
Need for baby hatches in Japan seems greater than ever
By Michael Hoffman
'Lonely childbirth' is the English title Spa (June 3-10) gives its report. Can a deeper loneliness be imagined? A girl, a teenager, perhaps in her early 20s, a child herself, at an age when 'knowing the facts of life' means knowing what fun they are. That's a start. The childish mistake is thinking it's the end. Suddenly grownup reality rears its ugly head.
It's a rude awakening. 'Aoi Tanaka' (a pseudonym), now 21, recalls hers for Spa. She was 19, a high school graduate, adrift in Tokyo after arriving from the country to attend vocational school. She dropped out to pursue a night life centered on 'underground idol' bands that play small venues and interact with fans. Her funds ran out. Seeking easy money and finding an easy way to it, she slept her way to financial solvency – so far so good – and – grim anticlimax – pregnancy. You'd think she'd never heard of it.
The truth sank in slowly. Her period, she explained, had always been irregular, She'd feel something moving inside her but her belly scarcely swelled; she was a full eight months gone before she visited a gynecologist. Who was the father? Who knew? What next? Ditto.
It was too late for an abortion. She'd have to give birth, but as to raising the child, 'What kind of mother would I be?' Like her own mother, perhaps, who seems to have borne her under similar circumstances and, though she did in fact raise her, was, in her chronic poverty, constant desperation and occasional violence, a negative example at best: 'I didn't want to be to my child what my mother was to me.'
Her ward office counseled adoption. It seemed best. The child – a boy – was born. 'I tried to spend as little time with him as possible,' she says, 'so that love wouldn't grow in me, but when the time came to part I held him tight and yes, I cried. I hugged him and sobbed, 'I'm sorry, I'm sorry.'' She still is, and if her sorrow hasn't changed her lifestyle much, it has at least made her more careful.
An unsettling reflection of unsettled times is a recent succession of incidents of infanticide and infant abandonment. Spa mentions two: a teenage high school student arrested in Nagano Prefecture in April on suspicion of murder of the infant she'd just given birth to at home, and, a month later, a young woman in her early 20s, charged with abandoning her one-month-old on somebody's veranda – hoping perhaps in her despair that it would fall into kindly hands.
'Circumstances were likely such,' speculates Dr Takeshi Hasuda (of whom more in a moment), 'that the felt need for absolute secrecy was the overpowering consideration. Alone, in labor and in pain, bleeding, panicking, they are not capable of normal judgment, so that they may be driven even to murder.'
What to do, and who to do it? Japan's government, notoriously slow to address issues that in more traditional times were family matters, remained numbly inactive as more and more cases of this sort roiled the social waters.
Someone, somewhere, at some point, sufficiently moved and with sufficient energy and influence to seize the initiative, would have to take the first step. It happened at last – in the Kyushu city of Kumamoto. In 2006 the director of the local Jikei Hospital was Taiji Hasuda (1936-2020). His notion, inspired by similar facilities then common in Germany, was a 'baby hatch.' Mothers in unwanted pregnancies, or others acting on their behalf, could deposit newborn infants or even, as the case may be, somewhat older children – anonymously. No questions asked. The hospital would see to the child's medical needs and arrange either adoption or placement at an orphanage. It would, Taiji hoped, at the very least save infant lives and offer mothers an alternative to desperate infanticide.
Authorization granted by the pertinent local governments, the 'Stork's Cradle' baby hatch opened in 2007. (The stork's long bill and innocent white coloring makes it the perfect folkloric baby-bringer, a natural and culture-spanning answer to a small child's question 'Where do babies come from?')
Among the first children to 'come from' Stork's Cradle was one Koichi Miyatsu – of whom more in a moment. Takeshi Hasuda, to return briefly to him, is Taiji Hasuda's son and Jikei Hospital's current director. He carries on his father's work. It's a lonely undertaking – absolutely so until this past March, when a Tokyo hospital opened the nation's second baby hatch – the 'Baby Basket' – along the lines of Stork's Cradle, which as of March 2024 had taken in a total of 179 children.
How many of them would have perished otherwise? There is no knowing. Does the hatch's existence offer a too-easy path to the casual skirting of responsibility? That and other ethical issues swirl. The distressed mother's right to anonymity is one thing. What about the child's right, later in life, to know his or her origin? That too must enter the equation.
179 children, no doubt 179 stories, encompassing so vast a range of emotions – even within one child, let alone 179 – that generalization is impossible. As for Miyatsu, 'The day I was left there was the day a new chapter of my life began,' he told AFP News a year ago. Not, as it happens, the first chapter. He was five months old when his mother was killed in an accident, and going on three when the relatives caring for him left him at the hatch. 'I have no recollection of the moment when I was dropped off… but the image of the hatch's door is seared into a corner of my brain.' Two years earlier he had told the Yomiuri Shimbun, 'I was saved because of (Stork's Cradle).'
He has reason to be grateful. In short order he was adopted by a couple whose love needed no blood ties to awaken it. Now 21, he is a student at Kumamoto University and a founding director of 'University for Kids Kumamoto,' in which capacity he addresses local elementary and junior high school kids 'about the importance of life,' as Kyodo News reported last December. It's a vast subject – one on which he has a unique perspective.
© Japan Today

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Yomiuri Shimbun
35 minutes ago
- Yomiuri Shimbun
Capcom Continues to Attract Video Game Fans at Home, Abroad
©CAPCOM Ryu from the 'Street Fighter' series Capcom Co., a game developer based in Osaka, has enjoyed success with its popular video game franchises, such as 'Monster Hunter' and 'Street Fighter.' With a history of more than 40 years, the firm continues to release a succession of game titles that are popular both at home and overseas. The Yomiuri Shimbun interviewed President Haruhiro Tsujimoto to find out more about Capcom's appeal and strengths. In fiscal year 2023, the firm sold about 45.89 million game software units. Of those, overseas sales accounted for 83%. ©CAPCOM A Palico from the 'Mpnster Hunter' series Tsujimoto said Capcom already envisioned expanding the firm's business overseas at its official founding in 1983, expecting the number of players in Japan would eventually reach a peak. That's why the company aspired to make games that would sell worldwide. The firm's major success during its early years is undoubtedly 'Street Fighter II' in 1991. The game turned out to be a global megahit due mainly to the following factors: It inherited the competitive system pioneered by its predecessor, increased the number of playable characters and diversified the nationalities of the characters and highlighted their individual personalities. The firm's other global strategy was the use of English as the language the characters spoke in the 1996 release 'Biohazard,' also known as 'Resident Evil.' The limited memory of the game software made it impossible to add multiple languages. The firm initially considered using Japanese for the voice acting but eventually decided against it. ©CAPCOM Leon S. Kennedy from the 'Resident Evil' series 'We thought it would be more acceptable overseas if we used English [which is the most spoken language in the world],' Tsujimoto said. Other languages, including Japanese, were used in the subtitles. 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Development costs continue to rise each year due to rapidly advancing technology, but Tsujimoto does not hesitate. 'I don't want to set a limit on the games,' he said. 'For the future of Japan, it will be absolutely necessary to nurture digital human resources,' Tsujimoto said. 'Capcom attracts game developers who aspire to be No. 1 in the world. Even if they eventually leave Capcom, I want them to use their strengths to their full potential.' The president is not just aiming for 'victory' for his company, but also for the development of the entire industry. Monster Hunter-themed experience at 2025 Osaka-Kansai Expo Capcom has created an immersive game experience called 'Monster Hunter Bridge' in the Osaka Healthcare Pavilion at the 2025 Osaka-Kansai Expo. Wearing goggle-like augmented reality devices, visitors will enter a cylindrical theater that measures about 12 meters wide and 5 meters high and enter the world of 'Monster Hunter.' 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They can examine a timeline of Capcom's history as well as a chart that briefly explains successive and spin-off game titles. This is followed by a lineup of game cases and original artwork for posters. Written proposals for 'Street Fighter II' and other titles are on display near the end of the exhibition. The hand-written documents allow visitors to feel a sense of history. Visitors can also enjoy a corner that enables them to try various hands-on experiences, such as drawing Mega Man by coloring in square dots, comparing the old and new versions of the killer technique Hadoken from the 'Street Fighter' series, and using simulated motion capture that has a game character on screen reflect the user's movements. The exhibition also introduces how 3D computer graphics are created by making full use of projection mapping. 'Hearing stories of hardships and tales of bravery in game development from senior creators was very refreshing to me, since I came from a different industry,' said Yasuyuki Makino, a producer at Capcom. 'I wanted to introduce them to as many people as possible,' he added. 'Visitors will be able to get a glimpse of the greatness of game development, which is completely focused on pleasing the fans.' The exhibition will also tour Nagoya, Tottori, Tokyo and Niigata.


Japan Today
a day ago
- Japan Today
Need for baby hatches in Japan seems greater than ever
By Michael Hoffman 'Lonely childbirth' is the English title Spa (June 3-10) gives its report. Can a deeper loneliness be imagined? A girl, a teenager, perhaps in her early 20s, a child herself, at an age when 'knowing the facts of life' means knowing what fun they are. That's a start. The childish mistake is thinking it's the end. Suddenly grownup reality rears its ugly head. It's a rude awakening. 'Aoi Tanaka' (a pseudonym), now 21, recalls hers for Spa. She was 19, a high school graduate, adrift in Tokyo after arriving from the country to attend vocational school. She dropped out to pursue a night life centered on 'underground idol' bands that play small venues and interact with fans. Her funds ran out. Seeking easy money and finding an easy way to it, she slept her way to financial solvency – so far so good – and – grim anticlimax – pregnancy. You'd think she'd never heard of it. The truth sank in slowly. Her period, she explained, had always been irregular, She'd feel something moving inside her but her belly scarcely swelled; she was a full eight months gone before she visited a gynecologist. Who was the father? Who knew? What next? Ditto. It was too late for an abortion. She'd have to give birth, but as to raising the child, 'What kind of mother would I be?' Like her own mother, perhaps, who seems to have borne her under similar circumstances and, though she did in fact raise her, was, in her chronic poverty, constant desperation and occasional violence, a negative example at best: 'I didn't want to be to my child what my mother was to me.' Her ward office counseled adoption. It seemed best. The child – a boy – was born. 'I tried to spend as little time with him as possible,' she says, 'so that love wouldn't grow in me, but when the time came to part I held him tight and yes, I cried. I hugged him and sobbed, 'I'm sorry, I'm sorry.'' She still is, and if her sorrow hasn't changed her lifestyle much, it has at least made her more careful. An unsettling reflection of unsettled times is a recent succession of incidents of infanticide and infant abandonment. Spa mentions two: a teenage high school student arrested in Nagano Prefecture in April on suspicion of murder of the infant she'd just given birth to at home, and, a month later, a young woman in her early 20s, charged with abandoning her one-month-old on somebody's veranda – hoping perhaps in her despair that it would fall into kindly hands. 'Circumstances were likely such,' speculates Dr Takeshi Hasuda (of whom more in a moment), 'that the felt need for absolute secrecy was the overpowering consideration. Alone, in labor and in pain, bleeding, panicking, they are not capable of normal judgment, so that they may be driven even to murder.' What to do, and who to do it? Japan's government, notoriously slow to address issues that in more traditional times were family matters, remained numbly inactive as more and more cases of this sort roiled the social waters. Someone, somewhere, at some point, sufficiently moved and with sufficient energy and influence to seize the initiative, would have to take the first step. It happened at last – in the Kyushu city of Kumamoto. In 2006 the director of the local Jikei Hospital was Taiji Hasuda (1936-2020). His notion, inspired by similar facilities then common in Germany, was a 'baby hatch.' Mothers in unwanted pregnancies, or others acting on their behalf, could deposit newborn infants or even, as the case may be, somewhat older children – anonymously. No questions asked. The hospital would see to the child's medical needs and arrange either adoption or placement at an orphanage. It would, Taiji hoped, at the very least save infant lives and offer mothers an alternative to desperate infanticide. Authorization granted by the pertinent local governments, the 'Stork's Cradle' baby hatch opened in 2007. (The stork's long bill and innocent white coloring makes it the perfect folkloric baby-bringer, a natural and culture-spanning answer to a small child's question 'Where do babies come from?') Among the first children to 'come from' Stork's Cradle was one Koichi Miyatsu – of whom more in a moment. Takeshi Hasuda, to return briefly to him, is Taiji Hasuda's son and Jikei Hospital's current director. He carries on his father's work. It's a lonely undertaking – absolutely so until this past March, when a Tokyo hospital opened the nation's second baby hatch – the 'Baby Basket' – along the lines of Stork's Cradle, which as of March 2024 had taken in a total of 179 children. How many of them would have perished otherwise? There is no knowing. Does the hatch's existence offer a too-easy path to the casual skirting of responsibility? That and other ethical issues swirl. The distressed mother's right to anonymity is one thing. What about the child's right, later in life, to know his or her origin? That too must enter the equation. 179 children, no doubt 179 stories, encompassing so vast a range of emotions – even within one child, let alone 179 – that generalization is impossible. As for Miyatsu, 'The day I was left there was the day a new chapter of my life began,' he told AFP News a year ago. Not, as it happens, the first chapter. He was five months old when his mother was killed in an accident, and going on three when the relatives caring for him left him at the hatch. 'I have no recollection of the moment when I was dropped off… but the image of the hatch's door is seared into a corner of my brain.' Two years earlier he had told the Yomiuri Shimbun, 'I was saved because of (Stork's Cradle).' He has reason to be grateful. In short order he was adopted by a couple whose love needed no blood ties to awaken it. Now 21, he is a student at Kumamoto University and a founding director of 'University for Kids Kumamoto,' in which capacity he addresses local elementary and junior high school kids 'about the importance of life,' as Kyodo News reported last December. It's a vast subject – one on which he has a unique perspective. © Japan Today


The Mainichi
2 days ago
- The Mainichi
Easy Japanese news in translation: Yosakoi Soran Festival held in Sapporo
The Yosakoi Soran Festival, held in early summer in the city of Sapporo, Hokkaido, began on June 4. The festival features dances performed with "naruko" clappers used in the Yosakoi Festival in Kochi Prefecture, to music that incorporates part of the melody of "Soran Bushi," a folk song from Hokkaido that was once sung during herring fishing. Student teams and others danced energetically in colorful costumes. The festival was held until June 8. Easy Japanese news is taken from the Mainichi Shogakusei Shimbun, a newspaper for children. This is perfect material for anyone studying Japanese who has learned hiragana and katakana. We encourage beginners to read the article in English followed by Japanese, or vice versa, to test their comprehension. A fresh set will be published every Monday, Wednesday and Friday at 4 p.m., Japan time. Click/tap here for past installments. Intermediate learners who do not need English assistance can directly access the Mainichi Shogakusei Shimbun site here. Furigana (hiragana) is added to all kanji in the text.