Les Miserables – The Arena Spectacular coming to Singapore in March 2026
Les Miserables – The Arena Spectacular is part of a world tour celebrating the 40th anniversary of the musical. PHOTO: DANNY KAAN
Les Miserables – The Arena Spectacular coming to Singapore in March 2026
SINGAPORE – Musical fans in Singapore are in for a treat as Les Miserables – The Arena Spectacular is coming here.
The production will play at Sands Theatre, Marina Bay Sands, from March 24 to April 19, 2026. This is part of its world tour celebrating the 40th anniversary of one of the world's longest-running musicals.
Priority sale and pre-sale of the tickets have begun, with public and early-bird sales set to begin on June 26 at 10am.
Les Miserables – The Arena Spectacular is based on French author Victor Hugo's 1862 novel of the same name, a story of love, sacrifice and redemption set in France in the 1800s. It is expanded from Les Miserables The Staged Concert, which had more than 200 performances in London's West End.
The Arena Spectacular opened in Belfast, Northern Ireland, in September 2024, and is currently on tour in Taipei. It is set to head to other cities such as Tokyo in August, Osaka in September and Shanghai in November and December.
It features a new design created for larger venues and a company of over 65 cast and orchestra members.
The score of iconic songs includes I Dreamed A Dream, On My Own, Bring Him Home and One Day More.
The show is written by French musical theatre lyricist Alain Boublil and French musical theatre composer Claude-Michel Schonberg. It is produced by British theatrical producer Cameron Mackintosh and Nick Grace Management.
The production is presented in Singapore by Base Entertainment Asia under the direction of Chantal Prudhomme.
Les Miserables - The Arena Spectacular World Tour
Where: Sands Theatre, Marina Bay Sands, 10 Bayfront Avenue
When: March 24 to April 19, 2026
Admission: $88 to $258 via Marina Bay Sands, Sistic and Klook.
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Straits Times
8 hours ago
- Straits Times
Les Miserables – The Arena Spectacular coming to Singapore in March 2026
Les Miserables – The Arena Spectacular is part of a world tour celebrating the 40th anniversary of the musical. PHOTO: DANNY KAAN Les Miserables – The Arena Spectacular coming to Singapore in March 2026 SINGAPORE – Musical fans in Singapore are in for a treat as Les Miserables – The Arena Spectacular is coming here. The production will play at Sands Theatre, Marina Bay Sands, from March 24 to April 19, 2026. This is part of its world tour celebrating the 40th anniversary of one of the world's longest-running musicals. Priority sale and pre-sale of the tickets have begun, with public and early-bird sales set to begin on June 26 at 10am. Les Miserables – The Arena Spectacular is based on French author Victor Hugo's 1862 novel of the same name, a story of love, sacrifice and redemption set in France in the 1800s. It is expanded from Les Miserables The Staged Concert, which had more than 200 performances in London's West End. The Arena Spectacular opened in Belfast, Northern Ireland, in September 2024, and is currently on tour in Taipei. It is set to head to other cities such as Tokyo in August, Osaka in September and Shanghai in November and December. It features a new design created for larger venues and a company of over 65 cast and orchestra members. The score of iconic songs includes I Dreamed A Dream, On My Own, Bring Him Home and One Day More. The show is written by French musical theatre lyricist Alain Boublil and French musical theatre composer Claude-Michel Schonberg. It is produced by British theatrical producer Cameron Mackintosh and Nick Grace Management. The production is presented in Singapore by Base Entertainment Asia under the direction of Chantal Prudhomme. Les Miserables - The Arena Spectacular World Tour Where: Sands Theatre, Marina Bay Sands, 10 Bayfront Avenue When: March 24 to April 19, 2026 Admission: $88 to $258 via Marina Bay Sands, Sistic and Klook. Join ST's WhatsApp Channel and get the latest news and must-reads.
Straits Times
13 hours ago
- Straits Times
Return to Middle-earth with a musical spin on The Lord Of The Rings
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Rahman, Finnish folk band Varttina and Tony Award winner Christopher Nightingale. The Lord Of The Rings – A Musical Tale made its debut at the Princess of Wales Theatre in Toronto, Canada, in 2006. It then travelled to Theatre Royal, Drury Lane in London in 2007, where it played until 2008, earning five nominations at that year's Laurence Olivier Awards. The production was revived in 2023 at The Watermill Theatre in Britain, followed by a staging at Chicago's Shakespeare Theatre in 2024 before making its way to New Zealand and Australia. The Straits Times met the principal cast members playing Frodo, Sam, Merry and Pippin, as well as characters Gandalf, Gollum and Galadriel, at the Comedy Theatre in Melbourne, who offer reasons their show is a must-watch. 1. Actors are also orchestra members Unlike musicals, where actors sing to tunes performed by musicians in an orchestra pit, all 32 cast members in The Lord Of The Rings – A Musical Tale play an instrument onstage. 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But this is such a sophisticated arrangement that requires real musicianship. 'We have people in the cast who are principally musicians. We have a drummer who has a doctorate in percussion.' 2. From books to stage Condensing three books – The Fellowship Of The Ring, The Two Towers and The Return Of The King – into three hours is an ambitious undertaking. Fans of Jackson's films may be disappointed that some major moments in The Two Towers, such as the battle at Helm's Deep, are not in the musical. 'We are telling a story from the hobbits' perspective, so a lot of the extraneous details and things that weren't witnessed by the hobbits are omitted,' says Mak, 26. Rarmian Newton, who plays Frodo, says that while the films 'had lots of cool, incredible action sequences', their show does not set out to replicate the movies, but to emphasise the universal themes of hope and community. Frodo (Rarmian Newton) has to destroy the powerful One Ring. PHOTO: DANIEL BOUD It is also not necessary to have read the books or watched the films to enjoy the musical, says Jemma Rix, who plays elf noble Galadriel. 'We have had so many people who have come not knowing anything, telling us they understood the story and could relate to it,' says Rix, who is in her 30s. Crawford, who is in his 60s, adds: ' The problem of adapting a famous book is you will have different camps of people who will either like the adaptation or hate it. Don't worry if you know the story or not. We'll tell you a crazy story that is poignant, spectacular, beautiful and full of fantastic music.' 3. Born to be Gollum To be cast as Gollum was a dream come true for Laurence Boxhall, who professed to be a 'Tolkien nerd'. The actor, who is in his late 20s, used to pretend to be Gollum – a monster with a distinctive style of speech – while growing up, having read the books and watched the films. His preparation for the role involved studying Tolkien's books even more closely and taking notes on how Gollum speaks in them. He says: 'I also listened to how Tolkien himself performed Gollum's voice – which I think Andy Serkis, who played Gollum in the films, had also done.' Laurence Boxhall as Gollum in The Lord Of The Rings – A Musical Tale. PHOTO: DANIEL BOUD Boxhall adds that he is aware audiences may expect a performance similar to the English actor's. Describing his approach as 'a third of Serkis, a third of Tolkien and a third of my own thing', Boxhall says he needs to find a 'comfortable and sustainable vocal placement that wouldn't tire my voice'. Physically, he prepares by getting his body used to moving as a quadruped, as performing eight shows a week on all fours is 'taxing on the muscles'. He stretches and exercises with resistance bands while getting his body painted. 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Vogue Singapore
2 days ago
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The Longchamp X Constantin collab presents a new house emblem
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Courtesy of Longchamp Known for his work rooted in graphic simplicity and manual gestures across illustrations, paintings, and ceramics, Riant draws inspiration from the 'Paris' of local artisans—the upholsterer shops and booksellers that line neighbourhood streets to the luthier and the picture framers. This collection is an ode to the ones that keep the city's creative heart beating. One that feels like a quiet walk through the very soul of Paris—unlike the polished, postcard-perfect version, but the layered, lived-in city one, where art is tucked into every nook and cranny, and there is a certain beauty in the ordinary. The collection comprises of six exclusive pieces, each rendered in a classic palette of cobalt blue and white—a nod to Riant's ceramic roots and the utilitarian charm of traditional workwear. 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Courtesy of Longchamp How did you encounter Constantin's work? What is it about his vision that made him the perfect collaborator for this collection? Sophie Delafontaine: I've known Constantin for several years and have followed his work since the beginning. Our shared passion for craftsmanship and artistry field made this collaboration a natural fit, as our two worlds align perfectly. I wanted to illustrate the beauty of artisans through the eye of a native artist who could capture the city atmosphere and its artisanal heritage. Constantin imagined a poetic universe while celebrating those who bring the capital to life. How does this collaboration reflect Maison's commitment to supporting emerging artists, while also honoring the dynamism of cultural creativity beyond fashion? SD: Maison Longchamp always had a close relationship with art. Supporting emerging artists is a continuation of that bond, allowing us to maintain a kind of freshness in creativity. Our aim is to act as a springboard for these up-and-coming artists—a catalyst for their visibility—helping their talent and work reach the broadest possible audience. Each new collaboration is both a discovery and a challenge—entering the artist's world, understanding their aspirations, and transforming it all into a Longchamp product that is both aspirational and respectful of our heritage and DNA. For this collection, Constantin Riant—as Parisian, young artist and a highly creative spirit—embodied many values reflecting Longchamp's spirit. Courtesy of Longchamp Let's talk about the emblem—given that it's such a crucial part of the house. What were the guidelines given to Riant with the new design? SD: Constantin did a great work translating Longchamp's codes into a single emblem—from the first leather-covered pipes to the iconic 'Le Pliage' bag, leatherworker's tools as well as a plane and a boat symbolising the brand's international expansion. 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I love the idea of taking time to explore the city and neighbourhood, and rediscovering the details that make Paris such a unique and inspiring destination. Courtesy of Longchamp Constantin, you've have described this project as exploring Paris like a tourist. What parts of the city inspired you the most during this creative journey? Constantin Riant : I'm often most inspired by the hidden or secluded corners of the city, though I also love the historical centre of Paris like all Parisians. What makes Paris truly remarkable is that each neighbourhood has its own distinct identity, aesthetic, and community. It's this diversity that gives the city its unique charm and richness. Walking along the river Seine banks, whatever the weather is one of my favourites. Courtesy of Longchamp The colours cobalt and white have become your signature as an artist. What do they symbolise to you? CR: Cobalt blue and white are closely tied to my ceramic practice. 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Can you share the story and inspiration behind its design? CR: I loved looking into Longchamp's archives, savoir-faire and craftsmanship to identify key visual elements that would reflect the brand's rich heritage. From there, I created a design that pays tribute to that legacy, reinterpreted with my visual language. Fashion and art have a symbiotic relationship. What kind of dialogue did you and Longchamp aim to create between these two overarching disciplines? CR: I believe that artists offer fashion a fresh perspective, a unique vision and universe to explore. Fashion allows artists to work within new formats and constraints, pushing their creativity in different directions. I think these two disciplines constantly inspire one another and often serve as powerful indicators of future trends and creative movements. It was an incredible opportunity to work on fashion pieces that reflect my own vision, pieces that not only embody my artistic language but also exist within a wearable, living format. Longchamp X Constantin fall 2025 capsule collection is now available in stores.
