Made In Chelsea star QUITS reality TV show after 'mean girl behaviour' from castmates and 'draining' episodes
Made In Chelsea 's Lauren Sintes has announced that she has quit the reality TV show after 'mean girl behaviour' from castmates.
Revealing her departure in a TikTok video, the TV personality, admitted to finding recent episodes 'draining.'
In the clip titled, 'end of a chapter,' Lauren explained how she was 'emotionally done' with the show before filming the most recent series.
She explained: 'I just wanted to start by saying my time on the show has come to an end. I'm happy and I am sticking by my decision because it's a bit over due for me.
'I was very, very hesitant doing this last season, I was kind of emotionally done but then I was like, "Oh the Maldives."
From A-list scandals and red carpet mishaps to exclusive pictures and viral moments, subscribe to the DailyMail's new Showbiz newsletter to stay in the loop.
During recent episodes, Lauren came to blows with Zeyno Taylan, again, with Zeyno posting a cryptic video on TikTok.
She wrote on the clip: 'When the nasty girl storyline is tired but she's still auditioning.'
Seemingly addressing the drama, Lauren continued: 'Looking back I should have not done it because I think my frustration with a lot of people on the show definitely came out.
'You are also characterised on the show like Lauren is someone who is blunt and will say it how it is, so then I get put into those situations because that makes good TV. It was draining for me. I did the most draining episode of my life.
'If I don't agree with someone then I will say it but it is my strength and my weakness. In hindsight I was wish that I didn't go in and I had stood my ground bit more with that episode.
'Everyone who is on TV knows that it comes with a price of trolling and rude comments.
'I would think that a fellow cast member wouldn't put content out and engage in trolling because we all know what it's like to be on the brunt of it. I find it hypocritical engaging in mean girl behaviour.
'I came in hot, I'm leaving hot. Thank you to everyone that does get it and can read between the lines.'
MailOnline has contacted Made In Chelsea representatives for comment.
During their time in the Maldieves, viewers also saw Lauren come head-to-head with Sam Prince and stand up for Rebecca Collins after it was revealed Freddie Knatchbull was back on dating apps just one day after they went on a break.
Elsewhere, Lauren has been modelling for eight years, and during her career has modelled for brands including Boohoo, ASOS and PrettyLittleThing.
She was already firm friends with Rez Garroussi, Emily Blackwell and Tiffany Watson, before joining the series in 2023.
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Daily Mail
30 minutes ago
- Daily Mail
ITV 'have already filmed brand new prime time entertainment show with huge twist to replace Saturday Night Takeaway'
ITV have reportedly already filmed a brand new prime time entertainment show to replace Saturday Night Takeaway and Dancing On Ice as the shows take a break from the schedules. Later this year the channel will air a prank show called Celebrity Sabotage that will be hosted by Joel Dommett, with Sam Thompson, GK Barry and Judi Love as support hosts. The premise is that the stars will have to sabotage 'unsuspecting members of the public' by completing hilarious stunts. Jill Scott, Fay Ripley, Olivia Attwood, Jo Brand, Guz Khan and Harry Redknapp will also star it has been reported. However there is a huge twist in the show - as the stars will think that they are arriving for a new ITV show hosted by the likes of Clare Balding, Matt and Emma Willis and Rylan Clark. From A-list scandals and red carpet mishaps to exclusive pictures and viral moments, subscribe to the DailyMail's new Showbiz newsletter to stay in the loop. Then every sabotage mission will add more money to a secret prize pot for the contestants. A source told The Sun of the new show: 'Celebrity Sabotage will have everything ITV does best at its heart — fun and laughter, a huge cash prize and it's absolutely jam-packed with celebs.' The show is set to air on ITV later this year. MailOnline has contacted ITV for comment. Saturday Night Takeaway ended in April last year. The final episode featured its most star-studded lineup yet, with appearances from Girls Aloud, S Club 7, while Simon Cowell, Girls Aloud, Amanda Holden, and Rylan Clark appeared in the second part of Get Out My Ear! The Revenge. It came after Ant and Dec admitted leaving the iconic show was far from an easy decision, as they discussed their emotional farewell during an appearance This Morning. Chatting to hosts Alison Hammond and Dermot O'Leary on the final extravaganza, the pair explained it felt like 'the right time' to leave the iconic show 'on a high'. Praising its 22 years of broadcasting, Dec said: 'When we first came to the decision to rest it - and we did it because 20 series feels like a good time to do it - we told our management first. 'We said, 'We want to rest it but we reserve the right between now and then to change our minds several time,' and we have. But I think we know in our heart of hearts it's the right thing to do.' Ant agreed echoing: 'For the show and for us personally, it's the right thing at the right time.' While teasing a slew of hotly-anticipated surprises for the grand finale, the Geordie duo admitted they remain unsure if the show will ever be back on screen. Cherishing their memories on the show, Ant said: 'You want to make sure that you get enough new stuff in and fun stuff in so it's not just all a look back. 'We don't know when the show will be back and we don't know if we will ever do Ant versus Dec again, so whoever wins is the ultimate!', Dec added. The year before Ant and Dec announced they'd quit Saturday Night Takeaway ahead of the 20th series, shocking their fans across the nation. Ant said at the time: 'We love making Saturday Night Takeaway, but reaching the milestone of 20 series seemed like the perfect time to pause for a little while and catch our breath.' Dec added: 'We still have a momentous 20th series to look forward to first so we will do our best to go out (for now) with a bang in 2024!' The series has spawned numerous iconic segments, including Win the Ads, Undercover, Get Out Of Me Ear, The End of Show Show and the Happiest Minute of the Week.
Telegraph
40 minutes ago
- Telegraph
The Gold, series 2, review: bleaker, more desperate, but the show retains its sparkle
The first series of The Gold (BBC One), a drama about the 1983 Brink's-Mat robbery, was an accomplished piece with one major flaw: a soft spot for its chief villain. Everyone likes a Robin Hood figure, but Kenneth Noye is a convicted murderer who also stabbed a police officer to death. This isn't loveable rogue territory. The second series wisely avoids doing the same thing again. It differs in two ways. When Noye (Jack Lowden) eventually appears, he is now just a nasty piece of work. And the sequel is more interested in two other characters linked to the heist: John 'Goldfinger' Palmer and Charlie Miller. They're not exactly nice guys either, but they've got more nuance in storytelling terms. Cast your mind back to the ending of series one, and one of the final shots was of Miller (Sam Spruell) sunning himself on the Costa Del Sol. He was revealed to be one of the armed robbers, and that tied in with Scotland Yard's realisation that they had only ever been on the trail of half of the Brink's-Mat gold. Now they're going after the other 50 per cent – all £13 million of it – and the drama explores various theories, which range from stashing it down a Cornish tin mine to laundering the money through a former public schoolboy based in the British Virgin Islands. 'A lot of blokes in South London become villains to be big men in South London. I became a villain to get out of South London. I became a villain so that one day I wouldn't have to be a villain any more,' says Miller, but his unsophisticated ways soon tell and he finds out that acquiring wealth and knowing what to do with it are two separate things. Meanwhile, Palmer (Tom Cullen) is sitting pretty on the Sunday Times Rich List thanks – on paper at least – to his dodgy timeshare business. Unfortunately for him, he's a magnet for trouble. With the chauffeur, private jet and champagne comes cocaine, Russian gangsters, and angry pensioners fleeced out of their life savings. There are so many threads to the story, which freely admits to being based on theories rather than facts, and writer Neil Forsyth handles them with great skill. While it may lack the narrative drive of series one, it will keep you watching through the strength of the writing and the top-notch performances from everyone involved – Bafta nominations for Cullen and Spruell would be well-deserved. If the scenes in Tortola begin to drag, they are pepped up by a great turn from Joshua McGuire as Douglas Baxter, a prissy, disgraced lawyer who brings a welcome note of comedy. There's also a great little cameo from Phil Davis as a crime boss hankering after the good old days. The hunt for the gold is again led by Hugh Bonneville as Brian Boyce, the dogged detective who personifies everything that was good and proper about old-fashioned British policing. At the beginning, he's under pressure to wrap it up – this has been the longest and most expensive investigation in the history of the Met, and its failure has become an embarrassment. But Boyce presses on, aided by trusty colleagues Brightwell and Jennings (Charlotte Spencer and Emun Elliott) and new addition Tony Lundy (Stephen Campbell Moore). It's no spoiler to say the police never did find the gold. But nobody got clean away. Where series one was full of verve, this series has a bleaker, more desperate tone. Pulling off the heist was all well and good. This follow-up is about the reality of being on the run, and it's not much fun.
The Guardian
40 minutes ago
- The Guardian
The Gold season two review – this thrilling tale of stolen millions is top quality British drama
At the end of the first series of The Gold, it dawned on the officers of the Met's Flying Squad that for all of their multiple investigations into the infamous Brink's-Mat robbery of 1983, they had only ever been chasing half of the stolen bullion. Arriving two years after its highly entertaining predecessor, series two sets off with an irresistible premise: what exactly happened to the rest of it? The trouble is that the show doesn't know the answer, though it freely admits this. None of the gold has ever been recovered, but a note at the beginning explains that the series is based on both real events and theories as to where the loot went. As before, some of the characters are real and some invented. The focus, this time, is on bringing down the ones who got away. The police are hot on the heels of the charming rogue John Palmer (Tom Cullen), AKA 'Goldfinger', who talked his way out of a conviction so convincingly in series one. They're also trying to track down Charlie Miller (Sam Spruell), a fictional amalgam of various south London villains, who has come away from the robbery with a lot of gold to hide and only loose ideas of what to do with it. The first series, set in the 1980s, was a classic cops-and-robbers drama, and as a result, was more contained and more thrilling. The second series moves the action to the 1990s, and has to work harder, at least initially. It follows the money through a sprawling network of villains, some small-time, some so big-time that at one point we take a detour to the country then called Burma. (I'm sure the cast who were stuck on the Isle of Man felt no resentment whatsoever towards the actors who ended up mostly in Tenerife.) For the first couple of episodes, The Gold seems uneasy with this new sense of unharnessed scale. It starts out like an instalment of The Famous Five, or Scooby-Doo, as Miller heads for the disused tin mines of Cornwall. But it soon drags its attention back to the money trail and the investigation, still led by Det Supt Brian Boyce (Hugh Bonneville at his best). The police work has been going on for so long that he and his team are losing the support of their superiors, who are trying to shut them down. These scenes feel a little stuck, a little repetitive, lacking the excitement of the robbery and its immediate aftermath. That is, until Palmer begins to flaunt his wealth and muscle his way into the English establishment. The Gold has always had something to chew on about who belongs where, and who gets to do what. The establishment and the underworld are rarely as distinct as you might think, the series seems to say, an idea that on occasion muddies the waters of who you are supposed to be rooting for. Miller is perceived as a 'knuckle-dragger' by Douglas Baxter, a disgraced Cambridge graduate and tax whiz whom Miller tasks with cleaning the dirty money. Joshua McGuire – a standout – plays Baxter with a snivelling haughtiness as repellent as it is pathetic. In fact, this is filled with thunderingly good performances, both billed and in the form of a few surprise appearances, which should please fans of series one. Any sense of triumph, of thieves luxuriating in their ill-gotten gains, is soon swallowed up by paranoia, and by episode three, the claustrophobia experienced by those involved in Brink's-Mat is palpable. Palmer's timeshare business in Tenerife is hiding a multitude of sins, and when the Russians arrive, it's fair to say that his work-life balance tips in an unfavourable direction. Miller, meanwhile, directs his attention towards the Virgin Islands, and a network of old boys to which he does not belong. For Palmer and Miller, the bubble can only get so big before it bursts, and the series revels in slowly turning the screws on them. The Gold is still prone to giving its characters lengthy speeches, in order to explain their belief system or philosophy of life, but that quirk has become as much a part of the series as sweaty detectives shouting 'nick 'im!', or indistinct timeframes indicated by captions like 'a few years ago'. But there is an overwhelming sense that this is Good Quality British Drama, despite the inevitable sprawl that comes with a story wandering across the Canaries, the Caribbean, Asia, the Isle of Man and London. For the most part, it is focused and newly thrilling. And despite having no obvious ending to draw from in real life, The Gold manages to cobble one together, with gusto. The Gold aired on BBC One and is on iPlayer now.
