
Wintergeddon Returns To Auckland With Celebrities, Gaming, Cosplay And The Debut Of CARmageddon
Armageddon Expo | May 31 – June 2, 2025 | Auckland Showgrounds
The ultimate celebration of fandom is back!
Armageddon Expo's Wintergeddon storms into the Auckland Showgrounds this King's Birthday Weekend, May 31 to June 2, delivering three action-packed days of gaming, cosplay, collectibles, pop culture panels, and unforgettable celebrity encounters – plus a Stranger Things exhibit and the world's-first appearance of Armageddon super-car, CARmageddon.
Top Talent
As always, Wintergeddon 2025 brings a stellar line-up of screen and voice talent from the worlds of TV, film, and gaming.
The guest roster is led by Ioan Gruffudd, who captivated global audiences as the intelligent and elastic Reed Richards in Fantastic Four, and earned critical acclaim for his powerful portrayal of the seafaring hero in the classic British series Horatio Hornblower.
Renee O'Connor is well-known in New Zealand and throughout the world as an icon of 90s fantasy television as Gabrielle, the spirited warrior-poet and loyal companion to Xena in the globally adored series Xena: Warrior Princess.
Kim Rhodes brought heart and humour to the role of Sheriff Jody Mills in Supernatural, becoming a fan-favourite across the show's 15 seasons, and is equally beloved for her role as the quirky yet grounded mum Carey in The Suite Life of Zack & Cody.
And, Jeff Ward electrified audiences as the unpredictable and hilarious Buggy the Clown in Netflix's live-action One Piece, and earned sci-fi street cred as the inventive and lovable Deke Shaw in Marvel's Agents of S.H.I.E.L.D.
The full talent lineup includes:
Ioan Gruffudd (Fantastic Four, Forever, Horatio Hornblower)
Renee O'Connor (Xena: Warrior Princess)
Jeff Ward (One Piece, Agents of S.H.I.E.L.D.)
T.J. Thyne (Bones)
Aime Donald (M3gan, Sweet Tooth)
Kim Rhodes (Supernatural, Suite Life of Zack and Cody)
Neil Fanning (voice of Scooby-Doo)
Nadji Jeter (voice of Miles Morales in Marvel's Spider-Man games, Sam in The Last of Us)
Natalie Van Sistine (SPY x Family, Attack on Titan)
Reagan Murdock (Chainsaw Man, One Piece)
Jason Douglas (Dragon Ball, Borderlands, The Walking Dead)
Pete Capella (voice of Silver the Hedgehog)
Cosplay Heroes
Cosplay is an essential feature of the Armageddon Expo experience, and this year Cosplay royalty will be in attendance, with international stars Alyson Tabbitha, Rachel Maksy, Vera Chimera, and Ridd1e set to appear.
Alyson Tabbitha, known for her transformations into characters like Wonder Woman, Jack Sparrow and Leeloo from The Fifth Element, brings highly detailed craftsmanship to every appearance. Rachel Maksy, a YouTube favourite and vintage cosplay icon, is celebrated for her creative crossovers and charming retro takes on pop culture classics.
Vera Chimera, hailing from Australia, has earned global recognition for her intricately detailed Cosplay performances as characters from Borderlands, Overwatch, and Final Fantasy. And completing the lineup is Ridd1e, a Singapore-based cosplayer known for iconic portrayals of Marvel and anime characters.
Together, these four international Cosplay guests will host panels, judge contests, and inspire fans with their costumes and creativity throughout the weekend.
Stranger Things
Marvel and Netflix costume designers Daniel Selon and Amy Parris, will also present an exclusive Stranger Things costume display, with actual garments from the hit Netflix show presented for fans throughout the long weekend.
New for 2025: CARmageddon!
Prepare to geek out over CARmageddon, a fully-drivable custom build inspired by legendary screen cars like the Batmobile and KITT. This one-of-a-kind 1975 Cadillac Eldorado has been transformed with a scissor-lift turret, missile launchers, voice warnings, smoke screen, working gadgets, and even a flux capacitor—making its world premiere exclusively at Wintergeddon.
Esports and More
This year the expo also features two massive esports tournaments (League of Legends and Marvel Rivals), a board gaming library presented by Catan, a Minecraft VR Zone, Airsoft shooting range, X-Shot battle arena, Spookers Horror Hall, Just Dance disco, and live performances by the Auckland Wind Orchestra.
Don't miss cosplay parades, author panels, anime screenings, pinball machines, wargaming displays, D&D events by Questbook, and the ultimate pop culture shopping experience across Artist Alley and the retail floor.
Wintergeddon runs throughout the long weekend, Saturday: 9am to 6pm, Sunday: 9am to 5pm, Monday: 10am to 5pm at the Auckland Showgrounds. Tickets and full schedule available now at www.armageddonexpo.com.
About Armageddon Expo
Armageddon Expo is a New Zealand owned and operated pop culture convention that holds multiple events around New Zealand in cities including Auckland, Wellington, Tauranga, Palmerston North and Christchurch. The event, run by Beyond Reality Media Premier Event Management, has been running continuously since 1995 and features an unmatched line-up of talent from screen, television and online, together with gaming, anime, cosplay and more.
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Zak Waipara is a lecturer at Auckland University of Technology. Photo: RNZ / Yiting Lin As anime's popularity grew, so too did domestic appetite for manga. Local comic shops began importing translated Japanese comics, fostering a hybrid cultural mix and laying the groundwork for what would eventually become a thriving community. Established in 1994 by Stu Colson, Heroes for Sale has been a cornerstone of Auckland's comic scene for more than three decades. Reflecting on the early days of manga in New Zealand, Colson said initial offerings were limited. "It wasn't until companies like Viz and TOKYOPOP ramped up in the early 2000s that we really expanded our manga section," he said. Stu Colson, owner of Auckland comic bookstore Heroes for Sale. Photo: Supplied While North American superhero comics still dominated overall sales, manga was consistently growing in popularity, he said, noting that titles such as One Piece and Chainsaw Man were among the store's bestsellers. "You have got Pokémon manga all the way up to Vagabond ... manga does everything for all ages," Colson said. "Now we have what we call the 'Great Wall of Manga'." Interest in the genre was bolstered by Seong Oh, a lifelong manga and anime fan who turned a hobby into a career. In 2002, he opened Graphic Novel Cafe, an Auckland outlet specialising in English-language manga and anime merchandise. Four years later, he founded Overload, a convention designed to give this niche scene a dedicated platform. Seong Oh (right) is the founder of Overload. Photo: Supplied Unlike the broader pop culture convention Armageddon Expo, which has been held since 1995, Overload focuses on original artwork, doujin (fan-made creations) and community-driven creativity. Oh launched Overload to provide a space where both local and international artists could showcase their work and connect with fans. "Manga is no longer just Japanese pop culture," Oh said. "Creators can now reach global audiences through online platforms." Fatimatuz Zahroh, a 24-year-old student at the University of Auckland, attends Overload on 27 April to see Kaoru Mori, the Tokyo-based manga artist behind Shirley and Emma. Photo: RNZ / Yiting Lin Starting from 30 artists and 150 attendees participating in 2006, the event has expanded to more than 500 artists and 8000 visitors in 2025. Among them were Wellington-based Filipino cosplayers Caryl Loria Illana and Clarydel Seviia, who came to meet others in New Zealand's Filipino cosplay community. "It's a really fun time to meet new people and find others who love the same things," Seviia said. Wellington-based Filipino cosplayers Caryl Loria Illana (left) and Clarydel Seviia. Photo: RNZ / Yiting Lin Oh said the event showcased the unique way in which domestic fans were embracing global trends. "These New Zealand communities aren't just consuming pop culture," Oh said. "They're interpreting it in their own way, creating something new and sharing it." When Xintao Zhang performs as Moonblossom Midori, she's a bundle of energy and joy. As an underground idol, Zhang sings and dances at small local events such as anime conventions and local community gatherings. "We wear costumes from popular songs and try to uplift the audience with our smiles and charm," she said. Xintao Zhang, an underground idol who performs under the name Moonblossom Midori, performs on stage at Overload on 27 April. Photo: RNZ / Yiting Lin Originating in Japan, underground idol culture is linked to fans of nijigen, a Japanese word that refers to the world of anime, manga and video games. Many performances feature songs from idol-themed anime, attracting fans of both anime and manga. Unlike polished mainstream pop stars, idols are celebrated for their journey and growth alongside their fans. In New Zealand, where the scene is still small, idols such as Zhang build their following independently through conventions and social media. Zhang's audience includes fans from the Asian, Pasifika and wider ethnic communities. Local J-idol cover group ACeMETRiC performs at Overload on 27 April. Photo: RNZ / Yiting Lin Offstage, Zhang is a third-year law and piano student at the University of Auckland. She is a transgender woman who has battled depression and gender dysphoria. At 16, during what she described as the "darkest and most painful time" of her life, she found solace in Touhou Project, a fan-made game series set in a fantasy world separated from human reality. "I wanted to escape to (fantasy world) Gensokyo and live with the yōkai forever," she says, referring to the supernatural creatures and spirits that appear in Japanese folklore. "But later I realised I had to create my own Neverland in the real world." Zhang made her idol debut at Overload in 2022. She used her platform to uplift audiences and inspire others to embrace their dreams - regardless of who they are. "Even if you're different, you can still chase your dreams with confidence," she says. Xintao Zhang watches performances at Overload on 27 April. Photo: RNZ / Yiting Lin In New Zealand, she believed the idol scene felt less restrictive and more inclusive than in East Asia. "Fandoms there can sometimes objectify idols, which leads to appearance anxiety," she said. "But New Zealand's nijigen scene is still emerging - it feels more human." She hoped to use her future legal career to support other creators in the scene, helping them navigate intellectual property and copyright law. "Nijigen has become my core," she said before describing herself using a colloquial Japanese term that refers to an adolescent with delusions of grandeur. "I'm the most chūnibyō person in the world." Since relocating from China to New Zealand in 2019, 36-year-old Xin Li has filled her home with more than 6000 Chinese-language manga. Most of her collection came from online platforms such as Taobao, Taiwan's Eslite Bookstore and Amazon - shipped across the globe at a personal cost of more than $70,000. Xin Li, 36, has filled her home with more than 6000 Chinese-language manga titles. Photo: RNZ / Yiting Lin But Xin Li did not consider herself to be a nijigen fanatic. What drew her in was the storytelling - narratives that felt authentic and emotionally resonant. "Compared to the individualistic heroism in American or European comics, I prefer characters with flaws who grow over time, like Naruto Uzumaki in Naruto ," she said. "To me, it's a form of spiritual support." Waipara agreed that anime and manga's appeal transcended cultural boundaries. While the artform remained rooted in a Japanese context, it offered alternative narratives for those seeking more inclusive representations. "A whole generation of young Māori and Pacific kids grew up on Dragon Ball-Z and similar series," he said. "As well as the sense of belonging that the Asian diaspora could gain from seeing elements of their cultures reflected in the storylines of manga and anime, they were also drawn to the positive cultural difference these works might portray." Comic books created by local New Zealand illustrators. Photo: RNZ / Yiting Lin Waipara said the subculture was helping to shift the demographics in animation programmes, with more female students and a broader range of ethnic backgrounds entering the field. Xintao Zhang is currently preparing for her next performance at Armageddon Expo on May 31. Zhang believed immigrants had helped to drive the growth of New Zealand's nijigen community. More importantly, she saw the community as a way to build social connection. "Nijigen brings people from all backgrounds together," she said. "There's no division - just the joy of loving what we love." Visitors watch performances on stage at Overload on 27 April. Photo: RNZ / Yiting Lin Li has continued to grow her collection. She recently connected with a young Chinese couple who shared her passion for manga, and they now placed group orders to save on international shipping. "Manga keeps me feeling young," she said with a laugh. "If you read manga, you never really grow old."