Catch free screenings of Met Opera performances as part of Summer HD Fest
For ten nights, the Met will project both classics and new works from its Live in HD series onto a screen on the facade of the opera house: Verdi's Aida, Beethoven's Fidelio, Strauss' Salome, Mozart's Le Nozze di Figaro, Jeanine Tesori's Grounded, Offenbach's Les Contes d'Hoffmann, Daniel Catán's Florencia en el Amazonas, Puccini's Tosca, Rossini's Il Barbiere di Siviglia, and Puccini's La Fanciulla del West are all on the lineup.
The series kicks off Friday, August 22, with a special screening of Maestro, the 2023 Leonard Bernstein biopic starring Bradley Cooper and Carey Mulligan. Directed by Cooper, the movie features plenty of musical moments, including Bernstein's Mass and the Fancy Free ballet reinterpreted by Tony winner Justin Peck.
The rest of the line-up includes highlights from the Met's 2024-2025 season: Michael Mayer's production of Aida, featuring Angel Blue, Judit Kutasi, Piotr Beczala, Quinn Kelsey, and Morris Robinson; Fidelio, with Lise Davidsen, Ying Fang, David Butt Philip, Magnus Dietrich, Tomasz Konieczny and René Pape; Salome, the adaptation of Oscar Wilde's play, starring Elza van den Heever, Michelle DeYoung, Gerhard Siegel and Peter Mattei; and Richard Eyre's production of Le Nozze di Figaro, with a young cast that includes Federica Lombardi, Olga Kulchynska, Sun‑Ly Pierce, Joshua Hopkins and Michael Sumuel.
On Wednesday, August 27, see a screening of Tony winner Jeanine Tesori's opera about drone warfare, Grounded, starring Emily D'Angelo and directed by Michael Mayer. The rest of the series includes Bartlett Sher's productions of Les Contes d'Hoffmann and Il Barbiere di Siviglia; director Mary Zimmerman's take on Florencia en el Amazonas; Lise Davidsen, Freddie De Tommaso, and Quinn KelseyIl in Tosca, and the 2018 production of Puccini's La Fanciulla del West, with Eva‑Maria Westbroek, Jonas Kaufmann and Željko Lučić.
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
BBC News
19 hours ago
- BBC News
AI robot 'drills into biggest concerns of our time', Oxford creator says
The creator of the first ultra-realistic robot artist has said that working with a robot has evoked "lots of questions about the relationship we have with ourselves".The artificial intelligence (AI) robot Ai-Da has been devised in Oxford by Aidan Meller, a specialist in modern and contemporary art, and built in the UK by Engineered has been specifically designed as a humanoid to be able to do art and has recently unveiled a portrait of King Charles Meller said Ai-Da and her artwork "drills into some of the biggest concerns and thoughts of our time". Ai-Da has cameras in her eyes, which she uses to take thanks to AI algorithms, she is able to interrogate the image which goes through to her arm to be converted into real-time coordinates - that enables her to hold a paintbrush to paint and draw."You can meet her, you can talk to her using her language model and she's then able to paint and draw you from sight," Mr Meller said."People have got very much 1950s robots in their head - the reality is that actually they're very engaging."It's not until you look a robot in the eye and they say your name that the reality of this new sci-fi world that we are now currently in really takes hold." Ai-Da has been asked to produce and showcase work at the United Nations' AI for Good Global Summit in Geneva, 2024, she did a triptych of Enigma code-breaking mathematician Alan Turing, which was sold for more than £1m at an year, she turned her focus onto King Charles III."With extraordinary strides that are taking place in technology and again, always questioning our relationship to the environment, we felt that King Charles was a really good subject," Mr Meller said that even though Ai-Da had not met the King, Buckingham Palace had authorized permission for the artwork to be asked how she chooses her subjects, Mr Meller said: "Uncannily, and rather nerve-wrackingly, we just ask her". "Ai-Da is connected to the internet [and] she's able to speak at length about different people because she has a great deal of data to hand. "It was through those conversations that the artwork is then able to be done."Ai-Da also painted a picture King Charles' mother, Queen Elizabeth II in 2023. Mr Meller said the biggest realisation from the six years working with Ai-Da was "not so much about how human she is but actually how robotic we are"."Working with a robot is throwing up lots of questions about the relationship we have actually with ourselves," he said."We hope that Ai-Da's artwork is able to be a provocation to have that discussion." You can follow BBC Oxfordshire on Facebook, X (Twitter), or Instagram.
Daily Mail
3 days ago
- Daily Mail
Criminally good crime: The Red Shore by William Shaw, The Inside Man by Trevor Wood, Gunner by Alan Parks
The Red Shore is available now from the Mail Bookshop The Red Shore by William Shaw (Hemlock £18.99, 384pp) A confirmed bachelor, Met detective Eden Driscoll never wanted a child. But then his estranged sister, Apple, who lives on the Devon coast, disappears while out on her sailing boat. Eden and Apple have not spoken in years – he doesn't even know that she has a nine-year-old son, Finn. But he knows that she was a good enough sailor never to neglect to wear a life jacket. So he decides to investigate, and as he does so, it emerges that he is Finn's only living relative. The relationship between Eden and the stubborn boy are at the heart of this exceptional crime story. Shaw was always a fine writer, but this is his best work. It's my finest crime novel of the year – so far. The Inside Man by Trevor Wood (Quercus £20, 448pp) DCI Jack Parker, who is only 53 and suffers from early- onset dementia but hasn't told his colleagues in Newcastle about it, returns for a second compelling story. Still haunted by the death of his DS, and desperate to track down the hit-and-run driver who killed her, he sends her replacement, Emma Steel, on an undercover mission to get close to the local gangster who Parker believes may have had a hand in the killing. He is then called in to investigate the disappearance of a mother and her young son. Meanwhile, Parker is taking part in the trial of a new dementia drug and debating whether to move back in with his wife and son. This is stunning storytelling, with a hero to cherish. Gunner by Alan Parks (Baskerville £16.99, 288pp) Set against the bleak backdrop of the German bombing of Glasgow and the Clyde shipyards during the Second World War, this compelling story introduces Joe Gunner, a former police detective. He has returned to his native Scottish city as a war veteran – with a dependence on morphine because of a damaged left leg and one eye covered by a patch. He is barely off the train from London when he is dragged into an investigation to identify a body – a man with almost no face and the tips of his fingers cut off. Add in Glasgow's warring gangsters and MI5 espionage and you have the ingredients of a striking drama that is destined for a series and, possibly, for television – Foyle's War, but with a sharper, darker edge.
The Guardian
3 days ago
- The Guardian
‘Don't feel like you have to stop at one': the shiny, thrifty brooch revival
The white gold and diamond brooch set like a moving snake was not the first time Zendaya wore the jewellery category most associated with grandmothers. But due to its placement, it might have been the most talked about. In attendance at the Met gala, the Dune actor pinned the Bulgari brooch to the back of her white Louis Vuitton suit. 'The Met Gala really was prime time for brooches,' Melbourne stylist Stuart Walford says. While fashion critics have heralded the brooch's return to menswear for several seasons, lately it has found its way to women's lapels too. Also at the Met Gala, Sarah Snook pinned a cluster of silver brooches from Rahaminov Diamonds and Saidian Vintage Jewels to her blazer, Aimee Lou Wood and Doja Cat both wore brooches in the shape of flowers covered in tiny diamonds (by Cartier and David Webb respectively), while the event's host, Anna Wintour, complimented her pale blue suit with an antique brooch by Lydia Courteille. At the SNL 50th reunion Tina Fey wore an art deco T-shaped brooch, Cynthia Erivo wore several to the 56th NAACP Image Awards and, more than once, the fashion writer Leandra Medine Cohen has featured a 1930s Jean Cocteau fish pin on her Substack, The Cereal Aisle. The brooch also remained the accessory of choice for men at the Oscars with Kieran Culkin, Adrien Brody and Colman Domingo prettifying their suits with ones shaped like tear drops, feathers and ribbons – in that order. Perhaps unsurprisingly given their prominence on the red carpet, it's hard to find a major fashion house that doesn't have a brooch in its recent collections, from Gucci to Loewe and Schiaparelli. In Australia, designers Carla Zampatti, Edward Cuming and Mimco are also selling brooches. Sign up for the fun stuff with our rundown of must-reads, pop culture and tips for the weekend, every Saturday morning For Sydney jeweller Lucas Blacker, a brooch is 'almost like a tattoo'. 'It is a sign from the wearer to show their personality,' Blacker says. At his studio, Black Cicada, he is seeing more clients wanting to repurpose inherited jewellery or pieces they aren't wearing by turning them into brooches. Olivia Cummings, the jewellery designer behind Cleopatra's Bling, says: 'Brooches require care in their placement and a sense of ceremony in their wearing. I think people are craving that now.' The personal statement brooch has deep roots, evolving from simple pins used to hold garments closed in the bronze age to intricate adornments that communicated class, religion and marital status in ancient Rome. In the 18th and 19th centuries, brooches became the original Instagram-holiday-post, featuring micro mosaics of the European tourist towns they were bought in. More recently, the brooches of Madeleine Albright and Queen Elizabeth II were rumoured to carry coded messages. 'Brooches are conversation starters, that's what makes them so special,' Walford says. Sign up to Saved for Later Catch up on the fun stuff with Guardian Australia's culture and lifestyle rundown of pop culture, trends and tips after newsletter promotion In some ways the brooch's rising popularity is consistent with the lipstick indicator, which suggests when economic times are tough people cut back on big purchases and turn to small, affordable luxuries – such as lipstick or, according to Walford, brooches. The financial appeal is twofold: they are a great item to thrift and they help the wearer freshen up their existing wardrobe without buying an entirely new outfit, he says. When styling brooches, Walford recommends balancing the proportions with the size of your lapel. 'If it's narrow, keep things small and delicate. For a large and oversized 80s-style lapel, you could go big.' 'Don't feel like you have to stop at one – if we learned anything from this year's Met Gala, it's that a brooch can be layered and stacked.' Alternatively, take a leaf out of Zendaya's book and fasten one to the back of a coat or dress – just watch out for your handbag strap if you do it. 'There are no rules,' Cummings says. 'I also love to wear them over the top button of a shirt or pinned to a straw hat in summer.' A brooch is a great way to break up an all-black outfit, to fasten a scarf thrown over the shoulders or to add some sparkle to a basket or handbag. If you're looking to start, or add to, a brooch collection, try searching for vintage brooches on secondhand sites such as Vestiaire Collective or online marketplaces such as Etsy, eBay and 1stDibs – the results page feels like rifling through a wealthy, bohemian grandmother's jewellery box. Antique stores and vintage markets also often have extensive brooch collections, if you prefer to peruse in real life. From gold nose-and-mouth sculptures by Salvador Dalí to 1980s Lanvin flowers and enamel and rhinestone sea shells – each pin contains the possibility of another, fancier world. At their best, brooches should feel like small sculptures – striking from afar but still full of detail when you come closer, Cummings says. 'Weight and balance are important but above all it should carry a sense of story.'
