
Trailer Drop: 'Jimmy and Stiggs' – First Look at Debut Film From Eli Roth's The Horror Section Delivers Alien Blood and Mayhem
Filmed over the course of four years in Begos' own Los Angeles apartment and shot entirely on 16mm film, Jimmy and Stiggs is more than just a movie – it's a blood-soaked fever dream built from the ground up with zero compromise. In a new behind-the-scenes featurette, Begos and Roth reveal just how hands-on and unhinged the production truly was – from climbing into his closet rafters to rig camera pulleys to operating chainsaws on blood-slicked floors.
The trailer showcases the film's signature blend of practical alien effects, neon-drenched visuals, and raw DIY camera work. Every creature in the film was handmade with puppetry, fishing wire, and even a robot hand toy for kids – a Frankenstein toolkit that speaks to the film's scrappy brilliance and commitment to practical effects in an era dominated by CGI.
'Very few films stop me in my tracks and make me want to tell everyone I know about it. What better way to do that than by releasing it wide in theaters? I was so obsessed I had to speak to the madman behind it, Joe Begos, and when he told me how he committed four years, 50,000 feet of 16mm film, and did all the effects practical, I loved it even more. I haven't seen a movie like this since the first Evil Dead or Bad Taste,' said The Horror Section Founder and Chief Creative Officer Eli Roth.
Created with longtime collaborator Josh Ethier under their Channel 83 Films label, Jimmy and Stiggs has already become a word-of-mouth sensation after packed screenings at Beyond Fest and Sitges Film Festival, where audiences and critics hailed it as an instant cult classic.
'It's been a long, messy, goopy, explosive, and backbreaking endeavor to get this handmade piece of exploitation to the finish line, and I can't wait to melt brains and sear eyeballs nationwide with this 16mm, cocaine-fueled alien psychedelic splatter fest, the way it was meant to be seen, on a big screen, with a packed audience,' said Joe Begos.
Jimmy and Stiggs is the first title from The Horror Section, Roth's bold new studio committed to theatrical-first, original horror content backed by Media Capital Technologies (MCT). The film will be distributed by The Horror Section in collaboration with Iconic Events. Upcoming releases include Eli Roth's highly anticipated new film, Ice Cream Man, which is set for a wide theatrical release during the 2nd quarter of 2026.
With the trailer now live, Begos and Roth invite fans to join the madness. The countdown to August 15th begins now.
About The Horror Section:
The Horror Section is a fan-owned 360 media company focused on building a robust library of intellectual property and creating the world's premier horror brand. The company was founded by iconic filmmaker and actor Eli Roth in partnership with Media Capital Technologies (MCT) to redefine the horror landscape. It is active in film, television, gaming, podcasts, and live events.
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Business Wire
2 hours ago
- Business Wire
Walk Down the Yellow Brick Road at The Venetian Resort Las Vegas in Celebration of The Wizard of Oz at Sphere
LAS VEGAS--(BUSINESS WIRE)--Sphere Entertainment Co. (NYSE: SPHR) and The Venetian Resort Las Vegas announced today a new activation in the resort's Waterfall Atrium in celebration of The Wizard of Oz at Sphere, which opens on August 28 at Sphere. The activation, which is free and on view to the public through the end of the year, brings life-size versions of Dorothy, the Scarecrow, the Tin Man and the Cowardly Lion to The Venetian Resort as they make their way down the Yellow Brick Road to the Emerald City. Glinda the Good Witch is also part of the activation, and fans can pose for a photo inside her iconic pink bubble. The Waterfall Atrium is filled with 5,000 vibrant silk poppies in a nod to the scene in the film where the characters travel through a poppy field on their journey to see the Wizard. The Café situated behind the activation features themed décor along with displays previewing The Wizard of Oz at Sphere merchandise. 'We're pleased to be partnering with The Venetian Resort to offer everyone in Las Vegas this unique opportunity to engage with The Wizard of Oz at Sphere,' said Bill Walshe, Executive Vice President, Global Head of Venue Operations and Development at Sphere. 'The film's iconic characters and imagery are recognized worldwide, and we look forward to visitors connecting to the Land of Oz through this activation and building anticipation for The Wizard of Oz at Sphere.' ' The Wizard of Oz is a timeless film that resonates across generations,' said Patrick Nichols, President and Chief Executive Officer of The Venetian Resort Las Vegas. 'We're proud to partner with Sphere to bring this activation to life in an immersive way, offering fans a chance to step inside Glinda's iconic pink bubble, as well as exclusive hotel packages for The Wizard of Oz at Sphere, designed to elevate the experience for guests looking to create new memories inspired by a classic.' The Wizard of Oz at Sphere is a fully immersive experience that will make audiences feel like they have stepped inside the film. The original film, shot for a 4:3 movie screen in the 1930s, will fill Sphere's 160,000 sq. ft. interior display plane, which wraps up, over and around the audience to create a fully immersive visual environment. To take advantage of Sphere Immersive Sound's 167,000 programmable speakers, and ability to direct sound anywhere in the venue, the original film's mono score was re-recorded to take on new clarity via Sphere Immersive Sound, while preserving the casts' vocal performances. Multi-sensory 4D elements will be combined and leveraged for maximum impact to make audiences feel like they are in the experience alongside the characters, including high-velocity wind arrays, atmospheric fog, towering fire bursts, and infrasound haptic seats. Hotel packages for The Wizard of Oz at Sphere are available for a limited time exclusively through The Venetian Resort Las Vegas, the resort connected to Sphere. For more information, visit or call 866-682-6155. The Wizard of Oz at Sphere opens August 28, 2025, with multiple showtimes daily. Tickets start at $104 and are on sale now at For groups of nine or more, please contact 725-258-7775 or groups@ For suites, please contact 725-258-6743 or suites@ For press assets related to The Wizard of Oz at Sphere activation at The Venetian Resort Las Vegas, please click here. For the complete The Wizard of Oz at Sphere EPK, please click here. About Sphere Sphere is a next-generation entertainment medium that is redefining the future of live entertainment. A venue where the foremost artists, creators, and technologists create extraordinary experiences that bring storytelling to a new level and take audiences to places both real and imagined. The venue hosts original Sphere Experiences from leading Hollywood directors; concerts and residencies from the world's biggest artists; and premier marquee events. The first Sphere venue opened in Las Vegas in September 2023, and is a new Las Vegas landmark, powered by cutting-edge technologies that ignite the senses and enable audiences to share experiences at a never-before-seen scale. More information is available at About The Venetian Resort Las Vegas The Venetian Resort Las Vegas features all-suite accommodations across The Venetian and The Palazzo. The iconic resort's experience is marked by a commitment to sophisticated play and light-hearted luxury, with world-class restaurants from celebrated chefs including Cote by Simon Kim, Bazaar Meat by José Andrés, and Southern California favorite Gjelina; the rejuvenating Canyon Ranch spa + fitness; a five-acre pool and garden deck inspired by the Italian Riviera including TAO Beach Dayclub, a Balinese-inspired tropical oasis; two landmark casinos and a poker room; Voltaire, a destination nightlife venue that blurs the lines between and intimate club and is home to the Queen of burlesque, Dita Von Teese; concert and non-stop entertainment including master illusionist Shin Lim; Sphere at The Venetian; TAO Nightclub, and unparalleled retail experiences at Grand Canal Shoppes. A premier events and conference center, the resort is home to more than 2.25 million square feet of meeting, exposition, and convention space. The Venetian Resort's brand-new loyalty program, Venetian Rewards, offers resort-wide earning and redemption for gaming play, including slots and tables, as well as experiential spend, such as dining, entertainment, hotel reservations, and more. The Venetian ® and other trademarks are used under license. The names and brands mentioned above are trademarks and/or registered trademarks of their respective owners.


Los Angeles Times
8 hours ago
- Los Angeles Times
John Woo on the classic era of Hong Kong action, plus the week's best movies
Hello! I'm Mark Olsen. Welcome to another edition of your regular field guide to a world of Only Good Movies. As awards season begins to take shape, this week the New York Film Festival announced its closing night selection: the world premiere of Bradley Cooper's 'Is This Thing On?' Starring Will Arnett and Laura Dern as a couple on the brink of splitting up when he immerses himself in the world of stand-up comedy, the film has been described as a 'pivot' from Cooper's previous directing efforts 'A Star Is Born' and 'Maestro.' Dennis Lim, artistic director of the NYFF, said that in putting together a program each year, he doesn't mind drawing from films that have already premiered at festivals throughout the year, including Sundance, Cannes, Venice, Telluride, Toronto and others. 'How do we make a case for cinema as an art form that is still vital and relevant? I think programming the New York Film Festival is answering this question,' said Lim. 'If I'm going to put forward a list of films that makes the case for cinema as an art form that matters today in 2025, which are the films that I'm going to put forward as evidence? The program is our answer to that question.' The stylish, delirious action cinema that emerged from Hong Kong in the late 1980s and early 1990s redefined the genre, creating a visual grammar and thematic template that is still wildly influential to this day. The American Cinematheque and Beyond Fest, in partnership with Shout! Studios and GKIDS, are launching 'Hong Kong Cinema Classics,' a series to celebrate these explosively exciting films. Due to tangled rights issues, many of these movies have been largely out of circulation in the U.S. for years. To have them now remastered in 4K from original camera negatives is a thrill and puts them back in front of audiences where they belong. The series will launch Saturday with the U.S. premiere of the new restoration of John Woo's 1992 'Hard Boiled,' his final film made in Hong Kong before coming to the U.S., starring Chow Yun-fat, Tony Leung and Anthony Wong. Woo himself will be present for the screening at the Egyptian Theatre and will return on Sunday for 1989's 'The Killer' and a triple-bill of the 'A Better Tomorrow' trilogy. Other films in the series include Woo's 'Bullet in the Head,' Ringo Lam's 1987 'City on Fire,' Tsui Hark's 'Peking Opera Blues' and Ching Siu-tung's trilogy of 'A Chinese Ghost Story' films. After relocating to America in 1993, Woo would go on to make a string of English-language films in Hollywood such as 'Hard Target,' 'Broken Arrow,' 'Face/Off,' 'Mission: Impossible 2' and 'Windtalkers' as well as the more recent 'Silent Night' and a 2024 remake of 'The Killer.' Speaking from his home in Los Angeles recently, Woo noted what it means to him that audiences still respond to his Hong Kong films. 'I so appreciate all the fans — for all these years they still give me great support,' said Woo, 78. 'That's why I'm so excited. It's hard to believe that after so many years, I still have a chance to meet the audience and the audience is still excited about it. So I'm very proud.' The Hong Kong action movies celebrated in the series slowly found their way to western audiences via festival screenings, limited theatrical releases and eventually home video. Writing about 'The Killer' in 1992, The Times' Kevin Thomas said, 'Sentimentality and violence have gone hand-in-hand from the beginning of the movies, but seldom have they been carried to such extremes and played against each other with such effectiveness.' For Woo, there was a creative freedom while making his movies at that time. Proven Hong Kong directors were often allowed to largely do what they wanted without interference. 'In the rest of the world, I've been told there are very clear rules for every kind of movie,' said Woo. 'The comedy is comedy. Action is only for the action fan and people who enjoy the melodrama never go to see the action movie. So each kind of movie has a certain kind of audience. But for the Hong Kong film, it is so much different. We had — in one movie — a human drama, a sense of humor and then the action. We can put everything all together.' In a 1993 profile of Woo by Joe Leydon, writer-director Quentin Tarantino, then known only for his debut 'Reservoir Dogs,' lavished praised on his fellow filmmaker, saying 'John Woo is reinventing the whole genre. The guy is just terrific — he's just the best one out there right now.' Tarantino added, 'After I saw 'A Better Tomorrow,' I went out and bought a long coat and I got sunglasses and I walked around for about a week, dressing like Chow Yun-fat. And to me, that's the ultimate compliment for an action hero — when you want to dress like the guy.' Woo has always been open about the influence of filmmakers such Jean-Pierre Melville, Sam Peckinpah and Martin Scorsese on his own movies. 'I just feel like we are all in a big family,' said Woo of his enduring influence, which you can see evidence of as recently as the 'John Wick' franchise. 'We are all learning from each other. Every time it's a learning process for me.' Having already released the boldly form-defying hybrid documentary 'Pavements' this year, filmmaker Alex Ross Perry continues his adventurous streak with 'Videoheaven,' an epic essay film about the rise and fall and continued life of video stores and their importance to film culture, with narration by Maya Hawke. Perry will be in-person for a series of L.A. screenings this week, starting at Vidiots on Wednesday for a Q&A moderated by 'The Big Picture' podcast co-host Sean Fennessey. On Thursday, the film will play at Videothèque with Perry in conversation with the store's co-manager, Lucé Tomlin-Brenner. On Friday, Aug. 8, the film will play at the Los Feliz 3 with an introduction by Perry. 'Zola' The Academy Museum is screening Janicza Bravo's 2020 'Zola' on Thursday with the filmmaker in person. Written by Bravo and Jeremy O. Harris, the film is based on a notorious 2015 Twitter thread by A'Ziah 'Zola' King that chronicled an uproarious tale of a road trip gone very wrong. With a cast that includes Taylour Paige, Riley Keough, Nicholas Braun and Colman Domingo, the film plumbs disorientation and information overload both with equal skill. Bravo, who has directed recent episodes of 'The Bear' and 'Too Much' (also appearing in the latter as an actor) spoke at the film's release about balancing outrageous humor with the darker currents of its story, which touch on complex issues around sex work, sex trafficking and race. 'If it were a not funny movie about sex work and sex trafficking, I don't think that I would be the right director for it,' said Bravo. 'But A'Ziah King, who wrote this story, had imbued it with so much dark humor — you're laughing at some of the most disturbed moments. … Her way of exorcizing her trauma — it feels so familiar to me. I feel so close to it. This is how I move through the world.' 'Zola' is screening as part of the series 'American Gurl: Seeking…' which spotlights coming-of-age films about women of color. Also upcoming in the series is Martine Syms' 'The African Desperate'; Minhal Baig's 2019 'Hala,' starring Geraldine Viswanathan; Nisha Ganatra's 'Chutney Popcorn' in 35mm with the filmmaker in conversation with Fawzia Mirza; Robert Townsend's 1997 'B.A.P.S.' in 35mm with screenwriter Troy Byer and Spike Lee's 'Girl 6' in 35mm. 'Taxi Zum Klo' For its 45th anniversary, Frank Ripploh's 1980 German film 'Taxi Zum Klo' is returning to theaters in a new 4K restoration. A semi-autobiographical tale of a schoolteacher (played by Ripploh) exploring Berlin's queer underground scene, the film was groundbreaking for its unapologetic candor. The film will have a limited run at the Los Feliz 3, playing on Aug. 5, 10 and 12. In a 1981 review of the film, Sheila Benson wrote, 'Films like 'Taxi' as so rare as to be unique, a collage of cinema journalism, an unblinking (but selective) view of homosexual life and intensely personal sexual images.' Merle Oberon and 'Dark Waters' On Saturday the UCLA Film and Television Archive will have a 35mm screening of André de Toth's 1944 'Dark Waters,' starring Merle Oberon. Along with the film there will be a Q&A with Mayukh Sen, author of the book 'Love, Queenie: Merle Oberon, Hollywood's First South Asian Star,' moderated by programmer and critic Miriam Bale. Sen will also do a signing before the screening. A tense thriller that combines elements of Southern Gothic and film noir, the movie is about an heiress (Oberon) who finds herself taking refuge at a relative's Louisiana plantation. She becomes embroiled in local intrigues and entanglements. Writing about the movie in 1945, Philip K. Scheuer said, 'The production builds suspense rather ingeniously, and culminates in an exciting night-shrouded chase in and around the bayou. … Miss Oberon never tops her initial outburst of hysterics, which I found pretty terrifying, but it is nice to see her in the part.' 'Cat Video Fest' returns The 'Cat Video Fest' is back for its eighth installment, playing at Vidiots, the Alamo Drafthouse DTLA and multiple Laemmle locations. Created and curated by Will Braden, the series has raised more than $1 million since 2019 to help shelters, support adoptions and foster care and volunteer sign-ups. Yes, you can watch plenty of cat videos on your phone. But sitting in a theater delighting in them with an audience is something else entirely.


Business Wire
9 hours ago
- Business Wire
Simms and the Grateful Dead Announce Dead on the Water
BOZEMAN, Mont.--(BUSINESS WIRE)--Simms Fishing Products, the preeminent manufacturer of waders, outerwear, footwear, and technical fishing apparel and a Revelyst brand, is proud to announce the launch of Dead on the Water, an all-new campaign encompassing a limited-edition product collection in collaboration with the Grateful Dead. At its surface, it's a line of technical and lifestyle pieces—T-shirts, hats, sun hoodies, and a special limited-edition G3 Guide Wader —but at its core, it's something deeper. 'This collaboration was born from feeling, not formulas. Fishing and music are both immersive experiences. They quiet the noise. They shift your focus from the outside world to the present moment." Share Some things don't need to be explained—they just feel right. The flow of water, the pulse of great music in an idyllic setting, and the way time seems to stretch and dissolve when you're deep in either one. That's where Simms and the Grateful Dead meet. In essence, music and fishing ask the same thing of us—presence, surrender, and the willingness to embrace what comes next. 'This collaboration was born from feeling, not formulas,' said Head of Simms, Ben Christensen 'Fishing and music are both immersive experiences. They quiet the noise. They shift your focus from the outside world to the present moment. Dead on the Water is our effort to capture this state of mind and an invitation to our community to join us on this long, strange trip.' For decades, the music of the Grateful Dead has echoed across rivers, drift boats, and streamside hangs—the unofficial soundtrack of the angler's pursuit. Improvisational, raw, and emotional—it mirrors the experience of fishing itself. No two days, no two casts, no two moments ever the same. You don't control it—you accept, enjoy, and immerse yourself into it. That spirit is present and alive in every piece of Simms' collaboration with the Grateful Dead. It's the melodic meander of a float down your home river. It's the wader built by hand, heart, and soul in Bozeman, Montana. And it's the belief that gear, like music, can do more than just perform—it can move you. 'What we're tapping into is that egoless state both artists and anglers chase—a place where instinct takes over and connection becomes everything,' added Christensen. 'For the Dead, it was the music. For us, it's the river. But the reward is the same—you get lost in the moment, and that's where the magic lives.' The centerpiece of the collection is the GD Guide Wader. Made in Bozeman, Montana, the GD Guide Wader is based on Simms' renowned and multi-award winning G3 platform and trimmed with Grateful Dead-inspired detailing. Around it orbits a collection of gear that's both river-ready and speaks the angling lifestyle: classic and technical headwear, cotton tees, and limited-edition sun hoodies designed to keep the good times rolling, from the water to wherever the current leads. At first glance, the collaboration may seem unexpected. But once you feel it, it's undeniable. One brand known for performance and craft. The other for culture and connection. Together, they speak to something both soulful and universal — the pursuit of moments that move us. With Dead on the Water, Simms steps beyond category silos and deeper into culture, reminding the world that fishing is more than a sport and/or pastime — it's a state of mind. And it belongs right alongside the music, art, and freedom that shape our lives. The Simms x Grateful Dead: Dead on the Water Collection will be available in limited quantities at and select retailers beginning August 1, 2025. See the entire Simms x Grateful Dead Collection Media Assets, Click Here Dead On The Water Film Dead On The Water Blog About Simms Fishing Products Established in 1980, Simms is the preeminent manufacturer of waders, outerwear and technical fishing apparel and accessories. The full line of Simms gear is available at specialty and large format retailers across North America as well as About Revelyst Revelyst Inc. is a collective of world-class maker brands that design and manufacture performance gear and precision technologies. Our category-defining brands leverage meticulous craftsmanship and cross-collaboration to pursue new innovations that redefine what is humanly possible in the outdoors. Portfolio brands include Foresight Sports, Bushnell Golf, Fox, Bell, Giro, CamelBak, Bushnell, Simms Fishing and more. For more information, visit