Jeremy Strong to Hunt Nazis in Netflix's The Boys From Brazil Reboot From the Creator of The Crown
In his second major TV role since Succession ended its four-season run — and his first since that Super Bowl Sunday Dunkin' commercial — Emmy winner and Academy Award nominee Jeremy Strong is set to star in a Netflix adaptation of The Boys From Brazil, from The Crown creator Peter Morgan.
In the 1976 Ira Levin novel that begat a 1978 film starring Sir Laurence Olivier and Gregory Peck, The Boys From Brazil finds longtime Nazi hunter Yakov Liebermann entangled in a web of unimaginable horror after he is tipped off to a sinister conspiracy hatching in the depths of South America: a plan to establish a new, globe-spanning Fourth Reich.
More from TVLine
Shifting Gears Enlists Nancy Travis for Last Man Standing Reunion With Tim Allen - Watch Exclusive Sneak Peek
Jay Leno to Reunite With Tim Allen on Shifting Gears - Get a First Look
Matthew Rhys to Lead Widow's Bay Series for Apple TV+
Olivier filled the role of Liebermann in the 1978 film, which was directed by Franklin J. Schaffner, and earned one of his many Academy Award nominations for the role. Peck played the nefarious Dr. Josef Mengele, while a pre-Police Academy Steve Guttenberg played amateur Nazi hunter Barry Kohler.
Strong will fill the role of Liebermann in the Netflix adaptation, our sister site Deadline was first to report.
In addition to his Emmy- and Golden Globe-winning run as Succession's Kendall Roy, Strong's previous TV credits include Masters of Sex, Mob City and The Good Wife. He is currently up for an Oscar, for his portrayal of Roy Cohn in the Sebastian Stan-led film The Apprentice.
Best of TVLine
Stars Who Almost Played Other TV Roles — on Grey's Anatomy, NCIS, Lost, Gilmore Girls, Friends and Other Shows
TV Stars Almost Cast in Other Roles
Fall TV Preview: Who's In? Who's Out? Your Guide to Every Casting Move!
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
4 minutes ago
- Yahoo
Kevin Kline, Cate Blanchett, and every ‘Disclaimer' Emmy acting submission
Apple TV+ will submit seven cast members from Disclaimer for Emmy consideration, Gold Derby has learned. Kevin Kline as Stephen Brigstocke, a retired teacher and author, will submit in Best Limited Series/Movie Actor, while Cate Blanchett as Catherine Ravenscroft, an award-winning documentarian, will compete in Best Limited Series/Movie Actress. Both A-listers are on the hunt for their first Emmy wins. Kline is a two-time nominee for Bob's Burgers (2017) and Great Performances (2009), while Blanchett has a pair of Emmy nods to her name for Mrs. America (2020) in acting and producing. More from GoldDerby Michael B. Jordan expands 'Creed' universe with new Prime Video series 'Delphi' Here's your first look at 'Spider-Noir' starring Nicolas Cage 'Fallout' gets early Season 3 renewal ahead of Season 2 premiere in December In the featured categories, Sacha Baron Cohen as Robert Ravenscroft, Louis Partridge as Jonathan Brigstocke, and Kodi Smit-McPhee as Nicholas Ravenscroft have been entered in Best Limited/Movie Supporting Actor, while Leila George as Young Catherine Ravenscroft and Lesley Manville as Nancy Brigstocke have been submitted in Best Limited/Movie Supporting Actress. Four-time Oscar winner Alfonso Cuarón (Gravity, Roma) is the creator, writer, and director of the limited series, which centers on Blanchett's journalist character in danger of having her secrets exposed by Kline's author character. Disclaimer is based on the 2015 novel of the same name by Renée Knight. It's coming off recent nominations at the Golden Globes, Critics Choice Awards, Screen Actors Guild Awards, Directors Guild of America, and more. The project has a 76 percent on Rotten Tomatoes, with the critics' consensus declaring it a "dense and rewarding psychological puzzle" and "an intelligent offering from a dream team of talent that also dishes some plain pulpy pleasures." Kevin Maher (The Times) says, "The storytelling is exceptional. ... It's thoughtful, disturbing, thrilling and sometimes even overwhelmingly good." Ben Travers (IndieWire) calls it "a cunning psychological thriller with twists and turns enough to thrive as pure entertainment.'" And John Anderson (Wall Street Journal) writes, "The pleasures to be had in creator-director Alfonso Cuarón's extraordinary seven-part dramatic series are largely to be found in being led astray, kept in the dark, hungrily curious." Below is the list of Disclaimer's acting submissions for the 2025 Emmys. Note: These entries are being submitted by Apple TV+; additional actors from the series may still choose to submit independently. Limited/Movie Actor: Kevin Kline Limited/Movie Actress: Cate Blanchett Limited/Movie Supporting Actor: Sacha Baron Cohen, Louis Partridge, Kodi Smit-McPhee Limited/Movie Supporting Actress: Leila George, Lesley Manville SIGN UP for Gold Derby's free newsletter with latest predictions Best of GoldDerby 'The Better Sister' showrunner Regina Corrado: Jessica Biel and Elizabeth Banks 'are at the top of their game' Danielle Pinnock on playing Alberta in CBS' 'Ghosts,' representation, and what's next for the hit comedy 'I didn't think he was a jerk': Paul Giamatti on finding the humanity in his standout 'Black Mirror' episode Click here to read the full article.
Yahoo
5 minutes ago
- Yahoo
‘You killed America's sweetheart!' Kaitlyn Dever teased for offing Pedro Pascal by ‘Last of Us' cast, creators as bigger role looms in Season 3
'You killed America's sweetheart.' Those were the charges leveled at Kaitlyn Dever by moderator Rob McElhenney Monday night as the cast and creatives of The Last of Us convened for a panel discussion about the dramatic events of Season 2 and hinted at what's to come for Season 3. More from GoldDerby Dan Fogelman and team on the making of 'Paradise': 'It only works if you have talented people who you trust' 'Thank you for dying': 'Squid Game' creator, cast share deeper meanings of hit Netflix series, reveal on-set flower ceremonies for 'killed' actors 'It's church with butt jokes': Kevin Smith looks back as 'Dogma' turns 25 Self-proclaimed megafan McElhenney (It's Always Sunny in Philadelphia) got straight into it by addressing the Pedro Pascal-shaped elephant in the room and the decision to kill off his character, Joel. 'The first game, when I was working on it, I'm so insecure I didn't think it would succeed. … I thought, 'Oh this will be one and done. They'll never let me do this again,' and then it became very successful and there was a chance to do it again,' said cocreator and writer Neil Druckmann, who helmed both the first and second video game, which the series is based on. 'For a long time no story felt right. They were very plot-oriented about Ellie (Bella Ramsey) trying to find someone else who was immune like her, and then I realized it was missing this kind of thematic core that the first [game] had. … We finally landed on this idea of this continuation conversation around love, which is someone that you love so much, if somebody else hurt them, how far are you willing to go to exact revenge or justice or however you want to put it? Then everything kind of fell into place, and I could leverage how much these two characters love each other, how much they care about each other, and then break that.' Ramsey loved how complicated the relationship between Joel and Ellie became, which made the former's death hit even harder. 'I think she was someone who already struggled to trust,' they said. 'To have that taken away from her by the person she loves the most, I think that really altered her brain chemistry a bit. So she comes into this season, particularly after [his death], and she has a single-minded focus of, like, this person she loved so much who hurt her so much, she just has to do anything to try and heal from the grief of all of that. I think if she just loved him so much and didn't also hate him so much for what he did, I think it'd almost be simpler for her, but I think because of how complex that relationship has become she's so driven for justice to be done, sort of beyond justice, and it gets into dangerous territory with her.' Dever, who joined the panel via Zoom from Australia (and was visible on a peculiar rectangular video screen situated beside the cast), was hilariously berated by McElhenney for dealing the final blow to Pascal's Joel as revenge-seeking Abby. 'You killed America's sweetheart,' he exclaimed amid audience laughter. 'How could you do something like that?' Dever sighed in reply. 'I don't know,' she said. 'I don't know what came over me.' Dever's portrayal of Abby, the Last of Us Part II game's main antagonist, became the focus of much online fan debate this season over how faithfully the material was being adapted. Dever, for her part, wasn't phased by the chatter. 'The controversy surrounding Abby was never really a concern for me just given my first meeting with Craig [Mazin, cocreator and writer] and Neal and how wonderful they are and how talented they are,' she said. 'I've never felt so carried on a set in my life, especially doing that scene in the chalet [where Joel dies]. I was going through a lot personally, but it is one of the greatest experiences I've ever had as an actor just because it really, really felt like such a team effort. … I've never experienced anything like that before. The reaction and my own personal experience has just been incredibly special.' The reason for the series being so faithful to the games is HBO's support, according to Druckmann. 'I've been involved with several failed adaptations, both for Uncharted and The Last of Us and I think it was good to go on that journey to end up at HBO,' he said, 'and end up at a place that leans into those controversial decisions, I guess, but those decisions are what the story required. Even now, I can't believe that they let us structure the series in this way, meaning that we just ended Season 2 [how we did] and Season 3 is going to be starring — spoiler alert — Kaitlyn.' Druckmann's first time confirming Season 3's narrative shift prompted Dever to pretend to be shocked, exclaiming, 'What? No way!' as she clutched her face. 'Have you closed your deal yet?' McElhenney piped up. 'Because you just got a ton of leverage.' Dever wasn't the only new addition to the show's second season. Isabela Merced, who plays Ellie's love interest Dina, told us how important Ramsey was to making her feel comfortable on the set of the HBO hit. 'Bella gave me everything I needed in every single scene to be able to do what I did,' she said on the carpet. 'It wouldn't have been half as successful or complete had it not been for our work together. There were just moments where I felt like I was losing it and Bella was the only person I had to support me because Bella was the only one who really understood, so there was solidarity and support in every take. Our performances relied so heavily on the other person.' Ramsey shared a message for the fans who felt seen in the relationship between Ellie and Dina. 'If you saw yourself in that, then it really was for you,' they told us. 'Even though that relationship gets sort of dark, I hope that it was a light and a joyful kind of touch to The Last of Us and I think that the way it was so masterfully woven into the story didn't feel like a checkbox exercise or representation for the sake of it. It was actually just two people in the apocalypse falling in love and they both happened to be women, and I love the way that story is represented. So yeah, if you saw yourself in that, I'm really happy.' McElhenney hit the cast with some final superlatives to conclude the night. 'Who in the cast has the hardest time shaking it off at the end of a heavy day and which of you has the ability to just drop it the second you leave, thereby making you either a great actor or a complete and total sociopath?' he asked. Ramsey singled out Young Mazino, who plays reliable, devastating protector figure Jesse. 'Young, I feel like you live in it,' they said. 'You sort of really feel it deeply, so you're the one who doesn't just shake it off.' Young quickly chimed in with a wry, 'I would love to be able to shake it off.' Gabriel Luna, who plays Joel's younger brother, Tommy, cited Ramsey as the cast member who doesn't let work get to them. 'Bella, by far, is the one who will shake it off,' he shared. 'We had to go back to the aquarium to reshoot the last scene of the show and I'm sitting there at the monitor with Craig, and Craig's calling out a few notes from outside, and Bella's there being asked to perform an emergency C-section. Everyone's crying. There's blood everywhere. Then Craig called 'cut' and Bella's just like…' He then lowered his microphone and stuck his tongue out. 'It was just immediate.' The Last of Us is streaming now on Max. Best of GoldDerby Gary Oldman on 'Slow Horses' being 'an extraordinary show to work on' and 'one of the highlights of my career' Michelle Williams and Jenny Slate on playing best friends in 'Dying for Sex': 'It was love at first sight' Dan Fogelman and team on the making of 'Paradise': 'It only works if you have talented people who you trust' Click here to read the full article.
Yahoo
5 minutes ago
- Yahoo
‘Disclaimer' star Leila George on how she landed ‘the best job of her life'
Imagine you're an actor, the phone rings, and it's Alfonso Cuarón offering you a role in his next project. No audition. That's exactly how Leila George landed the part of young Catherine Ravenscroft in Apple TV+'s Disclaimer, alongside Cate Blanchett, Kevin Kline, Sacha Baron Cohen, and Lesley Manville. Cuarón wanted George to play Blanchett's character in flashbacks told from differing perspectives, which would prove key to unlocking the mystery at the heart of the thriller. More from GoldDerby Michelle Williams and Jenny Slate on playing best friends in 'Dying for Sex': 'It was love at first sight' Seth Rogen on taking big swings with 'The Studio': 'Are people just going to think this looks insane?' Emmy experts predict Drama Series race: 'Severance' out front, but watch out for 'The Pitt' Opposite such powerhouse acting talent, George found a way to make the role her own — so much so that Cuarón, who had originally intended to just use her as a body double, decided instead to let her performance stand fully on its own. Critics took note, calling her work 'strikingly remarkable.' 'Leila George shines as the younger Catherine,' wrote Carla Meyer in the San Francisco Chronicle. 'Shown in flashbacks, George nails Blanchett's signature emotionally distant allure and exhausted yet superior speech patterns.' Disclaimer follows the fallout of a long-held secret on the life of a journalist (Blanchett), her husband (Cohen), and her son (Kodi Smit-McPhee), as the father (Kline) seeks revenge for his son, Jonathan's (Louis Partridge), death. When we first meet George's Catherine, we're seeing her in flashbacks, seemingly flirting with Jonathan; we later learn the truth about their interactions. Here, George recounts to Gold Derby how she navigated the demanding dual performance. Gold Derby: Amazing that you didn't even have to audition — that you just got a call from Cuarón. Leila George: It was nuts. I got told that Alfonso was going to call me, which in itself felt just crazy, and that there was a script, but I wasn't allowed to have it. I didn't know how to prepare, so I decided to read the book, because like, how do I make sure I get this job? I was so nervous for the call because I'm just someone that will generally talk people out of hiring me. I'm not good at selling myself. I always feel like maybe they've made a mistake. But he got on the phone with me and told me the whole story, and then asked me if I wanted to do it, which I still don't know really how that happened. I've heard rumors — I feel like the casting director had a big part in it. I'm just very, very happy that it happened that way. SEEKevin Kline, Cate Blanchett, and every 'Disclaimer' Emmy acting submission What was that conversation like? He started telling me the whole story from beginning to end. About two minutes in, I interrupted him and said, just so you know, I have read the book. He didn't like that I'd read the book. I think he wanted me to experience it firsthand from the script. I thought I was going to get brownie points! And then he said, "Would you like to do this?" And there was obviously only one answer that I was going to give. We talked about some of the nudity and sex scenes, just to make sure that that was all understood up front. And other than that, he was just like, "OK, well, I need you here in three days." So I packed up my whole life and got on a plane. How did you get yourself into character that quickly? When I arrived, they handed me a big binder, and I just got reading. We started shooting about 10 days from me knowing that I had the best job of my life. I often go into a bit of a panic before the first day. Have I done enough work? Do I even know what this character is? Luckily, with this job, Cate Blanchett, the queen, had already created this character. So I got to essentially just find pieces of what she'd already done and decide it was really mostly about finding the balance between how much to be like her and how much not to be Something that Alfonso and I talked about was how much of this fictional, novel version of her that you see in the first four episodes, how much that has to be like Cate's Catherine, because we know it's not actually her. We know that this is a fictionalized version of the character who Jonathan's mother has written based on a five-minute interaction that they had in a coffee shop years go. But you also want to still be able to fool people into thinking that it obviously is her, and then just finding the balance between that and the last three episodes, the true version of her. And it was difficult because we were shooting both versions in the same day. So depending on how the lighting would be, we'd be on the beach, and maybe a cloud would go in front of the sun, so it's like, "OK, we're going to do the last three episodes now." That was tricky in that you're going from being this fantasy, sexualized, confident seductress to a woman that has just been sexually assaulted the night before. And so it's a lot of flip-flopping between those two things. That was incredible and very scary. SEE'Disclaimer' trailer: Cate Blanchett's life falls apart in teaser for Alfonso Cuarón's limited series How did you manage to do both on the same day? There really isn't a chance with Alfonso, because you're just thrown in and you have to do it. You sink or swim. And I think luckily, I was able to stay afloat. You don't have time to worry about things. You're on to the next thing. Being able to work with a director like him, you can trust that he's going to either fire you or not move on until he gets it. He's not really going to settle for mediocre. And so I just think having that confidence, that trust in him meant that I knew it was going to be OK in terms of going back and forth, I used music a lot, because I think that's the quickest way — a song can change your whole demeanor immediately. And so I have playlists. I had a playlist for one version and a playlist for the other version, and I would just need a few minutes to listen to some music to hone back in on whichever version we were doing. What kind of direction did Alfonso give you? He doesn't. I think with the seductress, in the first four episodes, his direction was mostly about turning up Cate and turning her down, do more of this here to just really feel turned on all the time, like she's got a fire in her all the time. He really wanted us to push the flirtation. For the other version of Catherine, it was such delicate material that unless he had something that he really had to say, he stayed away for a lot of it. It was about showing how Jonathan was like pushing his evil as opposed to pushing her vulnerability. He definitely doesn't micromanage, but he is going to get what he wants. It must have been so hard to film that second half. How did you protect yourself emotionally? I'm quite good at just leaving it there. I've always been quite good at leaving things at work. Sometimes character elements follow me around, like the way a character dresses, or the way they move physically. But the actual emotions don't stay. I actually find it really useful, really therapeutic. There's only so much I can do of it, and once it's done, it really feels like I've already given it all of it. So when we're done filming, especially something like that, those scenes, I'm so relieved that it's over, because I'm so scared. I don't know how much I have left. So I do find it quite, quite easy to leave it at work. How were you able to access Cate's portrayal? Did they show you what she had already filmed? When I first arrived, we did a block through in a studio of a couple of the scenes, and so I saw Cate's idea of what those scenes would look like. I just watched her, and I could see some of the things that she was doing, some of the mannerisms that she had going on. And so I got to make some notes of that. And then we worked with the same dialect coach, and I think that was hugely helpful just for us to have the same sound. Beyond that, I was a bit panicked because I hadn't seen anything, and it was our first day of shooting, and I'm in hair and makeup, and I know that I'm about to have to go outside and do my first shot, and and a PA knocks on my trailer door with an iPad. I had about 30 minutes to watch some scenes that she'd done, and I kind of knew I wasn't ever going to see this iPad again. I thought about recording it, but then I thought, Apple's going to know somehow that it's on my iPhone. So I set it up on a table, and I put my phone facing me in selfie mode, and I videoed myself just mirroring everything she was doing, so that I had a physical image of what she was doing in scenes that I could then refer back to that was on my phone. What did you think when you saw the finished product? I don't know if people know this, but when I was hired, it was just to be her body. They were going to face replace us. And about halfway through shooting, I remember Alfonso said, "I think we'd like to make it so that in the first four episodes, it's actually you, and then when we cut to the truth, we'll put Cate's face on your body." When we finished shooting, it was tough, because when we were shooting those last bedroom scenes that are really personal, and you're just leaving all of you out there on film, I'd be driving home thinking it's going be really hard to watch those scenes with someone else's face on my body. I'm not sure I'm going be able to do that. I don't think I'll be able to see it. I was trying to just savor everything about it, knowing that was not mine anymore, that I was giving that away. And then about a year later, Alfonso let me go to a screening they had of an early cut and it was me. He called me after, and he said, "What do you think? Do you like it?" And I was like, "I'm so, so happy I got to see it before you did all of the CGI. Thank you for letting me see that." And he was like, "Yeah, we're not gonna do it. We're just gonna let it be you." I just bawled my eyes out. I couldn't believe it, and I felt so, so honored that that they would decide to do that. Did you ask him why he changed his mind? I'm not really sure. I think maybe it just wasn't necessary in the end. When you're doing scenes like that, I think there is something really personal about it maybe doesn't feel quite right. I was very happy. It was really kind of affirming. Every step of the way, the confidence that Alfonso put in me made me grow as an actor, and he is my fairy godfather. I'm forever in his debt. What did you take away from the experience? The main takeaway is to be able to trust that I can do it, to have the confidence. I remember we were at dinner quite early on, and Louis Partridge asked Alfonso who his favorite actors were that he's worked with, and Alfonso said it was the ones who actually weren't actors like in Roma. And so I decided from that moment to show up on set and trust that. I do a lot of research before; my scripts are like a Rorschach test, there's no white space on them. So to trust that I've done that work, and to show up on set like I'm not an actor, like I'm one of the non-actors, that's been really useful. I always feel like I have to prove myself. I can relax now and go to a meeting or sit at a dinner amongst peers or people that I look up to and just feel like I belong a little bit more, That's been the main difference — confidence. Best of GoldDerby Gary Oldman on 'Slow Horses' being 'an extraordinary show to work on' and 'one of the highlights of my career' Michelle Williams and Jenny Slate on playing best friends in 'Dying for Sex': 'It was love at first sight' Dan Fogelman and team on the making of 'Paradise': 'It only works if you have talented people who you trust' Click here to read the full article.
