Doechii announces ‘Live from the Swamp Tour' that will kick off in Chicago this fall
According to an announcement Monday from concert promoter Live Nation, tickets for her 'Live from the Swamp Tour' will go on sale in an artist pre-sale at 10 a.m. Aug. 8, then to the public at 10 a.m. Aug. 11 at livefromtheswamp.com.
Fans can sign up for the pre-sale at signup.ticketmaster.com/doechii.
The 12-city North American tour next goes to Toronto and will conclude in Seattle on Nov. 10, with stops along the way to perform in festivals, including Austin City Limits and others. The tour then heads to Australia.
The Florida rapper's concert on Saturday in Grant Park was hailed as one of the best of the weekend, with a stage that much more elaborate than most Lollapalooza performances. To promote her appearance as well as her as-then unannounced tour, an alligator also was floated down the Chicago River this past weekend, a reference to her 'Alligator Bites Never Heal.'
Review: Doechii delivers a hip hop master class at Lollapalooza
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Kendrick Lamar Adds New Australian Shows With Doechii as Support
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8 hours ago
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Sabrina Carpenter, Martin Garrix, Katseye Close Lollapalooza 2025
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Last week, Singh, 26, was joined on stage at Legends by venue owner and iconic Chicago bluesman Buddy Guy just a few days ahead of his 89th birthday and appeared in Grant Park throughout the weekend to perform as part of Hulu's online livestream of Lollapalooza, showcasing his scorching guitar playing as both Hulu and Lolla embraced arguably Chicago's most famous musical export: electrified blues music. 'I'm really grateful to the Hulu team. Because they wanted to include something representative of Chicago. And I was blessed enough to get the call,' said Singh, providing viewers of the stream live blues between each set. 'Honestly, playing blues, being in Chicago and having the chance to share my own Latino way? My experience playing blues at Lolla has been great.' For Singh, performing during the Hulu stream put an unprecedented amount of new eyeballs on his playing, showcasing his prowess to fandom across a variety of genres. 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'So, Ashe and I, in secret the last two years, made an album together,' he said welcoming the singer songwriter to the House of Blues stage while setting up the pair's new single 'The Hudson.' Ashe handled piano on 'The Hudson' with the duo further offering up their 2021 collaboration 'Till Forever Falls Apart,' with their new album The Dream due September 19. Opening the aftershow solo on piano FINNEAS navigated 'Starf–er,' picking up an electric guitar as the House of Blues floor began to shake soon after, with the five piece backing band joining in as fans hopped along in time during a spirited take on 'Lotus Eater.' 'Chicago, thanks for staying up late with me. I appreciate you!' said FINNEAS detailing fond moments spent at House of Blues, like watching Sabrina Carpenter perform in 2023 and supporting his sister Billie Eilish on stage at the venue in 2013. 'This is a long day! I appreciate you being up in the wee hours!' 17 year old Chicago rapper Star Bandz performed at Lollapalooza on Friday with the Chicago Youth Symphony Orchestra offering up an unparalleled Lollapalooza performance Saturday night. Lollapalooza's spotlight upon young, local talent continued Sunday via the embrace of large ensemble The Happiness Club. The Happiness Club offers a performing arts education program to Chicago youth between the ages of 8 and 18 free of charge, providing camaraderie, purpose and leadership while helping kids to embrace the idea of responsibility. 'It's a really unique experience that, I think, changes their perspective on what's possible for them,' said Artistic Director Tanji Harper, who's been with Happiness Club for over 20 years. 'We're literally backstage at one of the biggest rock concerts that happens in all of the world. So, for them to be exposed to stuff like this at such a young age, it just brightens their whole world up to what's possible for them later. And they don't have boundaries or limitations on what they think they can do or what they think they can accomplish. They're wide open now,' she said. 'We have great teachers. They learn rap, hip-hop, dancing, and singing. We have a vocal director. They write their own songs. All of that's great,' added Maureen Schulman, board president of the not-for-profit. 'But it also instills a lot of confidence and a strong work ethic. And I think that whether they go into the arts or not, it really helps them be successful after The Happiness Club.' The Happiness Club offered up a pair of the weekend's most resonant Lollapalooza performances Saturday and Sunday on the Kidzapalooza stage, collaborating with bassist Divinity Roxx (former bassist and musical director for Beyoncé), who took to Kidzapalooza prior to their set, encouraging the youth ensemble. 'We create songs about social issues that they go through. Mostly positive stuff: things that help them cope with stress or bullying at school or their self-confidence,' Harper explained. 'A bunch of kids getting together to sort of talk about issues that they go through on a daily basis. And then we make the music. And then we go out and we tour the songs anywhere anybody will let us,' she said. 'We try to keep it upbeat, a fun show - so that everybody is in on it. And we get complete buy in from the young people that hear it. It's positive and it's uplifting.' K-pop adjacent L.A.-based pop group Katseye proved to be a hit during a highly-anticipated 45 minute performance on the festival's north main stage Sunday, one delivering an equally uplifting message of connection during divisive times. Touting American, South Korean, Swiss and Filipino members, Katseye sing primarily in English with a clear goal not just for their Lollapalooza performance but the path forward following the release of their second studio album Beautiful Chaos earlier this summer. 'We've been a girl group for only a little over a year. And hitting these milestones is insane,' said Manon backstage prior to the set. 'It's been a super exciting weekend so far. We've had lots of fun. And we are all super, super thrilled about [the set]. It's going to be the biggest thing we've done in our career so far. I think we just want to inspire - especially young girls out there - to chase their dreams and put in the work and show that it really pays off,' she said. 'I think that we have always tried to have a touch in our music that can resonate with any age group, all different cultures and people from around the world,' added Lara. 'Especially because we are all from different places, we try to incorporate a little bit of our individuality and cultures into everything. But, also, when it comes to ages and stuff like that, we really want Katseye to be a universally loved group rather than just for this demographic,' said the singer. 'We have been working so, so hard, rehearsing every single day for this moment,' added Daniela. 'We're going to be doing new things that people haven't seen yet. So, we're very excited to show that off.' A quieted hush fell over the crowd Sunday as an introductory video rolled on screen, alerting fans to the imminent arrival of pop star Sabrina Carpenter, who would perform for over an hour opposite rapper A$AP Rocky and Dutch DJ and producer Martin Garrix as Lollapalooza 2025 drew to a close in Chicago. 'I feel so grateful and so honored to be here, Lollapalooza!' said Carpenter early in Sunday's set. 'Thank you for bringing me back. Make some noise for all of the artists that performed this weekend!' Carpenter was the epitome of poise, delivering an energetic and entertaining performance on stage while controlling the moment with a quick wit between songs. Carpenter conjured up images of Fleetwood Mac's 'Seven Wonders' via the rewarding pop rock feel at the heart of 'Taste' second in the set, with a series of videos continually localizing the Lollapalooza performance for the Windy City faithful. Acoustic guitar drove 'Coincidence' as Carpenter crouched down with a tambourine early, with the video screens showing members of TWICE in attendance during 'Juno' later. But the real surprise lay in Carpenter's handpicked guests, as Chicago-born R&B/funk legends Earth, Wind & Fire arrived for a bit of a homecoming celebration alongside Carpenter on the Lollapalooza stage. 'Chicago, the first time I played here it was to a room of 300 people,' said Carpenter incredulously, looking back. 'Now, because of you guys, we get to play this one,' she continued. 'I just thought it would be fun if we could bring some friends out!' she exclaimed, introducing her iconic guests. Moving from 'Let's Groove,' a funky, rollicking bassline soon drove 'September,' with Philip Bailey smiling through a killer early vocal as the ensemble worked in a snippet of The Emotions' 1977 hit 'Best of my Love.' Nearby, fireworks and pyro soared as Garrix worked up the crowd over 75 minutes on Perry's stage. 'I played Ibiza Thursday night. Friday night and Saturday was Las Vegas and then today in Chicago. Tonight, I fly right after the show to Utah,' said Garrix, racking up frequent flyer miles in the run up to Lollapalooza. 'I remember the first time I came here. And I was just mindblown by the size of the festival - by the energy, by the crowds. And just the skyline,' said the DJ, looking back upon Lolla Chicago sets in 2014 and 2016. 'What I remember the most is that I walked on stage and it felt so surreal. You've got the crowd of people and then the skyline in the back. Really special.' For Garrix, the process of collaboration is a rewarding one which found him working with songwriter and producer Lauv on 'Mad' earlier this year while teaming with AFROJACK, David Guetta and Amél on 'Our Time.' Collaborating with Dutch DJ and producer Armin van Buuren and vocalist Libby Whitehouse, Garrix is set to release his latest single 'Sleepless Nights' this Friday, August 8. 'Any collaboration, I'm learning so much from the people that I collaborate with - from the production point of view or the songwriting point of view,' said Garrix Sunday backstage at Lollapalooza 2025. 'I love Armin. I've known him since forever. So, it was just a matter of time until we ended up doing a song together. And Libby was incredible,' he said. 'We recorded with her in the studio. We wrote the bridge together. And just the whole song has been fun. It's my first trance song ever. My first song at 138bpm,' Garrix explained. 'So, I'm excited to play it tonight.'
Los Angeles Times
17 hours ago
- Los Angeles Times
Qué Chimba: Colombian hitmaker Feid talks HARD Summer, teases new music
Last Saturday, at the 2025 edition of HARD Summer — the annual EDM takeover of Hollywood Park in Inglewood — gritty reggaeton rhythms infiltrated the festival's usual bass-bumping fare. At the center of the main stage was Colombian superstar Feid, who united ravers and perreo fanatics alike in a glorious twerk fest. Distinguished by his signature green apparel, the 32-year-old singer, songwriter and MC has become one of the top 10 most-streamed artists globally on Spotify. Having recently graced festivals like the Governors Ball in New York and Lollapalooza in Paris, Feid, who is also known affectionately by his fans as Ferxxo (pronounced Fercho), continued to break new ground as HARD Summer's first-ever Latin headliner. 'These types of moments will always be very special for Latino culture and for reggaeton, the genre that I sing,' he said, seated across from me in the living room of a posh Airbnb in Beverly Hills. Through the glass doors behind him, I could see his parents wading in the swimming pool. 'To represent the large Latino community in this country, in a lineup that also includes Kaytranada and Busta Rhymes, makes me feel very special. To perform on the main stage and bring that kind of visibility to this festival is amazing.' Although Feid's rise to the top feels recent, it's actually over 10 years in the making. Born Salomón Villada Hoyos in Medellín, Colombia, he started out as a songwriter in his hometown's reggaeton scene. Feid helped put J Balvin and Medellín on the map as a co-writer of 2015 breakthrough smash 'Ginza,' which opened the doors for other Colombian stars like Maluma and Karol G. While a majority of his peers were feeding from reggaeton's roots in Puerto Rico, he decided to bring his paisa, or Medellín-born slang and style to breed a more personal brand of perreo. Following the release of his 2020 album 'Ferxxo (Vol 1: M.O.R),' Feid made 'mor,' which is a Colombian term of endearment for 'love,' enter the global lexicon. Soon after, he established himself as a unique and refreshing force in reggaeton with 2022's blockbuster LP 'Feliz Cumpleaños Ferxxo Te Pirateamos El Álbum.' 'I feel that incorporating my culture in everything makes people curious about what these words mean and how to use them,' Feid added. 'To show where you're from, your roots, and how you grew up through your music makes me feel muy chimba [very cool]. I feel proud to scream from the rooftops that I'm a paisa and I'm Colombian.' Last November, he won his first Latin Grammy for his 2023 collaboration 'Perro Negro' with Bad Bunny and later received his first Grammy nod in 2025 for his 2023 EP 'Ferxxocalipsis.' In June, Feid released the experimental 'Ferxxo Vol X: Sagrado,' which he produced and mixed himself. He's also been riding high with his girlfriend, Karol G, and their song of the summer, 'Verano Rosa,' from her new 'Tropicoqueta' album. Those tracks were included in his hour-long set at HARD Summer last Saturday, along with hits like the playful 'Feliz Cumpleaños Ferxxo' and the ATL Jacob-assisted 'Luna.' Feid also flaunted his past hip-hop and R&B collaborations with DJ Premier, Blxst, Majid Jordan and Ty Dolla $ign — but he got his biggest rap co-sign when a blazed Snoop Dogg emerged as a surprise guest and performed 'Drop It Like It's Hot.' De Los caught up with Feid the day before this momentous show to talk about his latest album and upcoming projects in both music and Marvel comics. This interview has been edited and condensed for clarity. How would you describe this latest chapter in your music career? I'm in an era [when] I'm doing what I like to do and what I enjoy the most. There [are] moments when I like to do something without necessarily thinking about if everyone will like it. There's also moments where you have to concentrate on winning over the masses. There will be more music for them, but this latest album is something special for the people that have believed in my project since the beginning. What was it like to independently produce your latest album, 'Ferxxo Vol X: Sagrado'? It was very frustrating at first. I almost threw in the towel a few times. I talked with my family and friends and I told them: 'I don't like what I'm doing. I don't think it sounds good.' Then came a moment when I switched things up, I found my footing and everything came out great. To put out this album made me feel like I'm showing everyone as I am; there's no makeup. There's no corrections from other producers, or corrections to my voice. There's no A&R. It's like if I uploaded a picture of myself in underwear to Instagram. In the past few years, there were beats that I hadn't finished making and music that I could've mixed, but I didn't. I made this album to prove to myself that I could finish what I hadn't before. That was my goal for this year. It makes me feel happy that with this album, there were no rules. In November, you won your first Latin Grammy award for best reggaeton performance for 'Perro Negro' with Bad Bunny. What was going through your head at that moment? That was crazy! When I didn't win for 'Luna,' I was like, 'Hijuepucha [son of a ...], if I didn't win for 'Luna,' how are we going to win for 'Perro Negro'?' The songs and artists in that category were all great. To win, it took me by surprise. I'm very grateful to Bad Bunny for giving me the opportunity to share that song with him. I messaged him right away saying that I felt very happy that I won my first Grammy with him. I've been nominated and performing at the Latin Grammys since 2019, so to win was amazing. I was very nervous during my acceptance speech. I have a piece of paper from two years ago with what I would say if I won a Grammy. I didn't say anything that was on that paper. [Laughs]. That moment was muy chimba. This is definitely the summer of 'Verano Rosa.' How did that song come together with Karol G? We recorded the song in 2023, but we changed the tone of it many times. We were trying to find a way in which Karol would sound like Karol and I would sound like Ferxxo. In the tone we had it at, I was singing super low and she was at a higher register. I was taking singing classes and that raised my register a bit. Karol then told me, 'Let's put this song on my album. It would be muy chimba to release because our teams love us together on it.' So we went to the studio again and recorded it in different tones until we both felt comfortable with it. It's always special to work with her. She knows what she wants and how she wants it. For her to also be my partner, it's beautiful and a blessing to work with family. What did you think when Karol G did your signature 'whoa' ad-lib in the song? ¡Súper chimba! It's very funny because I sang her verses and she sang mine. The verses that I wrote for the song are the ones that she sings, and vice versa. She already had my 'whoa' down. It sounded very beautiful. I'm proud of that voice Karol has. She's been with me through all my processes, I've been with her through all her processes. I feel very fortunate that she's my partner, my colleague and my friend. You've also recently been spotted in the studio with The Kid Laroi and Cypress Hill. What can you tell us about those sessions? I'm continuing to expand my sound. I've worked with reggaeton in a lot of ways. Now it's like: What can I do to share my sound with Kid Laroi, who is a pop and R&B star, and make it reggaeton? With the legendary Cypress Hill, how can I live within their world of rap and hip-hop? When I collaborate with artists from other genres, it's a learning opportunity for me. With Cypress Hill, it was all about hearing what they had to say. I showed them the rap songs on my album and asked for their opinions. Those projects should be coming soon. You've recently teased a new song called 'Se Lo Juro.' Will that song lead to another album? 'Se Lo Juro' is a very beautiful song. It will be part of my next project. I have everything almost ready to go, [but] I don't think it will be my usual December drop because that's far away. I can't wait until then. [Laughs.] I'm very focused on connecting with the roots of reggaeton and what made me a fan of it. You're now a part of the Marvel Universe, with the series 'The Green Man.' What can we expect from the second comic later this year? It's a dream of mine [to be in] the world of Marvel, I'm [one of the] X-Men, and I'll join them later on. It's my story inside that universe. The second comic will come out in December, or maybe before. You're going to keep learning things about my life in a more metaphorical way.
