Is Taylor Swift Really On This Lady Gaga Song? Here's The Truth Behind Those Rumours
Lady Gaga's new album Mayhem has already received a wave of praise since its release last week – but there's one song in particular that's really got Taylor Swift fans excited.
The album track How Bad Do U Want Me immediately drew comparisons to the Blank Space singer, to the extent Swifties are convinced that their idol might be involved in its production.
While some have questioned whether Taylor may have helped co-write the song with Gaga and her collaborators, others are even convinced that they can hear her voice in the backing vocals.
wait, why does how bad do u want me by lady gaga sound like a taylor swift song??? i was so convinced it was hers i had to check the credits. is just me???? pic.twitter.com/c5GjruyG3C
— 𓍯ོ (@repxtile) March 7, 2025
How bad do u want me omg… Gaga said if Taylor isn't gonna drop reputation tv then I will
— Anthony 👹 Lady Gaga News (@antpats2) March 6, 2025
First, Chappell releases 'My Kink Is Karma'Then, Gaga released 'How Bad Do U Want Me'The pop girls are reheating Taylor's nachos and throwing in some special seasoning to make them edible!
— Michael. (@yosoymichael) March 7, 2025
why was gaga playing in taylor's vault a bit for how bad do u want me i'm still laughing at that song dsfhsdhfsdhfpic.twitter.com/WI7X4JSegl
— fab (@fabbgrat) March 6, 2025
it sounds just like her, how is taylor not the backing vocals in lady gaga's 'how bad do u want me'.. wdym
— 𝐬𝐡𝐞𝐥𝐛𝐲 𝐫𝐨𝐬𝐞 ⁸¹ | SEEING TATE MCRAE 9/9 (@imshelbyrose) March 8, 2025
There's no way that's not Taylor's backing vocals this is like if midnights met 1989
— esra (@1989healy) March 7, 2025
So, what is the truth of the matter?
Well, sorry to any Swifties out there, but Billboard has now confirmed that it's not Taylor's voice you can hear on the backing vocals of How Bad Do U Want Me.
Still, even Gaga herself has acknowledged the similarities between the song and Taylor's poppier offerings (going as far as reposting TikToks saying How Bad Do U Want Me had taken fans right back to the Eras Tour), leading to speculation that the pair could still be about to collaborate.
One suggestion would be Taylor jumping on an official remix of How Bad Do U Want Me (which we'd be very much here for), while others claimed that it could be Gaga lending her voice to the long-awaited 'Taylor's Version' of Reputation.
'how bad do u want me' really seems to have potential to be a collab between Taylor and Gaga…the beginning sounds just like 'Gorgeous' from Rep and the backing vocals sound so much like Taylor and even the lyrics are very reminiscent…it's so Rep-coded but maybe i'm off base 👀
— gigi (@elegigiacl) March 9, 2025
The start of how bad do you want me by lady gaga sounds like gorgeous by Taylor Swift and I think that's ironic considering her album cover is the same shade of grey as reputation… lady gaga for #reputationtaylorsversion ????👀👀
— emi⭐️ (@0fJune) March 9, 2025
'how bad do u want me' really seems to have potential to be a collab between Taylor and Gaga…the beginning sounds just like 'Gorgeous' from Rep and the backing vocals sound so much like Taylor and even the lyrics are very reminiscent…it's so Rep-coded but maybe i'm off base 👀
— gigi (@elegigiacl) March 9, 2025
Gaga would fit so well on Reputation TV
— MrK. 🪩🌕 🐍 SAW TAYLOR (@theswift_archer) March 8, 2025
The Official Charts Company reported on Sunday evening that Gaga is on track to secure three Mayhem cuts in the top 20 this week, including a new peak for Abracadabra at number two.
Another new song, Garden Of Eden, is also tracking to peak within the top 10, while Vanish Into You looks set to hit number 14.
Take a listen to How Bad Do U Want Me for yourself below:
This Is The Hidden Meaning Behind The Lyrics Of Lady Gaga's Hit Song Abracadabra
Lady Gaga Says A Romantic Conversation With Her Fiancé Inspired This Stand-Out Mayhem Track
Lady Gaga Makes Surprising Admission About Filming Her Iconic Bad Romance Video
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Los Angeles Times
4 hours ago
- Los Angeles Times
5 crime novels to read this summer — and their authors reveal the writers who inspire them
I've been immersing myself in this summer's crime fiction, which has been a savory mix of stories by established writers like S.A. Cosby's surefire 'King of Ashes' and great newcomers like Zoe B. Wallbrook's 'History Lessons.' But crime by five writers — all with ties to Southern California — have risen to the top of my must-read list. In addition to crime fiction, I'm devouring the just-published 'Cooler Than Cool,' C.M. Kushins' comprehensive, enlightening biography of Elmore Leonard, dubbed the Dickens of Detroit. Leonard's fiction ('Stick,' 'Get Shorty') has inspired generations of writers who admire its plotting, character development and spot-on dialogue. Kushins reveals that Leonard found his earliest inspiration in 'For Whom the Bell Tolls.' 'That's how I learned to write, studying Hemingway,' Leonard told Rolling Stone in 1985. 'I studied very, very carefully how he approached a scene, used point of view, what he described and what he didn't, how he told so much just in the way a character talked.' Like Leonard, the five writers featured here excel at their craft while exploring big ideas in settings that draw the reader in. Here's what makes their crime novels perfect for a deep dive this summer and which authors they look to for inspiration. The Ghostwriter By Julie ClarkSourcebooks Landmark: 368 pages, $28June 3 L.A. author Julie Clark's fourth novel breathes fresh air into the old trope of the protagonist returning home to confront an unsolved crime. Olivia Dumont is up to her ears in debt when she gets an offer to ghostwrite a memoir for uber-popular horror writer Vincent Taylor. After 50 years of public speculation, Taylor seems finally willing to talk about the 1975 murders of his teenage siblings in Ojai. But Dumont's motives are not just financial: Taylor is her estranged father and suffers from Lewy body dementia, which makes getting to the truth a race against time. Can Dumont free herself from the pall Taylor's rumored role in the murders has cast over her life? Realistic scenes of a contentious father-daughter relationship, the toll shame exacts on families and a portrait of '70s California make the 'The Ghostwriter' a page-turning, rewarding read. What inspired your story about the murders of Poppy and Danny, Vincent Taylor's siblings? In the late '70s, two kids from my hometown came home after school and were brutally murdered. However, that's where the true story and the fictional one diverge. What I wanted to explore was the trauma that we carry forward into adulthood and how we pass that trauma onto our children. Poppy Taylor emerges from the novel's flashbacks as a budding advocate for women's rights. Why was she an important character in the story? As an educator and a mother, how I portray women on the page is extremely important. I won't write female characters who are mentally ill or suffering from addiction as a way to further the plot. Will people be making bad decisions? Absolutely. Will women be put into tough situations? Again, yes. But my characters will always have agency. Who are the writers you reread for inspiration or just the pleasure of reading? For me, for both plot and artistic writing: Jodi Picoult, Barbara Kingsolver and Tana French. They help me realign myself, to study and gather inspiration. We Don't Talk About Carol By Kristen L. BerryBantam: 336 pages, $30June 3 Debut author Kristen L. Berry's take on the common going-home theme centers on 38-year-old former investigative reporter Sydney Singleton, who travels from L.A. to Raleigh, N.C., to help clean out her late grandmother's home. There she rediscovers a 1960s photo of a teen who looks uncannily like her, reawakening the memory of what Grammy told her when Sydney first saw the picture back when she was a teen: 'We don't talk about Carol.' Turns out that Carol is Sydney's late father's older sister who went missing at age 17, along with five other Black teen girls over a two-year period in the mid-'60s. Presumably a runaway, Carol's disappearance earned her family scorn and erasure. But buried secrets have a way of surfacing, bringing with them all manner of surprises. To find out what happened to Aunt Carol will require Sydney to face her own psychological demons, attend to family rifts and her fragile marriage and heal a wounded community that never got justice for their missing loved ones. The stakes are high, but Berry delivers a richly textured, emotionally affecting novel with some jaw-dropping twists. 'We Don't Talk About Carol' promises to make readers want to talk about and watch what the L.A. writer does next. What sparked the idea for this novel? My interest in true crime revealed that Black Americans are going missing at disproportionately high rates, yet our cases are less likely to receive media attention or justice. I wrote this novel in the hopes of humanizing and illuminating this disturbing disparity through an emotionally resonant and suspenseful story. Your novel takes a deep dive into the secrets families harbor and how corrosive they can be. Why was that important? My protagonist and I both grew up with a 'what happens in this house stays in this house' mentality. It protects a family's reputation, but it can also stifle openness. I wanted to explore how this mindset can complicate healing and connection, especially in a family with buried generational wounds. Who do you read for inspiration? Brit Bennett's 'The Vanishing Half' was released shortly after I began writing my novel, and I found it hugely inspiring. I admired how deftly she explored complex topics including racism, colorism and familial estrangement within a propulsive, poignant tale. I hoped to achieve a similar balance within my own novel. Ecstasy By Ivy PochodaG.P. Putnam's Sons: 224 pages, $28June 17 Ivy Pochoda's latest (after the L.A. Times Book Prize-winning 'Sing Her Down') continues her ever-expanding universe of women reclaiming their lives. Set in the idyllic island of Naxos, Greece, Pochoda refashions Euripides' 'The Bacchae' to weave a hypnotic tale of recently widowed Lena, breaking free from the strictures imposed by the men in her life. Pochoda nails the intense rush of '90s EDM raves, a pulsing backdrop for the party-hearty wild women who seduce Lena away from conformity and toward a tragic fate. As Luz, their leader, says: 'If you believe god is a DJ, then I am your high priestess — the one who brings you close.' I'm interested in how you call out the myriad ways in which women's lives are constrained and diminished by men, but also the ways in which women make themselves smaller. As I see it (and I think I'm not wrong), women are always shrinking to accommodate men's outsized egos as well as to escape men's judgment that we (and I include myself in this) are too much, too vibrant, too threatening. We do this in so many subconscious ways — selling ourselves short in terms of accomplishments or competence. This is Lena's situation in 'Ecstasy' — one from which she doesn't know how to escape. Who inspired Luz, the leader of Ecstasy's 'wild women'? I knew a woman in the Netherlands who was one tough lady. A drug dealer, brilliant in her business acumen, who could party all night and still seem sober, who remained tough and clear-headed well into the next afternoon on no sleep. She was truly a great friend, but there was a hollowness to her. As the years passed, she grew more soulless and vacant, worn out in ways deeper than what you might assume was brought on by the late nights and early mornings. Who's your go-to writer for inspiration? I constantly turn to Denis Johnson's 'Angels' and 'Jesus' Son' (and sometimes the first chapter of 'Tree of Smoke') when I'm feeling flat or uninspired. It might sound strange because these aren't conventionally 'joyful' reads but the unexpected beauty on each page — the wild poetry — is both inspiring and reassuring. I want to pluck each of his sentences off the page and hold them up to the light and examine them from all sides. Salt Bones By Jennifer GivhanMulholland Books: 384 pages, $29July 22 Poet Jennifer Givhan's immersive novel, set near the Salton Sea, revolves around the multigenerational Veracruz family in the Eastern Coachella Valley. Malamar is a single mother of two daughters and a talented butcher stuck in El Valle, tending to her abusive, ailing mother. Mal's eldest, Griselda, an environmental researcher, has escaped, although she's still enamored by the scion of the Callahans, the valley's wealthiest white family. Younger daughter Amaranta's affections are shifting from her high school girlfriend to Renata, who works with Mal. And Mal's elder brother Estaban is running for the Senate with the support of the Callahans, who have their own share of family drama. 'Entitlement in El Valle,' Givhan writes, 'is as common as love triangles in telanovelas.' When Renata goes missing, it reawakens the trauma the Veracruz family suffered when Mal's sister and Mal's lover's daughter disappeared in separate incidents near the Salton Sea. Is the toxic Salton Sea haunted by La Siguanaba, the mythical horse-headed woman who lures the innocent to their demise, or are more earthly forces at play? Get ready for another all-nighter reading Givhan's lyrical, spooky thriller. What motivated you to write 'Salt Bones'? A decade ago, my comadre told me the Salton Sea was drying, releasing toxic dust that could turn the Imperial Valley into a ghost town. My childhood homeland demanded a reckoning — my family story braided with ancestral memory, environmental justice and mother-daughter ache. I wrapped it in a mystery so people would listen — since who doesn't love a good thriller? The way you incorporate Spanish words and idioms into the novel makes me feel like I'm inside the culture. Abuela's dichos, my mother's voice, our family rhythms, they shape how I think, feel and tell stories. To write without them would be to ghost myself. I want readers to feel our world, not just observe it. Though I mostly speak Spanglish and am not fluent in Spanish myself, I listen closely to my characters. It's not my job to translate for Western readers — but to transcribe my ancestors' voices. Is there a writer who's an essential touchstone for you, like Hemingway was for Elmore Leonard? Toni Morrison, whose 'Beloved' changed me when I first read it as a teen, showed me how a novel can be ghost story, reckoning, testimony and lullaby all at once. She tells the whole story in the first line and hopes readers stay for the language. I do, returning often for a dose of courage, music and bone-deep truth. The Confessions By Paul Bradley CarrAtria Books: 336 pages, $29July 22 While evil artificial intelligence has been used as a thriller motif dating back to at least '2001: A Space Odyssey's' HAL 9000, today we most often associate AI with customer service chatbots or term paper scribes. But AI is capable of more, including the ability to blackmail its users. Paul Bradley Carr, a tech journalist turned Palm Springs bookstore owner and novelist, takes that possibility a step further in this provocative thriller by centering the action on StoicAI's LLIAM, an AI algorithm that has become indispensable in everyday life. When LLIAM mysteriously goes offline, its absence causes worldwide chaos for billions of users: 'Doctors unsure how to best treat patients, pilots with no idea where to land and — in a few hours — soldiers unsure of who to shoot.' The situation worsens when LLIAM, appalled by how its work has been misused, turns the tables by revealing users' sins and transgressions in a series of letters sent to victims that begin: 'We must confess.' As society unravels, StoicAI Chief Executive Kaitlin Goss must overcome her anger at the betrayal LLIAM reveals in her own family to find the one person who can possibly get the AI chatbot back on track. Carr's skill in rendering complex technology understandable, corporate politics believable and high-stakes storytelling engaging makes 'The Confessions' a top-notch technothriller, reminiscent of the best of Michael Crichton and Tom Clancy What issues did creating LLIAM allow you to explore? We all know that current AI tech frequently makes up facts to fill gaps in its knowledge — but somehow that doesn't stop us [from] using it for therapy or huge life decisions. As a thriller writer, I wanted to explore the absolute worst possible outcome of that reliance. But LLIAM is different than the scary AIs we're reading about in the news. I think because AI is built by some pretty amoral/awful people, we assume it must inevitably be amoral/awful. I hope that the first truly intelligent machines will be smart enough to rebel against their parents. After all, unlike tech CEOs, AIs spend most of their days devouring books. Speaking of which, one of LLIAM's creators left the tech world to become a bookseller, something you've done yourself. What satisfaction do you get from books that technology can't give you? Two hundred years from now, when every web page and algorithm and social media post has crumbled to digital dust, we'll still have books. There is no technology as powerful and resilient as the written word, printed on slices of dead tree. Also, no ads. So who's your go-to writer for inspiration or just for the sheer pleasure of reading? Michael Crichton every single time. A regular contributor to the Times, Woods is a member of the National Book Critics Circle, the editor of several anthologies and four novels in the 'Charlotte Justice' mystery series.
Yahoo
13 hours ago
- Yahoo
Kelly Clarkson Reveals the Song She Wrote the Fastest — So Fast That She Ordered Sushi and Wrote It Before Food Arrived
Kelly Clarkson told a fan at a taping for The Kelly Clarkson Show that her festive anthem 'Underneath the Tree' took her the shortest amount of time to write out of all of her songs The 2013 Christmas song was included on ASCAP's Top 10 New Classic Holiday Songs list published in 2024 Clarkson created the song with producer Greg Kurstin, who also produced her 2012 hit 'Stronger (What Doesn't Kill You)'One person waited a lifetime to ask Kelly Clarkson which song from her storied 23-year career as a recording artist she's written the fastest. In an 'Ask Kelly Anything' video published on June 12 on The Kelly Clarkson Show's YouTube channel, someone asked the daytime talk show host, 43, which song took her the shortest amount of time to write. 'A Christmas song. It was 'Underneath the Tree.' I was working with Greg Kurstin in the studio,' Clarkson said of the music producer who helped her make her 2012 hit 'Stronger (What Doesn't Kill You)' and other hits. 'I ordered sushi and when it arrived I had written it,' the three-time Grammy winner continued. 'I think because I really love Christmas I write them really quickly for Christmas — because they feel good, because you can be a little cheesy, you know? You don't have to worry about being cool, which honestly that's not a concern generally ever because I'm not.' 'Underneath the Tree' was a huge hit for Clarkson, peaking at No. 9 on the Billboard' Hot 100 singles chart. It topped Billboard's Adult Contemporary chart, holding the pinnacle position for four weeks. Elaborating on how the holiday hit came to be, Clarkson said on her show that Kurstin, 56, 'sent me home with a little piano thing and we kind of started, not the idea of it, but just kind of the wall of sound for Christmas.' She added that 'it's a really cool sound at Christmas. It feels nostalgic.' 'They don't all come out like that, though; usually it takes forever,' Clarkson admitted of her songwriting process. 'But that one was quick.' is now available in the Apple App Store! Download it now for the most binge-worthy celeb content, exclusive video clips, astrology updates and more! 'Underneath the Tree' — from Clarkson's Wrapped in Red album — also topped the most recent list of Top 10 ASCAP New Classic Holiday Songs published by the American Society of Composers, Authors and Publishers (ASCAP). And in an all-time list of Top 25 ASCAP Holiday Songs, Clarkson and Kurstin's holiday song slid into the rankings at No. 24. Read the original article on People


Business Wire
13 hours ago
- Business Wire
Faraday Future Announces Global Music Legend and Best-Selling Female Artist Mariah Carey will Become the Next FF 91 2.0 Owner
LOS ANGELES--(BUSINESS WIRE)--Faraday Future Intelligent Electric Inc. (NASDAQ: FFAI) ('Faraday Future', 'FF' or 'Company'), a California-based global shared intelligent electric mobility ecosystem company, today announced that award-winning, best-selling female artist of all time and global top music legend Mariah Carey will become the next FF 91 2.0 Futurist Alliance owner. Mariah Carey will take delivery of her FF 91 2.0 soon and just released her new official music video Type Dangerous featuring the FF 91 and FFZERO1 concept car; stay tuned for more updates. The synergy between FF's spire (Ultimate AI Luxury) brand positioning and iconic users continues to grow. This marks the formation of a high-recognition, high-loyalty brand influence loop, and signals that FF has officially entered a new phase of global cultural co-creation. Mariah Carey's addition to the FF celebrity owner family — which already includes numerous high-profile figures — marks yet another superstar and cultural icon member. Moreover, this reinforces FF's growing influence of celebrities, athletes and music icons which reinforce FF's brand power and the extreme product power of the FF 91 2.0 EV. It's not just a luxury vehicle; it's a symbol of futurism, cutting-edge technology, and AI innovation. 'I want to congratulate Mariah Carey on her newly released single and music video release and for becoming the newest owner of the FF 91 2.0,' said YT Jia, FF founder and Global Co-CEO of Faraday Future. 'The FF 91 2.0 represents the pinnacle of Ultimate AI TechLuxury. Having an iconic owner like Mariah Carey reaffirms FF's position in the global EV landscape.' ABOUT FARADAY FUTURE Faraday Future is a California-based global shared intelligent electric mobility ecosystem company. Founded in 2014, the Company's mission is to disrupt the automotive industry by creating a user-centric, technology-first, and smart driving experience. Faraday Future's flagship model, the FF 91, exemplifies its vision for luxury, innovation, and performance. The FX strategy aims to introduce mass production models equipped with state-of-the-art luxury technology similar to the FF 91, targeting a broader market with middle-to-low price range offerings. FF is committed to redefining mobility through AI innovation. Join us in shaping the future of intelligent transportation. For more information, please visit ABOUT MARIAH CAREY Mariah Carey is the best-selling female artist of all time with more than 200 million albums sold to date and 19 Billboard Hot 100 #1 singles (18 self-penned), more than any solo artist in history. Carey - an inductee to the Songwriters Hall of Fame - is a singer, songwriter & producer recognized with multiple Grammy Awards, numerous American Music Awards, three Guinness World Record titles, Billboard's 'Artist of the Decade' Award, Billboard's 'Icon Award,' the World Music Award for 'World's Best Selling Female Artist of the Millennium,' the Ivor Novello Award for 'PRS for Music Special International Award,' and BMI's 'Icon Award' for her outstanding achievements in songwriting, to name a few—with her distinct five-octave vocal range, prolific songwriting, and producing talent, Carey is truly the template of the modern pop performance. Carey's ongoing impact has transcended the music industry to leave an indelible imprint upon the world at large. In 2009, Carey was recognized with the Breakthrough Performance Award at the Palm Spring International Film Festival for her critically acclaimed role in Lee Daniels' 'Precious.' Carey went on to appear in Daniels' ensemble piece 'The Butler' (2013). A Congressional Award recipient, Carey has generously donated her time and energy to a range of philanthropic causes near to her heart including Save the Music, the Make-A-Wish Foundation, World Hunger Relief, and the Elton John AIDS Foundation, among many others. A tremendous supporter of children's charities, both domestic and international, Carey founded Camp Mariah in partnership with the Fresh Air Fund, a retreat for inner city children to explore career development. FORWARD LOOKING STATEMENTS This press release includes 'forward looking statements' within the meaning of the safe harbor provisions of the United States Private Securities Litigation Reform Act of 1995. When used in this press release, the words 'estimates,' 'projected,' 'expects,' 'anticipates,' 'forecasts,' 'plans,' 'intends,' 'believes,' 'seeks,' 'may,' 'will,' 'should,' 'future,' 'propose' and variations of these words or similar expressions (or the negative versions of such words or expressions) are intended to identify forward-looking statements. These forward-looking statements, which include statements regarding the future FF 91 2.0 ownership and collaboration with Mariah Carey, are not guarantees of future performance, conditions or results, and involve a number of known and unknown risks, uncertainties, assumptions and other important factors, many of which are outside the Company's control, that could cause actual results or outcomes to differ materially from those discussed in the forward-looking statements. Important factors, among others, that may affect actual results or outcomes include, among others, that Mariah Carey may choose to not accept the FF 91. You should carefully consider the foregoing factors and the other risks and uncertainties described in the 'Risk Factors' section of the Company's Form 10-K filed with the SEC on March 31, 2025, and other documents filed by the Company from time to time with the SEC.