
Love Island fans ditching show as they binge 'perfect' reality TV series
Love Island fans have taken to social media to complain about the UK version, saying the US version is better tv with messy encounters, diversity and wild energy
Love Island might be back on our screens for another summer of grafting, recouplings and head-turns but viewers are already calling time on the UK villa and saying the drama has officially moved across the pond and they are heading to the USA version for their fix of drama, chaos, and actual entertainment.
While the ITV2 show has long been considered a staple of British reality telly, this year's series hasn't quite hit the mark. Now, Brits are tuning into Love Island USA, claiming it's bringing the messiness, diversity, and wild energy they've been begging for - and some aren't even watching the UK version at all.
Social media is flooded with Brits raving about Love Island USA, with some even resorting to dodgy Google streams to watch the American version instead. 'Love Island USA is actually better than UK now that I'm locked in, because the UK girlies always looked the same year after year. This show is far more diverse,' one fan tweeted.
Another viewer said: 'Look at how fun Love Island USA is compared to the UK, we're acc starving out ere,' after Megan Thee Stallion popped into the villa - something fans reckon would never happen over here.
It's not just about A-list appearances. Fans say the US version is messier, sexier, and more unpredictable, while the UK show has become, well, beige. Complaints of boring couples, over-produced edits and safe casting have plagued recent seasons.
And they're not wrong - the numbers tell a very similar story.
This summer's Love Island UK launch episode brought in just 1 million viewers, a major drop from 2.5 million back in 2019. That's a sharp nosedive for a show that once defined summer TV. The 2022 opener had 1.3 million, 2023 climbed to 1.7 million… but now, things are looking bleak. Excluding Unseen Bits, the first week of this year's series averaged just 855,000 viewers, with only 144,000 aged 16–24 young viewers it used to thrive on actually watching.
For some long-time fans, the drop-off feels inevitable. The spark that once made Love Island a cultural phenomenon from iconic bust-ups to jaw-dropping Casa Amor moments has been replaced with safe casting, familiar storylines and a vibe that some say just doesn't hit anymore.
Even 2019 winner Amber Gill weighed in, blaming the decline on over-policing and public outrage. 'Reality telly is dead,' she said in a fiery post, blaming hyper-sensitive viewers for sucking the fun out of it. She also took aim at backlash over one contestant saying a girl was 'too glamorous for a 9-5,' calling the outrage over the top.
Love Island USA's rise isn't new - fans were already saying last year's series was 'the best ever.' But now, with UK ratings slipping and viewers switching sides, it seems the American villa has officially stolen the crown despite the show starting in the UK.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Daily Mirror
5 hours ago
- Daily Mirror
Families with these names are 'most likely to have the cleanest homes'
Cif surveyed 2,000 Brits to find out which names were the most likely to have a tidy home - and the results might just surprise you, as will the leavest favourite household tasks Folks named Sue, Kate and Claire have the neatest homes, while those called Gary, Dave and Nigel are the messiest, according to a survey. The study of the most house-proud Brits revealed who is most likely to keep their homes shipshape. The tidiest blokes, and the only three male names to make a list of the 15 neatest, were Mark, Ben and Mohammed. On the other hand, the dirtiest lasses, as per findings by Cif, were those named Lizzie, Maddie, Lola, Ali and Poppy. The results showed that overall, the UK is a nation proud of their homes, with 69% keeping their place immaculate. The survey into the nation's cleaning habits also discovered that 49% tidy up their home at least once a week, while 7% go an entire month without cleaning. Cleaning-obsessed Brits spend 11 hours per week tidying – a staggering 24 days per year, and 60% find it satisfying. A whopping three quarters admitted they would judge someone by the cleanliness of their house. Changing bed sheets, ironing and cleaning loos and ovens were named as the least favourite tasks, reports the Daily Star. However, a third of Brits confessed they loved hoovering, while hanging up washing and doing the dishes were named as some of people's favourite jobs. Cif has teamed up with TV's Queen of Clean, Lynsey Crombie, to launch the Infinite Clean Showdown on London's Southbank. Cleaning fanatics are set to tackle four intense challenges that include sprucing up everything from pet playthings to yoga balls. Lynsey enthused: "Whether its gleaming countertops or perfectly fluffed cushions, it's clear that Britain has a deep-rooted love for cleaning – and it's so great to see. "This research further cements that what was once a chore now feels like a source of joy for many - there's something so incredibly satisfying about transforming a dirty space into something clean, calm and serene. "It's not only nicer to live in, but it brings a real feeling of accomplishment too!". Sue - 25%. Kate - 23%. Claire - 17%. Hannah - 17%. Nicola - 14%. Emily - 14%. Anne - 14%. Lucy - 12%. Harriet - 12%. Emma - 12%. Penny - 12%. Mark - 11%. Annabel - 11%. Ben - 10%. Mohammed - 8%. MESSIEST BRITS (WITH THE DIRTIEST HOUSES). Gary - 16%. Dave- 14%. Nigel - 11%. Keith - 11%. Rob - 11%. Lizzie - 10%. Maddy - 10%. Ahmed - 10%. Lola - 8%. Ali - 8%. Jack - 8%. Jeremy - 8%. Poppy - 7%. Steve - 7%. Jake - 7%.


Scottish Sun
5 hours ago
- Scottish Sun
Millions of Brits can unlock two new TV channels for FREE with no change to their subscription in major shake-up
All recommendations within this article are informed by expert editorial opinion. If you click on a link in this story we may earn affiliate revenue. STREAM COME TRUE Millions of Brits can unlock two new TV channels for FREE with no change to their subscription in major shake-up MILLIONS of Brits are set to unlock TWO new TV channels for FREE with no change to their subscription. Virgin TV customers can expect the freshly added channels to the guides in a major shake-up. 1 Millions of Brits are set to unlock TWO new TV channels for FREE Credit: Getty They will be FAST channels, Free Ad-Supported Streaming Television, which means they will be available through broadband connection. This means customers will need to have a Virgin TV 360 box, Virgin Stream or a Virgin V6 box with Wi-Fi or ethernet. The new channels are British Screen Classics on 450 and wedotv movies on 451. British Screen Classics offers a 24/7 stream of hits from ITV Studios and Studio Canal. It features adored titles from every genre, including comedy, horror, war, adventure, drama, and romance. Meanwhile wedotv boasts over 500 films which are rolled out across Romance Mondays and Sci-fi Wednesdays. This comes as 33 more FAST channels are also accessible on Virgin TV, including Inside Crime, Homes Under The Hammer, Red Bull TV, Hell's Kitchen, and many more. Virgin Media O2 Chief TV and Entertainment Officer, David Bouchier said: "Virgin TV is home to the best in entertainment and more choice for our subscribers. We offer enhanced value with fantastic on demand and channel content at no extra cost, including two brand-new streaming movie channels. "On top of the existing streaming channels available to Virgin TV customers, they now have even more choice and 24/7 access to exciting movies for free." The new channels can be found on the Electronic Programme Guide (EPG) on your Virgin TV box. This comes as customers have been warned BBC iPlayer will stop working on some of Virgin's TV boxes in a matter of weeks. The Sun can exclusively reveal how telecoms giant has been informing affected customers about the changes that are due to take place on July 23. Those impacted are being offered a free upgrade to a newer Virgin Media box. The firm says it has written directly to customers who have accessed BBC iPlayer in the last six months. Only a small portion are expected to be affected due to the TV box's age. The boxes affected are the older TiVo models - V6 and Virgin TV 360 boxes will continue to offer access to BBC iPlayer as normal. And, a much-loved sports channel has disappeared from Virgin Media boxes - but there's a way to continue enjoying the matches for free. Channel operator DAZN has made changes that affect all viewers, whether they're on Virgin Media or watching via other platforms. But, Virgin Media often has sweetened its TV and broadband deals with free tech to attract new customers. And right now, you can bag yourself a free 9th Gen iPad when you sign up for its £88.99 MegaVolt bundle. I've covered similar Virgin Media deals like this before, and they consistently deliver great value for money. One of the most recent included up to £100 bill credit for new TV and broadband customers. This month, the provider is throwing a free 9th generation Apple iPad exclusively to those opting for the MegaVolt package. The 18-month contract is £88.99 per month, and gets you Virgin broadband, TV, and an O2 SIM, It's packed with top features, including Virgin Media's fastest Gig1 Fibre broadband with speeds of up to 1130Mbps. That's ideal for busy households with lots of devices competing for bandwidth. Of course, that free iPad is the icing on the cake here, and it's a fantastic gadget to make the most of the super-fast speeds. Whether that's streaming your favourite shows, keeping little ones quiet for an hour, or browning the web.


Time Out
6 hours ago
- Time Out
Review: ‘Disney's Hercules' at Theatre Royal Drury Lane
One of theatre's greatest mysteries is how Disney literally made the most successful musical of all time and then proceeded to learn absolutely nothing from it. Virtuoso director Julie Taymor included all the dumb stuff required by the Mouse in her version of The Lion King – farting warthogs, basically – but nonetheless crafted an audacious and iconic production that departed radically from the aesthetic of the film and is still in theatres today. Subsequent Disney musicals like Aladdin and Frozen aren't bad, but they take zero risks – effectively just plonking the film onstage – and are not in theatres today. And here comes Hercules, the next in the megacorp's long line of perfectly adequate, not very imaginative adaptations of its bountiful '90s animated roster. Book of Mormon director Casey Nicholaw's production is good looking and high energy. Robert Horn and Kwame Kwei-Armah's book is appropriately big hearted with a handful of very funny gags. The show's not-so-secret weapon is the retention of the film's sassy quintet of singing Muses. Here turbocharged into a full-on gospel group, they're a whole lot of finger snapping, head shaking, quick-changing fun, and also add a note of character to Alan Menken's likeable but unremarkable Alan Menken-style score. Hercules is a unit of generic Disney stage entertainment However, the Muses are also symptomatic of the fact that the show's Ancient Greece comes across as a reskinned small-town America, without having any comment to make on small-town America. Everyone has American accents, and does American things: the notoriously vindictive goddess Hera is reimagined as a twinkly-eyed all-American mom. While there's a vague nod to Hellenistic art, there were endless opportunities to have done something visually audacious and aesthetically interesting, and they were all passed upon. Sure, The Lion King does insist on the accents, but Taymor's production is pointedly steeped in vivid pan-African aesthetics. Here, Dane Laffrey's sets and George Reeves's video design are often impressive, but they never don't look like a themed restaurant (to be fair, one scene is actually set in a themed restaurant). All that accepted, it's a sturdy action-adventure romp that absolutely does the trick and is eminently worth taking The Kids to during the hols. It begins when Hercules is born to chief gods Zeus and Hera (classical scholars, just sit this one out). The infant is set to enjoy a heavenly existence on Mount Olympus until Stephen Carlile's enjoyably batshit Hades strips away the baby's immortality. Cast out of Olympus and raised by a human single mother, Luke Brady's adult Hercules belatedly discovers his divine parentage and resolves to become a hero, dragging Trevor Dion Nicholas's gruff warrior trainer Phil out of retirement to assist him. Heroic exploits follow: the special effects aren't groundbreaking, but they're good fun, especially the setpiece battle between Hercules, Phil and a many-headed puppet hydra. Brady is a boyish and likeable lead. His permawhite smile is bigger than his pecs – but it's kind of the point that he's not a beefcake, but rather an affable young man bewildered by his own strength. Mae Ann Jorolan gives good 'sassy love interest' as Hercules's sassy love interest, who is called Meg for some reason. They have a particularly great scene together where Meg is lecturing the smitten young man about how it's misogynist to assume she needs his help, and he keeps beatifically zoning out to sing about how hot she is. It's all absolutely fine, and accepting it's not a screechingly ambitious piece of work then perhaps all it really lacks is a big showstopper moment. The songs are solid, but there's no 'Circle of Life'/'A Whole New World'/'Let It Go'-style megabanger. Carlile's Hades turning into a much bigger puppet version of himself in the final showdown almost does the trick visually, but the scene as a whole is a muddle: it's unclear where the climactic battle between the gods is happening, or why it happens when it does, and the combat is pretty wishy washy until the afore-mentioned giga-puppet turns up. Disney musicals have vast budgets and The Lion King is an ongoing reminder that even staying within the lines of the IP, bold creatives can achieve something special with that dosh. Hercules, though, is one unit of generic Disney stage entertainment. It has charm, because it's adapted from a charming film and talented people have made it, but it's definitely not going to go down in legend.