
Planner: 4 events that make this an eclectic week
A unique event is all set to celebrate the culture and generational memory around the mango. Organised by the Kashkol Collective, Bazm-e-Aam will include a myriad forms of storytelling to look at the mango as a cultural metaphor and a symbol of nostalgia. You can attend the Qissagoi—Dastan on the Mango by Ashhar Haque, tracing the journey of this fruit from Buddhist parables and Mughal memoirs to colonial kitchens. A highlight of the evening is a talk by historian Sohail Hashmi and writer-environmentalist Sopan Joshi on the mango and Indian cultural memory. At the end is a meal curated by chef Sadaf Hussain. At India International Centre, Delhi, 14 June, 7pm onwards. Magdalene in Ecstasy, Oil on canvas, by Caravaggio
After mesmerising audiences in Delhi, Michelangelo Merisi da Caravaggio's exquisite painting, Mary Magdalene in Ecstasy, travels to Bengaluru and is on show till early July at the National Gallery of Modern Arts (NGMA). The painting – considered one of the best examples of the chiaroscuro technique – was done by Caravaggio around 1606 while he was in exile after being charged for murder. After having been lost for centuries, the painting resurfaced in a private collection in 2014. At NGMA, Manikyavelu Mansion, Palace Road, Bengaluru, 14 June - 6 July 2025,10 am-6pm (closed on Mondays and national holidays). BeautyXperience 2025 includes masterclasses by celebrity makeup artistes, luxury brand showcases and live music performances.
Phoenix Mall of Asia Bengaluru is hosting BeautyXperience 2025, a three-day celebration of beauty, style and artistry. On schedule are masterclasses by celebrity makeup artiste Sandhya Shekhar and beauty educator Bhumika Bahl, luxury brand showcases, and musical performances by StringFisher, Kanya, and the Fernandes Trio. At Fan Park, Phoenix Mall Of Asia, Byatarayanapura, Yelahanka, Bengaluru, till 15 June, 2.30pm onwards. For details and registration, visit events.phoenixmallofasia.com.
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These lines that captured social media in Mittal's voice belong to a ghazal penned by Islamic scholar Peer Naseeruddin Shah Naseer from Pakistan and originally recorded by Khan in 1991 under Oriental Star Agencies, a British record label, that was based in Balsall Heath, Birmingham. With an IPS officer father and a homemaker mother — both with an inclination towards Hindustani classical music — Mittal grew up in Mohali on a steady diet of music of Ustad Bade Ghulam Ali Khan and Pandit Bhimsen Joshi tapes, among others. Since his parents couldn't learn music, they made sure that both their sons did. After learning initially from Harvinder Singh, a Chandigarh-based music professor and making his debut at the prestigious Harivallabh Music Festival at 11, Singh took Mittal to his guru Pandit Yashpaul, a well-known practitioner and teacher from Agra gharana, who composed many bandishes under the pen name 'Sagun Piya'. 'Unlike Professor Harvinder, he (Pt Yashpaul) was very strict and commanded discipline. With him started the journey of what rigorous taleem means,' says Mittal, who kept learning in Chandigarh while excelling in regular academics, including the competitive exams that followed. But music stayed and Mittal was not a typical reluctant teenager being dragged into the complex world of ragas and rigorous riyaaz. 'When I was about eight, it was an exploratory feeling. What is this about? Music was like any other hobby, like basketball and cricket. It is only after I spent a couple of years that I began to feel that this was something deeper; that there is a tradition which is associated with this. I began to enjoy the process of learning. I do feel that music helped with my academic journey,' says Mittal. But the moment music became high stakes, his academic journey, with competitive exams in place, too, acquired the same exactitude. With an All India Rank of 4, he joined IIT Delhi, which is where Mittal encountered two things: a culturally charged atmosphere where everyone wanted to excel, and his professor, Dr Kiran Seth, who was also heading SPICMACAY. Seth asked him to volunteer so that he would get to meet many classical artistes and work towards organising their concerts. 'These were very fulfilling four years. IIT came with the atmosphere and idea of chasing excellence and success was going to follow. While at SPIC MACAY, I got to accompany some of the musical legends on the tanpura on stage and that was an unparalleled experience,' says Mittal, who continued his training and appeared for UPSC examination after his graduation and cleared it in his first attempt in 2010. His first posting was as the SDM and Additional Deputy Commissioner of Chandigarh. Amid drafting policy briefs, Mittal found the opportunity to perform at a few festivals, including Tansen Mahotsav, Jashn-e-Rekhta and Harivallabh Festival, among others. While being posted at NITI Aayog in Delhi, Mittal also became an A-Grade artiste for All India Radio on Sansad Marg, which was opposite the NITI Aayog building. He was also empanelled in ICCR (Indian Council for Cultural Relations), which allowed him to travel abroad for concerts. This is when he began thinking of engage in music full-time. 'Pursuing music deeply was always at the back of my mind. Nine years into the service and I decided to make the transition. I always thought that it was a great privilege and responsibility to be able to learn and carry forward the tradition. All of it required time. Finally, I decided to do it,' says Mittal, who didn't want to be bound by time or a distant posting. For someone who had the dream that India dreams, was it hard to let go of it? Mittal says that his parents asked him to think through the decision, but remained supportive, asking him to choose his happiness; his peers were startled, wondering how and why the Services were not enough to be a lifelong mooring. Mittal wanted to anchor himself in something deeper. 'Sometimes I was just performing a set of ragas. I wanted to immerse myself, give it more time and explore the ragas more deeply – unique entities in themselves,' says Mittal, who is also the co-founder of Disha, a Bengaluru-based AI start-up that creates personalised study plans and UPSC strategy and roadmap for civil services aspirants. For Mittal, the fear of leaving stability behind has waned. There wasn't too much to begin with. For now, he is steady about chasing the slow unfolding of ragas and riyaaz.