logo
Top 5 African countries with the largest national carrier fleets

Top 5 African countries with the largest national carrier fleets

The aviation industry in Africa is experiencing commendable growth, particularly in the aftermath of the pandemic. This expansion has led to an increase in the number of airline operators across the continent.
The African aviation industry is witnessing notable growth post-pandemic.
Enhanced partnerships aim to boost connectivity within Africa and globally.
Other key carriers include EgyptAir, Air Algérie, Royal Air Maroc, and Kenya Airways.
Here is a comprehensive overview of the African countries with the largest national carrier fleets as of 2024, highlighting the leading airlines by fleet size and their strategic developments:
1. Ethiopian Airlines – Ethiopia
Fleet Size: 156 aircraft
Destinations: 161 passenger, 68 cargo
Alliance: Star Alliance
Overview: Ethiopian Airlines stands as Africa's largest airline, both in fleet size and destinations served. The airline operates a diverse fleet, including Airbus A350s, Boeing 737s, 767s, 777s, 787s, and Bombardier Dash Q-400 aircraft. With plans to double its fleet and route network by 2035, Ethiopian Airlines continues to expand its global footprint.
2. EgyptAir – Egypt
Fleet Size: 78 aircraft
Destinations: 102
Alliance: Star Alliance
Overview: EgyptAir, the national carrier of Egypt, operates a fleet of 78 aircraft, serving 102 destinations worldwide. The airline has recently expanded its fleet with an order of 18 Boeing 737-8 aircraft, aiming to modernize and enhance its services.
3. Air Algérie – Algeria
Fleet Size: 56 aircraft
Destinations: 78
Overview: Air Algérie operates a fleet of 56 aircraft, connecting 78 destinations across 28 countries. The airline plays a significant role in linking Algeria with various regions, including Europe, Africa, and the Middle East.
Air Algerie
4. Royal Air Maroc – Morocco
Fleet Size: 52 aircraft
Destinations: 89
Alliance: Oneworld
Overview: Royal Air Maroc (RAM), Morocco's flag carrier, operates a fleet of 52 aircraft, serving 89 destinations across Africa, Europe, the Americas, and the Middle East. The airline has ambitious plans to quadruple its fleet to 200 aircraft by 2037, aligning with Morocco's goal to attract 26 million tourists by 2030.
5. Kenya Airways – Kenya
Fleet Size: 34 aircraft
Destinations: 44
Alliance: SkyTeam
Overview: Kenya Airways, the national airline of Kenya, operates a fleet of 34 aircraft, connecting 44 destinations. The airline serves as a key player in East African aviation, offering extensive connectivity within Africa and to Europe, Asia, and the Middle East.
Conclusion
Ethiopian Airlines leads the African aviation sector with the largest fleet and extensive global reach. Other national carriers like EgyptAir, Air Algérie, Royal Air Maroc, and Kenya Airways also play significant roles in connecting Africa to the world. With ongoing fleet expansions and strategic partnerships, these airlines are poised to enhance intra-African connectivity and global integration.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Washington prepares for US-African Leaders Summit
Washington prepares for US-African Leaders Summit

Yahoo

time31 minutes ago

  • Yahoo

Washington prepares for US-African Leaders Summit

The Trump administration is working out the final details for a US-Africa Leaders Summit on the sidelines of the UN General Assembly in September that will be 'almost entirely focused on economic growth,' according to its top Africa official. Troy Fitrell, head of the US State Department's Africa bureau, said he had submitted his recommendations for an event he sees as an opportunity for commercial and market advocacy. His team has been encouraging African governments to come prepared with 'a couple of major deals' and use the summit as an 'action-forcing event,' he said during a Carnegie Endowment for International Peace event in Washington last week. The last US-Africa Leaders Summit was hosted by President Joe Biden in December 2022, drawing more than 40 African leaders. Just before US President Donald Trump took office, lawmakers added a provision in an annual defense bill mandating that the president host an event for African leaders this year, with another one in two years' time. Congress' concerns are that limited senior US engagement with African leaders is leading Washington to cede ground to China and other powers.

Crush Colossal Kaiju with a Game-Changing Blow: KAIJU NO. 8 THE GAME Unveils Details for Original Story!
Crush Colossal Kaiju with a Game-Changing Blow: KAIJU NO. 8 THE GAME Unveils Details for Original Story!

Yahoo

time36 minutes ago

  • Yahoo

Crush Colossal Kaiju with a Game-Changing Blow: KAIJU NO. 8 THE GAME Unveils Details for Original Story!

Voice Actress Akari Kito Cast as Original Character for the Game, Sagan Shinomiya! LOS ANGELES, June 2, 2025 /PRNewswire/ -- Based on Naoya Matsumoto's hit manga series, Kaiju No. 8, currently serialized on Shueisha's Shonen Jump+ and with over 18 million copies printed and distributed in Japan (including digital editions) across 15 published volumes, the anime Kaiju No. 8 has garnered immense popularity not only in Japan but also overseas, particularly in North America. Building on this global success, Kaiju No. 8 THE GAME, a new title for smartphones and PC, is being developed by the powerhouse team of Akatsuki Games, TOHO, and Production I.G. • Original Story Details Finally Unveiled!Today, during the Kaiju No. 8: Defense Force Boot Camp in Yokohama event, brand-new information regarding the original story of Kaiju No. 8 THE GAME was officially announced. Mysterious gates known as the Kaiju Dimensional Gates have suddenly appeared due to the actions of a certain Kaiju. In this new Kaiju No. 8 world, where Kaiju with unknown powers appear not only in Japan but across the globe, Identified Kaiju that were once thought to be defeated now confront the Defense Force by passing through these Kaiju Dimensional top of that, unknown Kaiju possessing special abilities—and seemingly responsible for the creation of these Kaiju Dimensional Gates—continue to cross over the boundary between dimensions to launch their attacks. Their appearance has led to a series of battles against colossal Kaiju. • Special Dimensional Gate Response Unit "CLOZER" and Original Character "Sagan Shinomiya" Revealed! In addition, the Closing Order with Zero Restrictions (CLOZER), a newly formed special unit established to investigate the mysteries surrounding the Kaiju Dimensional Gates, has been officially unveiled, along with original character Sagan Shinomiya, the leader of CLOZER, is the adoptive older sister (not related by blood) of Kikoru Shinomiya. This original game character moved to the United States and enlisted in the American Defense Force after being adopted into the Shinomiya family. Although details about Sagan Shinomiya's weaponry and the battles she will face remain under wraps, players can look forward to her key role in the action-packed story ahead. • Akari Kito Cast as Sagan Shinomiya! Greetings Video Also Released Finally, it has been officially announced that Japanese voice actress Akari Kito will be voicing the newly revealed original character Sagan Shinomiya!A special greetings video from Akari Kito has also been released in which she shared her thoughts on joining the project: "I'll be joining as an original character for the game. I'm thrilled about it! I think Sagan has this tough look to her and just comes across as so cool. I think she's pretty serious, but she's also a great and honest person. I've been so excited to play this character and record her lines." • Watch Akari Kito's Voice Actor Greetings Videohttps:// • About KAIJU NO. 8 THE GAME Title: KAIJU NO. 8 THE GAME Planning & Production: Akatsuki Games Inc., TOHO CO., LTD., Production I.G, Inc. Development & Operation: Akatsuki Games Inc. Publicity Cooperation: TOHO CO., LTD., Production I.G, Inc. Distribution: Akatsuki Games Inc. Available Platforms: App Store,Google Play, Steam Supported Languages: Japanese, English, Traditional Chinese, Simplified Chinese, Korean, French Price: Free-to-play (with in-app purchases) Copyright Notice: © JAKDF 3rd Division © Naoya Matsumoto/SHUEISHA © Akatsuki Games Inc./TOHO CO., LTD./Production I.G Official Game Website: Official Game X: Official Game YouTube: App Store: Google Play: Steam: Dedicated Careers Page for Game Developers: • About Anime Kaiju No. 8 Based on the popular manga series by Naoya Matsumoto, currently serialized on Shonen Jump+ (Shueisha) since 2020, the anime Kaiju No. 8 portrays intense battles between the Japan Defense Force, tasked with eliminating Kaiju, the monstrous creatures that routinely threaten human lives. The original manga has surpassed 18 million copies in circulation (including digital editions), and the series has accumulated over 700 million views on Shonen Jump+ as of April anime aired from April to June 2024 and quickly gained massive popularity, reaching No. 1 on domestic daily rankings across major streaming platforms in Japan. A theatrical compilation of Season 1, along with the side story "Hoshina's Day Off," was released on March 28, 2025. The anime's Season 2 is officially scheduled to air in July 2025. Official Website: Official X: • Company Overview: Akatsuki Games Inc. It is our mission to connect the emotions of people around the world by putting our beliefs and "why" into games. We challenge ourselves to create global hits as a world-class game company with the highest standards of development and operation in addition to the experience of operating games such as Dragon Ball Z Dokkan Battle (published by BANDAI NAMCO Entertainment Inc.) and Romancing SaGa Re; Universe (published by SQUARE ENIX CO., LTD.), we are taking on the challenges of using high-end 3D graphics display and development on multiple devices. We will deliver the highest quality games for everyone around the world to enjoy. Official Website: Founded: December 2021 Representative: CEO Yuki Totsuka Headquarters: 8F oak meguro, 2-13-30 Kamiosaki, Shinagawa-ku, Tokyo, Japan Business Activities: Game Development & Operations Please be sure to include the following copyright notice when publishing articles or images related to this release:© JAKDF 3rd Division © Naoya Matsumoto/SHUEISHA © Akatsuki Games Inc./TOHO CO., LTD./Production I.G Additional Assets: HERE View original content to download multimedia: SOURCE Akatsuki Games Inc.

Nollywood does not require validation — It requires infrastructure
Nollywood does not require validation — It requires infrastructure

Business Insider

timean hour ago

  • Business Insider

Nollywood does not require validation — It requires infrastructure

Observers of Nigeria's participation at the 2025 Cannes Film Festival may have been tempted to conclude that Nollywood had finally 'arrived' on the global stage. In truth, it arrived long ago. What is new — and far more consequential — is the industry's gradual transition from an informal creative engine to an emerging economic sector. For decades, Nollywood has been defined by its prolific output, entrepreneurial spirit, and cultural reach. Yet, despite producing thousands of films annually and commanding vast audiences across the continent and diaspora, the industry has remained largely excluded from the frameworks that enable capital efficiency, export readiness, and structural longevity. This year, however, a notable shift took place — not in the visibility of Nigerian content, but in the articulation of its underlying commercial logic. Nigeria's engagement at Cannes went beyond screening films. It introduced a strategic proposition: that Nollywood must be understood and supported not simply as a cultural asset, but as an economic one. From Applause to Infrastructure African creative industries have long been subject to what might be described as 'symbolic capital fatigue': high-profile festival showcases, streaming acquisitions, and international press coverage — with little investment in the underlying infrastructure required to convert such exposure into long-term value. This pattern has produced recognition, but not reliability. At the Nigerian International Film Summit, held during Cannes, that paradigm was openly challenged. Kene Okwuosa, CEO of Filmhouse Group, one of West Africa's leading entertainment conglomerates, offered a rare and unflinching assessment: 'Nollywood isn't just content,' he stated. 'It is capital. But capital without systems does not circulate.' This distinction is vital. Despite Nollywood's cultural significance, its economic trajectory has been constrained by the absence of reliable data, rights management systems, scalable distribution models, and formalised financing mechanisms. What Kene Okwuosa and a select group of Nigerian executives are advocating for is a fundamental repositioning — from a content industry to a creative economy. Visibility Is Not Maturity There remains a widespread misconception — particularly among global observers — that visibility is indicative of maturity. Yet the vast majority of Nigerian content remains commercially fragile: underprotected, underleveraged, and structurally disconnected from predictable revenue streams. Filmhouse offers a counterpoint to that fragility. Since its inception in 2012, the company has built a vertically integrated infrastructure that combines local exhibition (now at 55 screens), exclusive distribution rights for major Hollywood studios, and the development of Nigerian intellectual property into scalable franchises. This includes titles such as Everybody Loves Jenifa and Sinners, which are achieving commercial milestones typically reserved for international blockbusters. In the first half of 2025 alone: Sinners grossed just under ₦750 million at the domestic box office within six weeks. Everybody Loves Jenifa surpassed the ₦1 billion mark, setting a new benchmark for Nigerian cinema. Filmhouse is targeting $50 Million in group revenue by 2030, supported by co-productions, regional licensing and platform-neutral monetisation strategies. These figures are not anomalies; they represent the early architecture of a repeatable business model. A Sector at an Inflection Point As global streaming platforms retreat from speculative international ventures and become more risk-averse, the imperative for African creative industries is clear: they must reorient from donor-driven optics to market-driven logic. The future of Nollywood lies not in external validation, but in internal coherence — in systems that allow capital to move, content to scale, and talent to retain equity in the value it creates. What Cannes Signified — And What It Did Not Nollywood's formal inclusion in the Marché du Film this year was a meaningful milestone. But it should not be mistaken for structural momentum. Most African creative ecosystems remain undercapitalised, under-regulated, and operationally fragmented. Without data transparency, enforceable rights frameworks, cross-border licensing mechanisms, and regional distribution agreements, stories will remain culturally important but economically undervalued. What executives like Okwuosa are articulating is a necessary shift in language — from validation to valuation. The Broader Stakes Nollywood is not merely a cultural force. It is a major employer, a driver of youth engagement, and a soft power asset. But its future will depend less on the quality of its storytelling — which has never been in question — and more on its capacity to institutionalise the fundamentals of a modern industry: ownership, licensing, monetisation, and policy alignment. What Nigeria requires now is not greater exposure, but deliberate investment in regulatory reform, structured financing, regional co-production treaties, and the development of intra-African distribution pathways. In that context, 2025 should not be seen as the year Nollywood 'arrived.' That milestone passed years ago. Rather, this may be remembered — if the moment is sustained — as the year Nigeria began to formalise the business of storytelling.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store