to President Donald Trump have reportedly grown irritated with Laura Loomer, the ultra-loyal Trump supporter whose apparent influence has led to the ousting of several administration officials. Loomer, 32, has made a name for herself in Trumpworld as an unofficial, yet devoted, patron to the president – willing to publicly call out any person she believes has any ties to Trump criticisms. In April, Loomer reportedly gave Trump a list of disloyal National Security Council staffers who were subsequently fired. In May, Loomer appeared to take some credit for pushing Trump to axe former National Security Adviser Mike Waltz after the Signal chat blunder. 'Trump likes Laura, and she obviously has some influence, but she runs the risk of overestimating her influence and blowing herself up if she's not more careful,' an unnamed source close to the White House told WIRED. 'I think she jumped the shark by going out and taking credit for stabbing the national security adviser and a number of people, as if it happened in a vacuum, as if there weren't deep considerations and conversations about all of this,' the unnamed administration source said. While her loyalty to the president may be appreciated by Trump himself, Loomer's history of making headline-grabbing, controversial comments and bolstering conspiracy theories, such as those related to 9/11, already made some of Trump's official staff uneasy about her presence. That has led her to move in and out of his orbit over the years. Insiders painted a picture of thinking she is away for good only to have her return again. Those close to the president's campaign reportedly attempted to keep Loomer, a far-right activist, at a distance the election, not giving her an official job. Despite that, Trump brought Loomer along for the ride when he debated former vice president Kamala Harris. Even after winning the election, Loomer's presence in Trump's orbit has not been diminished. She's managed to maintain communications with the president and some White House staffers, according to WIRED. Loomer is not an official member of the administration – though she's asserted she was nearly hired on several occasions. She's reportedly pitched her opposition research firm as a potential contract for the White House and expressed her desire to 'work for President Trump.' While not having an official role, she's still used her social media to highlight Trump's agenda and 'vet' members of the administration she believes are unworthy of their role. 'You have to ask yourself: If Trump wanted her in, do you think his staff had some ability to prevent that, apparently?' an administration source told WIRED. 'Like, what?' Suspicions about Loomer have grown recently as the conservative activist has dabbled more in criticizing some of Trump's recent decisions, according to WIRED. In May, Loomer ran an op-ed on her blog, called 'Loomered,' critiquing Trump's decision to remove oil company Chevron's operations in Venezuela. She also deviated from her typical praise of Trump to criticize his decision to accept a jet from Qatar. 'It's one thing to attack random government employees who Trump doesn't give a s*** about, but when she's attacking him and his policies directly, that could end badly for her,' the unnamed White House source told WIRED. Trump insiders have questioned whether Loomer can remain in the president's good graces while wadding into those waters. Then, just weeks after Walz was ousted and days after criticizing the Qatari jet gift, Loomer took to X to apologize to Trump for making comments that 'made anyone feel betrayed.' 'I am sorry if my comments made anyone feel betrayed or were used by the media as ammunition to sow division during an important trip for the President,' she continued. I want to apologize to President Trump more than anyone because I am a loyal person, I love President Trump, and I know I could have probably just had a private conversation about the plane instead,' Loomer wrote.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store