logo
Selenee Debuts New Collection At Los Angeles Fashion Week

Selenee Debuts New Collection At Los Angeles Fashion Week

Forbes31-03-2025

HOLLYWOOD, CALIFORNIA - MARCH 16: A model walks the runway for the Selenee Spring 2025 LA Fashion Show at NeueHouse Hollywood on March 16, 2025 in Hollywood, California. (Photo by Mark D. Gunter/Getty Images for Selenee)
We've seen many crossovers between fashion and literature throughout the years, be it Thom Browne's reimagining of Edgar Allan Poe's The Raven to Alexander McQueen who referenced H.G Wells' The Island of Doctor Moreau to create his It's a Jungle Out There collection, to Alessandro Michele who was inspired by Donna Haraway's A Cyborg Manifesto for a 2018 Gucci collection.
Now, one independent brand looks at a short story by a famed 20th century Argentine writer.
Selenee launched its latest collection on March 16 at NeueHouse Hollywood. The collection, the Garden of Forking Path, was inspired by a short story written by, Jorge Luis Borges. His story, also called the Garden of the Forking Path, was written in 1941 and was said to predict quantum mechanics of the modern world. It has been linked to the science fiction writing of English writer, Olaf Stapledon.
HOLLYWOOD, CALIFORNIA - MARCH 16: Models walks the runway for the Selenee Spring 2025 LA Fashion Show at NeueHouse Hollywood on March 16, 2025 in Hollywood, California. (Photo by Mark D. Gunter/Getty Images for Selenee)
Selenee's latest collection explores the "infinite possibilities in a maze" and each outfit has a multitude of complexities within it.
The Fall/Winter 2025 collection boasts flowing fabrics, as well as classic plaid pieces and intricately detailed leather trench coats. There are also coats with corset-like elements, balloon sleeves, suit dresses and wool blousons and capes, among other items. Selenee was founded in 2023 as an avant-garde fashion brand, but has since proved how it is inspired by vintage fashion, as well.
HOLLYWOOD, CALIFORNIA - MARCH 16: A model walks the runway for the Selenee Spring 2025 LA Fashion Show at NeueHouse Hollywood on March 16, 2025 in Hollywood, California. (Photo by Mark D. Gunter/Getty Images for Selenee)
'Every path is a choice, giving infinite possibilities,' said Motong Yang, Selenee's founder and artistic director. 'Los Angeles is the perfect setting for this collection, as it's not only where my dreams began, but also where many of my friends, like myself, have found the courage to pursue their dreams again.'
Yang explains that this collection I represents a return to creativity in her life. 'This show is not only a fulfillment of my original aspirations, but also a way to inspire those who once put their dreams on hold due to reality, encouraging them to take a bold step forward,' said Yang. 'It is for the dreams we once left behind and for the better versions of ourselves."
Yang has a background in visual art, as an installation artist and visual artist who fuses together art and fashion. Selenee's philosophy is rooted in an avant-garde approach for men's and women's fashion, while prioritizing sustainable fashion.
HOLLYWOOD, CALIFORNIA - MARCH 16: A model walks the runway for the Selenee Spring 2025 LA Fashion Show at NeueHouse Hollywood on March 16, 2025 in Hollywood, California. (Photo by Mark D. Gunter/Getty Images for Selenee)
Some of the items from the new collection include the Sutton skirt set, which uses houndstooth pattern for a century-old dress style, while the Syrus suit brings a modern edge to a vintage suit style with broad shoulders and the Stetson suit offers an air of elegance in an era of casual fashion.
'The latest collection is a journey of transformation and self-discovery,' said Yang. 'My inspiration comes from the Loop and Knot Closure, symbolizing the cycle of growth—fastening the past while extending into the future.'
The items reflect different stages of life, from the 'Ethereal Echo' pieces, which pay tribute to youth and curiosity, to 'Shadow Valor,' structured items designed representing maturity and resilience, to 'Beyond Boundaries,' which are avant-garde silhouettes that break traditions and embrace change.
HOLLYWOOD, CALIFORNIA - MARCH 16: A model walks the runway for the Selenee Spring 2025 LA Fashion Show at NeueHouse Hollywood on March 16, 2025 in Hollywood, California. (Photo by Mark D. Gunter/Getty Images for Selenee)
'The finale gowns, Lunar Bloom and Midnight Bloom, mark the birth of the brand, blending passion, mystery, and elegance,' said Yang. 'Flowers and mirrors serve as metaphors for self-reflection and transformation, making Selenee more than just fashion—it is a poetic evolution of time and identity.'
The collection is available on the Selenee website. Attendees included Mercedes Blanche, Amanza Smith, Amber Liu, Shuang Hu, Kelly Bensimon, Jarry Lee, Roxxy Manning and more.
Follow @seleneeco on Instagram.
HOLLYWOOD, CALIFORNIA - MARCH 16: Models walks the runway for the Selenee Spring 2025 LA Fashion Show at NeueHouse Hollywood on March 16, 2025 in Hollywood, California. (Photo by Mark D. Gunter/Getty Images for Selenee)

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Al Pacino Shares Hilarious Reason He Turned Down Iconic ‘Star Wars' Role
Al Pacino Shares Hilarious Reason He Turned Down Iconic ‘Star Wars' Role

Yahoo

time2 hours ago

  • Yahoo

Al Pacino Shares Hilarious Reason He Turned Down Iconic ‘Star Wars' Role

Al Pacino revealed that he turned down the role of Han Solo in Star Wars because he didn't 'understand' the script. 'I said, 'I think I'm in the mood to make Harrison Ford a career,'' the legendary actor joked to Entertainment Weekly while promoting his newest movie, The Ritual. The legendary The Godfather star recalled working with a group of directors dubbed the 'Movie Brats' in the 1960s and '70s, which included the likes of Steven Spielberg, Francis Ford Coppola, and Star Wars creator George Lucas. 'They were real idealists coming into the '70s with great films all over the globe,' Pacino said. But when Pacino received the Star Wars script and read it over, he said it felt like he was reading a 'different language.' 'I loved their work, but I was doing a show on Broadway at the time, and they handed me this script, and I thought, I don't understand,' he said. 'I must be [in] out of space myself.' Pacino sent the script to his 'friend and mentor' Charlie Laughton, asking him: 'What do you make of this?' 'He was pretty wise and he said, 'I don't get it, Al. I dunno. I don't get it,'' Pacino recalled. 'I said, 'Well, I don't either; what are we going to do? They offered me a fortune, but I don't know. No, I can't play something if I don't speak the language.'' And just like that, Pacino passed on the role of Han Solo in the 1977 film Star Wars: Episode IV – A New Hope—a role that eventually went to Ford and solidified his place among the Hollywood greats. Yet Ford has also acknowledged that the premise of the film might appear 'odd' at first to people. 'Like, there's a seven-foot-tall man in a dog suit. There's also a beautiful princess, a wise old warrior, and a callow youth. Then, there's a smart-a--. I know the part I play. And it's fun!' he told Inquirer in 2023. Ford said that at first he thought the story was 'a fairy tale,' but that those kinds of stories have 'always been successful, whether it's a written or filmed fairy tale.' 'At that point in my career, it didn't matter to me that the film would become hugely successful and end up changing movie history,' he noted. But the Star Wars franchise propelled Ford's career, and the actor has long said how 'grateful' he is for the films and how much they 'changed my life.' 'I had opportunities that extended beyond director George Lucas and my success in making that film,' Ford said. 'It gave me freedom and opportunities that I never had imagined I might have.' Ford got the part over other soon-to-be legendary actors including Sylvester Stallone, Kurt Russell, and Burt Reynolds. 'I just didn't want to play that kind of role at the time,' Reynolds told Business Insider in 2016, sharing a similar sentiment to Pacino. 'Now I regret it. I wish I would have done it.' Shortly after the release of Star Wars: Episode IV – A New Hope, Ford went on to star in Raiders of the Lost Ark in 1981, as well as in the cult-classic Blade Runner a year later. The same year as A New Hope's release, Pacino starred in Sydney Pollack's Bobby Deerfield. One year later, he starred in Norman Jewison's And Justice for All, which earned Pacino his fifth of nine (so far) Oscar nominations.

Andy Serkis' ‘Animal Farm' Reveals First Footage: Seth Rogen, Kieran Culkin and Gaten Matarazzo Voice Power-Hungry Pigs in Animated George Orwell Adaptation (EXCLUSIVE)
Andy Serkis' ‘Animal Farm' Reveals First Footage: Seth Rogen, Kieran Culkin and Gaten Matarazzo Voice Power-Hungry Pigs in Animated George Orwell Adaptation (EXCLUSIVE)

Yahoo

time3 hours ago

  • Yahoo

Andy Serkis' ‘Animal Farm' Reveals First Footage: Seth Rogen, Kieran Culkin and Gaten Matarazzo Voice Power-Hungry Pigs in Animated George Orwell Adaptation (EXCLUSIVE)

The highly anticipated animated adaptation of George Orwell's 'Animal Farm,' world premiering on Monday at the Annecy Animation Festival, has debuted its first footage, Variety can reveal exclusively. In the clip, we get our first look at Seth Rogen's Napoleon, Gaten Matarazzo's Lucky and Kieran Culkin's Squealer as the trio catch up post-animal rebellion. Other notable Hollywood stars not present in the clip but who lend their voices to the cast include Woody Harrelson, Glenn Close, Steve Buscemi, Laverne Cox, Jim Parsons, Kathleen Turner, Iman Vellani and Serkis himself. More from Variety Stop-Motion Animation 'Tales From the Magic Garden' Sells to Multiple Territories (EXCLUSIVE) Filmax Swoops on 'Jasmine & Jambo,' the Feature Spin-Off From the Multi-Prized and Robustly Sold Catalan Animation Series (EXCLUSIVE) Key Catalan Titles at the 2025 Annecy Animation Festival and MIFA Market The film's official synopsis reads: 'When a group of farm animals rebel and kick their neglectful farmer off the land, life is good and the dream of a free, equitable future is within sight. But power struggles among some of literature's most infamous characters ensue, and the realities of living in a world designed for mankind complicate and corrupt the satirical and allegorical, Animal Farm.' Serkis, known for his groundbreaking work in performance capture, trades mo-cap for stylized CG animation in what he describes as a 'cinematic storybook.' 'I didn't want pantomime performances. I wanted internalized emotion, each close-up had to carry weight,' the director explains in the film's press materials. 'It's a political fairytale that needed to feel both painterly and real.' The visual style, a blend of traditional storytelling with grounded realism, is immediately apparent in the first clip. Lush, sun-drenched shots at the Golden Hour of the ramshackle farm contrast with dialogue that hints at something more sinister to come. This adaptation doesn't shy away from the novella's chilling themes. 'It's 'Wolf of Wall Street' meets 'Bronx Tale,' through the eyes of a pig,' Serkis explains. With Nick Stoller adapting Orwell's classic and an eclectic soundtrack ranging from Carl Cox to Little Richard, 'Animal Farm' promises to be a satirical spectacle as entertaining as it is thought-provoking and one of Annecy's main highlights this year. 'Animal Farm' is produced by Aniventure and Imaginarium, with Adam Nagle, Dave Rosenbaum, Jonathan Cavendish and Serkis. Harrelson also serves as executive producer alongside 'The Batman' director-producer Matt Reeves. Animation was provided by Cinesite, produced by Connie Nartonis Thompson. Casting was headed by Margery Simkin. Goodfellas is handling international sales. Best of Variety 25 Hollywood Legends Who Deserve an Honorary Oscar New Movies Out Now in Theaters: What to See This Week Emmy Predictions: Animated Program — Can Netflix Score Big With 'Arcane,' 'Devil May Cry' and the Final Season of 'Big Mouth?'

‘What's next?': Allison Janney on playing a ‘badass' on ‘The Diplomat,' ‘West Wing' 25 years later
‘What's next?': Allison Janney on playing a ‘badass' on ‘The Diplomat,' ‘West Wing' 25 years later

Yahoo

time4 hours ago

  • Yahoo

‘What's next?': Allison Janney on playing a ‘badass' on ‘The Diplomat,' ‘West Wing' 25 years later

'At that time, I never dreamed that it would go where it's gone,' says Allison Janney of her acting career, when she's told it has been 25 years since she won her first Emmy Award. In 2000, she won in the Outstanding Supporting Actress in a Drama Series for her role as C.J. Cregg on The West Wing (she'd also win the following year in the same category, as well as two more times in 2002 and 2004 as Lead Actress). She'd later add three more trophies — two for Mom and one for Masters of Sex. 'I feel pretty damn lucky that I've been able to work as much as I have and in my career,' she says. "I love the community it creates for me. With each project, you have a whole new group of people and relationships and camaraderie. I felt so lucky to be on two shows last year working on Palm Royale and The Diplomat, both completely different. It's been an embarrassment of riches this past year." More from GoldDerby 2025 Tony Awards: Complete list of winners (updating live) 'Ran' turns 40: How a clerical error and bad blood cost Akira Kurosawa an Oscar 'Sinners' bonus feature, 'Good Night' live, Sabrina's song of the summer, 'Fantastic Four' theme, and what to stream this weekend Here, Janney talks to Gold Derby about stepping into The Diplomat in the role of Vice President Grace Penn after being a fan of its freshman season. She also offers up a few teases about the upcoming third season of the Netflix drama, when Penn will be the president after sitting POTUS, William Rayburn (Michael McKean), died unexpectedly in the season finale. SEEAllison Janney enters Emmy race as a supporting actress for 'The Diplomat' (exclusive) Gold Derby: When you first heard about Grace Penn, what were your impressions of her and how you would take her on? Allison Janney: My first conversation was with Debora Cahn [creator and executive producer], who I knew from my West Wing days. I didn't really have to think hard about it because I loved her writing, and I also was a huge fan of the first season of The Diplomat. She said, "You might be a bad guy." She was giving me a hint to what my character would be, and I just was up for any challenge she wanted to throw my way. Then when I read it, I thought, "OK, I see how you might see her as a bad guy." But I see her as a badass. I see her as someone who makes difficult decisions and knows that in the balance, some lives could be lost, but in the long run, many lives will be saved. She's a woman who is up for making the hard decisions, and that excited me about her. Also, the way she wrote my relationship with Keri Russell's character, Kate. It was so much fun to want to come and hate this woman but then end up sort of admiring her. I think Grace sees a younger version of herself in Kate. I mean, that scene where I got to dress her down and tell her, 'Well, you need to get a bra, you need to change your hair…' It was cold the way she delivered it, but she was really helping her. The dynamics between the two of us were always fun. Grace and Kate do actually form a nice bond that quickly goes off the rails as events evolve. Do you see Grace as lonely in her role as VP? I think they do [form a bond]. They could be great friends in any other situation, but in their friendship, they have to be cautious with each other and can't trust each other completely because, of course, Kate was supposed to take Grace's job. And that's always on the back burner of that possibility happening. And then you learn a lot more in season three about Grace's private life. But I would imagine for any woman at the top in that arena, it's gotta be a little lonely to be someone who's always underestimated, someone who's always second-guessed for being a woman. Grace is someone who's found a way to use that to her advantage. SEE'It just worked out really perfectly': 'The Diplomat' casting director on landing Allison Janney as the vice president You said we find out more about her in season three. Did you know a lot of this already in shooting the second season or did you just trust Debora's writing? I trusted Debora. Then she came to me at some point and said, "How would you feel about Brad Whitford playing your husband?" I was like, "Well, this just keeps getting better!' And the stuff that goes on, the brilliance between the private-facing Grace and the public-facing Grace, her relationship with her husband and that new dynamic with me being the president and he now being the first gentleman, it's kind of wild. The genius of the show is also seeing that dynamic go on between Kate and Hal [Rufus Sewell] and seeing them behind the doors. It's endlessly fascinating and fun. You've said you threw the script when you read the season two finale. Have any season three scripts caused you to throw anything across the room? I'm excited to act every page that Debora's written, but that one was just so shocking — I just did not see that coming at all! It was just a crazy moment for me. It was so wild. I didn't throw the script for season three but I loved every single page I read. You've also mentioned Hillary Clinton as an inspiration for Grace. Did you hear from her or any real politicians about the show? I didn't reach out to Hillary. I don't know her, and I didn't really need to. I just wanted to look at women who have spent their life in public service and grown up in it and what that must have been like to be a woman in those arenas and just be the only woman in the room and prove that you can be in the room. It's always having to prove yourself, and I just imagine that would be difficult. Also in West Wing, C.J. was the only woman in the room a lot of times, so I felt like I knew what that was to play. The show is so tense pretty much every scene, every moment. How is that to be on that set and do those scenes that have that kind of non-stop tension? Well, fortunately, as I like to say about this whole cast, we take our work seriously but we don't take ourselves too seriously. We had to play those scenes and play that tension and that's just fun for this cast. And then when we cut, we can laugh about something and it's not as tense. We know how to jump into that and turn it on and turn it off. Like that scene with Hal and Kate with me at the dinner [in the season two finale] and how insulting he was to Grace, and just having to listen to him and take it and not react. That's a lot of the great thing I love about Grace is how still she is and she's doesn't overreact to anything. She's learned to just not react but she'll remember. I can't say more, but there's so many fun things that are coming. You had watched the first season of the show and then came in during Season 2. As an actor, how do you prepare for that? You know, for someone who watched the show and immediately loved it, I was a little starstruck when I got on the set. I knew all these characters from watching them and loving them. And I felt a little like, "Oh my God, this is Kate and Hal!" It took me a while just to get past that because I'm just like anybody else. Definitely having [director] Alex Graves and Debora there to encourage me, I felt immediately comfortable. And also this group of actors is so incredibly lovely and welcoming and just embraced me. It also felt nice to be in that world of politics again, especially international politics. It's sexy and fun and dangerous and I love it. It's been 25 years since you won your first Emmy for C.J. That's wild. What was your vision for your career at the time and where you wanted to go? I was so thrilled to win that Emmy. That was an extraordinary night for me winning that. I was so happy to be on The West Wing. I loved that group of people. I would stop and go, "This is amazing. Just remember this." I did that so many times during that job. And it was all consuming. It was 18-hour days and we didn't have cellphones then so I lost track with people. My family was so furious with me. I spent more time with these people than I spent with my family. And I just loved what that show did for me. When it ended, I thought, "I have no idea what's going to happen now. I'm terrified." I think every actor always feels that when you finish a job, you go, "Is that it? Am I going to work again?" And then I went right into 9 to 5, the musical [on Broadway]. I thought, "Well, let's do something completely different than West Wing" so that fit that bill. I find it always a little scary because it doesn't always guarantee that you're going to get the next job or the next job. I feel pretty damn lucky that I've been able to work as much as I have in my career. I'm very grateful. And I can't see retiring anytime soon either. I just want to keep doing it and keep being challenged. I can't wait to see what's next. As Bartlett would say, "What's next?" But I can't wait for people to see season three of The Diplomat. I don't even know when it's coming out, but it's going to be fantastic. Best of GoldDerby 'Say Nothing' star Anthony Boyle on playing IRA activist Brendan Hughes: We 'get to the humanity as opposed to the mythology' The Making of 'The Eyes of the World: From D-Day to VE Day': PBS variety special 'comes from the heart' From 'Hot Rod' to 'Eastbound' to 'Gemstones,' Danny McBride breaks down his most righteous roles: 'It's been an absolute blast' Click here to read the full article.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store