Star Trek: Strange New Worlds Season 3 Review
With its third season, Star Trek: Strange New Worlds boldly reaffirms itself as Paramount+'s flagship prequel—and one of the strongest entries in the franchise since Voyager. Premiering July 17, 2025, the series wastes no time recapturing the spirit of classic Trek while confidently charting its own course through the stars. This is a season that feels like a love letter to both longtime fans and newcomers, striking a careful balance between episodic adventure and serialized stakes. But above all, it holds fast to what has always made Star Trek special: its heart, its humour, and its unwavering hope for humanity.
Strange New Worlds Season 3 picks up right where last season's cliffhanger left off, thrusting viewers straight back into the action. The Enterprise is still reeling from its encounter with the Gorn—a species that has been reimagined as one of the show's most terrifying and compelling recurring threats, far removed from their once-campy portrayal in The Original Series. The season premiere, 'Hegemony, Part II,' delivers on the tension that was left unresolved, launching the crew into a desperate fight for survival. The series isn't afraid to place its characters in genuine danger, and not everyone is guaranteed a safe return. That unpredictability sets the tone for a season that consistently keeps fans guessing—and on edge.
What makes this season truly special is how it balances high-stakes drama with high-concept storytelling, all while deftly managing tone. Strange New Worlds has always excelled at pivoting effortlessly from intense space battles to quirky, character-driven comedy, and Season 3 continues that tradition with confidence. The writers appear to have taken a page from The Original Series, blending irreverent ideas with some of the strongest space drama seen on television in years. The result is a season that feels both fresh and familiar—like reuniting with old friends who still know how to surprise you, even if they occasionally break your heart.
For me, as it has been from the start, it's the cast that remains Star Trek: Strange New Worlds' greatest asset. Anson Mount's Captain Pike continues to be one of the most compelling leads in modern Trek, blending warmth, authority, and vulnerability in a way that sets him apart from his predecessors. This season adds new layers to Pike's journey, particularly as he grapples with the aftermath of the Gorn conflict and the growing weight of command.
Ethan Peck's Spock leaves a lasting impression, paying tribute to Leonard Nimoy's legacy while confidently carving out his own take on the iconic role. The rest of the bridge crew—Rebecca Romijn's Number One, Christina Chong's La'an, Jess Bush's Chapel, Celia Rose Gooding's Uhura, and Babs Olusanmokun's M'Benga—each get moments to shine throughout the season. But it's Melissa Navia's Ortegas who finally steps into the spotlight. After two seasons as a beloved background presence, she's given a well-earned season-long arc that explores her backstory and deepens her role on the Enterprise—and the payoff is more than worth the wait.
While I had some concerns after the first trailer, Star Trek: Strange New Worlds has thankfully maintained its distinct visual style—and remains a feast for the eyes. The production design is top-notch, with the Enterprise looking both sleeker and more lived-in than ever. The effects team has outdone themselves this season, crafting alien worlds and creatures that feel immersive and tangible. The blend of practical sets and digital backgrounds is, for the most part, seamless, and the attention to detail—from the uniforms to the bridge consoles—grounds everything in a believable reality.
Thematically, the season is as complex and compelling as ever, with a healthy dose of classic Trek charm woven throughout the production. While the show continues to embrace familiar tropes—exploring strange new worlds, seeking out new life and new civilizations—it also isn't afraid to engage with timely, contemporary issues. Ethical dilemmas, questions of identity, and the burdens of leadership are all seamlessly integrated into the narrative. Its willingness to balance the silly with the serious remains one of Strange New Worlds' greatest strengths.
Ultimately, from what I've seen of Star Trek: Strange New Worlds Season 3, it's shaping up to be another standout entry in the franchise. This is a season that feels both nostalgic and forward-thinking—a celebration of what makes Star Trek special, while boldly pushing its boundaries. With sharp writing, stellar performances, and top-tier production values, Strange New Worlds continues to prove why it's one of the best modern entries in the Trek universe.
With its blend of action, humour, and heart, Star Trek: Strange New Worlds Season 3 isn't just the best Trek in decades—it's a powerful reminder of why we keep looking to the stars. The Enterprise is back, and it's never been in better hands.
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Digital Trends
35 minutes ago
- Digital Trends
NASA just test fired its next-gen SLS lunar rocket booster
NASA has completed the first full-scale static test fire of the Booster Obsolescence and Life Extension (BOLE) solid rocket motor, the next-generation solid rocket booster for the space agency's SLS (Space Launch System) lunar vehicle. The 140-second test took place at Northrop Grumman's Promontory production and test site in Utah on Thursday and was livestreamed on YouTube. You can watch the rocket blasting at full power via the video player embedded at the top of this page. Using hundreds of sensors to monitor its operation, the test demonstrated the ballistics performance of the BOLE motor design, as well as its nozzle, insulation, and electronic thrust vector control (eTVC) vectoring performance, NASA said. The firing also aimed to validate the use of new domestic materials and manufacturing processes that are geared toward reducing costs by about 25% over previous designs. The BOLE motor burned more than 1.4 million pounds of propellant during the procedure, and generated more than 3.9 million pounds of thrust. As a comparison, SpaceX's workhorse Falcon 9 rocket generates around 1.7 million pounds of thrust at launch, while SpaceX's mighty Starship vehicle — the most powerful rocket ever built — generates a colossal 16.7 million pounds of thrust as it leaves the launchpad. Thursday's test fire began normally, but about 100 seconds in there appeared to be some kind of explosive event in the plume, possibly involving the exhaust nozzle. However, the booster continued to fire for another 40 seconds without any noticeable difficulty. Northrop Grumman has yet to comment on the cause or implications of the apparent anomaly. Speaking just minutes after the end of the test, Dave Reynolds, NASA SLS booster program manager, said: 'It's a brand new booster from tip to tail, there are so many things that are different about this booster — it actually has very little relationship to the current boosters that are flying on the Artemis II mission that's coming up. 'We were expecting to learn a lot of things, and I guarantee that we're going to spend the next six months digging through all of that data and finding out what we need to do.' The booster is scheduled to fly for the first time — as part of NASA's SLS rocket — in the ninth Artemis mission, which is currently scheduled for 2034 and will involve a crewed landing on the moon. However, the Trump administration wants to cut the Artemis budget, instead prioritizing commercial launch partnerships while redirecting focus to the first crewed Mars mission, at the expense of lunar missions. In other words, there's a chance that this booster will never fly.


Forbes
42 minutes ago
- Forbes
At Proper Hotels, Come For Vacation, Stay For The Live Music
AUSTIN, TEXAS - MARCH 10: DJ Pee .Wee performs during Proper Presents: DJ Pee .Wee at The Quill Room ... More at Austin Proper Hotel on March 10, 2025 in Austin, Texas. (Photo byfor Austin Proper) Imagine you head to Santa Monica or Austin on business, and you are booked into a Proper Hotel. Looking to unwind, grab food, you have a meeting, whatever, and you head to the restaurant or bar and there is Phantogram playing, or Anderson Paak. DJing. This is the new reality as the music and hotel industries increasingly understand the symmetry between the two worlds. Musicians bring customers with them wherever they go, and hotels have built-in clienteles looking for things to do. Why not introduce them to each other? As I found in talking to hotels around the country (a full roundup is coming soon), the idea of live music on properties is an increasingly common and advanced practice, with some venues, like Rockaway Hotel, in New York, hosting full shows. With properties in several major locations – LA, Santa Monica, Austin, San Francisco, Montauk, Miami, Palm Springs and more – Proper is uniquely positioned though to build on this dynamic by booking artists into multiple venues. I spoke with Proper President and co-founder Brian De Lowe and VP, Activations and Experiences Casey Dolkas about the relationship between the two worlds. They explained that with wellness, fitness, hospitality and more, it is part of their Proper Presents program, creating a world within a world. Steve Baltin: How have you seen the demand for live music change in the hotel industry? Brian De Lowe: It's interesting, because I think when we started in the hotel business, you know, at another hotel brand, our hotels were differentiated because of the design. That was what differentiated us, and that was enough, because back in the day the hotels got standardized with the Marriot's and the Hilton's of the world. And we could do something different that's boutique and independent and design forward and people flocked, and I think to your point, now just having design isn't enough. So, our hotels today are a lot more than just a cool place to stay with great design. They know they can come to our hotels and get the pulse of the city without leaving the hotels and music's a big component of that. Baltin: It seems like it's something where it used to be you'd go into a city, you'd stay in the hotel, you'd go out and go back to the hotel that night. But now the hotel has become where you go for the entertainment. De Lowe: Yeah, we're creating spaces and experiences, so you don't have to leave. You wake up, you don't have to leave to go to the gym because we have an incredible fitness center, amazing wellness amenities like cold plunges and saunas and red-light therapy and all that. You don't have to leave to get coffee because we partner with a great coffee brand and we have a great breakfast in the lobby and then you don't have to leave for meetings because everyone wants to come to you because our lobbies are so beautiful and all that. And then of course, Casey will talk more about Proper Presents, but what really keeps you is all the cultural programming. Casey Dolkas: You said you're familiar with Santa Monica Proper. Austin Proper obviously is a huge music scene. And my favorite thing about Austin Proper is watching guests, we have many different food and beverage outlets and spaces, right? So, imagine a guest going there for dinner and then naturally there as they're walking out, they get sucked into this space because they want to grab a drink and there's music. They find this pocket of this lounge where they can grab a different drink and hear a different vibe of music here and then going upstairs. So that's my favorite thing about Austin Proper and Santa Monica has a great opportunity for that as well. So, in terms of music, even just subconsciously, that guest, whether you're staying at the hotel or you're just a local coming for dinner to experience, you end up just getting sucked into the environment, the energy. Baltin: I imagine the artists love it as well because it brings them to a new audience. Dolkas: Definitely, that's definitely one of my favorite parts. And that's how Proper Presents was born. Last year, we wanted our cultural programming platform to have an identity. That became Proper Presents. Within Proper Presents, we have different categories. There's health, wellness, fitness, culinary, panels and conversations. And then, of course, music, which we find is really the heartbeat of Proper Presents. And yeah, you nailed it. I think it's so amazing to see someone like Phantogram or Neil Frances putting them in these spaces where they might have a built-in audience already coming to Proper to see this very special intimate performance or on the contrary, discovery. So, if you're a hotel guest traveling and you're walking out of the lobby and you happen to see Phantogram or Neil Frances performing, that's going to be something that you're going to remember. Baltin: It is a very mutual relationship because obviously people are coming into the hotel to see a Phantogram. Then hopefully they come back on the weekend to check it out, go to dinner, whatever. Dolkas: Yes, and that's definitely how we always want to approach it. We want to approach it in a very organic partnership angle. So, for example, Phantogram was an album release party, Miami Horror's album release party, Banks was an album launch. So, we always like to approach it in this very like win-win scenario where the artists, the record label, their team, they're getting a marketing event out of it. We split the guest list with them, so they get to invite either personally or they know of our hotels and our guests and fans of our hotels already. So, it's not just this mutually beneficial business deal. It's where they know our brand and they know us, and they resonate with us. It feels natural for them to come because our venues aren't music venues, which is part of what's cool about it. They come and they're comfortable in the space, they're comfortable with the crowd. There's a real sense of discovery for some. There are the fans; the mix of all that together is really special. Baltin: Obviously being a hotel, you have a built-in advantage in establishing relationships with and understanding artists because you have musicians stay there all the time. Dolkas: Correct. And yeah, we're fortunate that those artists want to stay with us whether they're on tour or in town for a festival and that's a great way to partner with them as well. We love to support so if we are supporting their album launch, their tour launch, some sort of marketing event or promo for them, that's the best way to approach it and it becomes a true partnership as opposed to just a paying gig for them. Then furthermore to support artists we've incorporated their new music into our playlist, so we love that if they're coming over to stay with us or for the event, they'll hear their new music within our playlist. Baltin: I have to know for each of you, who's the dream artist to have in? Dolkas: The first thing that came to mind is Sting. He's so involved in wellness. I've been a fan, since my parents are massive fans, I've seen him live so many times. So I think doing an amazing stripped-down sunset, rooftop session with Sting sounds pretty iconic. De Lowe: I'll answer a different way with a more random artist. Are you familiar with The Geographers? It was a band that I listened to a lot in a certain period of my life. And Casey came to me and said, "I just landed these guys. What do you think?" I'm like, "Oh my God, I can't believe that. That brings back so many memories.' It was so fun to go and experience it. Dolkas: We actually had them perform at Santa Monica Proper rooftop, which just fit the mold -- summer sunset, ocean as the backdrop, palm trees turn into silhouettes. So that music just definitely fit that energy. And then he was actually going to be at South by Southwest. So, because that was successful, we had him again at the Austin location. And that's something that we love to do as well since we build relationships with these artists. We're able to plug them in in each of our locations. Baltin: How many shows do you guys do per summer? Dolkas: I would say a couple a month. There are two different ways to approach. There are these bigger moments that we have, which are under Proper Presents. But additionally, we also have our ongoing repeatable series, which is every Friday and Saturday, for example, with local artists. So, in addition to these bigger moments with Proper Presents, we also support the local artists in the local communities, which is a few times a week. Baltin: What do you look for in the local artists? Dolkas: It caters to the local communities, community being a major pillar of ours. So, for example, we have an incredible vinyl -based series at Downtown LA Proper in Calaverde, as opposed to Palma at Santa Monica Proper. We just did an amazing series called Women on Wax, which is an all-female vinyl program. And then furthermore, we actually encourage guests to provide vinyl's to those who lost their vinyl collections in the fires. So, we added a philanthropic angle to it as well. Any sort of hook or theme, just to keep it fresh.


CBS News
43 minutes ago
- CBS News
Fireball seen as meteorite streaks through sky over Georgia and South Carolina
A fireball, or a bright meteorite, was seen across the southeastern United States on Thursday and later exploded over Georgia, creating booms heard by residents in the area, according to NASA. The American Meteor Society said it received more than 160 reports of a fireball sighting from observers in Georgia and South Carolina at 12:25 p.m. ET. The meteor was first seen at an altitude of 48 miles above the town of Oxford, Georgia, moving southwest at 30,000 miles per hour, said Bill Cooke, a lead at NASA's Meteoroid Environment Office. The fireball later exploded 27 miles above West Forest, Georgia, unleashing an energy of about 20 tons of TNT. Cooke said the fireball was 3 feet in diameter and weighed more than a ton (2,000 pounds). "The resulting pressure wave propagated to the ground, creating booms heard by many in that area," Cooke said in a statement. This NOAA satellite image, shared by NASA, shows where a meteorite streaked through the sky over Georgia. Sightings were also reported in neighboring South Carolina. NOAA/NASA When a space rock enters the atmosphere on its own and burns up, it's called a meteor. It's a meteorite if it survives the trip and makes contact with the ground before burning up. Those that appear especially bright are called fireballs, according to NASA. This daylight fireball on Thursday could be a member of the Beta Taurid meteor shower, which includes meteors that are rarely seen and are typically active from late June to early July, peaking around June 25, said Robert Lunsford of the American Meteor Society. "I would estimate that we receive reports of one daylight event per month from all over the world," Lunsford told CBS News. "I would say one out [of] every 700 fireball events involves a fireball seen during daylight hours. So these events are rare, and most people go a lifetime without seeing one." A fireball during the evening was seen over vast sections of the eastern U.S. and parts of Canada in February 2024.