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This Morning's Alison Hammond emotional as she details wish on-air

This Morning's Alison Hammond emotional as she details wish on-air

Daily Record27-06-2025
ITV viewers were given the latest headlines by Alison Hammond and Dermot O'Leary during Friday's show.
During Friday's episode of This Morning, Alison Hammond shared a heartfelt moment on the show.
While speaking with Kate Lawler, who was reporting live from a football ground in anticipation of the Women's European Championship, Alison became visibly moved.

As Kate concluded her segment by demonstrating some football skills and reminiscing about her childhood dream of becoming a footballer, Alison made a confession.

She remarked: "You know what is so lovely? It actually makes me a little bit emotional because of how far women's football has come."
She continued, expressing her joy and aspirations for the sport, adding: "It's actually beautiful to see. It makes me so happy, it really does. It's unbelievable, I just want them to be paid the same. I wish."
Kate, during the broadcast, confessed to being "star-struck" while interviewing two England Lioness legends, reports Wales Online.
Janet Bagguley, a member of the 1972 team who now works as a postwoman, proudly displayed her 12 caps earned during her football career, stating: "I'm very, very proud."
Acknowledging the progress of women's football, Janet expressed her amazement: "Oh, it's absolutely fantastic!"

She reflected on the impact of the previous European Championship victory, adding: "When you look at these kids behind us today, and after we won the Euro's last time, it went boom."
Janet also spoke to viewers about her current role, gathering letters of support for the England team as part of her postal duties.

Discussing the Lioness Letter campaign, she revealed: "We've been around all the schools, we're in Manchester later today, we're in London over the weekend.
"Anybody can come and write their own letter, and we promise they'll be delivered to the Lionesses."

Janet, holding one of the letters, informed Kate that it was written by her five-year-old granddaughter wishing the team good luck.
Kate responded: "That's class, that is! I just want to say, I can't believe I'm stood with an OG Lioness."
The UEFA Women's EURO 2025 will take place from 2 to 27 July in Switzerland, across eight venues. Both ITV and the BBC will provide coverage.
This Morning is available to watch on ITVX.
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Fringe 2025 – The End is Near ⭐⭐⭐⭐
Fringe 2025 – The End is Near ⭐⭐⭐⭐

Edinburgh Reporter

timean hour ago

  • Edinburgh Reporter

Fringe 2025 – The End is Near ⭐⭐⭐⭐

In Edinburgh it's 1661: Janet is accused of witchcraft. In London it's 1911 and Caroline has been arrested for her suffragette activities. It's 2028 in the USA and Lauren has been detained for having an abortion. Melissa Ainsworth's new play The End is Near looks at society's centuries' old determination to control women. As the rights gained through past suffering and protest are increasingly threatened and eroded, Ainsworth's powerful writing shakes us awake and reminds us that the time to act is now. Lisa McIntyre as Janet, credit Twincity Pictures Each woman tells her story; each story is one of betrayal. Janet only wanted a happy life; she has no idea why she's been locked up. Even though pregnant, Caroline is prepared to suffer to secure votes for women; her husband will come to help her soon – won't he? Lauren is terrified and furious, ill and still bleeding. Her wife and child are in the UK; will she ever see them again? Will she die in this place? It's all pro-life until they see a woman dying. Each woman's character is well defined and nuanced, Caroline (Ainsworth)'s especially so. Dressed in fur coat and smart hat, she has all the optimism and stoicism of her class, putting a brave face on her situation, singing the suffragettes' song. As she begins to realise that she is alone, the mask starts to slip; her graphic description of the force-feeding she is made to endure is truly horrific, but almost worse is her touching faith in her husband – 'It is not his fault, I bet he is sick with worry…he has to be careful' – who is clearly not going to do a single thing to save her. Her laughter becomes increasingly nervous, What if we are just screaming into an endless pit? Lauren (Chloe Johnson)'s backstory is particularly shocking, because it could happen – is happening – today. Traumatised by sexual assault, she travelled from conservative Indiana to a state where abortion was still legal – only to find that it wasn't. Her outrage at what men – individually and collectively – have done to her contrasts sharply with her tragic, hopeless, longing to see her family, In 2022 Roe v Wade was overturned by the US Supreme Court. The fight fought by Gloria Steinem, Betty Freidan and countless other women has been lost. They said, 'Oh that's not going to happen'; it did. Deeply regretting former choices, Lauren wonders why people, herself included, didn't start fighting sooner, as one by one minority groups were attacked. Sound familiar? I think we all felt a little uncomfortable in our seats at this point. Janet (Lisa McIntyre) also put her trust in a man, one who not only let her down but joined in her persecution. Janet is confused; she looks back on her happy childhood as she sits and wrings her hands in despair, I don't think my family could control me. Maybe that's why I'm here. Now she sees other women locked up with her and forced to wear the Scold's Bridle; she knows her captors will soon be examining her for the 'devil's mark.' Melissa Ainsworth as Caroline, credit Twincity Pictures Janet and Caroline look from the past to the future; they have to believe it will be better. When, towards the end of the play, Caroline discovers that women did indeed get the vote seventeen years later (at least in the UK. Swiss women were not emancipated until 1972; Saudi women had to wait until 2017) she is overjoyed, but her words are prophetic, When we get the vote, I wonder if some women will vote for their own downfall? And of course all three women end up thinking everything that's happened to them is their own fault. These men are clever, no? Meggie Greivell directs this small cast well. When one woman speaks, the others remain fully aware of their positions, every gesture is controlled and meaningful. The use of little moustaches on sticks is a clever way to represent the men behind all this pain; such a small prop, but one that utterly convinces. The only slight problem I had was with the sound at the beginning of the show, when the recorded version of Bread and Roses did drown Janet's voice out a bit, particularly when she turned to face the audience on the other side of the room, but this is always a challenge in theatre in the round. The stage design and costumes in Towards the End are excellent. St James's Church is a straightforward, unadorned venue (but heaps better than some of the rooms in the Old Town.) Stage Manager Sarah Wolf has kept it simple by using just two chairs and one stool, each chosen to fit the characters' timelines. So Janet sits on a basic wooden stool, Lauren on a standard office chair, and Caroline on an early 20th century version. The real ingenuity lies in what's seen on the floor around them. Janet's stool is encircled by a rope; she has heard that witches are hanged before they are burned and her only hope now is that they make sure she's dead before the light the bonfire. Around Caroline's chair are blue ribbons and chains; she has chained herself to the railings, but now she is forcibly restrained while liquid is poured down her throat. Lauren is still bleeding; around her are red wool and knitting needles. Before abortion was legalised, those needles were used in backstreet rooms to terminate pregnancies. Chloe Johnson as Lauren, credit Twincity Pictures Costumes, impressively designed by Charlotte Bowe and skilfully produced by Erin McEwan, really add to the characters' separate identities – again a very useful aid when audiences have to grasp everything about a play in such a short time. The music in The End is Near is perfect. The play opens to Patti Smith's Gloria; women don't need anyone to die for their sins, they just want control of their own lives, ……..my sins, my own They belong to me, me People said, 'Beware', but I don't care Their words are just rules and regulations to me Janet also sings Tam Lin, a Scottish Borders ballad and again very appropriate to the action, but my favourite is Bread and Roses, beautifully sung by Melissa Ainsworth, bringing tears to my eyes at least. Above all we hear the loud tick of the clock, further amplified by the women's chants, 'Tick, tick, tick'. Each one of them knows their time is running out – but then the clock stops. Why? The women meet. How? This is another clever device, and one that still has me thinking. I was not quite so convinced by the final scene of The End is Near; I felt the play ended on a little too positive a note. With subject matter as serious and urgent as this, it's not necessary to tie everything up in a cheerful bow, for, as Janet points out, I'm just a scapegoat; this is a witch hunt for eternity. And as Lauren so rightly says, The years keep going forward but we keep going back. We are living in dangerous times. The End is Near is a chilling play and a call to action. Melissa Ainsworth well deserves congratulations for her taut, multi-layered writing and excellent acting, but the whole cast and crew deserve them too; there is no weak link in this triumphant performance. I would especially like to thank whoever produced the programme handed to us at the door; it is so useful for a reviewer to have all the information in one place – other shows please take note! Credit Twincity The End is Near is by Persistent Theatre Productions. See it at St James' Church, Leith (Venue 420) at 2pm every day until 22 August. Tickets here. And don't let getting to Leith put you off; you can take the tram from Princes Street to the Foot of the Walk, and there are also many buses from the city centre. Please note: The End is Near contains sensitive topics, including sexual assault, violence and distress. Viewer discretion is advised. Like this: Like Related

I spent a week watching daytime TV - here's my picks on what to watch
I spent a week watching daytime TV - here's my picks on what to watch

The Herald Scotland

time3 hours ago

  • The Herald Scotland

I spent a week watching daytime TV - here's my picks on what to watch

A presenter bagging another gig is nothing new, but the queen of daytime leaving ITV? This was ravens exiting the tower stuff. It could only have caused more of a stir had Lorraine agreed to a direct swap with Channel 4 News' Krishnan Guru-Murthy (well, he did do Strictly …). Lorraine made no comment, ditto Channel 4. I suspect it won't be the last time she is matched to a new job between now and ITV shedding 220 staff - half its morning workforce. Under the new set-up, announced this month, Lorraine and Loose Women will run 30 weeks a year instead of 52, with Good Morning Britain, to be produced by ITN, extending to fill the gaps. Speaking on The Rest is Entertainment podcast Richard Osman called the changes a watershed moment for British television. The producer, author and presenter said it was 'another symbol of what's happening to our television and the terrestrial broadcasters having to cut their cloth according to the advertising revenues they're getting. We are at the stage now where we are cutting off healthy limbs in British television, which is a terrifying place to be." Daytime is no stranger to upheaval, with the first 'big bang' the shift of children's programmes from radio to television. It has been evolution with occasional revolution ever since. Now, after decades of having the field to themselves, the big four, BBC1, BBC2, ITV and Channel 4, are competing for viewers with hundreds of new channels and streaming services. And they are doing so with less ad revenue or licence fee cash. As the schedules have changed, so has the audience. Besides the over 55s, who still make up the majority of viewers, there are shift workers and people working from home, students, parents with young children, or anyone out and about with time to fill. Where there's a screen there's a potential daytime viewer. And if that viewer wants to watch daytime shows at nighttime instead, catch-up services will oblige. The audience numbers might be down for daytime but they remain impressive. 'Very little on British TV these days gets a million, even in the evening,' said Osman. 'BBC Breakfast gets over a million, we then dip under a million for Homes Under the Hammer, then rise to over a million for Bargain Hunt. The news gets one million then you dip down again till Pointless starts then you're back over a million. On BBC2/Channel 4 nothing's getting a million.' ITV, meanwhile, can pull in 600,000-700,000 viewers consistently up to the lunchtime news. Daytime television still matters - not least to its loyal audiences - but there are questions to be asked. Are viewers happy with a diet of repeats, reheats, endless quizzes and manufactured outrage? What does daytime television say about us as a country? And for the love of God, will anyone ever buy a place in the sun, or are they just time-wasters? To find out more I spent a week watching daytime television, something I haven't done since bouts of childhood tonsillitis. A lot had changed. For a start, no one brought me ice cream and jelly on demand. But I stuck with the mission to see what was out there, what works, what doesn't, and offer recommendations to readers of The Herald along the way. Hold my housecoat, I'm going in. Location, chateau, auction Daytime's obsession with property starts with buying wrecks at auction and ends with second homes in the sun. BBC1's Homes Under the Hammer was the gold standard but it now has competition from Channel 4's Bafta-winning The Great House Giveaway. Simon O'Brien (our Damon from Brookside) matches two strangers struggling to get on the property ladder and gives them a house he's bought at auction. They have six months to do the place up, keeping the profits. The Never-ending Antiques Roadshow And what do we do with all those houses we acquire in reality or our imagination? We fill them with treasures/tat from the likes of Bargain Hunt. BH has been going for 25 years and notched up 71 series, making it a daytime legend that shows no signs of flagging. It's the chorus line kick at the end that makes all the difference. They don't do that on snooty old Antiques Roadshow. Who Doesn't Want to be a Millionaire? If Rachel Reeves wants to know why the UK economy is in the doldrums, she need only look at the number of people taking part in daytime quiz shows. Where do they all come from, these Countdowners, Lingo players, Impossible and Unbeatable contestants, and crossers of the Bridge of Lies? They can't all be shift workers and students. Quizzes are the sliced white bread of daytime, a staple that's cheap to make in batches and will keep for a long time. What separates the best from the rest is the host, with Anne Robinson's disastrous stint on Countdown the best example of what happens when you get the pick wrong. Mind How You Go The world is full of wrong 'uns keen to part us from our hard earned, or it is if you watch daytime. BBC1 has the market cornered with the 1-2-3 of Rip Off Britain, Fraud Squad and Crimewatch Caught. If those don't alarm you enough, stick around till evening to catch ex-daytime hit turned primetime hit Scam Interceptors, made at Pacific Quay in Glasgow. Lorraine She's been around a long time, and has a Bafta lifetime achievement award to show for it, but still no one can match her ability to blend serious with fluffy. When accepting her Bafta award from Brian Cox, Kelly made a point of saying there should be more working-class people in television. It can't hurt. Politics Live Daytime television has played a big hand in making politics exciting again (that, and the general chaos of the past few years). The visits to the Commons for Prime Minister's Questions, plus extras such as First Minister's Questions at Holyrood and the party conferences, offer lively, informed coverage. MPs and MSPs like the programmes because it gets them on the telly, plus it gives the media at Millbank something to do. Public service broadcasting at its best (and cheap too). The Way we Were You can watch an old favourite online at any time, but nothing beats seeing it on television again. Talking Pictures TV should be your first call for classic films and dramas such as Bonanza and The Beverly Hillbillies, while for more recent fare have a wander through the various U& channels - U&Drama/ U&Dave/ U&Yesterday. Sky Arts Sky Arts starts at 6am and offers first rate programmes through to the next day. Best of all, it's free to view. This week, for example, you can see films about the Guggenheim in Bilbao, The Yardbirds, performances from the Grand Ole Opry, plus historian Kate Bryan playing tour guide at Tate Brtain. All that and a daily double bill of Tales of the Unexpected. Cue the music … DIY Not the hammer and nails stuff, but putting together your own daytime schedule. Maybe you can't bear another Loose Women or afternoon of quizzes. Why not choose a box set and watch an episode a day instead? On BBC iPlayer it's easiest to see what's there if you search under categories, eg drama and soaps. There are two series of the brilliant Northern Ireland police procedural Northern Lights, plus City drama Industry, Life on Mars, and Peaky Blinders - and all free (with a licence fee). On STV Player you can watch the first run of Karen Pirie and catch the new series. Also showing are the dramas Unforgotten and Joan, plus comedies including Parks and Recreation. Channel 4's streaming service is free and includes The West Wing, The Americans, and Hill Street Blues. The Creme de la Creme The best of the streaming services. Subscriptions are expensive but look out for special offer trial periods, or 'with ads' options. Now is good value for all things Sky, including The White Lotus and The Wire. I'm currently flipping between Veep and Succession. Apple TV+ has Dennis Lehane's Smoke plus Emmy nominees Severance, The Studio and Slow Horses. On Disney+ I can highly recommend the end of the world as we know it drama Paradise. On Netflix, the word is spreading about Pernille, a Norwegian family drama about a single mother and social worker trying to keep all life's plates spinning (sounds awful but it's lovely), and Prime Video has the peerless Bosch.

Celtic player ratings vs Kairat Almaty: Hoops left frustrated after stalemate with Kazakhs in Champions League play-off
Celtic player ratings vs Kairat Almaty: Hoops left frustrated after stalemate with Kazakhs in Champions League play-off

Scottish Sun

time4 hours ago

  • Scottish Sun

Celtic player ratings vs Kairat Almaty: Hoops left frustrated after stalemate with Kazakhs in Champions League play-off

Click to share on X/Twitter (Opens in new window) Click to share on Facebook (Opens in new window) CELTIC'S Champions League hopes hang in the balance after a frustrating 0-0 draw with Kairat Almaty. James Forrest hit a post and Daizen Maeda spurned a glorious opportunity in stoppage time but other than that the Hoops created very little. 3 Players applaud the fans at full-time Credit: Reuters 3 A night of frustration for Celtic Credit: Getty 3 James Forrest hit a post early in the second half Credit: Alamy Kairat frustrated their hosts and could have come away with a better result as they had some good chances themselves. The fans chanted sack the board and boos rang around Celtic Park at full-time. Now Brendan Rodgers' side face an arduous trip to Kazakhstan to get a result on Tuesday. Here's how SunSport rated the Celtic players tonight. Read more football CELTIC 0 KAIRAT 0 Fans rage at board as Hoops labour to goalless draw KASPER SCHMEICHEL: Relieved as Aleksandr Martynovich's effort was ruled out for offside early on and again when he scampered back to watch Edmilson's effort go over... 6 ALISTAIR JOHNSTON: Pulled up with a hamstring problem in the first half which is likely to rule him out of the visit to Kazakhstan and the Old Firm trip to Ibrox... 4 CAMERON CARTER-VICKERS: He gave the ball away to Edmilson and was so lucky to see the Kairat star lift his long-range lob on to the roof of the Hoops net... 5 LIAM SCALES: Got the nod to partner Carter-Vickers and key early block on Jorginho. Carried a threat attacking set pieces and headed over from an Arne Engels corner... 6 KIERAN TIERNEY: His first Euro game for Celts since defeat to Salzburg seven years ago. Bizarre booking with Dan Glazer for silly tussle at a Hoops corner. Got a late breather again... 6 CALLUM McGREGOR: Captain was booked for pull which halted a surge towards goal. Warned his side they needed a lead to take to Almaty and will now face an anxious trip... 5 REO HATATE: Euro scorer against Leipzig last season, he went close at the start of the second half with angled effort which flew beyond far post. Needed to get on ball more often... 6 Celtic fans booted fire door open to let fellow supporters into stadium amid chaotic scenes that left police man injured BENJAMIN NYGREN: Euro debut for Hoops and worked hard on right of three-man midfield. Deflected shot flew behind as Celts finally built momentum at start of second half... 5 JAMES FORREST: He bagged a stoppage-time winner against Karagandy 12 years ago but was careless with possession. Hit the post at start of the second half. Made way for Engels... 5 DAIZEN MAEDA: Was started out on the left but with limited impact. Moved through the middle but switched again when Shin Yamada came on. Fluffed chance in stoppage time... 5 ADAM IDAH: The £9million man led the attack and was harshly penalised for early shove. But replaced at half-time by Yang Hyun-jun to allow Maeda to go through middle... 4 SUBS: Tony Ralston (5) On for crocked Johnston at right-back. Yang Hyun-jun (5) on at half-time and sparked Celts. Arne Engels (4) replaced Forrest. Auston Trusty (3) Replaced Tierney. Shin Yamada (3) Got last 15 minutes for Nygren. Keep up to date with ALL the latest news and transfers at the Scottish Sun football page

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